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André ̌Naomi Adele. Black Opera: History, Power, Engagement. University of Illinois Press; 2018.
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Andre N. Black Opera: History, Power, Engagement. University of Illinois Press; 2018. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5404257
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Andr ̌Naomi Adele. Voicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth-Century Italian Opera. Indiana University Press; 2006.
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Blackmer CE, Smith PJ. En Travesti: Women, Gender Subversion, Opera. Columbia University Press; 1995.
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Carnegy P. Wagner and the Art of the Theatre. Yale University Press; 2013.
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Clément C. Opera, or, The Undoing of Women. University of Minnesota Press; 1988.
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Kreuzer GK. Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. University of California Press; 2018. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5355317
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Till N. The Cambridge Companion to Opera Studies. Cambridge University Press; 2012.
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Till N. The Cambridge Companion to Opera Studies. Cambridge University Press; 2012. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCO9781139024976
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Rutherford S. Verdi, Opera, Women. Cambridge University Press; 2013.
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Groos A. Return of the Native: Japan in Madama Butterfly/Madama Butterfly in Japan. Cambridge Opera Journal. 1989;1(02). doi:10.1017/S0954586700002950
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Groos A. Return of the Native: Japan in Madama Butterfly/Madama Butterfly in Japan. Cambridge Opera Journal. 1989;1(02). doi:10.1017/S0954586700002950
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Greenwald HM. Picturing Cio-Cio-San: House, Screen, and Ceremony in Puccini’s ‘Madama Butterfly’. Cambridge Opera Journal. 2000;12(3). https://www.jstor.org/stable/3250716
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Zizek S. Brunnhilde’s Act. The Opera Quarterly. 2008;23(2-3):199-216. doi:10.1093/oq/kbn044
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Nietzsche FW, Smith D. The Birth of Tragedy. [New ed.]. Oxford University Press; 2008.
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Francis K, Lachapelle S. The Medical and the Musical: French Physiology and Late Nineteenth-Century Operatic Training. Cambridge Opera Journal. 2016;28(03):347-362. doi:10.1017/S0954586716000458
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Henson K, ed. Technology and the Diva: Sopranos, Opera, and Media From Romanticism to the Digital Age. Cambridge University Press; 2016.
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DiGaetani JL. Inside the Ring: Essays on Wagner’s Opera Cycle. McFarland; 2006.
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Vella F. (De)railing Mobility: Opera, Stasis, and Locomotion on Late-Nineteenth-Century Italian Tracks. The Opera Quarterly. 2018;34(1):3-28. doi:10.1093/oq/kby005
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Davies JQ. "Veluti in Speculum”: The Twilight of the Castrato. In: Romantic Anatomies of Performance. University of California Press; 2014.
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Abbate C. The Tenor Comes of Age. In: A History of Opera: The Last Four Hundred Years. [New edition]. Penguin Books; 2015.
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Abbate C. Young Verdi. In: A History of Opera: The Last Four Hundred Years. [New edition]. Penguin Books; 2015.
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Abbate C. Verdi Older Still. In: A History of Opera: The Last Four Hundred Years. [New edition]. Penguin Books; 2015.
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Andre N. From Otello to Porgy: Blackness, Masculinity, and Morality in Opera. In: Blackness in Opera. University of Illinois Press; 2012.
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Andre N. From Otello to Porgy: Blackness, Masculinity, and Morality in Opera. In: Blackness in Opera. University of Illinois Press; 2012. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=3414176
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Parker R. The Opera Industry. In: The Cambridge History of Nineteenth-Century Music. Cambridge University Press; 2001.
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Parker R. The Opera Industry. In: The Cambridge History of Nineteenth-Century Music. Cambridge University Press; 2001. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CHOL9780521590174
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Smart MA. The Silencing of Lucia. Cambridge Opera Journal. 1992;4(02). doi:10.1017/S0954586700003694
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Hyer B. Parsifal Hysterique. The Opera Quarterly. 2007;22(2):269-320. doi:10.1093/oq/kbl009
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Parr S. Coloratura and Technology in the Mid Nineteenth-Century Mad Scene. In: Henson K, ed. Technology and the Diva: Sopranos, Opera, and Media from Romanticism to the Digital Age. Cambridge University Press; 2016. https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9781316760895
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Locke RP. Reflections on Orientalism in Opera and Musical Theater. The Opera Quarterly. 1993;10(1):48-64. doi:10.1093/oq/10.1.48
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André N. Engaged Opera. In: Black Opera: History, Power, Engagement. University of Illinois Press; 2018.
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André N. Engaged Opera. In: Black Opera: History, Power, Engagement. University of Illinois Press; 2018. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5404257
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Lee J. My Objects All Sublime: Racial Performance and Commodity Culture. In: The Japan of Pure Invention: Gilbert and Sullivan’s The Mikado. University of Minnesota Press; 2010:3-38.
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Lee J. My Objects All Sublime: Racial Performance and Commodity Culture. In: The Japan of Pure Invention: Gilbert and Sullivan’s the Mikado. University of Minnesota Press; 2010:3-38. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=548060
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Abbate C. Brünnhilde Walks by Night. In: Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton University Press; 1991.
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Abbate C. Brünnhilde Walks by Night. In: Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton University Press; 1991. https://hdl.handle.net/2027/fulcrum.7m01bm20j
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Harper-Scott JPE. Medieval Romance and Wagner’s Musical Narrative in the Ring. 19th-Century Music. 2009;32(3):211-234. doi:10.1525/ncm.2009.32.3.211
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Ridout N. Opera and the Technologies of Theatrical Production. In: The Cambridge Companion to Opera Studies. Cambridge University Press; 2008.
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Davies JQ. "Veluti in Speculum”: The Twilight of the Castrato. In: Romantic Anatomies of Performance. University of California Press; 2014.
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Kreuzer G. Opera, Staging, Technologies. In: Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. University of California Press; 2018. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=5355317
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Kreuzer G. Steam. In: Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. University of California Press; 2018:162-214.
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Kreuzer G. Steam. In: Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. University of California Press; 2018. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=5355317
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Gordon B. The Castrato Meets the Cyborg. The Opera Quarterly. 2011;27(1):94-122. doi:10.1093/oq/kbr015
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Robinson JB, Walsh S, Griffiths E. Avatar of Modernity: The Rite of Spring Reconsidered. 2013th ed. (Danuser H, Zimmermann H, eds.). Paul Sacher Foundation; 2013.
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Taruskin R. On Russian Music. University of California Press; 2009.
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Taruskin R. On Russian Music. Vol Ahmanson Foundation humanities endowment fund imprint On Russian music. University of California Press; 2008. https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9780520942806
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Taruskin R. Russian Music at Home and Abroad: New Essays. University of California Press; 2016.
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Cross J. The Stravinsky Legacy. Cambridge University Press; 1998.
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Toorn PC van den. Stravinsky and The Rite of Spring: The Beginnings of a Musical Language. University of California Press; 1987.
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Forte A. The Harmonic Organization of ‘The Rite of Spring’. Yale University Press; 1978.
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Maes F. A History of Russian Music: From Kamarinskaya to Babi Yar. University of California Press; 2002.
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Arnold Whittall. Defusing Dionysus? New Perspectives on ‘The Rite of Spring’. Music Analysis. 2002;21(1):87-104. http://www.jstor.org/stable/854363?Search=yes&resultItemClick=true&searchText=Whittall&searchText=Defusing&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DWhittall%2BDefusing%26amp%3Bacc%3Doff%26amp%3Bwc%3Don%26amp%3Bfc%3Doff%26amp%3Bgroup%3Dnone&seq=1#page_scan_tab_contents
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Levitz T. Racism at the Rite. In: The Rite of Spring at 100. Indiana University Press; 2017. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780253027351
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Hill P. Rehearsals and First Performance. In: Stravinsky: The Rite of Spring. Cambridge University Press; 2000.
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Craft R. The Rite of Spring: Genesis of a Masterpiece. Perspectives of New Music. 1966;5(1):20-36. doi:10.2307/832386
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Taruskin R. Russian Folk Melodies in ‘The Rite of Spring’. Journal of the American Musicological Society. 1980;33(3):501-543. doi:10.2307/831304
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Chua DKI. Rioting with Stravinsky: a Particular Analysis of the Rite of Spring. Music Analysis. 2007;26(1-2):59-109. doi:10.1111/j.1468-2249.2007.00250.x
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Cross J. Stravinsky’s Modernism. In: The Stravinsky Legacy. Cambridge University Press; 1998.
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Adorno TW. Stravinsky: A Dialectical Portrait. In: Quasi Una Fantasia: Essays on Modern Music. Verso; 1992.
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