Bibliography for MU2002: Studies in Music History BETA

Abbate, C. (1991a). Brünnhilde Walks by Night. In Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton University Press.

Abbate, C. (1991b). Brünnhilde Walks by Night. In Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton University Press. https://hdl.handle.net/2027/fulcrum.7m01bm20j

Abbate, C. (1991c). Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton University Press.

Abbate, C. (1991d). Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton University Press. https://hdl.handle.net/2027/fulcrum.7m01

Abbate, C. (2003a). In Search of Opera. Princeton University Press.

Abbate, C. (2003b). Outside the Tomb. In In Search of Opera (pp. 185–246). Princeton University Press.

Abbate, C. (2015a). The Tenor Comes of Age. In A history of opera: the last four hundred years ([New edition]). Penguin Books.

Abbate, C. (2015b). Verdi Older Still. In A history of opera: the last four hundred years ([New edition]). Penguin Books.

Abbate, C. (2015c). Young Verdi. In A history of opera: the last four hundred years ([New edition]). Penguin Books.

Abbate, C., & Parker, R. (2015). A History of Opera: The Last Four Hundred Years ([New edition]). Penguin Books.

Adorno, T. W. (1992). Stravinsky: A Dialectical Portrait. In Quasi Una Fantasia: Essays on Modern Music. Verso.

Adorno, T. W., & Hullot-Kentor, R. (2006). Philosophy of New Music. University of Minnesota Press.

Adorno, T. W., & Livingstone, R. (1992). Quasi Una Fantasia: Essays on Modern Music. Verso.

Andr, ̌Naomi Adele. (2006). Voicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth-Century Italian Opera. Indiana University Press.

Andre, N. (2012a). From Otello to Porgy: Blackness, Masculinity, and Morality in Opera. In Blackness in opera. University of Illinois Press.

Andre, N. (2012b). From Otello to Porgy: Blackness, Masculinity, and Morality in Opera. In Blackness in Opera. University of Illinois Press. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=3414176

Andre, N. (2018). Black Opera: History, Power, Engagement. University of Illinois Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5404257

André, N. (2018a). Engaged Opera. In Black Opera: History, Power, Engagement. University of Illinois Press.

André, N. (2018b). Engaged Opera. In Black Opera: History, Power, Engagement. University of Illinois Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5404257

André, ̌Naomi Adele. (2018). Black Opera: History, Power, Engagement. University of Illinois Press.

Andriessen, L., & Cross, J. (2003a). Composing with Stravinsky. In The Cambridge Companion to Stravinsky. Cambridge University Press.

Andriessen, L., & Cross, J. (2003b). Composing with Stravinsky. In The Cambridge Companion to Stravinsky: Vol. Cambridge companions to music The Cambridge companion to Stravinsky. Cambridge University Press. https://www.cambridge.org/core/books/cambridge-companion-to-stravinsky/04E4A6B5ED2E9E22F232848C8A337632

Arnold Whittall. (2002). Defusing Dionysus? New Perspectives on ‘The Rite of Spring’. Music Analysis, 21(1), 87–104. http://www.jstor.org/stable/854363?Search=yes&resultItemClick=true&searchText=Whittall&searchText=Defusing&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DWhittall%2BDefusing%26amp%3Bacc%3Doff%26amp%3Bwc%3Don%26amp%3Bfc%3Doff%26amp%3Bgroup%3Dnone&seq=1#page_scan_tab_contents

Blackmer, C. E., & Smith, P. J. (1995). En Travesti: Women, Gender Subversion, Opera. Columbia University Press.

Boulez, P. (1986). Stravinsky: ‘The Rite of Spring’. In Orientations: Collected Writings. Faber.

Boulez, P., & Nattiez, J.-J. (1986). Orientations: Collected Writings. Harvard University Press.

Carnegy, P. (2013). Wagner and the Art of the Theatre. Yale University Press.

Chua, D. K. I. (2007). Rioting with Stravinsky: a Particular Analysis of the Rite of Spring. Music Analysis, 26(1–2), 59–109. https://doi.org/10.1111/j.1468-2249.2007.00250.x

Clément, C. (1988). Opera, or, The Undoing of Women. University of Minnesota Press.

Craft, R. (1966). The Rite of Spring: Genesis of a Masterpiece. Perspectives of New Music, 5(1), 20–36. https://doi.org/10.2307/832386

Craft, R. (1994). Stravinsky: Chronicle of a Friendship (Rev. and expanded ed). Vanderbilt University Press.

Cross, J. (1998a). Stravinsky’s Modernism. In The Stravinsky Legacy. Cambridge University Press.

Cross, J. (1998b). The Stravinsky Legacy. Cambridge University Press.

Cross, J. (2003). The Cambridge Companion to Stravinsky. Cambridge University Press.

Cross, J. (2013a). Stravinsky in Exile. In Stravinsky and His World. Princeton University Press.

Cross, J. (2013b). Stravinsky in Exile. In Stravinsky and His World. Princeton University Press. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781400848546

Cross, J., & Cross, J. (2003). The Cambridge Companion to Stravinsky: Vol. Cambridge companions to music The Cambridge companion to Stravinsky. Cambridge University Press. https://www.cambridge.org/core/books/cambridge-companion-to-stravinsky/04E4A6B5ED2E9E22F232848C8A337632

Davies, J. Q. (2014a). "Veluti in Speculum”: The Twilight of the Castrato. In Romantic anatomies of performance. University of California Press.

Davies, J. Q. (2014b). "Veluti in Speculum”: The Twilight of the Castrato. In Romantic anatomies of performance. University of California Press.

DiGaetani, J. L. (2006). Inside the Ring: Essays on Wagner’s Opera Cycle. McFarland.

Donizetti, G. (2004). Lucia di Lammermoor. Opus Arte.

Forte, A. (1978). The Harmonic Organization of ‘The Rite of Spring’. Yale University Press.

Francis, K., & Lachapelle, S. (2016). The Medical and the Musical: French Physiology and Late Nineteenth-Century Operatic Training. Cambridge Opera Journal, 28(03), 347–362. https://doi.org/10.1017/S0954586716000458

Garafola, L. (1989). Diaghilev’s Ballets Russes. Oxford University Press.

Gloag, K. (2003a). Russian Rites: Petrushka, The Rite of Spring, and Les Noces. In The Cambridge Companion to Stravinsky. Cambridge University Press.

Gloag, K. (2003b). Russian Rites: Petrushka, The Rite of Spring, and Les Noces. In The Cambridge Companion to Stravinsky: Vol. Cambridge companions to music The Cambridge companion to Stravinsky. Cambridge University Press. https://www.cambridge.org/core/books/cambridge-companion-to-stravinsky/04E4A6B5ED2E9E22F232848C8A337632

Gordon, B. (2011a). The Castrato Meets the Cyborg. The Opera Quarterly, 27(1), 94–122. https://doi.org/10.1093/oq/kbr015

Gordon, B. (2011b). The Castrato Meets the Cyborg. The Opera Quarterly, 27(1), 94–122. https://doi.org/10.1093/oq/kbr015

Greenwald, H. M. (2000). Picturing Cio-Cio-San: House, Screen, and Ceremony in Puccini’s ‘Madama Butterfly’. Cambridge Opera Journal, 12(3). https://www.jstor.org/stable/3250716

Griffiths, P. (1992). Stravinsky: Vol. The master musicians series. Dent.

Groos, A. (1989a). Return of the Native: Japan in Madama Butterfly/Madama Butterfly in Japan. Cambridge Opera Journal, 1(02). https://doi.org/10.1017/S0954586700002950

Groos, A. (1989b). Return of the Native: Japan in Madama Butterfly/Madama Butterfly in Japan. Cambridge Opera Journal, 1(02). https://doi.org/10.1017/S0954586700002950

Harper-Scott, J. P. E. (2009). Medieval Romance and Wagner’s Musical Narrative in the Ring. 19th-Century Music, 32(3), 211–234. https://doi.org/10.1525/ncm.2009.32.3.211

Henson, K. (Ed.). (2016). Technology and the Diva: Sopranos, Opera, and Media From Romanticism to the Digital Age. Cambridge University Press.

Hill, P. (2000a). Rehearsals and First Performance. In Stravinsky: The Rite of Spring. Cambridge University Press.

Hill, P. (2000b). Stravinsky: The Rite of Spring. Cambridge University Press.

Hyer, B. (2007). Parsifal Hysterique. The Opera Quarterly, 22(2), 269–320. https://doi.org/10.1093/oq/kbl009

Kelly, T. F. (2000a). First Nights: Five Musical Premieres. Yale University Press.

Kelly, T. F. (2000b). Igor Stravinsky, "Le Sacre du Printemps”: Thursday, May 29, 1913. In First Nights: Five Musical Premieres (pp. 256–334). Yale University Press.

Kreuzer, G. (2018a). Opera, Staging, Technologies. In Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera (pp. 1–26). University of California Press.

Kreuzer, G. (2018b). Opera, Staging, Technologies. In Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. University of California Press. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=5355317

Kreuzer, G. (2018c). Steam. In Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera (pp. 162–214). University of California Press.

Kreuzer, G. (2018d). Steam. In Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. University of California Press. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=5355317

Kreuzer, G. K. (2018a). Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. University of California Press.

Kreuzer, G. K. (2018b). Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. University of California Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5355317

Lee, J. (2010a). My Objects All Sublime: Racial Performance and Commodity Culture. In The Japan of pure invention: Gilbert and Sullivan’s The Mikado (pp. 3–38). University of Minnesota Press.

Lee, J. (2010b). My Objects All Sublime: Racial Performance and Commodity Culture. In The Japan of Pure Invention: Gilbert and Sullivan’s the Mikado (pp. 3–38). University of Minnesota Press. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=548060

Levitz, T. (2013a). Stravinsky and His World. Princeton University Press.

Levitz, T. (2013b). Stravinsky and His World. Princeton University Press. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781400848546

Levitz, T. (2017a). Racism at the Rite. In The Rite of Spring at 100. Indiana University Press. https://www.amazon.co.uk/Rite-Spring-Musical-Meaning-Interpretation/dp/025302420X/ref=sr_1_1?s=books&ie=UTF8&qid=1546441964&sr=1-1&keywords=the+rite+of+spring+at+100

Levitz, T. (2017b). Racism at the Rite. In The Rite of Spring at 100. Indiana University Press. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780253027351

Locke, R. P. (1993). Reflections on Orientalism in Opera and Musical Theater. The Opera Quarterly, 10(1), 48–64. https://doi.org/10.1093/oq/10.1.48

Maes, F. (2002a). A History of Russian Music: From Kamarinskaya to Babi Yar. University of California Press.

Maes, F. (2002b). The Clash of Ideas: The Quest for the Essence of the New Russian Music. In A History of Russian Music: From Kamarinskaya to Babi Yar. University of California Press.

Nietzsche, F. W., & Smith, D. (2008). The Birth of Tragedy ([New ed.]). Oxford University Press.

Offenbach, J. (2003). Offenbach : Les Contes d’Hoffmann - Royal Opera House/Prêtre.

Parker, R. (2001a). The Opera Industry. In The Cambridge History of Nineteenth-Century Music. Cambridge University Press.

Parker, R. (2001b). The Opera Industry. In The Cambridge History of Nineteenth-Century Music. Cambridge University Press. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CHOL9780521590174

Parr, S. (2016). Coloratura and Technology in the Mid Nineteenth-Century Mad Scene. In K. Henson (Ed.), Technology and the diva: sopranos, opera, and media from romanticism to the digital age. Cambridge University Press. https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9781316760895

Puccini, G. (2011). Madama Butterfly. Distributed by Sony Music Entertainment.

Ridout, N. (2008). Opera and the Technologies of Theatrical Production. In The Cambridge companion to opera studies. Cambridge University Press.

Ridout, N. (2012). Opera and the Technologies of Theatrical Production. In The Cambridge Companion to Opera Studies. Cambridge University Press. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCO9781139024976

Robinson, J. B., Walsh, S., & Griffiths, E. (2013). Avatar of Modernity: The Rite of Spring Reconsidered (H. Danuser & H. Zimmermann, Eds.; 2013th ed.). Paul Sacher Foundation.

Routh, F. (1975). Stravinsky: Vol. The master musicians series. Dent.

Rutherford, S. (2013). Verdi, Opera, Women. Cambridge University Press.

Smart, M. A. (1992). The Silencing of Lucia. Cambridge Opera Journal, 4(02). https://doi.org/10.1017/S0954586700003694

Stravinsky, I. (1970). Poetics of Music: In the Form of Six Lessons. Harvard University Press.

Stravinsky, I., & Craft, R. (1959). Conversations With Igor Stravinsky. Faber and Faber.

Taruskin, R. (1980). Russian Folk Melodies in ‘The Rite of Spring’. Journal of the American Musicological Society, 33(3), 501–543. https://doi.org/10.2307/831304

Taruskin, R. (1996a). Stravinsky and the Russian Traditions. University of California Press. http://ezproxy01.rhul.ac.uk/login?url=http://hdl.handle.net/2027/heb.05560

Taruskin, R. (1996b). Stravinsky and the Russian Traditions: A Biography of the Works Through Mavra. Oxford University Press.

Taruskin, R. (2008). On Russian Music: Vol. Ahmanson Foundation humanities endowment fund imprint On Russian music. University of California Press. https://www-dawsonera-com.ezproxy01.rhul.ac.uk/abstract/9780520942806

Taruskin, R. (2009). On Russian Music. University of California Press.

Taruskin, R. (2016a). Resisting the Rite. In Russian Music at Home and Abroad: New Essays. University of California Press.

Taruskin, R. (2016b). Russian Music at Home and Abroad: New Essays. University of California Press.

Till, N. (2012a). The Cambridge Companion to Opera Studies. Cambridge University Press.

Till, N. (2012b). The Cambridge Companion to Opera Studies. Cambridge University Press. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCO9781139024976

Toorn, P. C. van den. (1987). Stravinsky and The Rite of Spring: The Beginnings of a Musical Language. University of California Press.

Van den Toorn, P. C. (1987). Stravinsky and The Rite of Spring: The Beginnings of a Musical Language. University of California Press. http://ark.cdlib.org/ark:/13030/ft967nb647/

Van Den Toorn, P. C., & Tymoczko, D. (2003). Stravinsky and the Octatonic: The Sounds of Stravinsky. Music Theory Spectrum, 25(1), 167–202. https://doi.org/10.1525/mts.2003.25.1.167

Vella, F. (2018). (De)railing Mobility: Opera, Stasis, and Locomotion on Late-Nineteenth-Century Italian Tracks. The Opera Quarterly, 34(1), 3–28. https://doi.org/10.1093/oq/kby005

Wagner, R., Spencer, S., & Millington, B. (1993). Wagner’s Ring of the Nibelung: A Companion: The Full German Text. Thames and Hudson.

Walsh, S. (1988). The Music of Stravinsky. Routledge.

Zizek, S. (2008). Brunnhilde’s Act. The Opera Quarterly, 23(2–3), 199–216. https://doi.org/10.1093/oq/kbn044