Bibliography for MU2002: Studies in Music History BETA

Abbate, C. (1991a) ‘Brünnhilde Walks by Night’, in Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton, N.J.: Princeton University Press.

Abbate, C. (1991b) ‘Brünnhilde Walks by Night’, in Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton University Press. Available at: https://hdl.handle.net/2027/fulcrum.7m01bm20j.

Abbate, C. (1991c) Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton, N.J.: Princeton University Press.

Abbate, C. (1991d) Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton University Press. Available at: https://hdl.handle.net/2027/fulcrum.7m01.

Abbate, C. (2003a) In Search of Opera. Princeton, N.J.: Princeton University Press.

Abbate, C. (2003b) ‘Outside the Tomb’, in In Search of Opera. Princeton, N.J.: Princeton University Press, pp. 185–246.

Abbate, C. (2015a) ‘The Tenor Comes of Age’, in A history of opera: the last four hundred years. [New edition]. UK: Penguin Books.

Abbate, C. (2015b) ‘Verdi Older Still’, in A history of opera: the last four hundred years. [New edition]. UK: Penguin Books.

Abbate, C. (2015c) ‘Young Verdi’, in A history of opera: the last four hundred years. [New edition]. UK: Penguin Books.

Abbate, C. and Parker, R. (2015) A History of Opera: The Last Four Hundred Years. [New edition]. UK: Penguin Books.

Adorno, T.W. (1992) ‘Stravinsky: A Dialectical Portrait’, in Quasi Una Fantasia: Essays on Modern Music. London: Verso.

Adorno, T.W. and Hullot-Kentor, R. (2006) Philosophy of New Music. Minneapolis, Minn: University of Minnesota Press.

Adorno, T.W. and Livingstone, R. (1992) Quasi Una Fantasia: Essays on Modern Music. London: Verso.

Andr, ̌Naomi Adele (2006) Voicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth-Century Italian Opera. Bloomington, Ind: Indiana University Press.

Andre, N. (2012a) ‘From Otello to Porgy: Blackness, Masculinity, and Morality in Opera’, in Blackness in opera. Urbana, Ill: University of Illinois Press.

Andre, N. (2012b) ‘From Otello to Porgy: Blackness, Masculinity, and Morality in Opera’, in Blackness in Opera. Baltimore, UNITED STATES: University of Illinois Press. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=3414176.

Andre, N. (2018) Black Opera: History, Power, Engagement. Champaign: University of Illinois Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5404257.

André, N. (2018a) ‘Engaged Opera’, in Black Opera: History, Power, Engagement. Urbana: University of Illinois Press.

André, N. (2018b) ‘Engaged Opera’, in Black Opera: History, Power, Engagement. Champaign: University of Illinois Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5404257.

André, ̌Naomi Adele (2018) Black Opera: History, Power, Engagement. Urbana: University of Illinois Press.

Andriessen, L. and Cross, J. (2003a) ‘Composing with Stravinsky’, in The Cambridge Companion to Stravinsky. Cambridge: Cambridge University Press.

Andriessen, L. and Cross, J. (2003b) ‘Composing with Stravinsky’, in The Cambridge Companion to Stravinsky. Cambridge: Cambridge University Press. Available at: https://www.cambridge.org/core/books/cambridge-companion-to-stravinsky/04E4A6B5ED2E9E22F232848C8A337632.

Arnold Whittall (2002) ‘Defusing Dionysus? New Perspectives on “The Rite of Spring”’, Music Analysis, 21(1), pp. 87–104. Available at: http://www.jstor.org/stable/854363?Search=yes&resultItemClick=true&searchText=Whittall&searchText=Defusing&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DWhittall%2BDefusing%26amp%3Bacc%3Doff%26amp%3Bwc%3Don%26amp%3Bfc%3Doff%26amp%3Bgroup%3Dnone&seq=1#page_scan_tab_contents.

Blackmer, C.E. and Smith, P.J. (1995) En Travesti: Women, Gender Subversion, Opera. New York: Columbia University Press.

Boulez, P. (1986) ‘Stravinsky: “The Rite of Spring”’, in Orientations: Collected Writings. London: Faber.

Boulez, P. and Nattiez, J.-J. (1986) Orientations: Collected Writings. Cambridge, Mass: Harvard University Press.

Carnegy, P. (2013) Wagner and the Art of the Theatre. New Haven, Connecticut: Yale University Press.

Chua, D.K.I. (2007) ‘Rioting with Stravinsky: a Particular Analysis of the Rite of Spring’, Music Analysis, 26(1–2), pp. 59–109. Available at: https://doi.org/10.1111/j.1468-2249.2007.00250.x.

Clément, C. (1988) Opera, or, The Undoing of Women. Minneapolis, Minn: University of Minnesota Press.

Craft, R. (1966) ‘The Rite of Spring: Genesis of a Masterpiece’, Perspectives of New Music, 5(1), pp. 20–36. Available at: https://doi.org/10.2307/832386.

Craft, R. (1994) Stravinsky: Chronicle of a Friendship. Rev. and expanded ed. Nashville: Vanderbilt University Press.

Cross, J. (1998a) ‘Stravinsky’s Modernism’, in The Stravinsky Legacy. Cambridge: Cambridge University Press.

Cross, J. (1998b) The Stravinsky Legacy. Cambridge: Cambridge University Press.

Cross, J. (2003) The Cambridge Companion to Stravinsky. Cambridge: Cambridge University Press.

Cross, J. (2013a) ‘Stravinsky in Exile’, in Stravinsky and His World. Princeton, New Jersey: Princeton University Press.

Cross, J. (2013b) ‘Stravinsky in Exile’, in Stravinsky and His World. Princeton, New Jersey: Princeton University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781400848546.

Cross, J. and Cross, J. (2003) The Cambridge Companion to Stravinsky. Cambridge: Cambridge University Press. Available at: https://www.cambridge.org/core/books/cambridge-companion-to-stravinsky/04E4A6B5ED2E9E22F232848C8A337632.

Davies, J.Q. (2014a) ‘"Veluti in Speculum”: The Twilight of the Castrato’, in Romantic anatomies of performance. Berkeley: University of California Press.

Davies, J.Q. (2014b) ‘"Veluti in Speculum”: The Twilight of the Castrato’, in Romantic anatomies of performance. Berkeley: University of California Press.

DiGaetani, J.L. (2006) Inside the Ring: Essays on Wagner’s Opera Cycle. Jefferson, N.C.: McFarland.

Donizetti, G. (2004) ‘Lucia di Lammermoor’. Opus Arte.

Forte, A. (1978) The Harmonic Organization of ‘The Rite of Spring’. New Haven: Yale University Press.

Francis, K. and Lachapelle, S. (2016) ‘The Medical and the Musical: French Physiology and Late Nineteenth-Century Operatic Training’, Cambridge Opera Journal, 28(03), pp. 347–362. Available at: https://doi.org/10.1017/S0954586716000458.

Garafola, L. (1989) Diaghilev’s Ballets Russes. New York: Oxford University Press.

Gloag, K. (2003a) ‘Russian Rites: Petrushka, The Rite of Spring, and Les Noces’, in The Cambridge Companion to Stravinsky. Cambridge: Cambridge University Press.

Gloag, K. (2003b) ‘Russian Rites: Petrushka, The Rite of Spring, and Les Noces’, in The Cambridge Companion to Stravinsky. Cambridge: Cambridge University Press. Available at: https://www.cambridge.org/core/books/cambridge-companion-to-stravinsky/04E4A6B5ED2E9E22F232848C8A337632.

Gordon, B. (2011a) ‘The Castrato Meets the Cyborg’, The Opera Quarterly, 27(1), pp. 94–122. Available at: https://doi.org/10.1093/oq/kbr015.

Gordon, B. (2011b) ‘The Castrato Meets the Cyborg’, The Opera Quarterly, 27(1), pp. 94–122. Available at: https://doi.org/10.1093/oq/kbr015.

Greenwald, H.M. (2000) ‘Picturing Cio-Cio-San: House, Screen, and Ceremony in Puccini’s “Madama Butterfly”’, Cambridge Opera Journal, 12(3). Available at: https://www.jstor.org/stable/3250716.

Griffiths, P. (1992) Stravinsky. London: Dent.

Groos, A. (1989a) ‘Return of the Native: Japan in Madama Butterfly/Madama Butterfly in Japan’, Cambridge Opera Journal, 1(02). Available at: https://doi.org/10.1017/S0954586700002950.

Groos, A. (1989b) ‘Return of the Native: Japan in Madama Butterfly/Madama Butterfly in Japan’, Cambridge Opera Journal, 1(02). Available at: https://doi.org/10.1017/S0954586700002950.

Harper-Scott, J.P.E. (2009) ‘Medieval Romance and Wagner’s Musical Narrative in the Ring’, 19th-Century Music, 32(3), pp. 211–234. Available at: https://doi.org/10.1525/ncm.2009.32.3.211.

Henson, K. (ed.) (2016) Technology and the Diva: Sopranos, Opera, and Media From Romanticism to the Digital Age. Cambridge: Cambridge University Press.

Hill, P. (2000a) ‘Rehearsals and First Performance’, in Stravinsky: The Rite of Spring. Cambridge: Cambridge University Press.

Hill, P. (2000b) Stravinsky: The Rite of Spring. Cambridge: Cambridge University Press.

Hyer, B. (2007) ‘Parsifal Hysterique’, The Opera Quarterly, 22(2), pp. 269–320. Available at: https://doi.org/10.1093/oq/kbl009.

Kelly, T.F. (2000a) First Nights: Five Musical Premieres. New Haven: Yale University Press.

Kelly, T.F. (2000b) ‘Igor Stravinsky, "Le Sacre du Printemps”: Thursday, May 29, 1913’, in First Nights: Five Musical Premieres. New Haven: Yale University Press, pp. 256–334.

Kreuzer, G. (2018a) ‘Opera, Staging, Technologies’, in Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. Oakland, California: University of California Press, pp. 1–26.

Kreuzer, G. (2018b) ‘Opera, Staging, Technologies’, in Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. Berkeley, UNITED STATES: University of California Press. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=5355317.

Kreuzer, G. (2018c) ‘Steam’, in Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. Oakland, California: University of California Press, pp. 162–214.

Kreuzer, G. (2018d) ‘Steam’, in Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. Berkeley, UNITED STATES: University of California Press. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=5355317.

Kreuzer, G.K. (2018a) Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. Oakland, California: University of California Press.

Kreuzer, G.K. (2018b) Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. Oakland, California: University of California Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5355317.

Lee, J. (2010a) ‘My Objects All Sublime: Racial Performance and Commodity Culture’, in The Japan of pure invention: Gilbert and Sullivan’s The Mikado. Minneapolis, Minn: University of Minnesota Press, pp. 3–38.

Lee, J. (2010b) ‘My Objects All Sublime: Racial Performance and Commodity Culture’, in The Japan of Pure Invention: Gilbert and Sullivan’s the Mikado. Minneapolis, Minn: University of Minnesota Press, pp. 3–38. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=548060.

Levitz, T. (2013a) Stravinsky and His World. Princeton, New Jersey: Princeton University Press.

Levitz, T. (2013b) Stravinsky and His World. Princeton, New Jersey: Princeton University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781400848546.

Levitz, T. (2017a) ‘Racism at the Rite’, in The Rite of Spring at 100. Indiana University Press. Available at: https://www.amazon.co.uk/Rite-Spring-Musical-Meaning-Interpretation/dp/025302420X/ref=sr_1_1?s=books&ie=UTF8&qid=1546441964&sr=1-1&keywords=the+rite+of+spring+at+100.

Levitz, T. (2017b) ‘Racism at the Rite’, in The Rite of Spring at 100. Bloomington, Indiana: Indiana University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780253027351.

Locke, R.P. (1993) ‘Reflections on Orientalism in Opera and Musical Theater’, The Opera Quarterly, 10(1), pp. 48–64. Available at: https://doi.org/10.1093/oq/10.1.48.

Maes, F. (2002a) A History of Russian Music: From Kamarinskaya to Babi Yar. Berkeley: University of California Press.

Maes, F. (2002b) ‘The Clash of Ideas: The Quest for the Essence of the New Russian Music’, in A History of Russian Music: From Kamarinskaya to Babi Yar. Berkeley: University of California Press.

Nietzsche, F.W. and Smith, D. (2008) The Birth of Tragedy. [New ed.]. Oxford: Oxford University Press.

Offenbach, J. (2003) ‘Offenbach : Les Contes d’Hoffmann - Royal Opera House/Prêtre’. Warner Music Entertainment.

Parker, R. (2001a) ‘The Opera Industry’, in The Cambridge History of Nineteenth-Century Music. Cambridge: Cambridge University Press.

Parker, R. (2001b) ‘The Opera Industry’, in The Cambridge History of Nineteenth-Century Music. Cambridge: Cambridge University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CHOL9780521590174.

Parr, S. (2016) ‘Coloratura and Technology in the Mid Nineteenth-Century Mad Scene’, in K. Henson (ed.) Technology and the diva: sopranos, opera, and media from romanticism to the digital age. Cambridge: Cambridge University Press. Available at: https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9781316760895.

Puccini, G. (2011) ‘Madama Butterfly’. New York: Distributed by Sony Music Entertainment.

Ridout, N. (2008) ‘Opera and the Technologies of Theatrical Production’, in The Cambridge companion to opera studies. Cambridge: Cambridge University Press.

Ridout, N. (2012) ‘Opera and the Technologies of Theatrical Production’, in The Cambridge Companion to Opera Studies. Cambridge: Cambridge University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCO9781139024976.

Robinson, J.B., Walsh, S. and Griffiths, E. (2013) Avatar of Modernity: The Rite of Spring Reconsidered. 2013th edn. Edited by H. Danuser and H. Zimmermann. Basel: Paul Sacher Foundation.

Routh, F. (1975) Stravinsky. London: Dent.

Rutherford, S. (2013) Verdi, Opera, Women. Cambridge: Cambridge University Press.

Smart, M.A. (1992) ‘The Silencing of Lucia’, Cambridge Opera Journal, 4(02). Available at: https://doi.org/10.1017/S0954586700003694.

Stravinsky, I. (1970) Poetics of Music: In the Form of Six Lessons. Cambridge, Mass: Harvard University Press.

Stravinsky, I. and Craft, R. (1959) Conversations With Igor Stravinsky. London: Faber and Faber.

Taruskin, R. (1980) ‘Russian Folk Melodies in “The Rite of Spring”’, Journal of the American Musicological Society, 33(3), pp. 501–543. Available at: https://doi.org/10.2307/831304.

Taruskin, R. (1996a) Stravinsky and the Russian Traditions. Berkeley: University of California Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://hdl.handle.net/2027/heb.05560.

Taruskin, R. (1996b) Stravinsky and the Russian Traditions: A Biography of the Works Through Mavra. Oxford: Oxford University Press.

Taruskin, R. (2008) On Russian Music. Berkeley: University of California Press. Available at: https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9780520942806.

Taruskin, R. (2009) On Russian Music. Berkeley: University of California Press.

Taruskin, R. (2016a) ‘Resisting the Rite’, in Russian Music at Home and Abroad: New Essays. Oakland, California: University of California Press.

Taruskin, R. (2016b) Russian Music at Home and Abroad: New Essays. Oakland, California: University of California Press.

Till, N. (2012a) The Cambridge Companion to Opera Studies. Cambridge: Cambridge University Press.

Till, N. (2012b) The Cambridge Companion to Opera Studies. Cambridge: Cambridge University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCO9781139024976.

Toorn, P.C. van den (1987) Stravinsky and The Rite of Spring: The Beginnings of a Musical Language. Berkeley: University of California Press.

Van den Toorn, P.C. (1987) Stravinsky and The Rite of Spring: The Beginnings of a Musical Language. Berkeley: University of California Press. Available at: http://ark.cdlib.org/ark:/13030/ft967nb647/.

Van Den Toorn, P.C. and Tymoczko, D. (2003) ‘Stravinsky and the Octatonic: The Sounds of Stravinsky’, Music Theory Spectrum, 25(1), pp. 167–202. Available at: https://doi.org/10.1525/mts.2003.25.1.167.

Vella, F. (2018) ‘(De)railing Mobility: Opera, Stasis, and Locomotion on Late-Nineteenth-Century Italian Tracks’, The Opera Quarterly, 34(1), pp. 3–28. Available at: https://doi.org/10.1093/oq/kby005.

Wagner, R., Spencer, S. and Millington, B. (1993) Wagner’s Ring of the Nibelung: A Companion: The Full German Text. London: Thames and Hudson.

Walsh, S. (1988) The Music of Stravinsky. London: Routledge.

Zizek, S. (2008) ‘Brunnhilde’s Act’, The Opera Quarterly, 23(2–3), pp. 199–216. Available at: https://doi.org/10.1093/oq/kbn044.