Adelman, J. (1992a) ‘Suffocating Mothers in King Lear’, in Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays, Hamlet to the Tempest. New York: Routledge, pp. 103–129.
Adelman, J. (1992b) ‘Suffocating Mothers in King Lear’, in Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays, Hamlet to the Tempest. New York: Routledge, pp. 103–129. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=3060994.
Auden, W.H. (1954) ‘Balaam and The Ass: On the Literary Use of the Master-Servant Relationship’, Encounter, (July), pp. 35–53. Available at: http://www.unz.org/Pub/Encounter-1954jul-00035.
Auden, W.H. (1963) ‘Balaam and his Ass: On the Literary Use of the Master-Servant Relationship’, in The Dyer’s Hand: And Other Essays. London: Faber, pp. 107–145.
Badawī, M.M. (1973a) Coleridge: Critic of Shakespeare. Cambridge: Cambridge University Press.
Badawī, M.M. (1973b) Coleridge: Critic of Shakespeare. Cambridge: Cambridge University Press.
Barker, H. (1993) Arguments for a Theatre. 2nd Edition. Manchester: Manchester University Press.
Barker, H. (2005a) Death, the One and the Art of Theatre. London: Routledge.
Barker, H. (2005b) Death, the One and the Art of Theatre. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=199576.
Barker, H. (2007) A Style and Its Origins. London: Oberon Books.
Barker, H. (2009) ‘Seven Lears: The Pursuit of Good’, in Plays Five. London: Oberon Books.
Bate, J. (1986a) Shakespeare and the English Romantic Imagination. Oxford: Clarendon.
Bate, J. (1986b) Shakespeare and the English Romantic Imagination. Oxford: Clarendon.
Bate, J. (1989a) Shakespearean Constitutions: Politics, Theatre, Criticism, 1730-1830. Oxford: Clarendon.
Bate, J. (1989b) Shakespearean Constitutions: Politics, Theatre, Criticism, 1730-1830. Oxford: Clarendon.
Bate, J. (1992a) ‘Extract’, in The Romantics on Shakespeare. Harmondsworth: Penguin, pp. 60–66.
Bate, J. (1992b) ‘King Lear’, in The Romantics on Shakespeare. Harmondsworth: Penguin, pp. 381–405.
Bate, J. (1997) ‘The Original Genius’, in The Genius of Shakespeare. London: Picador.
Bate, J. (2016) ‘All the World His Stage’, in The Genius of Shakespeare. Picador Classic Edition. London: Picador Classic, pp. 217–250.
Bayley, J. (1981) ‘The King’s Ship’, in Shakespeare and Tragedy. London: Routledge & Kegan Paul, pp. 7–48.
Beckett, S. and Gontarski, S.E. (1992) Endgame. London: Faber and Faber.
Berger, H. (1997a) ‘King Lear: The Lear Family Romance’, in Making Trifles of Terrors: Redistributing Complicities in Shakespeare. Stanford, Calif: Stanford University Press.
Berger, H. (1997b) ‘Text Against Performance:The Gloucester Family Romance’, in Making Trifles of Terrors: Redistributing Complicities in Shakespeare. Stanford, Calif: Stanford University Press.
Bloom, H. (1999) ‘King Lear’, in Shakespeare: The Invention of the Human. London: Fourth Estate, pp. 476–515.
Bond, E. (1972a) ‘Drama and the Dialectic of Violence’, Theatre Quarterly, 2(5), pp. 4–14.
Bond, E. (1972b) Lear. Edited by P. Hern. London: Bloomsbury. Available at: https://doi.org/10.5040/9781408162996.00000018.
Bond, E. (1974) Bingo: Scenes of Money and Death. London: Methuen.
Bond, E. (1978) Plays: 2. London: Eyre Methuen.
Bond, E. (1987) Plays: 3. London: Methuen.
Bond, E. (2000a) The Hidden Plot: Notes on Theatre and the State. London: Methuen Drama.
Bond, E. (2000b) The Hidden Plot: Notes on Theatre and the State. London: Methuen Drama.
Boose, L.E. (1997a) ‘Shakespeare in the Age of Post-Mechanical Reproduction: Sexual and Electronic Magic in Prospero’s Books’, in Shakespeare, The Movie: Popularizing the Plays on Film, TV and Video. Hoboken: Taylor and Francis, pp. 172–189. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=240528.
Boose, L.E. (1997b) ‘Shakespeare in the Age of Post-Mechanical Reproduction: Sexual and Electronic Magic in Prospero’s Books’, in Shakespeare, the Movie: Popularizing the Plays on Film, TV and Video. London: Routledge, pp. 172–189.
Booth, S. (1983) ‘Extract’, in King Lear, Macbeth, Indefinition and Tragedy. New Haven: Yale University Press, pp. 5–57.
Bradley, A.C. (2007a) ‘“Lecture VII: King Lear” and “Lecture VIII: King Lear”’, in Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth. 4th Edition. Houndsmills, Basingstoke: Palgrave Macmillan, pp. 182–210.
Bradley, A.C. (2007b) ‘Lecture VIII: King Lear’, in Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth. 4th Edition. Houndsmills, Basingstoke: Palgrave Macmillan, pp. 211–251.
Braudy, L. (2016) ‘Finding Shakespeare on Film: From an Interview with Peter Brook’, in L. Braudy and M. Cohen (eds) Film Theory and Criticism: Introductory Readings. 8th Edition. New York: Oxford University Press.
Brauner, D. (2001) ‘“Speak Again”: The Politics of Rewriting in “A Thousand Acres”’, The Modern Language Review, 96(3), pp. 654–666. Available at: https://doi.org/10.2307/3736736.
Brown, P. (1994) ‘This Thing of Darkness I Acknowledge Mine’, in Political Shakespeare: Essays in Cultural Materialism. 2nd Edition. Manchester: Manchester University Press, pp. 48–71.
Browning, R. (no date) Caliban Upon Setebos | Poetry Foundation. Available at: https://web.archive.org/web/20170407155817/https://www.poetryfoundation.org/poems-and-poets/poems/detail/43748.
Buchanan, J. (2005a) ‘Historically Juxtaposed Beans (II): The Tempest on Film’, in Shakespeare on Film. Harlow: Longman, pp. 150–183.
Buchanan, J. (2005b) ‘The Tempest on Film’, in Shakespeare on Film. Harlow, England: Pearson Longman. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=177112.
Bulman, J.C. (1996a) ‘Drowning the Book: Prospero’s Books and the Textual Shakespeare’, in Shakespeare, Theory, and Performance. London: Routledge, pp. 189–212. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=179529.
Bulman, J.C. (1996b) ‘Drowning the Book: Prospero’s Books and the Textual Shakespeare’, in Shakespeare, Theory and Performance. London: Routledge, pp. 189–212.
Cartelli, T. (2002) ‘Shakespeare in Pain: Edward Bond’s Lear and the Ghosts of History’, in P. Holland (ed.) Shakespeare Survey 55. Cambridge: Cambridge University Press, pp. 159–169. Available at: https://doi.org/10.1017/CCOL0521815878.014.
Cartmell, D. (2000) ‘Shakespeare, Film and Race: Screening Othello and The Tempest’, in Interpreting Shakespeare on Screen. New York: St. Martin’s Press, pp. 67–93. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/reader.action?docID=6234544&ppg=78.
Clark, S. (1997) ‘The Tempest, or The Enchanted Island’, in Shakespeare Made Fit: Restoration Adaptations of Shakespeare. London: Everyman, pp. 79–185.
Crowl, S. (1994) ‘The Bow Is Bent and Drawn: Kurosawa’s Ran and the Shakespearean Arrow of Desire.’, Literature Film Quarterly, 22(2), pp. 109–118. Available at: https://www.jstor.org/stable/43796627.
Davies, A. (1994) ‘Kurosawa’s Shakespeare Films: Throne of Blood, The Bad Sleep Well and Ran’, in Shakespeare and the Moving Image: The Plays on Film and Television. Cambridge: Cambridge University Press.
Desmet, C. (1999) ‘The Shakespeareanization of Robert Browning’, in Shakespeare and Appropriation. London: Routledge, pp. 142–159. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=169306.
DiPietro, C. (2013) ‘Seeing Places: The Tempest and the Baroque Spectacle of the Restoration Theatre’, Shakespeare, 9(2), pp. 168–186. Available at: https://doi.org/10.1080/17450918.2013.784849.
Dobson, M. (1991) ‘“Remember/First to Possess his Books”: The Appropriation of The Tempest 1700-1800’, in S. Wells (ed.) Shakespeare Survey 43. Cambridge: Cambridge University Press, pp. 99–108. Available at: https://doi.org/10.1017/CCOL0521395291.009.
Donohue, J.W. (1970) Dramatic Character in the English Romantic Age. Princeton, N.J.: Princeton University Press.
Dutton, R. (2003) ‘King Lear’, in A Companion to Shakespeare’s Works, Volume I: The Tragedies. Malden, Mass: Blackwell, pp. 375–392. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=350884.
Dutton, R. (2006) ‘King Lear’, in A Companion to Shakespeare’s Works - Volume 1: The Tragedies. Oxford: Blackwell, pp. 375–392.
Edwards, P. (1958) ‘Shakespeare’s Romances: 1900–1957’, in A. Nicoll (ed.) Shakespeare Survey 11. Cambridge: Cambridge University Press, pp. 1–18. Available at: https://doi.org/10.1017/CCOL0521064244.001.
Evans, M. (1986) ‘Extract’, in Signifying Nothing: Truth’s True Contents in Shakespeare’s Text. Brighton: Harvester, pp. 224–234.
Everett, B. (1960) ‘The New King Lear’, Critical Quarterly, 2(4), pp. 325–339. Available at: https://doi.org/10.1111/j.1467-8705.1960.tb00882.x.
Faragher, J.M. (2001) ‘The Historical Imagination of A Thousand Acres’, in Novel History: Historians and Novelists Confront America’s Past (And Each Other), pp. 146–159.
Field, A.S. (1982) ‘King Lear Versus Lear at Stratford’, Critical Quarterly, 24(4), pp. 5–14. Available at: https://doi.org/10.1111/j.1467-8705.1982.tb01893.x.
Foakes, R.A. (1997) ‘Introduction’, in King Lear. New Edition. Walton-on-Thames: Nelson, pp. 1–110.
Foakes, R.A. (2002) ‘King Lear and Endgame’, in P. Holland (ed.) Shakespeare Survey 55. Cambridge: Cambridge University Press, pp. 153–158. Available at: https://doi.org/10.1017/CCOL0521815878.013.
Fuller, J. (1970) ‘Extract’, in A Reader’s Guide to W. H. Auden. London: Thames & Hudson Ltd, pp. 157–165.
Gillies, J. (1994) ‘Extract’, in Shakespeare and the Geography of Difference. Cambridge: Cambridge University Press, pp. 140–155.
Goldberg, J. (1993) ‘Perspectives: Dover Cliff and the Conditions of Representation’, in King Lear, William Shakespeare. Basingstoke: Macmillan, pp. 145–157.
Greenaway, P. (1991) Prospero’s Books: A Film of Shakespeare’s the Tempest. London: Chatto & Windus.
Greenaway, P. and Shakespeare, W. (2010) ‘Prospero’s Books’. [Stockholm]: Atlantic Film.
Greenberg, H. (1968) ‘Extract’, in Quest for the Necessary: W. H. Auden and the Dilemma of Divided Consciousness. Cambridge, Mass: Harvard University Press, pp. 122–141.
Greenblatt, S. (1988a) ‘Shakespeare and the Exorcists’, in Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England. Oxford: Clarendon, pp. 94–128.
Greenblatt, S. (1988b) ‘Shakespeare and the Exorcists’, in Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England. University of California Press, pp. 94–128. Available at: https://hdl-handle-net.ezproxy01.rhul.ac.uk/2027/heb09132.0001.001.
Greenblatt, S. (1990a) ‘Learning to Curse: Aspects of Linguistic Colonialism in the Sixteenth Century’, in Learning to Curse: Essays in Early Modern Culture. New York: Routledge, pp. 22–51.
Greenblatt, S. (1990b) ‘Learning to Curse: Aspects of Linguistic Colonialism in the Sixteenth Century’, in Learning to Curse: Essays in Early Modern Culture. New York: Routledge, pp. 22–51. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1020235.
Greenblatt, S.J. (1988) ‘Martial Law in the Land of Cockaigne’, in Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England. Oxford: Clarendon, pp. 129–163.
Greenblatt, S.J. (1990) ‘The Cultivation of Anxiety: King Lear and His Heirs’, in Learning to Curse: Essays in Early Modern Culture. New York: Routledge, pp. 80–98.
Gritzner, K. and Rabey, D.I. (2006) Theatre of Catastrophe: New Essays on Howard Barker. London.
Hawkes, T. (1986) ‘Playhouse-Workhouse’, in That Shakespearian Rag: Essays on a Critical Process. London: Methuen, pp. 1–26.
Hay, M. and Roberts, P. (1980) Bond: A Study of His Plays. London: Methuen.
Hazlitt, W. and Quiller-Couch, A. (1939) ‘Lear’, in Characters of Shakespeare’s Plays. London: Humphrey Milford.
Hibbard, G.R. (1981a) ‘King Lear: A Retrospect, 1939–79’, in K. Muir (ed.) Shakespeare Survey 33. Cambridge: Cambridge University Press, pp. 1–12. Available at: https://doi.org/10.1017/CCOL052123249X.001.
Hibbard, G.R. (1981b) ‘King Lear: A Retrospect, 1939–79’, in K. Muir (ed.) Shakespeare Survey 33. Cambridge: Cambridge University Press, pp. 1–12. Available at: https://doi.org/10.1017/CCOL052123249X.001.
Hirst, D.L. (1985) Edward Bond. London: Macmillan.
Hodgdon, B. (1977) ‘Kozintsev’s King Lear: Filming a Tragic Poem’, Literature/Film Quarterly, 5(4), pp. 291–298. Available at: http://search.proquest.com/fiaf/docview/226982216/85C4A81B35A640C6PQ/5?accountid=11455.
Hodgdon, B. (1983) ‘Two King Lears: Uncovering the Filmtext’, Literature/Film Quarterly, 11(3), pp. 143–151. Available at: http://search.proquest.com/fiaf/docview/226985750/D5CF782E5FD7491CPQ/4?accountid=11455.
Holderness, G. (1994) ‘Radical Potentiality and Institutional Closure: Shakespeare in Film and Television’, in Political Shakespeare: Essays in Cultural Materialism. Manchester: Manchester University Press, pp. 206–225.
Holland, P. (1994) ‘Two‑Dimensional Shakespeare: King Lear on Film’, in Shakespeare and the Moving Image: The Plays on Film and Television. Cambridge: Cambridge University Press, pp. 50–68.
Holland, P. (1995) ‘The Shapeliness of The Tempest’, Essays in Criticism, XLV(3), pp. 208–229. Available at: https://doi.org/10.1093/eic/XLV.3.208.
Hopkins, L. (2008) Shakespeare’s the Tempest: The Relationship Between Text and Film. London: Methuen Drama.
Hughes, T. (1998a) ‘Freedom of Speech’, in Birthday Letters. London: Faber.
Hughes, T. (1998b) ‘Night-Ride on Ariel’, in Birthday Letters. London: Faber.
Hughes, T. (1998c) ‘Setebos’, in Birthday Letters. London: Faber.
Hughes, T. (1998d) Setebos | Immrama. Available at: http://immrama.blogspot.co.uk/2004/12/setebos-ted-hughes.html.
Hulme, P. and Sherman, W.H. (2004) The Tempest: Sources and Contexts, Criticism, Rewritings and Appropriations. New York: W. W. Norton.
Hunter, G.K. (2005) ‘The Play in Performance’, in King Lear. London: Penguin.
Irvine, L. (2006) ‘Podcast: Howard Barker talks | Stage’, The Guardian [Preprint]. Available at: https://www.theguardian.com/stage/theatreblog/2006/dec/06/podcasthowardbarkertalks.
Johnson, S. (1989) ‘Extract’, in Samuel Johnson on Shakespeare. Harmondsworth: Penguin, pp. 166–169.
Jorgens, J.J. (1991a) ‘Chapter 10’, in Shakespeare on Film. Lanham, Md: University Press of America.
Jorgens, J.J. (1991b) ‘Chapter 10’, in Shakespeare on Film. Lanham, Md: University Press of America.
Kahn, C. (1993) ‘The Absent Mother in King Lear’, in King Lear, William Shakespeare. Basingstoke: Macmillan, pp. 92–113.
Kay, C.M. (1978) ‘An Overview of Critical Approaches to the Romances’, in Shakespeare’s Romances Reconsidered. Lincoln: University of Nebraska Press.
Keats, J. (no date) On Sitting Down to Read King Lear Once Again | Poetry Foundation. Available at: https://www.poetryfoundation.org/poems-and-poets/poems/detail/44482.
Kennedy, D. (1993) ‘Introduction: Shakespeare Without His Language’, in Foreign Shakespeare: Contemporary Performance. Cambridge: Cambridge University Press, pp. 1–18.
Kennedy, D. (2001) ‘Shakespeare and the Visual’, in Looking at Shakespeare: A Visual History of Twentieth-Century Performance. 2nd Edition. New York: Cambridge University Press.
Kermode, F. (1992a) ‘Part 1: Early Comments and Critiques’, in Shakespeare, King Lear: A Casebook. Revised Edition. Macmillan Education, pp. 25–45.
Kermode, F. (1992b) Shakespeare, King Lear: A Casebook. Rev. ed. Macmillan Educ.
Kettle, A. (1964) ‘From Hamlet to Lear’, in Shakespeare in a Changing World: Essays. London: Lawrence & Wishart, pp. 146–171.
Kirsch, A. (2003) ‘Introduction and Commentary’, in The Sea and the Mirror: A Commentary on Shakespeare’s the Tempest. Princeton, N.J.: Princeton University Press, pp. xi–xliii.
Knight, G.W. (1965) ‘The Shakespearian Superman: A Study of The Tempest’, in The Crown of Life: Essays in Interpretation of Shakespeare’s Final Plays. London: Methuen, pp. 203–255.
Knight, G.W. (1989a) ‘King Lear and the Comedy of the Grotesque’, in The Wheel of Fire: Interpretations of Shakespearean Tragedy, With Three New Essays. 4th Revised and Enlarged Edition. London: Routledge, pp. 201–234.
Knight, G.W. (1989b) ‘The Lear Universe’, in The Wheel of Fire: Interpretations of Shakespearean Tragedy, With Three New Essays. 4th Revised and Enlarged Edition. London: Routledge, pp. 181–200.
Knight, G.W. (1989c) ‘The Lear Universe’, in The Wheel of Fire: Interpretations of Shakespearian Tragedy. London: Routledge, pp. 201–234. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=240630.
Knight, G.W. (1992) ‘King Lear and the Comedy of the Grotesque’, in Shakespeare, King Lear: A Casebook. Revised Edition. Macmillan Educ, pp. 107–122.
Knight, G.W. (2001) ‘King Lear and the Comedy of the Grotesque’, in The Wheel of Fire: Interpretations of Shakespearian Tragedy. London: Routledge, pp. 181–200. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=240630.
Ko, Y.J. (2012a) ‘Shakespearean Characters and Early Modern Subjectivity: The Case of King Lear’, in Shakespeare’s Sense of Character: On the Page and From the Stage. Farnham, Surrey, England: Ashgate, pp. 35–52.
Ko, Y.J. (2012b) ‘Shakespearean Characters and Early Modern Subjectivity: The Case of King Lear’, in Shakespeare’s Sense of Character: On the Page and From the Stage. Farnham: Ashgate, pp. 35–52. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=4470669.
Kott, J. (1967a) ‘King Lear, or Endgame’, in Shakespeare Our Contemporary. 2nd Revised Edition. London: Methuen, pp. 100–133.
Kott, J. (1967b) ‘King Lear, or Endgame’, in Shakespeare: An Anthology of Criticism and Theory, 1945-2000. Malden, MA: Blackwell Pub, pp. 174–190.
Kott, J. (1967c) ‘King Lear, or Endgame’, in Shakespeare Our Contemporary. 2nd Revised Edition. London: Methuen, pp. 100–133.
Kott, J. (1967d) ‘King Lear, or Endgame’, in Shakespeare: An Anthology of Criticism and Theory, 1945-2000. Malden, MA: Blackwell Pub, pp. 174–190.
Kott, J. (1967e) ‘Prospero’s Staff’, in Shakespeare Our Contemporary. 2nd Revised Edition. London: Methuen.
Kozintsev, G.M. and Mackintosh, M. (1977) ‘King Lear’, the Space of Tragedy: The Diary of a Film Director. London: Heinemann Educational.
Lamb, C. (2005) The Theatre of Howard Barker. Revised Edition. London: Routledge.
Linton, J.P. (2006) ‘Kurosawa’s Ran (1985) and Shakespeare’s King Lear: Towards a Conversation on Historical Responsibility’’, Quarterly Review of Film and Video, 23(4), pp. 341–351. Available at: https://doi.org/10.1080/10509200690897608.
Magnusson, A.L. (1986) ‘Interruption in “The Tempest”’, Shakespeare Quarterly, 37(1), pp. 52–65. Available at: https://doi.org/10.2307/2870191.
Malcolm, J. (1995) Silent Woman: Sylvia Plath and Ted Hughes. Papermac.
Marcus, L.S. (1988) ‘Retrospective: King Lear on St Stephen’s Night, 1606’, in Puzzling Shakespeare: Local Reading and Its Discontents. Berkeley: University of California Press, pp. 148–159.
Maus, K.E. (1982) ‘“Arcadia Host: Politics and Revision in the Restoration” Tempest’, Renaissance Drama, 13, pp. 189–209. Available at: http://www.jstor.org/stable/43264634.
McDonald, R. (1991) ‘Reading The Tempest’, in S. Wells (ed.) Shakespeare Survey 43. Cambridge: Cambridge University Press, pp. 15–28. Available at: https://doi.org/10.1017/CCOL0521395291.002.
McDonald, R. (2004a) Shakespeare: An Anthology of Criticism and Theory, 1945-2000. Malden, MA: Blackwell Pub.
McDonald, R. (2004b) ‘The "New Criticism” and King Lear’, in Shakespeare: An Anthology of Criticism and Theory, 1945-2000. Malden, MA: Blackwell Pub, pp. 63–88.
McDowell, F.P.W. (1964) ‘The Sea and the Mirror’, in Auden: A Collection of Critical Essays. Englewood Cliffs, N.J.: Prentice-Hall.
Moorhouse, J. (2006) ‘A Thousand Acres’. Universal.
Neill, M. (2008) ‘“Noises, / Sounds, and Sweet Airs”: The Burden of Shakespeare’s “Tempest”’, Shakespeare Quarterly, 59(1), pp. 36–59. Available at: https://www.jstor.org/stable/40210245.
Nicholl, A. (1960) ‘Three Adaptations’, in A. Nicoll (ed.) Shakespeare Survey 13. Cambridge: Cambridge University Press, pp. 137–145.
Nodelman, P. (1980) ‘Beyond Politics in Bond’s Lear’, Modern Drama, 23(3), pp. 269–276. Available at: https://doi.org/10.1353/mdr.1980.0011.
Novy, M. (1999a) ‘King Lear and A Thousand Acres: Gender, Genre and the Revisionary Impulse’, in Transforming Shakespeare: Twentieth-Century Women’s Re-Visions. Basingstoke: Macmillan.
Novy, M. (1999b) ‘The Polluted Quarry: Nature and Body in A Thousand Acres’, in Transforming Shakespeare: Twentieth-Century Women’s Re-Visions. Basingstoke: Macmillan.
Orgel, S. (1987) ‘Introduction’, in The Tempest. Oxford: Clarendon. Available at: https://www-oxfordscholarlyeditions-com.ezproxy01.rhul.ac.uk/display/10.1093/actrade/9780198129172.book.1/actrade-9780198129172-book-1.
Palmer, D.J. (1967) ‘Introduction to The Tempest’, in Shakespeare, the Tempest: A Casebook. London: Macmillan.
Palmer, D.J. (1968a) ‘Extract’, in Shakespeare, The Tempest: A Casebook. London: Macmillan, pp. 34–71.
Palmer, D.J. (1968b) ‘Shakespeare’s Dream’, in Shakespeare, the Tempest: A Casebook. London: Macmillan, pp. 109–129.
Parker, G.F. (1989a) Johnson’s Shakespeare. Oxford: Clarendon.
Parker, G.F. (1989b) Johnson’s Shakespeare. Oxford: Clarendon.
Patterson, A.M. (1989) ‘"What Matter Who’s Speaking?”: Hamlet and King Lear’, in Shakespeare and the Popular Voice, pp. 93–119.
Plath, S. (1965) Ariel. London: Faber.
Plath, S. (1967) ‘Full Fathom Five’, in The Colossus. London: Faber, pp. 46–47.
Plath, S. (no date a) Ariel | Poetry Foundation. Available at: https://www.poetryfoundation.org/poems-and-poets/poems/detail/49001.
Plath, S. (no date b) Full Fathom Five | Digital-Shakespeare. Available at: http://digital-shakespeare.angelfire.com/fullfathomplath.html.
Rabey, D.I. (2008) Howard Baker: Ecstasy and Death: An Expository Study of His Plays and Production Work, 1988-2008. Basingstoke: Palgrave Macmillan.
Raleigh, W. (1907) ‘The Last Phase’, in Shakespeare. London: Macmillan.
Rose, J. (1991) The Haunting of Sylvia Plath. London: Virago.
Ryan, K. (1999a) ‘Introduction’, in Shakespeare: The Last Plays. Longman, pp. 4–12.
Ryan, K. (1999b) ‘Introduction’, in Shakespeare: The Last Plays. Longman, pp. 1–21.
Ryan, K. (1999c) ‘"What Cares These Roarers for the Name of King?”: Language and Utopia in The Tempest’, in Shakespeare: The Last Plays. Longman, pp. 245–278. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1710649.
Ryan, K. (2002a) ‘The Tempest: The Complicities of Art’, in Shakespeare. 3rd Edition. Basingstoke: Palgrave.
Ryan, K. (2002b) ‘The Tempest: The Complicities of Art’, in Shakespeare. Houndmills, Basingstoke, Hampshire: Palgrave. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=5297581.
Ryan, K. (2005) ‘Introduction’, in King Lear. London: Penguin, pp. xxi–lxiv.
Sawyer, R. (1999a) ‘Remembering King Lear in Jane Smiley’s A Thousand Acres’, in Shakespeare and Appropriation. Routledge, pp. 85–102.
Sawyer, R. (1999b) ‘Remembering King Lear in Jane Smiley’s A Thousand Acres’, in Shakespeare and Appropriation. London: Routledge, pp. 85–102. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=169306.
Sawyer, R. (1999c) ‘The Shakespeareanization of Robert Browning’, in Shakespeare and Appropriation. Routledge, pp. 142–159.
Shakespeare, W. (1997) King Lear. New Edition. Edited by R.A. Foakes. Walton-on-Thames: Nelson.
Shakespeare, W., Hunter, G. and Ryan, K. (2005) ‘The Popular Voice of King Lear’, in King Lear: Contemporary Critical Essays. London: Penguin, pp. 130–144.
Shakespeare, W., Jarman, D. and Williams, H. (1979) ‘The Tempest’. Second Sight.
Shakespeare, W. and Orgel, S. (1987) The Tempest. Oxford: Clarendon. Available at: https://www-oxfordscholarlyeditions-com.ezproxy01.rhul.ac.uk/display/10.1093/actrade/9780198129172.book.1/actrade-9780198129172-book-1.
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