Bibliography for MU2002: Studies in Music History BETA

@book{Abbate_1991a, address={Princeton, N.J.}, title={Unsung Voices: Opera and Musical Narrative in the Nineteenth Century}, publisher={Princeton University Press}, author={Abbate, Carolyn}, year={1991} }

@book{Abbate_1991b, title={Unsung Voices: Opera and Musical Narrative in the Nineteenth Century}, url={https://hdl.handle.net/2027/fulcrum.7m01}, publisher={Princeton University Press}, author={Abbate, Carolyn}, year={1991} }

@inbook{Abbate_1991c, address={Princeton, N.J.}, title={Brünnhilde Walks by Night}, booktitle={Unsung Voices: Opera and Musical Narrative in the Nineteenth Century}, publisher={Princeton University Press}, author={Abbate, Carolyn}, year={1991} }

@inbook{Abbate_1991d, title={Brünnhilde Walks by Night}, url={https://hdl.handle.net/2027/fulcrum.7m01bm20j}, booktitle={Unsung Voices: Opera and Musical Narrative in the Nineteenth Century}, publisher={Princeton University Press}, author={Abbate, Carolyn}, year={1991} }

@book{Abbate_2003a, address={Princeton, N.J.}, title={In Search of Opera}, publisher={Princeton University Press}, author={Abbate, Carolyn}, year={2003} }

@inbook{Abbate_2003b, address={Princeton, N.J.}, title={Outside the Tomb}, booktitle={In Search of Opera}, publisher={Princeton University Press}, author={Abbate, Carolyn}, year={2003}, pages={185–246} }

@inbook{Abbate_2015a, address={UK}, edition={[New edition]}, title={The Tenor Comes of Age}, booktitle={A history of opera: the last four hundred years}, publisher={Penguin Books}, author={Abbate, Carolyn}, year={2015} }

@inbook{Abbate_2015b, address={UK}, edition={[New edition]}, title={Young Verdi}, booktitle={A history of opera: the last four hundred years}, publisher={Penguin Books}, author={Abbate, Carolyn}, year={2015} }

@inbook{Abbate_2015c, address={UK}, edition={[New edition]}, title={Verdi Older Still}, booktitle={A history of opera: the last four hundred years}, publisher={Penguin Books}, author={Abbate, Carolyn}, year={2015} }

@book{Abbate_Parker_2015, address={UK}, edition={[New edition]}, title={A History of Opera: The Last Four Hundred Years}, publisher={Penguin Books}, author={Abbate, Carolyn and Parker, Roger}, year={2015} }

@inbook{Adorno_1992, address={London}, title={Stravinsky: A Dialectical Portrait}, booktitle={Quasi Una Fantasia: Essays on Modern Music}, publisher={Verso}, author={Adorno, Theodor W.}, year={1992} }

@book{Adorno_Hullot-Kentor_2006, address={Minneapolis, Minn}, title={Philosophy of New Music}, publisher={University of Minnesota Press}, author={Adorno, Theodor W. and Hullot-Kentor, Robert}, year={2006} }

@book{Adorno_Livingstone_1992, address={London}, title={Quasi Una Fantasia: Essays on Modern Music}, publisher={Verso}, author={Adorno, Theodor W. and Livingstone, Rodney}, year={1992} }

@book{Andr_2006, address={Bloomington, Ind}, title={Voicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth-Century Italian Opera}, publisher={Indiana University Press}, author={Andr, ̌Naomi Adele}, year={2006} }

@inbook{Andre_2012a, address={Urbana, Ill}, title={From Otello to Porgy: Blackness, Masculinity, and Morality in Opera}, booktitle={Blackness in opera}, publisher={University of Illinois Press}, author={Andre, Naomi}, year={2012} }

@inbook{Andre_2012b, address={Baltimore, UNITED STATES}, title={From Otello to Porgy: Blackness, Masculinity, and Morality in Opera}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=3414176}, booktitle={Blackness in Opera}, publisher={University of Illinois Press}, author={Andre, Naomi}, year={2012} }

@book{Andre_2018, address={Champaign}, title={Black Opera: History, Power, Engagement}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5404257}, publisher={University of Illinois Press}, author={Andre, Naomi}, year={2018} }

@inbook{André_2018a, address={Urbana}, title={Engaged Opera}, booktitle={Black Opera: History, Power, Engagement}, publisher={University of Illinois Press}, author={André, Naomi}, year={2018} }

@inbook{André_2018b, address={Champaign}, title={Engaged Opera}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5404257}, booktitle={Black Opera: History, Power, Engagement}, publisher={University of Illinois Press}, author={André, Naomi}, year={2018} }

@book{André_2018c, address={Urbana}, title={Black Opera: History, Power, Engagement}, publisher={University of Illinois Press}, author={André, ̌Naomi Adele}, year={2018} }

@inbook{Andriessen_Cross_2003a, address={Cambridge}, title={Composing with Stravinsky}, booktitle={The Cambridge Companion to Stravinsky}, publisher={Cambridge University Press}, author={Andriessen, Louis and Cross, Jonathan}, year={2003} }

@inbook{Andriessen_Cross_2003b, address={Cambridge}, title={Composing with Stravinsky}, volume={Cambridge companions to music The Cambridge companion to Stravinsky}, url={https://www.cambridge.org/core/books/cambridge-companion-to-stravinsky/04E4A6B5ED2E9E22F232848C8A337632}, booktitle={The Cambridge Companion to Stravinsky}, publisher={Cambridge University Press}, author={Andriessen, Louis and Cross, Jonathan}, year={2003} }

@article{Arnold Whittall_2002, title={Defusing Dionysus? New Perspectives on ‘The Rite of Spring’}, volume={21}, url={http://www.jstor.org/stable/854363?Search=yes&resultItemClick=true&searchText=Whittall&searchText=Defusing&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DWhittall%2BDefusing%26amp%3Bacc%3Doff%26amp%3Bwc%3Don%26amp%3Bfc%3Doff%26amp%3Bgroup%3Dnone&seq=1#page_scan_tab_contents}, number={1}, journal={Music Analysis}, publisher={WileyWiley}, author={Arnold Whittall}, year={2002}, pages={87–104} }

@book{Blackmer_Smith_1995, address={New York}, title={En Travesti: Women, Gender Subversion, Opera}, publisher={Columbia University Press}, author={Blackmer, Corinne E. and Smith, Patricia Juliana}, year={1995} }

@inbook{Boulez_1986, address={London}, title={Stravinsky: ‘The Rite of Spring’}, booktitle={Orientations: Collected Writings}, publisher={Faber}, author={Boulez, Pierre}, year={1986} }

@book{Boulez_Nattiez_1986, address={Cambridge, Mass}, title={Orientations: Collected Writings}, publisher={Harvard University Press}, author={Boulez, Pierre and Nattiez, Jean-Jacques}, year={1986} }

@book{Carnegy_2013, address={New Haven, Connecticut}, title={Wagner and the Art of the Theatre}, publisher={Yale University Press}, author={Carnegy, Patrick}, year={2013} }

@article{Chua_2007, title={Rioting with Stravinsky: a Particular Analysis of the Rite of Spring}, volume={26}, DOI={10.1111/j.1468-2249.2007.00250.x}, number={1–2}, journal={Music Analysis}, author={Chua, Daniel K. I.}, year={2007}, pages={59–109} }

@book{Clément_1988, address={Minneapolis, Minn}, title={Opera, or, The Undoing of Women}, publisher={University of Minnesota Press}, author={Clément, Catherine}, year={1988} }

@article{Craft_1966, title={The Rite of Spring: Genesis of a Masterpiece}, volume={5}, DOI={10.2307/832386}, number={1}, journal={Perspectives of New Music}, author={Craft, Robert}, year={1966}, pages={20–36} }

@book{Craft_1994, address={Nashville}, edition={Rev. and expanded ed}, title={Stravinsky: Chronicle of a Friendship}, publisher={Vanderbilt University Press}, author={Craft, Robert}, year={1994} }

@book{Cross_1998a, address={Cambridge}, title={The Stravinsky Legacy}, publisher={Cambridge University Press}, author={Cross, Jonathan}, year={1998} }

@inbook{Cross_1998b, address={Cambridge}, title={Stravinsky’s Modernism}, booktitle={The Stravinsky Legacy}, publisher={Cambridge University Press}, author={Cross, Jonathan}, year={1998} }

@book{Cross_2003, address={Cambridge}, title={The Cambridge Companion to Stravinsky}, publisher={Cambridge University Press}, author={Cross, Jonathan}, year={2003} }

@inbook{Cross_2013a, address={Princeton, New Jersey}, title={Stravinsky in Exile}, booktitle={Stravinsky and His World}, publisher={Princeton University Press}, author={Cross, Jonathan}, year={2013} }

@inbook{Cross_2013b, address={Princeton, New Jersey}, title={Stravinsky in Exile}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781400848546}, booktitle={Stravinsky and His World}, publisher={Princeton University Press}, author={Cross, Jonathan}, year={2013} }

@book{Cross_Cross_2003, address={Cambridge}, title={The Cambridge Companion to Stravinsky}, volume={Cambridge companions to music The Cambridge companion to Stravinsky}, url={https://www.cambridge.org/core/books/cambridge-companion-to-stravinsky/04E4A6B5ED2E9E22F232848C8A337632}, publisher={Cambridge University Press}, author={Cross, Jonathan and Cross, Jonathan}, year={2003} }

@inbook{Davies_2014a, address={Berkeley}, title={"Veluti in Speculum”: The Twilight of the Castrato}, booktitle={Romantic anatomies of performance}, publisher={University of California Press}, author={Davies, James Q.}, year={2014} }

@inbook{Davies_2014b, address={Berkeley}, title={"Veluti in Speculum”: The Twilight of the Castrato}, booktitle={Romantic anatomies of performance}, publisher={University of California Press}, author={Davies, James Q.}, year={2014} }

@book{DiGaetani_2006, address={Jefferson, N.C.}, title={Inside the Ring: Essays on Wagner’s Opera Cycle}, publisher={McFarland}, author={DiGaetani, John Louis}, year={2006} }

@misc{Donizetti_2004, title={Lucia di Lammermoor}, publisher={Opus Arte}, author={Donizetti, Gaetano}, year={2004} }

@book{Forte_1978, address={New Haven}, title={The Harmonic Organization of ‘The Rite of Spring’}, publisher={Yale University Press}, author={Forte, Allen}, year={1978} }

@article{Francis_Lachapelle_2016, title={The Medical and the Musical: French Physiology and Late Nineteenth-Century Operatic Training}, volume={28}, DOI={10.1017/S0954586716000458}, number={03}, journal={Cambridge Opera Journal}, author={Francis, Kimberly and Lachapelle, Sofie}, year={2016}, pages={347–362} }

@book{Garafola_1989, address={New York}, title={Diaghilev’s Ballets Russes}, publisher={Oxford University Press}, author={Garafola, Lynn}, year={1989} }

@inbook{Gloag_2003a, address={Cambridge}, title={Russian Rites: Petrushka, The Rite of Spring, and Les Noces}, booktitle={The Cambridge Companion to Stravinsky}, publisher={Cambridge University Press}, author={Gloag, Kenneth}, year={2003} }

@inbook{Gloag_2003b, address={Cambridge}, title={Russian Rites: Petrushka, The Rite of Spring, and Les Noces}, volume={Cambridge companions to music The Cambridge companion to Stravinsky}, url={https://www.cambridge.org/core/books/cambridge-companion-to-stravinsky/04E4A6B5ED2E9E22F232848C8A337632}, booktitle={The Cambridge Companion to Stravinsky}, publisher={Cambridge University Press}, author={Gloag, Kenneth}, year={2003} }

@article{Gordon_2011a, title={The Castrato Meets the Cyborg}, volume={27}, DOI={10.1093/oq/kbr015}, number={1}, journal={The Opera Quarterly}, author={Gordon, B.}, year={2011}, pages={94–122} }

@article{Gordon_2011b, title={The Castrato Meets the Cyborg}, volume={27}, DOI={10.1093/oq/kbr015}, number={1}, journal={The Opera Quarterly}, author={Gordon, B.}, year={2011}, pages={94–122} }

@article{Greenwald_2000, title={Picturing Cio-Cio-San: House, Screen, and Ceremony in Puccini’s ‘Madama Butterfly’}, volume={12}, url={https://www.jstor.org/stable/3250716}, number={3}, journal={Cambridge Opera Journal}, publisher={Cambridge University Press}, author={Greenwald, Helen M.}, year={2000} }

@book{Griffiths_1992, address={London}, title={Stravinsky}, volume={The master musicians series}, publisher={Dent}, author={Griffiths, Paul}, year={1992} }

@article{Groos_1989a, title={Return of the Native: Japan in Madama Butterfly/Madama Butterfly in Japan}, volume={1}, DOI={10.1017/S0954586700002950}, number={02}, journal={Cambridge Opera Journal}, author={Groos, Arthur}, year={1989} }

@article{Groos_1989b, title={Return of the Native: Japan in Madama Butterfly/Madama Butterfly in Japan}, volume={1}, DOI={10.1017/S0954586700002950}, number={02}, journal={Cambridge Opera Journal}, author={Groos, Arthur}, year={1989} }

@article{Harper-Scott_2009, title={Medieval Romance and Wagner’s Musical Narrative in the Ring}, volume={32}, DOI={10.1525/ncm.2009.32.3.211}, number={3}, journal={19th-Century Music}, author={Harper-Scott, J. P. E.}, year={2009}, pages={211–234} }

@book{Hill_2000a, address={Cambridge}, title={Stravinsky: The Rite of Spring}, publisher={Cambridge University Press}, author={Hill, Peter}, year={2000} }

@inbook{Hill_2000b, address={Cambridge}, title={Rehearsals and First Performance}, booktitle={Stravinsky: The Rite of Spring}, publisher={Cambridge University Press}, author={Hill, Peter}, year={2000} }

@article{Hyer_2007, title={Parsifal Hysterique}, volume={22}, DOI={10.1093/oq/kbl009}, number={2}, journal={The Opera Quarterly}, author={Hyer, B.}, year={2007}, pages={269–320} }

@book{Kelly_2000a, address={New Haven}, title={First Nights: Five Musical Premieres}, publisher={Yale University Press}, author={Kelly, Thomas Forrest}, year={2000} }

@inbook{Kelly_2000b, address={New Haven}, title={Igor Stravinsky, "Le Sacre du Printemps”: Thursday, May 29, 1913}, booktitle={First Nights: Five Musical Premieres}, publisher={Yale University Press}, author={Kelly, Thomas Forrest}, year={2000}, pages={256–334} }

@inbook{Kreuzer_2018a, address={Oakland, California}, title={Opera, Staging, Technologies}, booktitle={Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera}, publisher={University of California Press}, author={Kreuzer, Gundula}, year={2018}, pages={1–26} }

@inbook{Kreuzer_2018b, address={Berkeley, UNITED STATES}, title={Opera, Staging, Technologies}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=5355317}, booktitle={Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera}, publisher={University of California Press}, author={Kreuzer, Gundula}, year={2018} }

@inbook{Kreuzer_2018c, address={Oakland, California}, title={Steam}, booktitle={Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera}, publisher={University of California Press}, author={Kreuzer, Gundula}, year={2018}, pages={162–214} }

@inbook{Kreuzer_2018d, address={Berkeley, UNITED STATES}, title={Steam}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=5355317}, booktitle={Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera}, publisher={University of California Press}, author={Kreuzer, Gundula}, year={2018} }

@book{Kreuzer_2018e, address={Oakland, California}, title={Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera}, publisher={University of California Press}, author={Kreuzer, Gundula Katharina}, year={2018} }

@book{Kreuzer_2018f, address={Oakland, California}, title={Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5355317}, publisher={University of California Press}, author={Kreuzer, Gundula Katharina}, year={2018} }

@inbook{Lee_2010a, address={Minneapolis, Minn}, title={My Objects All Sublime: Racial Performance and Commodity Culture}, booktitle={The Japan of pure invention: Gilbert and Sullivan’s The Mikado}, publisher={University of Minnesota Press}, author={Lee, Josephine}, year={2010}, pages={3–38} }

@inbook{Lee_2010b, address={Minneapolis, Minn}, title={My Objects All Sublime: Racial Performance and Commodity Culture}, url={https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=548060}, booktitle={The Japan of Pure Invention: Gilbert and Sullivan’s the Mikado}, publisher={University of Minnesota Press}, author={Lee, Josephine}, year={2010}, pages={3–38} }

@book{Levitz_2013a, address={Princeton, New Jersey}, title={Stravinsky and His World}, publisher={Princeton University Press}, author={Levitz, Tamara}, year={2013} }

@book{Levitz_2013b, address={Princeton, New Jersey}, title={Stravinsky and His World}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781400848546}, publisher={Princeton University Press}, author={Levitz, Tamara}, year={2013} }

@inbook{Levitz_2017a, title={Racism at the Rite}, url={https://www.amazon.co.uk/Rite-Spring-Musical-Meaning-Interpretation/dp/025302420X/ref=sr_1_1?s=books&ie=UTF8&qid=1546441964&sr=1-1&keywords=the+rite+of+spring+at+100}, booktitle={The Rite of Spring at 100}, publisher={Indiana University Press}, author={Levitz, Tamara}, year={2017} }

@inbook{Levitz_2017b, address={Bloomington, Indiana}, title={Racism at the Rite}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780253027351}, booktitle={The Rite of Spring at 100}, publisher={Indiana University Press}, author={Levitz, Tamara}, year={2017} }

@article{Locke_1993, title={Reflections on Orientalism in Opera and Musical Theater}, volume={10}, DOI={10.1093/oq/10.1.48}, number={1}, journal={The Opera Quarterly}, author={Locke, Ralph P.}, year={1993}, pages={48–64} }

@book{Maes_2002a, address={Berkeley}, title={A History of Russian Music: From Kamarinskaya to Babi Yar}, publisher={University of California Press}, author={Maes, Francis}, year={2002} }

@inbook{Maes_2002b, address={Berkeley}, title={The Clash of Ideas: The Quest for the Essence of the New Russian Music}, booktitle={A History of Russian Music: From Kamarinskaya to Babi Yar}, publisher={University of California Press}, author={Maes, Francis}, year={2002} }

@book{Nietzsche_Smith_2008, address={Oxford}, edition={[New ed.]}, title={The Birth of Tragedy}, publisher={Oxford University Press}, author={Nietzsche, Friedrich Wilhelm and Smith, Douglas}, year={2008} }

@misc{Offenbach_2003, address={Warner Music Entertainment}, title={Offenbach : Les Contes d’Hoffmann - Royal Opera House/Prêtre}, author={Offenbach, Jacques}, year={2003} }

@inbook{Parker_2001a, address={Cambridge}, title={The Opera Industry}, booktitle={The Cambridge History of Nineteenth-Century Music}, publisher={Cambridge University Press}, author={Parker, Roger}, year={2001} }

@inbook{Parker_2001b, address={Cambridge}, title={The Opera Industry}, url={http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CHOL9780521590174}, booktitle={The Cambridge History of Nineteenth-Century Music}, publisher={Cambridge University Press}, author={Parker, Roger}, year={2001} }

@inbook{Parr_2016, address={Cambridge}, title={Coloratura and Technology in the Mid Nineteenth-Century Mad Scene}, url={https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9781316760895}, booktitle={Technology and the diva: sopranos, opera, and media from romanticism to the digital age}, publisher={Cambridge University Press}, author={Parr, Sean}, editor={Henson, Karen}, year={2016} }

@misc{Puccini_2011, address={New York}, title={Madama Butterfly}, publisher={Distributed by Sony Music Entertainment}, author={Puccini, Giacomo}, year={2011} }

@inbook{Ridout_2008, address={Cambridge}, title={Opera and the Technologies of Theatrical Production}, booktitle={The Cambridge companion to opera studies}, publisher={Cambridge University Press}, author={Ridout, Nicholas}, year={2008} }

@inbook{Ridout_2012, address={Cambridge}, title={Opera and the Technologies of Theatrical Production}, url={http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCO9781139024976}, booktitle={The Cambridge Companion to Opera Studies}, publisher={Cambridge University Press}, author={Ridout, Nicholas}, year={2012} }

@book{Robinson_Walsh_Griffiths_2013, address={Basel}, edition={2013}, title={Avatar of Modernity: The Rite of Spring Reconsidered}, publisher={Paul Sacher Foundation}, author={Robinson, J. Bradford and Walsh, Stephen and Griffiths, Edmund}, editor={Danuser, Hermann and Zimmermann, Heidy}, year={2013} }

@book{Routh_1975, address={London}, title={Stravinsky}, volume={The master musicians series}, publisher={Dent}, author={Routh, Francis}, year={1975} }

@book{Rutherford_2013, address={Cambridge}, title={Verdi, Opera, Women}, publisher={Cambridge University Press}, author={Rutherford, Susan}, year={2013} }

@article{Smart_1992, title={The Silencing of Lucia}, volume={4}, DOI={10.1017/S0954586700003694}, number={02}, journal={Cambridge Opera Journal}, author={Smart, Mary Ann}, year={1992} }

@book{Stravinsky_1970, address={Cambridge, Mass}, title={Poetics of Music: In the Form of Six Lessons}, publisher={Harvard University Press}, author={Stravinsky, Igor}, year={1970} }

@book{Stravinsky_Craft_1959, address={London}, title={Conversations With Igor Stravinsky}, publisher={Faber and Faber}, author={Stravinsky, Igor and Craft, Robert}, year={1959} }

@article{Taruskin_1980, title={Russian Folk Melodies in ‘The Rite of Spring’}, volume={33}, DOI={10.2307/831304}, number={3}, journal={Journal of the American Musicological Society}, author={Taruskin, Richard}, year={1980}, pages={501–543} }

@book{Taruskin_1996a, address={Oxford}, title={Stravinsky and the Russian Traditions: A Biography of the Works Through Mavra}, publisher={Oxford University Press}, author={Taruskin, Richard}, year={1996} }

@book{Taruskin_1996b, address={Berkeley}, title={Stravinsky and the Russian Traditions}, url={http://ezproxy01.rhul.ac.uk/login?url=http://hdl.handle.net/2027/heb.05560}, publisher={University of California Press}, author={Taruskin, Richard}, year={1996} }

@book{Taruskin_2008, address={Berkeley}, title={On Russian Music}, volume={Ahmanson Foundation humanities endowment fund imprint On Russian music}, url={https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9780520942806}, publisher={University of California Press}, author={Taruskin, Richard}, year={2008} }

@book{Taruskin_2009, address={Berkeley}, title={On Russian Music}, publisher={University of California Press}, author={Taruskin, Richard}, year={2009} }

@book{Taruskin_2016a, address={Oakland, California}, title={Russian Music at Home and Abroad: New Essays}, publisher={University of California Press}, author={Taruskin, Richard}, year={2016} }

@inbook{Taruskin_2016b, address={Oakland, California}, title={Resisting the Rite}, booktitle={Russian Music at Home and Abroad: New Essays}, publisher={University of California Press}, author={Taruskin, Richard}, year={2016} }

@book{Till_2012a, address={Cambridge}, title={The Cambridge Companion to Opera Studies}, publisher={Cambridge University Press}, author={Till, Nicholas}, year={2012} }

@book{Till_2012b, address={Cambridge}, title={The Cambridge Companion to Opera Studies}, url={http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCO9781139024976}, publisher={Cambridge University Press}, author={Till, Nicholas}, year={2012} }

@book{Toorn_1987, address={Berkeley}, title={Stravinsky and The Rite of Spring: The Beginnings of a Musical Language}, publisher={University of California Press}, author={Toorn, Pieter C. van den}, year={1987} }

@book{Van den Toorn_1987, address={Berkeley}, title={Stravinsky and The Rite of Spring: The Beginnings of a Musical Language}, url={http://ark.cdlib.org/ark:/13030/ft967nb647/}, publisher={University of California Press}, author={Van den Toorn, Pieter C.}, year={1987} }

@article{Van Den Toorn_Tymoczko_2003, title={Stravinsky and the Octatonic: The Sounds of Stravinsky}, volume={25}, DOI={10.1525/mts.2003.25.1.167}, number={1}, journal={Music Theory Spectrum}, author={Van Den Toorn, Pieter C. and Tymoczko, Dmitri}, year={2003}, pages={167–202} }

@article{Vella_2018, title={(De)railing Mobility: Opera, Stasis, and Locomotion on Late-Nineteenth-Century Italian Tracks}, volume={34}, DOI={10.1093/oq/kby005}, number={1}, journal={The Opera Quarterly}, author={Vella, Francesca}, year={2018}, pages={3–28} }

@book{Wagner_Spencer_Millington_1993, address={London}, title={Wagner’s Ring of the Nibelung: A Companion: The Full German Text}, publisher={Thames and Hudson}, author={Wagner, Richard and Spencer, Stewart and Millington, Barry}, year={1993} }

@book{Walsh_1988, address={London}, title={The Music of Stravinsky}, publisher={Routledge}, author={Walsh, Stephen}, year={1988} }

@article{Zizek_2008, title={Brunnhilde’s Act}, volume={23}, DOI={10.1093/oq/kbn044}, number={2–3}, journal={The Opera Quarterly}, author={Zizek, S.}, year={2008}, pages={199–216} }

@book{Henson_2016, address={Cambridge}, title={Technology and the Diva: Sopranos, Opera, and Media From Romanticism to the Digital Age}, publisher={Cambridge University Press}, year={2016} }