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C. Abbate, In Search of Opera. Princeton, N.J.: Princeton University Press, 2003.
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C. Abbate, Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton, N.J.: Princeton University Press, 1991.
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̌Naomi Adele Andr, Voicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth-Century Italian Opera. Bloomington, Ind: Indiana University Press, 2006.
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C. Clément, Opera, or, The Undoing of Women. Minneapolis, Minn: University of Minnesota Press, 1988.
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G. K. Kreuzer, Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. Oakland, California: University of California Press, 2018 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5355317
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N. Till, The Cambridge Companion to Opera Studies. Cambridge: Cambridge University Press, 2012.
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N. Till, The Cambridge Companion to Opera Studies. Cambridge: Cambridge University Press, 2012 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCO9781139024976
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S. Rutherford, Verdi, Opera, Women. Cambridge: Cambridge University Press, 2013.
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A. Groos, ‘Return of the Native: Japan in Madama Butterfly/Madama Butterfly in Japan’, Cambridge Opera Journal, vol. 1, no. 02, 1989, doi: 10.1017/S0954586700002950.
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H. M. Greenwald, ‘Picturing Cio-Cio-San: House, Screen, and Ceremony in Puccini’s “Madama Butterfly”’, Cambridge Opera Journal, vol. 12, no. 3, 2000 [Online]. Available: https://www.jstor.org/stable/3250716
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J. Q. Davies, ‘"Veluti in Speculum”: The Twilight of the Castrato’, in Romantic anatomies of performance, Berkeley: University of California Press, 2014.
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C. Abbate, ‘The Tenor Comes of Age’, in A history of opera: the last four hundred years, [New edition]., UK: Penguin Books, 2015.
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C. Abbate, ‘Young Verdi’, in A history of opera: the last four hundred years, [New edition]., UK: Penguin Books, 2015.
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N. Andre, ‘From Otello to Porgy: Blackness, Masculinity, and Morality in Opera’, in Blackness in opera, Urbana, Ill: University of Illinois Press, 2012.
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N. Andre, ‘From Otello to Porgy: Blackness, Masculinity, and Morality in Opera’, in Blackness in Opera, Baltimore, UNITED STATES: University of Illinois Press, 2012 [Online]. Available: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=3414176
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R. Parker, ‘The Opera Industry’, in The Cambridge History of Nineteenth-Century Music, Cambridge: Cambridge University Press, 2001.
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M. A. Smart, ‘The Silencing of Lucia’, Cambridge Opera Journal, vol. 4, no. 02, 1992, doi: 10.1017/S0954586700003694.
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J. Lee, ‘My Objects All Sublime: Racial Performance and Commodity Culture’, in The Japan of pure invention: Gilbert and Sullivan’s The Mikado, Minneapolis, Minn: University of Minnesota Press, 2010, pp. 3–38.
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C. Abbate, ‘Brünnhilde Walks by Night’, in Unsung Voices: Opera and Musical Narrative in the Nineteenth Century, Princeton, N.J.: Princeton University Press, 1991.
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J. Q. Davies, ‘"Veluti in Speculum”: The Twilight of the Castrato’, in Romantic anatomies of performance, Berkeley: University of California Press, 2014.
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C. Abbate, ‘Outside the Tomb’, in In Search of Opera, Princeton, N.J.: Princeton University Press, 2003, pp. 185–246.
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G. Kreuzer, ‘Steam’, in Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera, Oakland, California: University of California Press, 2018, pp. 162–214.
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B. Gordon, ‘The Castrato Meets the Cyborg’, The Opera Quarterly, vol. 27, no. 1, pp. 94–122, 2011, doi: 10.1093/oq/kbr015.
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R. Taruskin, On Russian Music. Berkeley: University of California Press, 2009.
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P. Hill, ‘Rehearsals and First Performance’, in Stravinsky: The Rite of Spring, Cambridge: Cambridge University Press, 2000.
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F. Maes, ‘The Clash of Ideas: The Quest for the Essence of the New Russian Music’, in A History of Russian Music: From Kamarinskaya to Babi Yar, Berkeley: University of California Press, 2002.
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T. W. Adorno, ‘Stravinsky: A Dialectical Portrait’, in Quasi Una Fantasia: Essays on Modern Music, London: Verso, 1992.
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