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Andr ̌Naomi Adele. Voicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth-Century Italian Opera. Bloomington, Ind: Indiana University Press; 2006.
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Parker R. The Opera Industry. The Cambridge History of Nineteenth-Century Music. Cambridge: Cambridge University Press; 2001.
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Parker R. The Opera Industry. The Cambridge History of Nineteenth-Century Music [Internet]. Cambridge: Cambridge University Press; 2001. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CHOL9780521590174
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Smart MA. The Silencing of Lucia. Cambridge Opera Journal. 1992;4(02).
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Lee J. My Objects All Sublime: Racial Performance and Commodity Culture. The Japan of pure invention: Gilbert and Sullivan’s The Mikado. Minneapolis, Minn: University of Minnesota Press; 2010. p. 3–38.
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Abbate C. Brünnhilde Walks by Night. Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton, N.J.: Princeton University Press; 1991.
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Kreuzer G. Steam. Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. Oakland, California: University of California Press; 2018. p. 162–214.
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Gordon B. The Castrato Meets the Cyborg. The Opera Quarterly. 2011;27(1):94–122.
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Hill P. Rehearsals and First Performance. Stravinsky: The Rite of Spring. Cambridge: Cambridge University Press; 2000.
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Taruskin R. Russian Folk Melodies in ‘The Rite of Spring’. Journal of the American Musicological Society. 1980;33(3):501–543.
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Adorno TW. Stravinsky: A Dialectical Portrait. Quasi Una Fantasia: Essays on Modern Music. London: Verso; 1992.
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Puccini G. Madama Butterfly. New York: Distributed by Sony Music Entertainment; 2011.
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Offenbach J. Offenbach : Les Contes d’Hoffmann - Royal Opera House/Prêtre. Warner Music Entertainment; 2003.