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C. Abbate, In Search of Opera. Princeton, N.J.: Princeton University Press, 2003.
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C. Abbate, Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton, N.J.: Princeton University Press, 1991.
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C. Abbate, Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton University Press, 1991. Available: https://hdl.handle.net/2027/fulcrum.7m01
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̌Naomi Adele André, Black Opera: History, Power, Engagement. Urbana: University of Illinois Press, 2018.
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N. Andre, Black Opera: History, Power, Engagement. Champaign: University of Illinois Press, 2018. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5404257
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̌Naomi Adele Andr, Voicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth-Century Italian Opera. Bloomington, Ind: Indiana University Press, 2006.
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C. Clément, Opera, or, The Undoing of Women. Minneapolis, Minn: University of Minnesota Press, 1988.
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G. K. Kreuzer, Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. Oakland, California: University of California Press, 2018.
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G. K. Kreuzer, Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. Oakland, California: University of California Press, 2018. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5355317
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N. Till, The Cambridge Companion to Opera Studies. Cambridge: Cambridge University Press, 2012.
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N. Till, The Cambridge Companion to Opera Studies. Cambridge: Cambridge University Press, 2012. Available: http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCO9781139024976
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S. Rutherford, Verdi, Opera, Women. Cambridge: Cambridge University Press, 2013.
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A. Groos, ‘Return of the Native: Japan in Madama Butterfly/Madama Butterfly in Japan’, Cambridge Opera Journal, vol. 1, no. 02, 1989, doi: 10.1017/S0954586700002950
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A. Groos, ‘Return of the Native: Japan in Madama Butterfly/Madama Butterfly in Japan’, Cambridge Opera Journal, vol. 1, no. 02, 1989, doi: 10.1017/S0954586700002950
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H. M. Greenwald, ‘Picturing Cio-Cio-San: House, Screen, and Ceremony in Puccini’s “Madama Butterfly”’, Cambridge Opera Journal, vol. 12, no. 3, 2000, Available: https://www.jstor.org/stable/3250716
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S. Zizek, ‘Brunnhilde’s Act’, The Opera Quarterly, vol. 23, no. 2–3, pp. 199–216, 2008, doi: 10.1093/oq/kbn044
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K. Francis and S. Lachapelle, ‘The Medical and the Musical: French Physiology and Late Nineteenth-Century Operatic Training’, Cambridge Opera Journal, vol. 28, no. 03, pp. 347–362, 2016, doi: 10.1017/S0954586716000458
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K. Henson, Ed., Technology and the Diva: Sopranos, Opera, and Media From Romanticism to the Digital Age. Cambridge: Cambridge University Press, 2016.
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J. L. DiGaetani, Inside the Ring: Essays on Wagner’s Opera Cycle. Jefferson, N.C.: McFarland, 2006.
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F. Vella, ‘(De)railing Mobility: Opera, Stasis, and Locomotion on Late-Nineteenth-Century Italian Tracks’, The Opera Quarterly, vol. 34, no. 1, pp. 3–28, 2018, doi: 10.1093/oq/kby005
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J. Q. Davies, ‘"Veluti in Speculum”: The Twilight of the Castrato’, in Romantic anatomies of performance, Berkeley: University of California Press, 2014.
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C. Abbate, ‘The Tenor Comes of Age’, in A history of opera: the last four hundred years, [New edition].UK: Penguin Books, 2015.
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C. Abbate, ‘Young Verdi’, in A history of opera: the last four hundred years, [New edition].UK: Penguin Books, 2015.
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C. Abbate, ‘Verdi Older Still’, in A history of opera: the last four hundred years, [New edition].UK: Penguin Books, 2015.
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N. Andre, ‘From Otello to Porgy: Blackness, Masculinity, and Morality in Opera’, in Blackness in opera, Urbana, Ill: University of Illinois Press, 2012.
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N. Andre, ‘From Otello to Porgy: Blackness, Masculinity, and Morality in Opera’, in Blackness in Opera, Baltimore, UNITED STATES: University of Illinois Press, 2012. Available: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=3414176
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R. Parker, ‘The Opera Industry’, in The Cambridge History of Nineteenth-Century Music, Cambridge: Cambridge University Press, 2001.
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R. Parker, ‘The Opera Industry’, in The Cambridge History of Nineteenth-Century Music, Cambridge: Cambridge University Press, 2001. Available: http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CHOL9780521590174
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M. A. Smart, ‘The Silencing of Lucia’, Cambridge Opera Journal, vol. 4, no. 02, 1992, doi: 10.1017/S0954586700003694
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B. Hyer, ‘Parsifal Hysterique’, The Opera Quarterly, vol. 22, no. 2, pp. 269–320, 2007, doi: 10.1093/oq/kbl009
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S. Parr, ‘Coloratura and Technology in the Mid Nineteenth-Century Mad Scene’, in Technology and the diva: sopranos, opera, and media from romanticism to the digital age, K. Henson, Ed., Cambridge: Cambridge University Press, 2016. Available: https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9781316760895
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R. P. Locke, ‘Reflections on Orientalism in Opera and Musical Theater’, The Opera Quarterly, vol. 10, no. 1, pp. 48–64, 1993, doi: 10.1093/oq/10.1.48
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N. André, ‘Engaged Opera’, in Black Opera: History, Power, Engagement, Champaign: University of Illinois Press, 2018. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5404257
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J. Lee, ‘My Objects All Sublime: Racial Performance and Commodity Culture’, in The Japan of pure invention: Gilbert and Sullivan’s The Mikado, Minneapolis, Minn: University of Minnesota Press, 2010, pp. 3–38.
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J. Lee, ‘My Objects All Sublime: Racial Performance and Commodity Culture’, in The Japan of Pure Invention: Gilbert and Sullivan’s the Mikado, Minneapolis, Minn: University of Minnesota Press, 2010, pp. 3–38. Available: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=548060
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C. Abbate, ‘Brünnhilde Walks by Night’, in Unsung Voices: Opera and Musical Narrative in the Nineteenth Century, Princeton, N.J.: Princeton University Press, 1991.
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C. Abbate, ‘Brünnhilde Walks by Night’, in Unsung Voices: Opera and Musical Narrative in the Nineteenth Century, Princeton University Press, 1991. Available: https://hdl.handle.net/2027/fulcrum.7m01bm20j
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J. P. E. Harper-Scott, ‘Medieval Romance and Wagner’s Musical Narrative in the Ring’, 19th-Century Music, vol. 32, no. 3, pp. 211–234, 2009, doi: 10.1525/ncm.2009.32.3.211
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N. Ridout, ‘Opera and the Technologies of Theatrical Production’, in The Cambridge companion to opera studies, Cambridge: Cambridge University Press, 2008.
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N. Ridout, ‘Opera and the Technologies of Theatrical Production’, in The Cambridge Companion to Opera Studies, Cambridge: Cambridge University Press, 2012. Available: http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCO9781139024976
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J. Q. Davies, ‘"Veluti in Speculum”: The Twilight of the Castrato’, in Romantic anatomies of performance, Berkeley: University of California Press, 2014.
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C. Abbate, ‘Outside the Tomb’, in In Search of Opera, Princeton, N.J.: Princeton University Press, 2003, pp. 185–246.
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G. Kreuzer, ‘Opera, Staging, Technologies’, in Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera, Oakland, California: University of California Press, 2018, pp. 1–26.
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G. Kreuzer, ‘Opera, Staging, Technologies’, in Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera, Berkeley, UNITED STATES: University of California Press, 2018. Available: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=5355317
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G. Kreuzer, ‘Steam’, in Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera, Oakland, California: University of California Press, 2018, pp. 162–214.
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G. Kreuzer, ‘Steam’, in Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera, Berkeley, UNITED STATES: University of California Press, 2018. Available: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=5355317
[54]
B. Gordon, ‘The Castrato Meets the Cyborg’, The Opera Quarterly, vol. 27, no. 1, pp. 94–122, 2011, doi: 10.1093/oq/kbr015
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R. Taruskin, Stravinsky and the Russian Traditions: A Biography of the Works Through Mavra. Oxford: Oxford University Press, 1996.
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R. Taruskin, Stravinsky and the Russian Traditions. Berkeley: University of California Press, 1996. Available: http://ezproxy01.rhul.ac.uk/login?url=http://hdl.handle.net/2027/heb.05560
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R. Taruskin, On Russian Music. Berkeley: University of California Press, 2009.
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R. Taruskin, On Russian Music, vol. Ahmanson Foundation humanities endowment fund imprint On Russian music. Berkeley: University of California Press, 2008. Available: https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9780520942806
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K. Gloag, ‘Russian Rites: Petrushka, The Rite of Spring, and Les Noces’, in The Cambridge Companion to Stravinsky, Cambridge: Cambridge University Press, 2003. Available: https://www.cambridge.org/core/books/cambridge-companion-to-stravinsky/04E4A6B5ED2E9E22F232848C8A337632
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T. Levitz, ‘Racism at the Rite’, in The Rite of Spring at 100, Bloomington, Indiana: Indiana University Press, 2017. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780253027351
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P. Hill, ‘Rehearsals and First Performance’, in Stravinsky: The Rite of Spring, Cambridge: Cambridge University Press, 2000.
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R. Craft, ‘The Rite of Spring: Genesis of a Masterpiece’, Perspectives of New Music, vol. 5, no. 1, pp. 20–36, 1966, doi: 10.2307/832386
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T. F. Kelly, ‘Igor Stravinsky, "Le Sacre du Printemps”: Thursday, May 29, 1913’, in First Nights: Five Musical Premieres, New Haven: Yale University Press, 2000, pp. 256–334.
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F. Maes, ‘The Clash of Ideas: The Quest for the Essence of the New Russian Music’, in A History of Russian Music: From Kamarinskaya to Babi Yar, Berkeley: University of California Press, 2002.
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J. Cross, ‘Stravinsky’s Modernism’, in The Stravinsky Legacy, Cambridge: Cambridge University Press, 1998.
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T. W. Adorno, ‘Stravinsky: A Dialectical Portrait’, in Quasi Una Fantasia: Essays on Modern Music, London: Verso, 1992.
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G. Donizetti, ‘Lucia di Lammermoor’. Opus Arte, 2004.
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G. Puccini, ‘Madama Butterfly’. Distributed by Sony Music Entertainment, New York, 2011.
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