Bibliography for MU2002: Studies in Music History BETA

Abbate, Carolyn. 1991a. ‘Brünnhilde Walks by Night’. In Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton, N.J.: Princeton University Press.

———. 1991b. ‘Brünnhilde Walks by Night’. In Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton University Press. https://hdl.handle.net/2027/fulcrum.7m01bm20j.

———. 1991c. Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton, N.J.: Princeton University Press.

———. 1991d. Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton University Press. https://hdl.handle.net/2027/fulcrum.7m01.

———. 2003a. In Search of Opera. Princeton, N.J.: Princeton University Press.

———. 2003b. ‘Outside the Tomb’. In In Search of Opera, 185–246. Princeton, N.J.: Princeton University Press.

———. 2015a. ‘The Tenor Comes of Age’. In A History of Opera: The Last Four Hundred Years, [New edition]. UK: Penguin Books.

———. 2015b. ‘Verdi Older Still’. In A History of Opera: The Last Four Hundred Years, [New edition]. UK: Penguin Books.

———. 2015c. ‘Young Verdi’. In A History of Opera: The Last Four Hundred Years, [New edition]. UK: Penguin Books.

Abbate, Carolyn, and Roger Parker. 2015. A History of Opera: The Last Four Hundred Years. [New edition]. UK: Penguin Books.

Adorno, Theodor W. 1992. ‘Stravinsky: A Dialectical Portrait’. In Quasi Una Fantasia: Essays on Modern Music. London: Verso.

Adorno, Theodor W., and Robert Hullot-Kentor. 2006. Philosophy of New Music. Minneapolis, Minn: University of Minnesota Press.

Adorno, Theodor W., and Rodney Livingstone. 1992. Quasi Una Fantasia: Essays on Modern Music. London: Verso.

Andr, ̌Naomi Adele. 2006. Voicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth-Century Italian Opera. Bloomington, Ind: Indiana University Press.

Andre, Naomi. 2012a. ‘From Otello to Porgy: Blackness, Masculinity, and Morality in Opera’. In Blackness in Opera. Urbana, Ill: University of Illinois Press.

———. 2012b. ‘From Otello to Porgy: Blackness, Masculinity, and Morality in Opera’. In Blackness in Opera. Baltimore, UNITED STATES: University of Illinois Press. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=3414176.

———. 2018. Black Opera: History, Power, Engagement. Champaign: University of Illinois Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5404257.

André, Naomi. 2018a. ‘Engaged Opera’. In Black Opera: History, Power, Engagement. Urbana: University of Illinois Press.

———. 2018b. ‘Engaged Opera’. In Black Opera: History, Power, Engagement. Champaign: University of Illinois Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5404257.

André, ̌Naomi Adele. 2018. Black Opera: History, Power, Engagement. Urbana: University of Illinois Press.

Andriessen, Louis, and Jonathan Cross. 2003a. ‘Composing with Stravinsky’. In The Cambridge Companion to Stravinsky. Cambridge: Cambridge University Press.

———. 2003b. ‘Composing with Stravinsky’. In The Cambridge Companion to Stravinsky. Vol. Cambridge companions to music The Cambridge companion to Stravinsky. Cambridge: Cambridge University Press. https://www.cambridge.org/core/books/cambridge-companion-to-stravinsky/04E4A6B5ED2E9E22F232848C8A337632.

Arnold Whittall. 2002. ‘Defusing Dionysus? New Perspectives on “The Rite of Spring”’. Music Analysis 21 (1): 87–104. http://www.jstor.org/stable/854363?Search=yes&resultItemClick=true&searchText=Whittall&searchText=Defusing&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DWhittall%2BDefusing%26amp%3Bacc%3Doff%26amp%3Bwc%3Don%26amp%3Bfc%3Doff%26amp%3Bgroup%3Dnone&seq=1#page_scan_tab_contents.

Blackmer, Corinne E., and Patricia Juliana Smith. 1995. En Travesti: Women, Gender Subversion, Opera. New York: Columbia University Press.

Boulez, Pierre. 1986. ‘Stravinsky: “The Rite of Spring”’. In Orientations: Collected Writings. London: Faber.

Boulez, Pierre, and Jean-Jacques Nattiez. 1986. Orientations: Collected Writings. Cambridge, Mass: Harvard University Press.

Carnegy, Patrick. 2013. Wagner and the Art of the Theatre. New Haven, Connecticut: Yale University Press.

Chua, Daniel K. I. 2007. ‘Rioting with Stravinsky: A Particular Analysis of the Rite of Spring’. Music Analysis 26 (1–2): 59–109. https://doi.org/10.1111/j.1468-2249.2007.00250.x.

Clément, Catherine. 1988. Opera, or, The Undoing of Women. Minneapolis, Minn: University of Minnesota Press.

Craft, Robert. 1966. ‘The Rite of Spring: Genesis of a Masterpiece’. Perspectives of New Music 5 (1): 20–36. https://doi.org/10.2307/832386.

———. 1994. Stravinsky: Chronicle of a Friendship. Rev. and Expanded ed. Nashville: Vanderbilt University Press.

Cross, Jonathan. 1998a. ‘Stravinsky’s Modernism’. In The Stravinsky Legacy. Cambridge: Cambridge University Press.

———. 1998b. The Stravinsky Legacy. Cambridge: Cambridge University Press.

———. 2003. The Cambridge Companion to Stravinsky. Cambridge: Cambridge University Press.

———. 2013a. ‘Stravinsky in Exile’. In Stravinsky and His World. Princeton, New Jersey: Princeton University Press.

———. 2013b. ‘Stravinsky in Exile’. In Stravinsky and His World. Princeton, New Jersey: Princeton University Press. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781400848546.

Cross, Jonathan, and Jonathan Cross. 2003. The Cambridge Companion to Stravinsky. Vol. Cambridge companions to music The Cambridge companion to Stravinsky. Cambridge: Cambridge University Press. https://www.cambridge.org/core/books/cambridge-companion-to-stravinsky/04E4A6B5ED2E9E22F232848C8A337632.

Davies, James Q. 2014a. ‘"Veluti in Speculum”: The Twilight of the Castrato’. In Romantic Anatomies of Performance. Berkeley: University of California Press.

———. 2014b. ‘"Veluti in Speculum”: The Twilight of the Castrato’. In Romantic Anatomies of Performance. Berkeley: University of California Press.

DiGaetani, John Louis. 2006. Inside the Ring: Essays on Wagner’s Opera Cycle. Jefferson, N.C.: McFarland.

Donizetti, Gaetano. 2004. ‘Lucia Di Lammermoor’. Opus Arte.

Forte, Allen. 1978. The Harmonic Organization of ‘The Rite of Spring’. New Haven: Yale University Press.

Francis, Kimberly, and Sofie Lachapelle. 2016. ‘The Medical and the Musical: French Physiology and Late Nineteenth-Century Operatic Training’. Cambridge Opera Journal 28 (03): 347–62. https://doi.org/10.1017/S0954586716000458.

Garafola, Lynn. 1989. Diaghilev’s Ballets Russes. New York: Oxford University Press.

Gloag, Kenneth. 2003a. ‘Russian Rites: Petrushka, The Rite of Spring, and Les Noces’. In The Cambridge Companion to Stravinsky. Cambridge: Cambridge University Press.

———. 2003b. ‘Russian Rites: Petrushka, The Rite of Spring, and Les Noces’. In The Cambridge Companion to Stravinsky. Vol. Cambridge companions to music The Cambridge companion to Stravinsky. Cambridge: Cambridge University Press. https://www.cambridge.org/core/books/cambridge-companion-to-stravinsky/04E4A6B5ED2E9E22F232848C8A337632.

Gordon, B. 2011a. ‘The Castrato Meets the Cyborg’. The Opera Quarterly 27 (1): 94–122. https://doi.org/10.1093/oq/kbr015.

———. 2011b. ‘The Castrato Meets the Cyborg’. The Opera Quarterly 27 (1): 94–122. https://doi.org/10.1093/oq/kbr015.

Greenwald, Helen M. 2000. ‘Picturing Cio-Cio-San: House, Screen, and Ceremony in Puccini’s “Madama Butterfly”’. Cambridge Opera Journal 12 (3). https://www.jstor.org/stable/3250716.

Griffiths, Paul. 1992. Stravinsky. Vol. The master musicians series. London: Dent.

Groos, Arthur. 1989a. ‘Return of the Native: Japan in Madama Butterfly/Madama Butterfly in Japan’. Cambridge Opera Journal 1 (02). https://doi.org/10.1017/S0954586700002950.

———. 1989b. ‘Return of the Native: Japan in Madama Butterfly/Madama Butterfly in Japan’. Cambridge Opera Journal 1 (02). https://doi.org/10.1017/S0954586700002950.

Harper-Scott, J. P. E. 2009. ‘Medieval Romance and Wagner’s Musical Narrative in the Ring’. 19th-Century Music 32 (3): 211–34. https://doi.org/10.1525/ncm.2009.32.3.211.

Henson, Karen, ed. 2016. Technology and the Diva: Sopranos, Opera, and Media From Romanticism to the Digital Age. Cambridge: Cambridge University Press.

Hill, Peter. 2000a. ‘Rehearsals and First Performance’. In Stravinsky: The Rite of Spring. Cambridge: Cambridge University Press.

———. 2000b. Stravinsky: The Rite of Spring. Cambridge: Cambridge University Press.

Hyer, B. 2007. ‘Parsifal Hysterique’. The Opera Quarterly 22 (2): 269–320. https://doi.org/10.1093/oq/kbl009.

Kelly, Thomas Forrest. 2000a. First Nights: Five Musical Premieres. New Haven: Yale University Press.

———. 2000b. ‘Igor Stravinsky, "Le Sacre Du Printemps”: Thursday, May 29, 1913’. In First Nights: Five Musical Premieres, 256–334. New Haven: Yale University Press.

Kreuzer, Gundula. 2018a. ‘Opera, Staging, Technologies’. In Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera, 1–26. Oakland, California: University of California Press.

———. 2018b. ‘Opera, Staging, Technologies’. In Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. Berkeley, UNITED STATES: University of California Press. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=5355317.

———. 2018c. ‘Steam’. In Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera, 162–214. Oakland, California: University of California Press.

———. 2018d. ‘Steam’. In Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. Berkeley, UNITED STATES: University of California Press. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=5355317.

Kreuzer, Gundula Katharina. 2018a. Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. Oakland, California: University of California Press.

———. 2018b. Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. Oakland, California: University of California Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5355317.

Lee, Josephine. 2010a. ‘My Objects All Sublime: Racial Performance and Commodity Culture’. In The Japan of Pure Invention: Gilbert and Sullivan’s The Mikado, 3–38. Minneapolis, Minn: University of Minnesota Press.

———. 2010b. ‘My Objects All Sublime: Racial Performance and Commodity Culture’. In The Japan of Pure Invention: Gilbert and Sullivan’s the Mikado, 3–38. Minneapolis, Minn: University of Minnesota Press. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=548060.

Levitz, Tamara. 2013a. Stravinsky and His World. Princeton, New Jersey: Princeton University Press.

———. 2013b. Stravinsky and His World. Princeton, New Jersey: Princeton University Press. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781400848546.

———. 2017a. ‘Racism at the Rite’. In The Rite of Spring at 100. Indiana University Press. https://www.amazon.co.uk/Rite-Spring-Musical-Meaning-Interpretation/dp/025302420X/ref=sr_1_1?s=books&ie=UTF8&qid=1546441964&sr=1-1&keywords=the+rite+of+spring+at+100.

———. 2017b. ‘Racism at the Rite’. In The Rite of Spring at 100. Bloomington, Indiana: Indiana University Press. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780253027351.

Locke, Ralph P. 1993. ‘Reflections on Orientalism in Opera and Musical Theater’. The Opera Quarterly 10 (1): 48–64. https://doi.org/10.1093/oq/10.1.48.

Maes, Francis. 2002a. A History of Russian Music: From Kamarinskaya to Babi Yar. Berkeley: University of California Press.

———. 2002b. ‘The Clash of Ideas: The Quest for the Essence of the New Russian Music’. In A History of Russian Music: From Kamarinskaya to Babi Yar. Berkeley: University of California Press.

Nietzsche, Friedrich Wilhelm, and Douglas Smith. 2008. The Birth of Tragedy. [New ed.]. Oxford: Oxford University Press.

Offenbach, Jacques. 2003. ‘Offenbach : Les Contes d’Hoffmann - Royal Opera House/Prêtre’. Warner Music Entertainment.

Parker, Roger. 2001a. ‘The Opera Industry’. In The Cambridge History of Nineteenth-Century Music. Cambridge: Cambridge University Press.

———. 2001b. ‘The Opera Industry’. In The Cambridge History of Nineteenth-Century Music. Cambridge: Cambridge University Press. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CHOL9780521590174.

Parr, Sean. 2016. ‘Coloratura and Technology in the Mid Nineteenth-Century Mad Scene’. In Technology and the Diva: Sopranos, Opera, and Media from Romanticism to the Digital Age, edited by Karen Henson. Cambridge: Cambridge University Press. https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9781316760895.

Puccini, Giacomo. 2011. ‘Madama Butterfly’. New York: Distributed by Sony Music Entertainment.

Ridout, Nicholas. 2008. ‘Opera and the Technologies of Theatrical Production’. In The Cambridge Companion to Opera Studies. Cambridge: Cambridge University Press.

———. 2012. ‘Opera and the Technologies of Theatrical Production’. In The Cambridge Companion to Opera Studies. Cambridge: Cambridge University Press. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCO9781139024976.

Robinson, J. Bradford, Stephen Walsh, and Edmund Griffiths. 2013. Avatar of Modernity: The Rite of Spring Reconsidered. Edited by Hermann Danuser and Heidy Zimmermann. 2013th ed. Basel: Paul Sacher Foundation.

Routh, Francis. 1975. Stravinsky. Vol. The master musicians series. London: Dent.

Rutherford, Susan. 2013. Verdi, Opera, Women. Cambridge: Cambridge University Press.

Smart, Mary Ann. 1992. ‘The Silencing of Lucia’. Cambridge Opera Journal 4 (02). https://doi.org/10.1017/S0954586700003694.

Stravinsky, Igor. 1970. Poetics of Music: In the Form of Six Lessons. Cambridge, Mass: Harvard University Press.

Stravinsky, Igor, and Robert Craft. 1959. Conversations With Igor Stravinsky. London: Faber and Faber.

Taruskin, Richard. 1980. ‘Russian Folk Melodies in “The Rite of Spring”’. Journal of the American Musicological Society 33 (3): 501–43. https://doi.org/10.2307/831304.

———. 1996a. Stravinsky and the Russian Traditions. Berkeley: University of California Press. http://ezproxy01.rhul.ac.uk/login?url=http://hdl.handle.net/2027/heb.05560.

———. 1996b. Stravinsky and the Russian Traditions: A Biography of the Works Through Mavra. Oxford: Oxford University Press.

———. 2008. On Russian Music. Vol. Ahmanson Foundation humanities endowment fund imprint On Russian music. Berkeley: University of California Press. https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9780520942806.

———. 2009. On Russian Music. Berkeley: University of California Press.

———. 2016a. ‘Resisting the Rite’. In Russian Music at Home and Abroad: New Essays. Oakland, California: University of California Press.

———. 2016b. Russian Music at Home and Abroad: New Essays. Oakland, California: University of California Press.

Till, Nicholas. 2012a. The Cambridge Companion to Opera Studies. Cambridge: Cambridge University Press.

———. 2012b. The Cambridge Companion to Opera Studies. Cambridge: Cambridge University Press. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCO9781139024976.

Toorn, Pieter C. van den. 1987. Stravinsky and The Rite of Spring: The Beginnings of a Musical Language. Berkeley: University of California Press.

Van den Toorn, Pieter C. 1987. Stravinsky and The Rite of Spring: The Beginnings of a Musical Language. Berkeley: University of California Press. http://ark.cdlib.org/ark:/13030/ft967nb647/.

Van Den Toorn, Pieter C., and Dmitri Tymoczko. 2003. ‘Stravinsky and the Octatonic: The Sounds of Stravinsky’. Music Theory Spectrum 25 (1): 167–202. https://doi.org/10.1525/mts.2003.25.1.167.

Vella, Francesca. 2018. ‘(De)Railing Mobility: Opera, Stasis, and Locomotion on Late-Nineteenth-Century Italian Tracks’. The Opera Quarterly 34 (1): 3–28. https://doi.org/10.1093/oq/kby005.

Wagner, Richard, Stewart Spencer, and Barry Millington. 1993. Wagner’s Ring of the Nibelung: A Companion: The Full German Text. London: Thames and Hudson.

Walsh, Stephen. 1988. The Music of Stravinsky. London: Routledge.

Zizek, S. 2008. ‘Brunnhilde’s Act’. The Opera Quarterly 23 (2–3): 199–216. https://doi.org/10.1093/oq/kbn044.