Abbate, Carolyn, ‘Brünnhilde Walks by Night’, in Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (Princeton, N.J.: Princeton University Press, 1991)
———, ‘Brünnhilde Walks by Night’, in Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (Princeton University Press, 1991) <https://hdl.handle.net/2027/fulcrum.7m01bm20j>
———, In Search of Opera (Princeton, N.J.: Princeton University Press, 2003)
———, ‘Outside the Tomb’, in In Search of Opera (Princeton, N.J.: Princeton University Press, 2003), pp. 185–246
———, ‘The Tenor Comes of Age’, in A History of Opera: The Last Four Hundred Years, [New edition] (UK: Penguin Books, 2015)
———, Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (Princeton, N.J.: Princeton University Press, 1991)
———, Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (Princeton University Press, 1991) <https://hdl.handle.net/2027/fulcrum.7m01>
———, ‘Verdi Older Still’, in A History of Opera: The Last Four Hundred Years, [New edition] (UK: Penguin Books, 2015)
———, ‘Young Verdi’, in A History of Opera: The Last Four Hundred Years, [New edition] (UK: Penguin Books, 2015)
Abbate, Carolyn, and Roger Parker, A History of Opera: The Last Four Hundred Years, [New edition] (UK: Penguin Books, 2015)
Adorno, Theodor W., ‘Stravinsky: A Dialectical Portrait’, in Quasi Una Fantasia: Essays on Modern Music (London: Verso, 1992)
Adorno, Theodor W., and Robert Hullot-Kentor, Philosophy of New Music (Minneapolis, Minn: University of Minnesota Press, 2006)
Adorno, Theodor W., and Rodney Livingstone, Quasi Una Fantasia: Essays on Modern Music (London: Verso, 1992)
Andr, ̌Naomi Adele, Voicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth-Century Italian Opera (Bloomington, Ind: Indiana University Press, 2006)
Andre, Naomi, Black Opera: History, Power, Engagement (Champaign: University of Illinois Press, 2018) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5404257>
André, Naomi, ‘Engaged Opera’, in Black Opera: History, Power, Engagement (Urbana: University of Illinois Press, 2018)
———, ‘Engaged Opera’, in Black Opera: History, Power, Engagement (Champaign: University of Illinois Press, 2018) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5404257>
Andre, Naomi, ‘From Otello to Porgy: Blackness, Masculinity, and Morality in Opera’, in Blackness in Opera (Urbana, Ill: University of Illinois Press, 2012)
———, ‘From Otello to Porgy: Blackness, Masculinity, and Morality in Opera’, in Blackness in Opera (Baltimore, UNITED STATES: University of Illinois Press, 2012) <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=3414176>
André, ̌Naomi Adele, Black Opera: History, Power, Engagement (Urbana: University of Illinois Press, 2018)
Andriessen, Louis, and Jonathan Cross, ‘Composing with Stravinsky’, in The Cambridge Companion to Stravinsky (Cambridge: Cambridge University Press, 2003)
———, ‘Composing with Stravinsky’, in The Cambridge Companion to Stravinsky (Cambridge: Cambridge University Press, 2003), Cambridge companions to music The Cambridge companion to Stravinsky <https://www.cambridge.org/core/books/cambridge-companion-to-stravinsky/04E4A6B5ED2E9E22F232848C8A337632>
Arnold Whittall, ‘Defusing Dionysus? New Perspectives on “The Rite of Spring”’, Music Analysis, 21.1 (2002), 87–104 <http://www.jstor.org/stable/854363?Search=yes&resultItemClick=true&searchText=Whittall&searchText=Defusing&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DWhittall%2BDefusing%26amp%3Bacc%3Doff%26amp%3Bwc%3Don%26amp%3Bfc%3Doff%26amp%3Bgroup%3Dnone&seq=1#page_scan_tab_contents>
Blackmer, Corinne E., and Patricia Juliana Smith, En Travesti: Women, Gender Subversion, Opera (New York: Columbia University Press, 1995)
Boulez, Pierre, ‘Stravinsky: “The Rite of Spring”’, in Orientations: Collected Writings (London: Faber, 1986)
Boulez, Pierre, and Jean-Jacques Nattiez, Orientations: Collected Writings (Cambridge, Mass: Harvard University Press, 1986)
Carnegy, Patrick, Wagner and the Art of the Theatre (New Haven, Connecticut: Yale University Press, 2013)
Chua, Daniel K. I., ‘Rioting with Stravinsky: A Particular Analysis of the Rite of Spring’, Music Analysis, 26.1–2 (2007), 59–109 <https://doi.org/10.1111/j.1468-2249.2007.00250.x>
Clément, Catherine, Opera, or, The Undoing of Women (Minneapolis, Minn: University of Minnesota Press, 1988)
Craft, Robert, Stravinsky: Chronicle of a Friendship, Rev. and expanded ed (Nashville: Vanderbilt University Press, 1994)
———, ‘The Rite of Spring: Genesis of a Masterpiece’, Perspectives of New Music, 5.1 (1966), 20–36 <https://doi.org/10.2307/832386>
Cross, Jonathan, ‘Stravinsky in Exile’, in Stravinsky and His World (Princeton, New Jersey: Princeton University Press, 2013)
———, ‘Stravinsky in Exile’, in Stravinsky and His World (Princeton, New Jersey: Princeton University Press, 2013) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781400848546>
———, ‘Stravinsky’s Modernism’, in The Stravinsky Legacy (Cambridge: Cambridge University Press, 1998)
———, The Cambridge Companion to Stravinsky (Cambridge: Cambridge University Press, 2003)
———, The Stravinsky Legacy (Cambridge: Cambridge University Press, 1998)
Cross, Jonathan, and Jonathan Cross, The Cambridge Companion to Stravinsky (Cambridge: Cambridge University Press, 2003), Cambridge companions to music The Cambridge companion to Stravinsky <https://www.cambridge.org/core/books/cambridge-companion-to-stravinsky/04E4A6B5ED2E9E22F232848C8A337632>
Davies, James Q., ‘"Veluti in Speculum”: The Twilight of the Castrato’, in Romantic Anatomies of Performance (Berkeley: University of California Press, 2014)
———, ‘"Veluti in Speculum”: The Twilight of the Castrato’, in Romantic Anatomies of Performance (Berkeley: University of California Press, 2014)
DiGaetani, John Louis, Inside the Ring: Essays on Wagner’s Opera Cycle (Jefferson, N.C.: McFarland, 2006)
Donizetti, Gaetano, ‘Lucia Di Lammermoor’ (Opus Arte, 2004)
Forte, Allen, The Harmonic Organization of ‘The Rite of Spring’ (New Haven: Yale University Press, 1978)
Francis, Kimberly, and Sofie Lachapelle, ‘The Medical and the Musical: French Physiology and Late Nineteenth-Century Operatic Training’, Cambridge Opera Journal, 28.03 (2016), 347–62 <https://doi.org/10.1017/S0954586716000458>
Garafola, Lynn, Diaghilev’s Ballets Russes (New York: Oxford University Press, 1989)
Gloag, Kenneth, ‘Russian Rites: Petrushka, The Rite of Spring, and Les Noces’, in The Cambridge Companion to Stravinsky (Cambridge: Cambridge University Press, 2003)
———, ‘Russian Rites: Petrushka, The Rite of Spring, and Les Noces’, in The Cambridge Companion to Stravinsky (Cambridge: Cambridge University Press, 2003), Cambridge companions to music The Cambridge companion to Stravinsky <https://www.cambridge.org/core/books/cambridge-companion-to-stravinsky/04E4A6B5ED2E9E22F232848C8A337632>
Gordon, B., ‘The Castrato Meets the Cyborg’, The Opera Quarterly, 27.1 (2011), 94–122 <https://doi.org/10.1093/oq/kbr015>
———, ‘The Castrato Meets the Cyborg’, The Opera Quarterly, 27.1 (2011), 94–122 <https://doi.org/10.1093/oq/kbr015>
Greenwald, Helen M., ‘Picturing Cio-Cio-San: House, Screen, and Ceremony in Puccini’s “Madama Butterfly”’, Cambridge Opera Journal, 12.3 (2000) <https://www.jstor.org/stable/3250716>
Griffiths, Paul, Stravinsky (London: Dent, 1992), The master musicians series
Groos, Arthur, ‘Return of the Native: Japan in Madama Butterfly/Madama Butterfly in Japan’, Cambridge Opera Journal, 1.02 (1989) <https://doi.org/10.1017/S0954586700002950>
———, ‘Return of the Native: Japan in Madama Butterfly/Madama Butterfly in Japan’, Cambridge Opera Journal, 1.02 (1989) <https://doi.org/10.1017/S0954586700002950>
Harper-Scott, J. P. E., ‘Medieval Romance and Wagner’s Musical Narrative in the Ring’, 19th-Century Music, 32.3 (2009), 211–34 <https://doi.org/10.1525/ncm.2009.32.3.211>
Henson, Karen, ed., Technology and the Diva: Sopranos, Opera, and Media From Romanticism to the Digital Age (Cambridge: Cambridge University Press, 2016)
Hill, Peter, ‘Rehearsals and First Performance’, in Stravinsky: The Rite of Spring (Cambridge: Cambridge University Press, 2000)
———, Stravinsky: The Rite of Spring (Cambridge: Cambridge University Press, 2000)
Hyer, B., ‘Parsifal Hysterique’, The Opera Quarterly, 22.2 (2007), 269–320 <https://doi.org/10.1093/oq/kbl009>
Kelly, Thomas Forrest, First Nights: Five Musical Premieres (New Haven: Yale University Press, 2000)
———, ‘Igor Stravinsky, "Le Sacre Du Printemps”: Thursday, May 29, 1913’, in First Nights: Five Musical Premieres (New Haven: Yale University Press, 2000), pp. 256–334
Kreuzer, Gundula, ‘Opera, Staging, Technologies’, in Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera (Oakland, California: University of California Press, 2018), pp. 1–26
———, ‘Opera, Staging, Technologies’, in Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera (Berkeley, UNITED STATES: University of California Press, 2018) <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=5355317>
———, ‘Steam’, in Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera (Oakland, California: University of California Press, 2018), pp. 162–214
———, ‘Steam’, in Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera (Berkeley, UNITED STATES: University of California Press, 2018) <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=5355317>
Kreuzer, Gundula Katharina, Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera (Oakland, California: University of California Press, 2018)
———, Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera (Oakland, California: University of California Press, 2018) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5355317>
Lee, Josephine, ‘My Objects All Sublime: Racial Performance and Commodity Culture’, in The Japan of Pure Invention: Gilbert and Sullivan’s The Mikado (Minneapolis, Minn: University of Minnesota Press, 2010), pp. 3–38
———, ‘My Objects All Sublime: Racial Performance and Commodity Culture’, in The Japan of Pure Invention: Gilbert and Sullivan’s the Mikado (Minneapolis, Minn: University of Minnesota Press, 2010), pp. 3–38 <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=548060>
Levitz, Tamara, ‘Racism at the Rite’, in The Rite of Spring at 100 (Indiana University Press, 2017) <https://www.amazon.co.uk/Rite-Spring-Musical-Meaning-Interpretation/dp/025302420X/ref=sr_1_1?s=books&ie=UTF8&qid=1546441964&sr=1-1&keywords=the+rite+of+spring+at+100>
———, ‘Racism at the Rite’, in The Rite of Spring at 100 (Bloomington, Indiana: Indiana University Press, 2017) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780253027351>
———, Stravinsky and His World (Princeton, New Jersey: Princeton University Press, 2013)
———, Stravinsky and His World (Princeton, New Jersey: Princeton University Press, 2013) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781400848546>
Locke, Ralph P., ‘Reflections on Orientalism in Opera and Musical Theater’, The Opera Quarterly, 10.1 (1993), 48–64 <https://doi.org/10.1093/oq/10.1.48>
Maes, Francis, A History of Russian Music: From Kamarinskaya to Babi Yar (Berkeley: University of California Press, 2002)
———, ‘The Clash of Ideas: The Quest for the Essence of the New Russian Music’, in A History of Russian Music: From Kamarinskaya to Babi Yar (Berkeley: University of California Press, 2002)
Nietzsche, Friedrich Wilhelm, and Douglas Smith, The Birth of Tragedy, [New ed.] (Oxford: Oxford University Press, 2008)
Offenbach, Jacques, ‘Offenbach : Les Contes d’Hoffmann - Royal Opera House/Prêtre’ (Warner Music Entertainment, 2003)
Parker, Roger, ‘The Opera Industry’, in The Cambridge History of Nineteenth-Century Music (Cambridge: Cambridge University Press, 2001)
———, ‘The Opera Industry’, in The Cambridge History of Nineteenth-Century Music (Cambridge: Cambridge University Press, 2001) <http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CHOL9780521590174>
Parr, Sean, ‘Coloratura and Technology in the Mid Nineteenth-Century Mad Scene’, in Technology and the Diva: Sopranos, Opera, and Media from Romanticism to the Digital Age, ed. by Karen Henson (Cambridge: Cambridge University Press, 2016) <https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9781316760895>
Puccini, Giacomo, ‘Madama Butterfly’ (New York: Distributed by Sony Music Entertainment, 2011)
Ridout, Nicholas, ‘Opera and the Technologies of Theatrical Production’, in The Cambridge Companion to Opera Studies (Cambridge: Cambridge University Press, 2008)
———, ‘Opera and the Technologies of Theatrical Production’, in The Cambridge Companion to Opera Studies (Cambridge: Cambridge University Press, 2012) <http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCO9781139024976>
Robinson, J. Bradford, Stephen Walsh, and Edmund Griffiths, Avatar of Modernity: The Rite of Spring Reconsidered, ed. by Hermann Danuser and Heidy Zimmermann, 2013th edn (Basel: Paul Sacher Foundation, 2013)
Routh, Francis, Stravinsky (London: Dent, 1975), The master musicians series
Rutherford, Susan, Verdi, Opera, Women (Cambridge: Cambridge University Press, 2013)
Smart, Mary Ann, ‘The Silencing of Lucia’, Cambridge Opera Journal, 4.02 (1992) <https://doi.org/10.1017/S0954586700003694>
Stravinsky, Igor, Poetics of Music: In the Form of Six Lessons (Cambridge, Mass: Harvard University Press, 1970)
Stravinsky, Igor, and Robert Craft, Conversations With Igor Stravinsky (London: Faber and Faber, 1959)
Taruskin, Richard, On Russian Music (Berkeley: University of California Press, 2009)
———, On Russian Music (Berkeley: University of California Press, 2008), Ahmanson Foundation humanities endowment fund imprint On Russian music <https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9780520942806>
———, ‘Resisting the Rite’, in Russian Music at Home and Abroad: New Essays (Oakland, California: University of California Press, 2016)
———, ‘Russian Folk Melodies in “The Rite of Spring”’, Journal of the American Musicological Society, 33.3 (1980), 501–43 <https://doi.org/10.2307/831304>
———, Russian Music at Home and Abroad: New Essays (Oakland, California: University of California Press, 2016)
———, Stravinsky and the Russian Traditions (Berkeley: University of California Press, 1996) <http://ezproxy01.rhul.ac.uk/login?url=http://hdl.handle.net/2027/heb.05560>
———, Stravinsky and the Russian Traditions: A Biography of the Works Through Mavra (Oxford: Oxford University Press, 1996)
Till, Nicholas, The Cambridge Companion to Opera Studies (Cambridge: Cambridge University Press, 2012)
———, The Cambridge Companion to Opera Studies (Cambridge: Cambridge University Press, 2012) <http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCO9781139024976>
Toorn, Pieter C. van den, Stravinsky and The Rite of Spring: The Beginnings of a Musical Language (Berkeley: University of California Press, 1987)
Van den Toorn, Pieter C., Stravinsky and The Rite of Spring: The Beginnings of a Musical Language (Berkeley: University of California Press, 1987) <http://ark.cdlib.org/ark:/13030/ft967nb647/>
Van Den Toorn, Pieter C., and Dmitri Tymoczko, ‘Stravinsky and the Octatonic: The Sounds of Stravinsky’, Music Theory Spectrum, 25.1 (2003), 167–202 <https://doi.org/10.1525/mts.2003.25.1.167>
Vella, Francesca, ‘(De)Railing Mobility: Opera, Stasis, and Locomotion on Late-Nineteenth-Century Italian Tracks’, The Opera Quarterly, 34.1 (2018), 3–28 <https://doi.org/10.1093/oq/kby005>
Wagner, Richard, Stewart Spencer, and Barry Millington, Wagner’s Ring of the Nibelung: A Companion: The Full German Text (London: Thames and Hudson, 1993)
Walsh, Stephen, The Music of Stravinsky (London: Routledge, 1988)
Zizek, S., ‘Brunnhilde’s Act’, The Opera Quarterly, 23.2–3 (2008), 199–216 <https://doi.org/10.1093/oq/kbn044>
