Bibliography for MU2002: Studies in Music History BETA

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Abbate, Carolyn. 1991b. ‘Brünnhilde Walks by Night’. in Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton University Press.

Abbate, Carolyn. 1991c. Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton, N.J.: Princeton University Press.

Abbate, Carolyn. 1991d. Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton University Press.

Abbate, Carolyn. 2003a. In Search of Opera. Princeton, N.J.: Princeton University Press.

Abbate, Carolyn. 2003b. ‘Outside the Tomb’. Pp. 185–246 in In Search of Opera. Princeton, N.J.: Princeton University Press.

Abbate, Carolyn. 2015a. ‘The Tenor Comes of Age’. in A history of opera: the last four hundred years. UK: Penguin Books.

Abbate, Carolyn. 2015b. ‘Verdi Older Still’. in A history of opera: the last four hundred years. UK: Penguin Books.

Abbate, Carolyn. 2015c. ‘Young Verdi’. in A history of opera: the last four hundred years. UK: Penguin Books.

Abbate, Carolyn, and Roger Parker. 2015. A History of Opera: The Last Four Hundred Years. [New edition]. UK: Penguin Books.

Adorno, Theodor W. 1992. ‘Stravinsky: A Dialectical Portrait’. in Quasi Una Fantasia: Essays on Modern Music. London: Verso.

Adorno, Theodor W., and Robert Hullot-Kentor. 2006. Philosophy of New Music. Minneapolis, Minn: University of Minnesota Press.

Adorno, Theodor W., and Rodney Livingstone. 1992. Quasi Una Fantasia: Essays on Modern Music. London: Verso.

Andr, ̌Naomi Adele. 2006. Voicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth-Century Italian Opera. Bloomington, Ind: Indiana University Press.

Andre, Naomi. 2012a. ‘From Otello to Porgy: Blackness, Masculinity, and Morality in Opera’. in Blackness in opera. Urbana, Ill: University of Illinois Press.

Andre, Naomi. 2012b. ‘From Otello to Porgy: Blackness, Masculinity, and Morality in Opera’. in Blackness in Opera. Baltimore, UNITED STATES: University of Illinois Press.

Andre, Naomi. 2018. Black Opera: History, Power, Engagement. Champaign: University of Illinois Press.

André, Naomi. 2018a. ‘Engaged Opera’. in Black Opera: History, Power, Engagement. Urbana: University of Illinois Press.

André, Naomi. 2018b. ‘Engaged Opera’. in Black Opera: History, Power, Engagement. Champaign: University of Illinois Press.

André, ̌Naomi Adele. 2018. Black Opera: History, Power, Engagement. Urbana: University of Illinois Press.

Andriessen, Louis, and Jonathan Cross. 2003a. ‘Composing with Stravinsky’. in The Cambridge Companion to Stravinsky. Cambridge: Cambridge University Press.

Andriessen, Louis, and Jonathan Cross. 2003b. ‘Composing with Stravinsky’. in The Cambridge Companion to Stravinsky. Vol. Cambridge companions to music The Cambridge companion to Stravinsky. Cambridge: Cambridge University Press.

Arnold Whittall. 2002. ‘Defusing Dionysus? New Perspectives on “The Rite of Spring”’. Music Analysis 21(1):87–104.

Blackmer, Corinne E., and Patricia Juliana Smith. 1995. En Travesti: Women, Gender Subversion, Opera. New York: Columbia University Press.

Boulez, Pierre. 1986. ‘Stravinsky: “The Rite of Spring”’. in Orientations: Collected Writings. London: Faber.

Boulez, Pierre, and Jean-Jacques Nattiez. 1986. Orientations: Collected Writings. Cambridge, Mass: Harvard University Press.

Carnegy, Patrick. 2013. Wagner and the Art of the Theatre. New Haven, Connecticut: Yale University Press.

Chua, Daniel K. I. 2007. ‘Rioting with Stravinsky: A Particular Analysis of the Rite of Spring’. Music Analysis 26(1–2):59–109. doi: 10.1111/j.1468-2249.2007.00250.x.

Clément, Catherine. 1988. Opera, or, The Undoing of Women. Minneapolis, Minn: University of Minnesota Press.

Craft, Robert. 1966. ‘The Rite of Spring: Genesis of a Masterpiece’. Perspectives of New Music 5(1):20–36. doi: 10.2307/832386.

Craft, Robert. 1994. Stravinsky: Chronicle of a Friendship. Rev. and expanded ed. Nashville: Vanderbilt University Press.

Cross, Jonathan. 1998a. ‘Stravinsky’s Modernism’. in The Stravinsky Legacy. Cambridge: Cambridge University Press.

Cross, Jonathan. 1998b. The Stravinsky Legacy. Cambridge: Cambridge University Press.

Cross, Jonathan. 2003. The Cambridge Companion to Stravinsky. Cambridge: Cambridge University Press.

Cross, Jonathan. 2013a. ‘Stravinsky in Exile’. in Stravinsky and His World. Princeton, New Jersey: Princeton University Press.

Cross, Jonathan. 2013b. ‘Stravinsky in Exile’. in Stravinsky and His World. Princeton, New Jersey: Princeton University Press.

Cross, Jonathan, and Jonathan Cross. 2003. The Cambridge Companion to Stravinsky. Vol. Cambridge companions to music The Cambridge companion to Stravinsky. Cambridge: Cambridge University Press.

Davies, James Q. 2014a. ‘"Veluti in Speculum”: The Twilight of the Castrato’. in Romantic anatomies of performance. Berkeley: University of California Press.

Davies, James Q. 2014b. ‘"Veluti in Speculum”: The Twilight of the Castrato’. in Romantic anatomies of performance. Berkeley: University of California Press.

DiGaetani, John Louis. 2006. Inside the Ring: Essays on Wagner’s Opera Cycle. Jefferson, N.C.: McFarland.

Donizetti, Gaetano. 2004. ‘Lucia Di Lammermoor’.

Forte, Allen. 1978. The Harmonic Organization of ‘The Rite of Spring’. New Haven: Yale University Press.

Francis, Kimberly, and Sofie Lachapelle. 2016. ‘The Medical and the Musical: French Physiology and Late Nineteenth-Century Operatic Training’. Cambridge Opera Journal 28(03):347–62. doi: 10.1017/S0954586716000458.

Garafola, Lynn. 1989. Diaghilev’s Ballets Russes. New York: Oxford University Press.

Gloag, Kenneth. 2003a. ‘Russian Rites: Petrushka, The Rite of Spring, and Les Noces’. in The Cambridge Companion to Stravinsky. Cambridge: Cambridge University Press.

Gloag, Kenneth. 2003b. ‘Russian Rites: Petrushka, The Rite of Spring, and Les Noces’. in The Cambridge Companion to Stravinsky. Vol. Cambridge companions to music The Cambridge companion to Stravinsky. Cambridge: Cambridge University Press.

Gordon, B. 2011a. ‘The Castrato Meets the Cyborg’. The Opera Quarterly 27(1):94–122. doi: 10.1093/oq/kbr015.

Gordon, B. 2011b. ‘The Castrato Meets the Cyborg’. The Opera Quarterly 27(1):94–122. doi: 10.1093/oq/kbr015.

Greenwald, Helen M. 2000. ‘Picturing Cio-Cio-San: House, Screen, and Ceremony in Puccini’s “Madama Butterfly”’. Cambridge Opera Journal 12(3).

Griffiths, Paul. 1992. Stravinsky. Vol. The master musicians series. London: Dent.

Groos, Arthur. 1989a. ‘Return of the Native: Japan in Madama Butterfly/Madama Butterfly in Japan’. Cambridge Opera Journal 1(02). doi: 10.1017/S0954586700002950.

Groos, Arthur. 1989b. ‘Return of the Native: Japan in Madama Butterfly/Madama Butterfly in Japan’. Cambridge Opera Journal 1(02). doi: 10.1017/S0954586700002950.

Harper-Scott, J. P. E. 2009. ‘Medieval Romance and Wagner’s Musical Narrative in the Ring’. 19th-Century Music 32(3):211–34. doi: 10.1525/ncm.2009.32.3.211.

Henson, Karen, ed. 2016. Technology and the Diva: Sopranos, Opera, and Media From Romanticism to the Digital Age. Cambridge: Cambridge University Press.

Hill, Peter. 2000a. ‘Rehearsals and First Performance’. in Stravinsky: The Rite of Spring. Cambridge: Cambridge University Press.

Hill, Peter. 2000b. Stravinsky: The Rite of Spring. Cambridge: Cambridge University Press.

Hyer, B. 2007. ‘Parsifal Hysterique’. The Opera Quarterly 22(2):269–320. doi: 10.1093/oq/kbl009.

Kelly, Thomas Forrest. 2000a. First Nights: Five Musical Premieres. New Haven: Yale University Press.

Kelly, Thomas Forrest. 2000b. ‘Igor Stravinsky, "Le Sacre Du Printemps”: Thursday, May 29, 1913’. Pp. 256–334 in First Nights: Five Musical Premieres. New Haven: Yale University Press.

Kreuzer, Gundula. 2018a. ‘Opera, Staging, Technologies’. Pp. 1–26 in Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. Oakland, California: University of California Press.

Kreuzer, Gundula. 2018b. ‘Opera, Staging, Technologies’. in Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. Berkeley, UNITED STATES: University of California Press.

Kreuzer, Gundula. 2018c. ‘Steam’. Pp. 162–214 in Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. Oakland, California: University of California Press.

Kreuzer, Gundula. 2018d. ‘Steam’. in Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. Berkeley, UNITED STATES: University of California Press.

Kreuzer, Gundula Katharina. 2018a. Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. Oakland, California: University of California Press.

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Lee, Josephine. 2010a. ‘My Objects All Sublime: Racial Performance and Commodity Culture’. Pp. 3–38 in The Japan of pure invention: Gilbert and Sullivan’s The Mikado. Minneapolis, Minn: University of Minnesota Press.

Lee, Josephine. 2010b. ‘My Objects All Sublime: Racial Performance and Commodity Culture’. Pp. 3–38 in The Japan of Pure Invention: Gilbert and Sullivan’s the Mikado. Minneapolis, Minn: University of Minnesota Press.

Levitz, Tamara. 2013a. Stravinsky and His World. Princeton, New Jersey: Princeton University Press.

Levitz, Tamara. 2013b. Stravinsky and His World. Princeton, New Jersey: Princeton University Press.

Levitz, Tamara. 2017a. ‘Racism at the Rite’. in The Rite of Spring at 100. Indiana University Press.

Levitz, Tamara. 2017b. ‘Racism at the Rite’. in The Rite of Spring at 100. Bloomington, Indiana: Indiana University Press.

Locke, Ralph P. 1993. ‘Reflections on Orientalism in Opera and Musical Theater’. The Opera Quarterly 10(1):48–64. doi: 10.1093/oq/10.1.48.

Maes, Francis. 2002a. A History of Russian Music: From Kamarinskaya to Babi Yar. Berkeley: University of California Press.

Maes, Francis. 2002b. ‘The Clash of Ideas: The Quest for the Essence of the New Russian Music’. in A History of Russian Music: From Kamarinskaya to Babi Yar. Berkeley: University of California Press.

Nietzsche, Friedrich Wilhelm, and Douglas Smith. 2008. The Birth of Tragedy. [New ed.]. Oxford: Oxford University Press.

Offenbach, Jacques. 2003. ‘Offenbach : Les Contes d’Hoffmann - Royal Opera House/Prêtre’.

Parker, Roger. 2001a. ‘The Opera Industry’. in The Cambridge History of Nineteenth-Century Music. Cambridge: Cambridge University Press.

Parker, Roger. 2001b. ‘The Opera Industry’. in The Cambridge History of Nineteenth-Century Music. Cambridge: Cambridge University Press.

Parr, Sean. 2016. ‘Coloratura and Technology in the Mid Nineteenth-Century Mad Scene’. in Technology and the diva: sopranos, opera, and media from romanticism to the digital age, edited by K. Henson. Cambridge: Cambridge University Press.

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Ridout, Nicholas. 2012. ‘Opera and the Technologies of Theatrical Production’. in The Cambridge Companion to Opera Studies. Cambridge: Cambridge University Press.

Robinson, J. Bradford, Stephen Walsh, and Edmund Griffiths. 2013. Avatar of Modernity: The Rite of Spring Reconsidered. 2013th ed. edited by H. Danuser and H. Zimmermann. Basel: Paul Sacher Foundation.

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Rutherford, Susan. 2013. Verdi, Opera, Women. Cambridge: Cambridge University Press.

Smart, Mary Ann. 1992. ‘The Silencing of Lucia’. Cambridge Opera Journal 4(02). doi: 10.1017/S0954586700003694.

Stravinsky, Igor. 1970. Poetics of Music: In the Form of Six Lessons. Cambridge, Mass: Harvard University Press.

Stravinsky, Igor, and Robert Craft. 1959. Conversations With Igor Stravinsky. London: Faber and Faber.

Taruskin, Richard. 1980. ‘Russian Folk Melodies in “The Rite of Spring”’. Journal of the American Musicological Society 33(3):501–43. doi: 10.2307/831304.

Taruskin, Richard. 1996a. Stravinsky and the Russian Traditions. Berkeley: University of California Press.

Taruskin, Richard. 1996b. Stravinsky and the Russian Traditions: A Biography of the Works Through Mavra. Oxford: Oxford University Press.

Taruskin, Richard. 2008. On Russian Music. Vol. Ahmanson Foundation humanities endowment fund imprint On Russian music. Berkeley: University of California Press.

Taruskin, Richard. 2009. On Russian Music. Berkeley: University of California Press.

Taruskin, Richard. 2016a. ‘Resisting the Rite’. in Russian Music at Home and Abroad: New Essays. Oakland, California: University of California Press.

Taruskin, Richard. 2016b. Russian Music at Home and Abroad: New Essays. Oakland, California: University of California Press.

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Van den Toorn, Pieter C. 1987. Stravinsky and The Rite of Spring: The Beginnings of a Musical Language. Berkeley: University of California Press.

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Vella, Francesca. 2018. ‘(De)Railing Mobility: Opera, Stasis, and Locomotion on Late-Nineteenth-Century Italian Tracks’. The Opera Quarterly 34(1):3–28. doi: 10.1093/oq/kby005.

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