Bibliography for MU2002: Studies in Music History BETA

1.

Abbate, C. & Parker, R. A History of Opera: The Last Four Hundred Years. (Penguin Books, 2015).

2.

Abbate, C. In Search of Opera. (Princeton University Press, 2003).

3.

Abbate, C. Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. (Princeton University Press, 1991).

4.

Abbate, C. Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. (Princeton University Press, 1991).

5.

André, ̌Naomi Adele. Black Opera: History, Power, Engagement. (University of Illinois Press, 2018).

6.

Andre, N. Black Opera: History, Power, Engagement. (University of Illinois Press, 2018).

7.

Andr, ̌Naomi Adele. Voicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth-Century Italian Opera. (Indiana University Press, 2006).

8.

Blackmer, C. E. & Smith, P. J. En Travesti: Women, Gender Subversion, Opera. (Columbia University Press, 1995).

9.

Carnegy, P. Wagner and the Art of the Theatre. (Yale University Press, 2013).

10.

Clément, C. Opera, or, The Undoing of Women. (University of Minnesota Press, 1988).

11.

Kreuzer, G. K. Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. (University of California Press, 2018).

12.

Kreuzer, G. K. Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. (University of California Press, 2018).

13.

Till, N. The Cambridge Companion to Opera Studies. (Cambridge University Press, 2012).

14.

Till, N. The Cambridge Companion to Opera Studies. (Cambridge University Press, 2012).

15.

Rutherford, S. Verdi, Opera, Women. (Cambridge University Press, 2013).

16.

Groos, A. Return of the Native: Japan in Madama Butterfly/Madama Butterfly in Japan. Cambridge Opera Journal 1, (1989).

17.

Groos, A. Return of the Native: Japan in Madama Butterfly/Madama Butterfly in Japan. Cambridge Opera Journal 1, (1989).

18.

Greenwald, H. M. Picturing Cio-Cio-San: House, Screen, and Ceremony in Puccini’s ‘Madama Butterfly’. Cambridge Opera Journal 12, (2000).

19.

Zizek, S. Brunnhilde’s Act. The Opera Quarterly 23, 199–216 (2008).

20.

Nietzsche, F. W. & Smith, D. The Birth of Tragedy. (Oxford University Press, 2008).

21.

Francis, K. & Lachapelle, S. The Medical and the Musical: French Physiology and Late Nineteenth-Century Operatic Training. Cambridge Opera Journal 28, 347–362 (2016).

22.

Technology and the Diva: Sopranos, Opera, and Media From Romanticism to the Digital Age. (Cambridge University Press, 2016).

23.

Wagner, R., Spencer, S. & Millington, B. Wagner’s Ring of the Nibelung: A Companion: The Full German Text. (Thames and Hudson, 1993).

24.

DiGaetani, J. L. Inside the Ring: Essays on Wagner’s Opera Cycle. (McFarland, 2006).

25.

Gordon, B. The Castrato Meets the Cyborg. The Opera Quarterly 27, 94–122 (2011).

26.

Vella, F. (De)railing Mobility: Opera, Stasis, and Locomotion on Late-Nineteenth-Century Italian Tracks. The Opera Quarterly 34, 3–28 (2018).

27.

Davies, J. Q. "Veluti in Speculum”: The Twilight of the Castrato. in Romantic anatomies of performance (University of California Press, 2014).

28.

Abbate, C. The Tenor Comes of Age. in A history of opera: the last four hundred years (Penguin Books, 2015).

29.

Abbate, C. Young Verdi. in A history of opera: the last four hundred years (Penguin Books, 2015).

30.

Abbate, C. Verdi Older Still. in A history of opera: the last four hundred years (Penguin Books, 2015).

31.

Andre, N. From Otello to Porgy: Blackness, Masculinity, and Morality in Opera. in Blackness in opera (University of Illinois Press, 2012).

32.

Andre, N. From Otello to Porgy: Blackness, Masculinity, and Morality in Opera. in Blackness in Opera (University of Illinois Press, 2012).

33.

Parker, R. The Opera Industry. in The Cambridge History of Nineteenth-Century Music (Cambridge University Press, 2001).

34.

Parker, R. The Opera Industry. in The Cambridge History of Nineteenth-Century Music (Cambridge University Press, 2001).

35.

Smart, M. A. The Silencing of Lucia. Cambridge Opera Journal 4, (1992).

36.

Hyer, B. Parsifal Hysterique. The Opera Quarterly 22, 269–320 (2007).

37.

Parr, S. Coloratura and Technology in the Mid Nineteenth-Century Mad Scene. in Technology and the diva: sopranos, opera, and media from romanticism to the digital age (ed. Henson, K.) (Cambridge University Press, 2016).

38.

Locke, R. P. Reflections on Orientalism in Opera and Musical Theater. The Opera Quarterly 10, 48–64 (1993).

39.

André, N. Engaged Opera. in Black Opera: History, Power, Engagement (University of Illinois Press, 2018).

40.

André, N. Engaged Opera. in Black Opera: History, Power, Engagement (University of Illinois Press, 2018).

41.

Lee, J. My Objects All Sublime: Racial Performance and Commodity Culture. in The Japan of pure invention: Gilbert and Sullivan’s The Mikado 3–38 (University of Minnesota Press, 2010).

42.

Lee, J. My Objects All Sublime: Racial Performance and Commodity Culture. in The Japan of Pure Invention: Gilbert and Sullivan’s the Mikado 3–38 (University of Minnesota Press, 2010).

43.

Abbate, C. Brünnhilde Walks by Night. in Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (Princeton University Press, 1991).

44.

Abbate, C. Brünnhilde Walks by Night. in Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (Princeton University Press, 1991).

45.

Harper-Scott, J. P. E. Medieval Romance and Wagner’s Musical Narrative in the Ring. 19th-Century Music 32, 211–234 (2009).

46.

Ridout, N. Opera and the Technologies of Theatrical Production. in The Cambridge companion to opera studies (Cambridge University Press, 2008).

47.

Ridout, N. Opera and the Technologies of Theatrical Production. in The Cambridge Companion to Opera Studies (Cambridge University Press, 2012).

48.

Davies, J. Q. "Veluti in Speculum”: The Twilight of the Castrato. in Romantic anatomies of performance (University of California Press, 2014).

49.

Abbate, C. Outside the Tomb. in In Search of Opera 185–246 (Princeton University Press, 2003).

50.

Kreuzer, G. Opera, Staging, Technologies. in Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera 1–26 (University of California Press, 2018).

51.

Kreuzer, G. Opera, Staging, Technologies. in Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera (University of California Press, 2018).

52.

Kreuzer, G. Steam. in Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera 162–214 (University of California Press, 2018).

53.

Kreuzer, G. Steam. in Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera (University of California Press, 2018).

54.

Gordon, B. The Castrato Meets the Cyborg. The Opera Quarterly 27, 94–122 (2011).

55.

Stravinsky, I. & Craft, R. Conversations With Igor Stravinsky. (Faber and Faber, 1959).

56.

Boulez, P. & Nattiez, J.-J. Orientations: Collected Writings. (Harvard University Press, 1986).

57.

Craft, R. Stravinsky: Chronicle of a Friendship. (Vanderbilt University Press, 1994).

58.

Robinson, J. B., Walsh, S. & Griffiths, E. Avatar of Modernity: The Rite of Spring Reconsidered. (Paul Sacher Foundation, 2013).

59.

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60.

Taruskin, R. Stravinsky and the Russian Traditions. (University of California Press, 1996).

61.

Taruskin, R. On Russian Music. (University of California Press, 2009).

62.

Taruskin, R. On Russian Music. vol. Ahmanson Foundation humanities endowment fund imprint On Russian music (University of California Press, 2008).

63.

Taruskin, R. Russian Music at Home and Abroad: New Essays. (University of California Press, 2016).

64.

Routh, F. Stravinsky. vol. The master musicians series (Dent, 1975).

65.

Cross, J. The Cambridge Companion to Stravinsky. (Cambridge University Press, 2003).

66.

Cross, J. & Cross, J. The Cambridge Companion to Stravinsky. vol. Cambridge companions to music The Cambridge companion to Stravinsky (Cambridge University Press, 2003).

67.

Cross, J. The Stravinsky Legacy. (Cambridge University Press, 1998).

68.

Toorn, P. C. van den. Stravinsky and The Rite of Spring: The Beginnings of a Musical Language. (University of California Press, 1987).

69.

Van den Toorn, P. C. Stravinsky and The Rite of Spring: The Beginnings of a Musical Language. (University of California Press, 1987).

70.

Forte, A. The Harmonic Organization of ‘The Rite of Spring’. (Yale University Press, 1978).

71.

Griffiths, P. Stravinsky. vol. The master musicians series (Dent, 1992).

72.

Hill, P. Stravinsky: The Rite of Spring. (Cambridge University Press, 2000).

73.

Levitz, T. Stravinsky and His World. (Princeton University Press, 2013).

74.

Levitz, T. Stravinsky and His World. (Princeton University Press, 2013).

75.

Maes, F. A History of Russian Music: From Kamarinskaya to Babi Yar. (University of California Press, 2002).

76.

Walsh, S. The Music of Stravinsky. (Routledge, 1988).

77.

Stravinsky, I. Poetics of Music: In the Form of Six Lessons. (Harvard University Press, 1970).

78.

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79.

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80.

Kelly, T. F. First Nights: Five Musical Premieres. (Yale University Press, 2000).

81.

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82.

Taruskin, R. Resisting the Rite. in Russian Music at Home and Abroad: New Essays (University of California Press, 2016).

83.

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84.

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85.

Arnold Whittall. Defusing Dionysus? New Perspectives on ‘The Rite of Spring’. Music Analysis 21, 87–104 (2002).

86.

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87.

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88.

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89.

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90.

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91.

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92.

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93.

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94.

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95.

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96.

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97.

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98.

Cross, J. Stravinsky’s Modernism. in The Stravinsky Legacy (Cambridge University Press, 1998).

99.

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100.

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101.

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102.

Donizetti, G. Lucia di Lammermoor. (2004).

103.

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104.

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