Abbate, Carolyn. ‘Brünnhilde Walks by Night’. Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton, N.J.: Princeton University Press, 1991. Print.
---. ‘Brünnhilde Walks by Night’. Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton University Press, 1991. Web. <https://hdl.handle.net/2027/fulcrum.7m01bm20j>.
---. In Search of Opera. Princeton, N.J.: Princeton University Press, 2003. Print.
---. ‘Outside the Tomb’. In Search of Opera. Princeton, N.J.: Princeton University Press, 2003. 185–246. Print.
---. ‘The Tenor Comes of Age’. A History of Opera: The Last Four Hundred Years. [New edition]. UK: Penguin Books, 2015. Print.
---. Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton, N.J.: Princeton University Press, 1991. Print.
---. Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton University Press, 1991. Web. <https://hdl.handle.net/2027/fulcrum.7m01>.
---. ‘Verdi Older Still’. A History of Opera: The Last Four Hundred Years. [New edition]. UK: Penguin Books, 2015. Print.
---. ‘Young Verdi’. A History of Opera: The Last Four Hundred Years. [New edition]. UK: Penguin Books, 2015. Print.
Abbate, Carolyn, and Roger Parker. A History of Opera: The Last Four Hundred Years. [New edition]. UK: Penguin Books, 2015. Print.
Adorno, Theodor W. ‘Stravinsky: A Dialectical Portrait’. Quasi Una Fantasia: Essays on Modern Music. London: Verso, 1992. Print.
Adorno, Theodor W., and Robert Hullot-Kentor. Philosophy of New Music. Minneapolis, Minn: University of Minnesota Press, 2006. Print.
Adorno, Theodor W., and Rodney Livingstone. Quasi Una Fantasia: Essays on Modern Music. London: Verso, 1992. Print.
Andr, ̌Naomi Adele. Voicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth-Century Italian Opera. Bloomington, Ind: Indiana University Press, 2006. Print.
Andre, Naomi. Black Opera: History, Power, Engagement. Champaign: University of Illinois Press, 2018. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5404257>.
André, Naomi. ‘Engaged Opera’. Black Opera: History, Power, Engagement. Urbana: University of Illinois Press, 2018. Print.
---. ‘Engaged Opera’. Black Opera: History, Power, Engagement. Champaign: University of Illinois Press, 2018. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5404257>.
Andre, Naomi. ‘From Otello to Porgy: Blackness, Masculinity, and Morality in Opera’. Blackness in Opera. Urbana, Ill: University of Illinois Press, 2012. Print.
---. ‘From Otello to Porgy: Blackness, Masculinity, and Morality in Opera’. Blackness in Opera. Baltimore, UNITED STATES: University of Illinois Press, 2012. Web. <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=3414176>.
André, ̌Naomi Adele. Black Opera: History, Power, Engagement. Urbana: University of Illinois Press, 2018. Print.
Andriessen, Louis, and Jonathan Cross. ‘Composing with Stravinsky’. The Cambridge Companion to Stravinsky. Cambridge: Cambridge University Press, 2003. Print.
---. ‘Composing with Stravinsky’. The Cambridge Companion to Stravinsky. Cambridge companions to music The Cambridge companion to Stravinsky. Cambridge: Cambridge University Press, 2003. Web. <https://www.cambridge.org/core/books/cambridge-companion-to-stravinsky/04E4A6B5ED2E9E22F232848C8A337632>.
Arnold Whittall. ‘Defusing Dionysus? New Perspectives on “The Rite of Spring”’. Music Analysis 21.1 (2002): 87–104. Web. <http://www.jstor.org/stable/854363?Search=yes&amp;resultItemClick=true&amp;searchText=Whittall&amp;searchText=Defusing&amp;searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DWhittall%2BDefusing%26amp%3Bacc%3Doff%26amp%3Bwc%3Don%26amp%3Bfc%3Doff%26amp%3Bgroup%3Dnone&amp;seq=1#page_scan_tab_contents>.
Blackmer, Corinne E., and Patricia Juliana Smith. En Travesti: Women, Gender Subversion, Opera. New York: Columbia University Press, 1995. Print.
Boulez, Pierre. ‘Stravinsky: “The Rite of Spring”’. Orientations: Collected Writings. London: Faber, 1986. Print.
Boulez, Pierre, and Jean-Jacques Nattiez. Orientations: Collected Writings. Cambridge, Mass: Harvard University Press, 1986. Print.
Carnegy, Patrick. Wagner and the Art of the Theatre. New Haven, Connecticut: Yale University Press, 2013. Print.
Chua, Daniel K. I. ‘Rioting with Stravinsky: A Particular Analysis of the Rite of Spring’. Music Analysis 26.1–2 (2007): 59–109. Web.
Clément, Catherine. Opera, or, The Undoing of Women. Minneapolis, Minn: University of Minnesota Press, 1988. Print.
Craft, Robert. Stravinsky: Chronicle of a Friendship. Rev. and expanded ed. Nashville: Vanderbilt University Press, 1994. Print.
---. ‘The Rite of Spring: Genesis of a Masterpiece’. Perspectives of New Music 5.1 (1966): 20–36. Web.
Cross, Jonathan. ‘Stravinsky in Exile’. Stravinsky and His World. Princeton, New Jersey: Princeton University Press, 2013. Print.
---. ‘Stravinsky in Exile’. Stravinsky and His World. Princeton, New Jersey: Princeton University Press, 2013. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781400848546>.
---. ‘Stravinsky’s Modernism’. The Stravinsky Legacy. Cambridge: Cambridge University Press, 1998. Print.
---. The Cambridge Companion to Stravinsky. Cambridge: Cambridge University Press, 2003. Print.
---. The Stravinsky Legacy. Cambridge: Cambridge University Press, 1998. Print.
Cross, Jonathan, and Jonathan Cross. The Cambridge Companion to Stravinsky. Cambridge companions to music The Cambridge companion to Stravinsky. Cambridge: Cambridge University Press, 2003. Web. <https://www.cambridge.org/core/books/cambridge-companion-to-stravinsky/04E4A6B5ED2E9E22F232848C8A337632>.
Davies, James Q. ‘"Veluti in Speculum”: The Twilight of the Castrato’. Romantic Anatomies of Performance. Berkeley: University of California Press, 2014. Print.
---. ‘"Veluti in Speculum”: The Twilight of the Castrato’. Romantic Anatomies of Performance. Berkeley: University of California Press, 2014. Print.
DiGaetani, John Louis. Inside the Ring: Essays on Wagner’s Opera Cycle. Jefferson, N.C.: McFarland, 2006. Print.
Donizetti, Gaetano. ‘Lucia Di Lammermoor’. 2004 : n. pag. Print.
Forte, Allen. The Harmonic Organization of ‘The Rite of Spring’. New Haven: Yale University Press, 1978. Print.
Francis, Kimberly, and Sofie Lachapelle. ‘The Medical and the Musical: French Physiology and Late Nineteenth-Century Operatic Training’. Cambridge Opera Journal 28.03 (2016): 347–362. Web.
Garafola, Lynn. Diaghilev’s Ballets Russes. New York: Oxford University Press, 1989. Print.
Gloag, Kenneth. ‘Russian Rites: Petrushka, The Rite of Spring, and Les Noces’. The Cambridge Companion to Stravinsky. Cambridge: Cambridge University Press, 2003. Print.
---. ‘Russian Rites: Petrushka, The Rite of Spring, and Les Noces’. The Cambridge Companion to Stravinsky. Cambridge companions to music The Cambridge companion to Stravinsky. Cambridge: Cambridge University Press, 2003. Web. <https://www.cambridge.org/core/books/cambridge-companion-to-stravinsky/04E4A6B5ED2E9E22F232848C8A337632>.
Gordon, B. ‘The Castrato Meets the Cyborg’. The Opera Quarterly 27.1 (2011): 94–122. Web.
---. ‘The Castrato Meets the Cyborg’. The Opera Quarterly 27.1 (2011): 94–122. Web.
Greenwald, Helen M. ‘Picturing Cio-Cio-San: House, Screen, and Ceremony in Puccini’s “Madama Butterfly”’. Cambridge Opera Journal 12.3 (2000): n. pag. Web. <https://www.jstor.org/stable/3250716>.
Griffiths, Paul. Stravinsky. The master musicians series. London: Dent, 1992. Print.
Groos, Arthur. ‘Return of the Native: Japan in Madama Butterfly/Madama Butterfly in Japan’. Cambridge Opera Journal 1.02 (1989): n. pag. Web.
---. ‘Return of the Native: Japan in Madama Butterfly/Madama Butterfly in Japan’. Cambridge Opera Journal 1.02 (1989): n. pag. Web.
Harper-Scott, J. P. E. ‘Medieval Romance and Wagner’s Musical Narrative in the Ring’. 19th-Century Music 32.3 (2009): 211–234. Web.
Henson, Karen, ed. Technology and the Diva: Sopranos, Opera, and Media From Romanticism to the Digital Age. Cambridge: Cambridge University Press, 2016. Print.
Hill, Peter. ‘Rehearsals and First Performance’. Stravinsky: The Rite of Spring. Cambridge: Cambridge University Press, 2000. Print.
---. Stravinsky: The Rite of Spring. Cambridge: Cambridge University Press, 2000. Print.
Hyer, B. ‘Parsifal Hysterique’. The Opera Quarterly 22.2 (2007): 269–320. Web.
Kelly, Thomas Forrest. First Nights: Five Musical Premieres. New Haven: Yale University Press, 2000. Print.
---. ‘Igor Stravinsky, "Le Sacre Du Printemps”: Thursday, May 29, 1913’. First Nights: Five Musical Premieres. New Haven: Yale University Press, 2000. 256–334. Print.
Kreuzer, Gundula. ‘Opera, Staging, Technologies’. Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. Oakland, California: University of California Press, 2018. 1–26. Print.
---. ‘Opera, Staging, Technologies’. Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. Berkeley, UNITED STATES: University of California Press, 2018. Web. <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=5355317>.
---. ‘Steam’. Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. Oakland, California: University of California Press, 2018. 162–214. Print.
---. ‘Steam’. Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. Berkeley, UNITED STATES: University of California Press, 2018. Web. <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=5355317>.
Kreuzer, Gundula Katharina. Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. Oakland, California: University of California Press, 2018. Print.
---. Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. Oakland, California: University of California Press, 2018. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5355317>.
Lee, Josephine. ‘My Objects All Sublime: Racial Performance and Commodity Culture’. The Japan of Pure Invention: Gilbert and Sullivan’s The Mikado. Minneapolis, Minn: University of Minnesota Press, 2010. 3–38. Print.
---. ‘My Objects All Sublime: Racial Performance and Commodity Culture’. The Japan of Pure Invention: Gilbert and Sullivan’s the Mikado. Minneapolis, Minn: University of Minnesota Press, 2010. 3–38. Web. <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=548060>.
Levitz, Tamara. ‘Racism at the Rite’. The Rite of Spring at 100. Indiana University Press, 2017. Web. <https://www.amazon.co.uk/Rite-Spring-Musical-Meaning-Interpretation/dp/025302420X/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1546441964&amp;sr=1-1&amp;keywords=the+rite+of+spring+at+100>.
---. ‘Racism at the Rite’. The Rite of Spring at 100. Bloomington, Indiana: Indiana University Press, 2017. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780253027351>.
---. Stravinsky and His World. Princeton, New Jersey: Princeton University Press, 2013. Print.
---. Stravinsky and His World. Princeton, New Jersey: Princeton University Press, 2013. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781400848546>.
Locke, Ralph P. ‘Reflections on Orientalism in Opera and Musical Theater’. The Opera Quarterly 10.1 (1993): 48–64. Web.
Maes, Francis. A History of Russian Music: From Kamarinskaya to Babi Yar. Berkeley: University of California Press, 2002. Print.
---. ‘The Clash of Ideas: The Quest for the Essence of the New Russian Music’. A History of Russian Music: From Kamarinskaya to Babi Yar. Berkeley: University of California Press, 2002. Print.
Nietzsche, Friedrich Wilhelm, and Douglas Smith. The Birth of Tragedy. [New ed.]. Oxford: Oxford University Press, 2008. Print.
Offenbach, Jacques. ‘Offenbach : Les Contes d’Hoffmann - Royal Opera House/Prêtre’. 2003 : n. pag. Print.
Parker, Roger. ‘The Opera Industry’. The Cambridge History of Nineteenth-Century Music. Cambridge: Cambridge University Press, 2001. Print.
---. ‘The Opera Industry’. The Cambridge History of Nineteenth-Century Music. Cambridge: Cambridge University Press, 2001. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CHOL9780521590174>.
Parr, Sean. ‘Coloratura and Technology in the Mid Nineteenth-Century Mad Scene’. Technology and the Diva: Sopranos, Opera, and Media from Romanticism to the Digital Age. Ed. Karen Henson. Cambridge: Cambridge University Press, 2016. Web. <https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9781316760895>.
Puccini, Giacomo. ‘Madama Butterfly’. 2011 : n. pag. Print.
Ridout, Nicholas. ‘Opera and the Technologies of Theatrical Production’. The Cambridge Companion to Opera Studies. Cambridge: Cambridge University Press, 2008. Print.
---. ‘Opera and the Technologies of Theatrical Production’. The Cambridge Companion to Opera Studies. Cambridge: Cambridge University Press, 2012. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCO9781139024976>.
Robinson, J. Bradford, Stephen Walsh, and Edmund Griffiths. Avatar of Modernity: The Rite of Spring Reconsidered. Ed. Hermann Danuser and Heidy Zimmermann. 2013th ed. Basel: Paul Sacher Foundation, 2013. Print.
Routh, Francis. Stravinsky. The master musicians series. London: Dent, 1975. Print.
Rutherford, Susan. Verdi, Opera, Women. Cambridge: Cambridge University Press, 2013. Print.
Smart, Mary Ann. ‘The Silencing of Lucia’. Cambridge Opera Journal 4.02 (1992): n. pag. Web.
Stravinsky, Igor. Poetics of Music: In the Form of Six Lessons. Cambridge, Mass: Harvard University Press, 1970. Print.
Stravinsky, Igor, and Robert Craft. Conversations With Igor Stravinsky. London: Faber and Faber, 1959. Print.
Taruskin, Richard. On Russian Music. Berkeley: University of California Press, 2009. Print.
---. On Russian Music. Ahmanson Foundation humanities endowment fund imprint On Russian music. Berkeley: University of California Press, 2008. Web. <https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9780520942806>.
---. ‘Resisting the Rite’. Russian Music at Home and Abroad: New Essays. Oakland, California: University of California Press, 2016. Print.
---. ‘Russian Folk Melodies in “The Rite of Spring”’. Journal of the American Musicological Society 33.3 (1980): 501–543. Web.
---. Russian Music at Home and Abroad: New Essays. Oakland, California: University of California Press, 2016. Print.
---. Stravinsky and the Russian Traditions. Berkeley: University of California Press, 1996. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://hdl.handle.net/2027/heb.05560>.
---. Stravinsky and the Russian Traditions: A Biography of the Works Through Mavra. Oxford: Oxford University Press, 1996. Print.
Till, Nicholas. The Cambridge Companion to Opera Studies. Cambridge: Cambridge University Press, 2012. Print.
---. The Cambridge Companion to Opera Studies. Cambridge: Cambridge University Press, 2012. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCO9781139024976>.
Toorn, Pieter C. van den. Stravinsky and The Rite of Spring: The Beginnings of a Musical Language. Berkeley: University of California Press, 1987. Print.
Van den Toorn, Pieter C. Stravinsky and The Rite of Spring: The Beginnings of a Musical Language. Berkeley: University of California Press, 1987. Web. <http://ark.cdlib.org/ark:/13030/ft967nb647/>.
Van Den Toorn, Pieter C., and Dmitri Tymoczko. ‘Stravinsky and the Octatonic: The Sounds of Stravinsky’. Music Theory Spectrum 25.1 (2003): 167–202. Web.
Vella, Francesca. ‘(De)Railing Mobility: Opera, Stasis, and Locomotion on Late-Nineteenth-Century Italian Tracks’. The Opera Quarterly 34.1 (2018): 3–28. Web.
Wagner, Richard, Stewart Spencer, and Barry Millington. Wagner’s Ring of the Nibelung: A Companion: The Full German Text. London: Thames and Hudson, 1993. Print.
Walsh, Stephen. The Music of Stravinsky. London: Routledge, 1988. Print.
Zizek, S. ‘Brunnhilde’s Act’. The Opera Quarterly 23.2–3 (2008): 199–216. Web.