Adelman, J. (1992a). Suffocating Mothers in King Lear. In Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays, Hamlet to the Tempest (pp. 103–129). Routledge.
Adelman, J. (1992b). Suffocating Mothers in King Lear. In Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays, Hamlet to the Tempest (pp. 103–129). Routledge. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=3060994
Auden, W. H. (1954). Balaam and The Ass: On the Literary Use of the Master-Servant Relationship. Encounter, July, 35–53. http://www.unz.org/Pub/Encounter-1954jul-00035
Auden, W. H. (1963). Balaam and his Ass: On the Literary Use of the Master-Servant Relationship. In The Dyer’s Hand: And Other Essays (pp. 107–145). Faber.
Badawī, M. M. (1973a). Coleridge: Critic of Shakespeare. Cambridge University Press.
Badawī, M. M. (1973b). Coleridge: Critic of Shakespeare. Cambridge University Press.
Barker, H. (1993). Arguments for a Theatre (2nd Edition). Manchester University Press.
Barker, H. (2005a). Death, the One and the Art of Theatre. Routledge.
Barker, H. (2005b). Death, the One and the Art of Theatre. Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=199576
Barker, H. (2007). A Style and Its Origins. Oberon Books.
Barker, H. (2009). Seven Lears: The Pursuit of Good. In Plays Five. Oberon Books.
Bate, J. (1986a). Shakespeare and the English Romantic Imagination. Clarendon.
Bate, J. (1986b). Shakespeare and the English Romantic Imagination. Clarendon.
Bate, J. (1989a). Shakespearean Constitutions: Politics, Theatre, Criticism, 1730-1830. Clarendon.
Bate, J. (1989b). Shakespearean Constitutions: Politics, Theatre, Criticism, 1730-1830. Clarendon.
Bate, J. (1992a). Extract. In The Romantics on Shakespeare: Vol. New Penguin Shakespeare library (pp. 60–66). Penguin.
Bate, J. (1992b). King Lear. In The Romantics on Shakespeare: Vol. New Penguin Shakespeare library (pp. 381–405). Penguin.
Bate, J. (1997). The Original Genius. In The Genius of Shakespeare. Picador.
Bate, J. (2016). All the World His Stage. In The Genius of Shakespeare (Picador Classic Edition, pp. 217–250). Picador Classic.
Bayley, J. (1981). The King’s Ship. In Shakespeare and Tragedy (pp. 7–48). Routledge & Kegan Paul.
Beckett, S., & Gontarski, S. E. (1992). Endgame: Vol. The theatrical notebooks of Samuel Beckett. Faber and Faber.
Berger, H. (1997a). King Lear: The Lear Family Romance. In Making Trifles of Terrors: Redistributing Complicities in Shakespeare. Stanford University Press.
Berger, H. (1997b). Text Against Performance:The Gloucester Family Romance. In Making Trifles of Terrors: Redistributing Complicities in Shakespeare. Stanford University Press.
Bloom, H. (1999). King Lear. In Shakespeare: The Invention of the Human (pp. 476–515). Fourth Estate.
Bond, E. (1972a). Drama and the Dialectic of Violence. Theatre Quarterly, 2(5), 4–14.
Bond, E. (1972b). Lear (P. Hern, Ed.). Bloomsbury. https://doi.org/10.5040/9781408162996.00000018
Bond, E. (1974). Bingo: Scenes of Money and Death: Vol. Methuen’s modern plays. Methuen.
Bond, E. (1978). Plays: 2. Eyre Methuen.
Bond, E. (1987). Plays: 3. Methuen.
Bond, E. (2000a). The Hidden Plot: Notes on Theatre and the State. Methuen Drama.
Bond, E. (2000b). The Hidden Plot: Notes on Theatre and the State. Methuen Drama.
Boose, L. E. (1997a). Shakespeare in the Age of Post-Mechanical Reproduction: Sexual and Electronic Magic in Prospero’s Books. In Shakespeare, The Movie: Popularizing the Plays on Film, TV and Video (pp. 172–189). Taylor and Francis. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=240528
Boose, L. E. (1997b). Shakespeare in the Age of Post-Mechanical Reproduction: Sexual and Electronic Magic in Prospero’s Books. In Shakespeare, the Movie: Popularizing the Plays on Film, TV and Video (pp. 172–189). Routledge.
Booth, S. (1983). Extract. In King Lear, Macbeth, Indefinition and Tragedy (pp. 5–57). Yale University Press.
Bradley, A. C. (2007a). ‘Lecture VII: King Lear’ and ‘Lecture VIII: King Lear’. In Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth (4th Edition, pp. 182–210). Palgrave Macmillan.
Bradley, A. C. (2007b). Lecture VIII: King Lear. In Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth (4th Edition, pp. 211–251). Palgrave Macmillan.
Braudy, L. (2016). Finding Shakespeare on Film: From an Interview with Peter Brook. In L. Braudy & M. Cohen (Eds.), Film Theory and Criticism: Introductory Readings (8th Edition). Oxford University Press.
Brauner, D. (2001). ‘Speak Again’: The Politics of Rewriting in ‘A Thousand Acres’. The Modern Language Review, 96(3), 654–666. https://doi.org/10.2307/3736736
Brown, P. (1994). This Thing of Darkness I Acknowledge Mine. In Political Shakespeare: Essays in Cultural Materialism (2nd Edition, pp. 48–71). Manchester University Press.
Browning, R. (n.d.). Caliban Upon Setebos | Poetry Foundation. https://web.archive.org/web/20170407155817/https://www.poetryfoundation.org/poems-and-poets/poems/detail/43748
Buchanan, J. (2005a). Historically Juxtaposed Beans (II): The Tempest on Film. In Shakespeare on Film: Vol. Inside film (pp. 150–183). Longman.
Buchanan, J. (2005b). The Tempest on Film. In Shakespeare on Film. Pearson Longman. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=177112
Bulman, J. C. (1996a). Drowning the Book: Prospero’s Books and the Textual Shakespeare. In Shakespeare, Theory, and Performance (pp. 189–212). Routledge. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=179529
Bulman, J. C. (1996b). Drowning the Book: Prospero’s Books and the Textual Shakespeare. In Shakespeare, Theory and Performance (pp. 189–212). Routledge.
Cartelli, T. (2002). Shakespeare in Pain: Edward Bond’s Lear and the Ghosts of History. In P. Holland (Ed.), Shakespeare Survey 55 (pp. 159–169). Cambridge University Press. https://doi.org/10.1017/CCOL0521815878.014
Cartmell, D. (2000). Shakespeare, Film and Race: Screening Othello and The Tempest. In Interpreting Shakespeare on Screen (pp. 67–93). St. Martin’s Press. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/reader.action?docID=6234544&ppg=78
Clark, S. (1997). The Tempest, or The Enchanted Island. In Shakespeare Made Fit: Restoration Adaptations of Shakespeare (pp. 79–185). Everyman.
Crowl, S. (1994). The Bow Is Bent and Drawn: Kurosawa’s Ran and the Shakespearean Arrow of Desire. Literature Film Quarterly, 22(2), 109–118. https://www.jstor.org/stable/43796627
Davies, A. (1994). Kurosawa’s Shakespeare Films: Throne of Blood, The Bad Sleep Well and Ran. In Shakespeare and the Moving Image: The Plays on Film and Television. Cambridge University Press.
Desmet, C. (1999). The Shakespeareanization of Robert Browning. In Shakespeare and Appropriation (pp. 142–159). Routledge. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=169306
DiPietro, C. (2013). Seeing Places: The Tempest and the Baroque Spectacle of the Restoration Theatre. Shakespeare, 9(2), 168–186. https://doi.org/10.1080/17450918.2013.784849
Dobson, M. (1991). ‘Remember/First to Possess his Books’: The Appropriation of The Tempest 1700-1800. In S. Wells (Ed.), Shakespeare Survey 43 (pp. 99–108). Cambridge University Press. https://doi.org/10.1017/CCOL0521395291.009
Donohue, J. W. (1970). Dramatic Character in the English Romantic Age. Princeton University Press.
Dutton, R. (2003). King Lear. In A Companion to Shakespeare’s Works, Volume I: The Tragedies: Vol. Blackwell companions to literature and culture (pp. 375–392). Blackwell. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=350884
Dutton, R. (2006). King Lear. In A Companion to Shakespeare’s Works - Volume 1: The Tragedies (pp. 375–392). Blackwell.
Edwards, P. (1958). Shakespeare’s Romances: 1900–1957. In A. Nicoll (Ed.), Shakespeare Survey 11 (pp. 1–18). Cambridge University Press. https://doi.org/10.1017/CCOL0521064244.001
Evans, M. (1986). Extract. In Signifying Nothing: Truth’s True Contents in Shakespeare’s Text (pp. 224–234). Harvester.
Everett, B. (1960). The New King Lear. Critical Quarterly, 2(4), 325–339. https://doi.org/10.1111/j.1467-8705.1960.tb00882.x
Faragher, J. M. (2001). The Historical Imagination of A Thousand Acres. In Novel History: Historians and Novelists Confront America’s Past (And Each Other) (pp. 146–159).
Field, A. S. (1982). King Lear Versus Lear at Stratford. Critical Quarterly, 24(4), 5–14. https://doi.org/10.1111/j.1467-8705.1982.tb01893.x
Foakes, R. A. (1997). Introduction. In King Lear: Vol. Arden Shakespeare.: Third series (New Edition, pp. 1–110). Nelson.
Foakes, R. A. (2002). King Lear and Endgame. In P. Holland (Ed.), Shakespeare Survey 55 (pp. 153–158). Cambridge University Press. https://doi.org/10.1017/CCOL0521815878.013
Fuller, J. (1970). Extract. In A Reader’s Guide to W. H. Auden (pp. 157–165). Thames & Hudson Ltd.
Gillies, J. (1994). Extract. In Shakespeare and the Geography of Difference: Vol. Cambridge studies in Renaissance literature and culture (pp. 140–155). Cambridge University Press.
Goldberg, J. (1993). Perspectives: Dover Cliff and the Conditions of Representation. In King Lear, William Shakespeare (pp. 145–157). Macmillan.
Greenaway, P. (1991). Prospero’s Books: A Film of Shakespeare’s the Tempest. Chatto & Windus.
Greenaway, P., & Shakespeare, W. (2010). Prospero’s Books. Atlantic Film.
Greenberg, H. (1968). Extract. In Quest for the Necessary: W. H. Auden and the Dilemma of Divided Consciousness (pp. 122–141). Harvard University Press.
Greenblatt, S. (1988a). Shakespeare and the Exorcists. In Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England (pp. 94–128). Clarendon.
Greenblatt, S. (1988b). Shakespeare and the Exorcists. In Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England (pp. 94–128). University of California Press. https://hdl-handle-net.ezproxy01.rhul.ac.uk/2027/heb09132.0001.001
Greenblatt, S. (1990a). Learning to Curse: Aspects of Linguistic Colonialism in the Sixteenth Century. In Learning to Curse: Essays in Early Modern Culture (pp. 22–51). Routledge.
Greenblatt, S. (1990b). Learning to Curse: Aspects of Linguistic Colonialism in the Sixteenth Century. In Learning to Curse: Essays in Early Modern Culture (pp. 22–51). Routledge. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1020235
Greenblatt, S. J. (1988). Martial Law in the Land of Cockaigne. In Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England (pp. 129–163). Clarendon.
Greenblatt, S. J. (1990). The Cultivation of Anxiety: King Lear and His Heirs. In Learning to Curse: Essays in Early Modern Culture (pp. 80–98). Routledge.
Gritzner, K., & Rabey, D. I. (2006). Theatre of Catastrophe: New Essays on Howard Barker. London.
Hawkes, T. (1986). Playhouse-Workhouse. In That Shakespearian Rag: Essays on a Critical Process (pp. 1–26). Methuen.
Hay, M., & Roberts, P. (1980). Bond: A Study of His Plays: Vol. Modern theatre profiles. Methuen.
Hazlitt, W., & Quiller-Couch, A. (1939). Lear. In Characters of Shakespeare’s Plays: Vol. The world’s classics. Humphrey Milford.
Hibbard, G. R. (1981a). King Lear: A Retrospect, 1939–79. In K. Muir (Ed.), Shakespeare Survey 33 (pp. 1–12). Cambridge University Press. https://doi.org/10.1017/CCOL052123249X.001
Hibbard, G. R. (1981b). King Lear: A Retrospect, 1939–79. In K. Muir (Ed.), Shakespeare Survey 33 (pp. 1–12). Cambridge University Press. https://doi.org/10.1017/CCOL052123249X.001
Hirst, D. L. (1985). Edward Bond: Vol. Macmillan modern dramatists. Macmillan.
Hodgdon, B. (1977). Kozintsev’s King Lear: Filming a Tragic Poem. Literature/Film Quarterly, 5(4), 291–298. http://search.proquest.com/fiaf/docview/226982216/85C4A81B35A640C6PQ/5?accountid=11455
Hodgdon, B. (1983). Two King Lears: Uncovering the Filmtext. Literature/Film Quarterly, 11(3), 143–151. http://search.proquest.com/fiaf/docview/226985750/D5CF782E5FD7491CPQ/4?accountid=11455
Holderness, G. (1994). Radical Potentiality and Institutional Closure: Shakespeare in Film and Television. In Political Shakespeare: Essays in Cultural Materialism (pp. 206–225). Manchester University Press.
Holland, P. (1994). Two‑Dimensional Shakespeare: King Lear on Film. In Shakespeare and the Moving Image: The Plays on Film and Television (pp. 50–68). Cambridge University Press.
Holland, P. (1995). The Shapeliness of The Tempest. Essays in Criticism, XLV(3), 208–229. https://doi.org/10.1093/eic/XLV.3.208
Hopkins, L. (2008). Shakespeare’s the Tempest: The Relationship Between Text and Film: Vol. Screen adaptations. Methuen Drama.
Hughes, T. (1998a). Freedom of Speech. In Birthday Letters. Faber.
Hughes, T. (1998b). Night-Ride on Ariel. In Birthday Letters. Faber.
Hughes, T. (1998c). Setebos. In Birthday Letters. Faber.
Hughes, T. (1998d). Setebos | Immrama. http://immrama.blogspot.co.uk/2004/12/setebos-ted-hughes.html
Hulme, P., & Sherman, W. H. (2004). The Tempest: Sources and Contexts, Criticism, Rewritings and Appropriations. W. W. Norton.
Hunter, G. K. (2005). The Play in Performance. In King Lear. Penguin.
Irvine, L. (2006). Podcast: Howard Barker talks | Stage. The Guardian. https://www.theguardian.com/stage/theatreblog/2006/dec/06/podcasthowardbarkertalks
Johnson, S. (1989). Extract. In Samuel Johnson on Shakespeare (pp. 166–169). Penguin.
Jorgens, J. J. (1991a). Chapter 10. In Shakespeare on Film. University Press of America.
Jorgens, J. J. (1991b). Chapter 10. In Shakespeare on Film. University Press of America.
Kahn, C. (1993). The Absent Mother in King Lear. In King Lear, William Shakespeare (pp. 92–113). Macmillan.
Kay, C. M. (1978). An Overview of Critical Approaches to the Romances. In Shakespeare’s Romances Reconsidered. University of Nebraska Press.
Keats, J. (n.d.). On Sitting Down to Read King Lear Once Again | Poetry Foundation. https://www.poetryfoundation.org/poems-and-poets/poems/detail/44482
Kennedy, D. (1993). Introduction: Shakespeare Without His Language. In Foreign Shakespeare: Contemporary Performance (pp. 1–18). Cambridge University Press.
Kennedy, D. (2001). Shakespeare and the Visual. In Looking at Shakespeare: A Visual History of Twentieth-Century Performance (2nd Edition). Cambridge University Press.
Kermode, F. (1992a). Part 1: Early Comments and Critiques. In Shakespeare, King Lear: A Casebook: Vol. Casebook series (Revised Edition, pp. 25–45). Macmillan Education.
Kermode, F. (1992b). Shakespeare, King Lear: A Casebook: Vol. Casebook series (Rev. ed). Macmillan Educ.
Kettle, A. (1964). From Hamlet to Lear. In Shakespeare in a Changing World: Essays (pp. 146–171). Lawrence & Wishart.
Kirsch, A. (2003). Introduction and Commentary. In The Sea and the Mirror: A Commentary on Shakespeare’s the Tempest (pp. xi–xliii). Princeton University Press.
Knight, G. W. (1965). The Shakespearian Superman: A Study of The Tempest. In The Crown of Life: Essays in Interpretation of Shakespeare’s Final Plays: Vol. University paperback (pp. 203–255). Methuen.
Knight, G. W. (1989a). King Lear and the Comedy of the Grotesque. In The Wheel of Fire: Interpretations of Shakespearean Tragedy, With Three New Essays (4th Revised and Enlarged Edition, pp. 201–234). Routledge.
Knight, G. W. (1989b). The Lear Universe. In The Wheel of Fire: Interpretations of Shakespearean Tragedy, With Three New Essays (4th Revised and Enlarged Edition, pp. 181–200). Routledge.
Knight, G. W. (1989c). The Lear Universe. In The Wheel of Fire: Interpretations of Shakespearian Tragedy: Vol. Routledge classics (pp. 201–234). Routledge. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=240630
Knight, G. W. (1992). King Lear and the Comedy of the Grotesque. In Shakespeare, King Lear: A Casebook: Vol. Casebook series (Revised Edition, pp. 107–122). Macmillan Educ.
Knight, G. W. (2001). King Lear and the Comedy of the Grotesque. In The Wheel of Fire: Interpretations of Shakespearian Tragedy (pp. 181–200). Routledge. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=240630
Ko, Y. J. (2012a). Shakespearean Characters and Early Modern Subjectivity: The Case of King Lear. In Shakespeare’s Sense of Character: On the Page and From the Stage: Vol. Studies in performance and early modern drama (pp. 35–52). Ashgate.
Ko, Y. J. (2012b). Shakespearean Characters and Early Modern Subjectivity: The Case of King Lear. In Shakespeare’s Sense of Character: On the Page and From the Stage: Vol. Studies in performance and early modern drama (pp. 35–52). Ashgate. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=4470669
Kott, J. (1967a). King Lear, or Endgame. In Shakespeare Our Contemporary: Vol. University paperbacks (2nd Revised Edition, pp. 100–133). Methuen.
Kott, J. (1967b). King Lear, or Endgame. In Shakespeare: An Anthology of Criticism and Theory, 1945-2000 (pp. 174–190). Blackwell Pub.
Kott, J. (1967c). King Lear, or Endgame. In Shakespeare Our Contemporary: Vol. University paperbacks (2nd Revised Edition, pp. 100–133). Methuen.
Kott, J. (1967d). King Lear, or Endgame. In Shakespeare: An Anthology of Criticism and Theory, 1945-2000 (pp. 174–190). Blackwell Pub.
Kott, J. (1967e). Prospero’s Staff. In Shakespeare Our Contemporary: Vol. University paperbacks (2nd Revised Edition). Methuen.
Kozintsev, G. M., & Mackintosh, M. (1977). ‘King Lear’, the Space of Tragedy: The Diary of a Film Director. Heinemann Educational.
Lamb, C. (2005). The Theatre of Howard Barker (Revised Edition). Routledge.
Linton, J. P. (2006). Kurosawa’s Ran (1985) and Shakespeare’s King Lear: Towards a Conversation on Historical Responsibility’. Quarterly Review of Film and Video, 23(4), 341–351. https://doi.org/10.1080/10509200690897608
Magnusson, A. L. (1986). Interruption in ‘The Tempest’. Shakespeare Quarterly, 37(1), 52–65. https://doi.org/10.2307/2870191
Malcolm, J. (1995). Silent Woman: Sylvia Plath and Ted Hughes. Papermac.
Marcus, L. S. (1988). Retrospective: King Lear on St Stephen’s Night, 1606. In Puzzling Shakespeare: Local Reading and Its Discontents: Vol. The new historicism (pp. 148–159). University of California Press.
Maus, K. E. (1982). ‘Arcadia Host: Politics and Revision in the Restoration’ Tempest. Renaissance Drama, 13, 189–209. http://www.jstor.org/stable/43264634
McDonald, R. (1991). Reading The Tempest. In S. Wells (Ed.), Shakespeare Survey 43 (pp. 15–28). Cambridge University Press. https://doi.org/10.1017/CCOL0521395291.002
McDonald, R. (2004a). Shakespeare: An Anthology of Criticism and Theory, 1945-2000. Blackwell Pub.
McDonald, R. (2004b). The "New Criticism” and King Lear. In Shakespeare: An Anthology of Criticism and Theory, 1945-2000 (pp. 63–88). Blackwell Pub.
McDowell, F. P. W. (1964). The Sea and the Mirror. In Auden: A Collection of Critical Essays: Vol. Twentieth century views. Prentice-Hall.
Moorhouse, J. (2006). A Thousand Acres. Universal.
Neill, M. (2008). ‘Noises, / Sounds, and Sweet Airs’: The Burden of Shakespeare’s ‘Tempest’. Shakespeare Quarterly, 59(1), 36–59. https://www.jstor.org/stable/40210245
Nicholl, A. (1960). Three Adaptations. In A. Nicoll (Ed.), Shakespeare Survey 13 (pp. 137–145). Cambridge University Press.
Nodelman, P. (1980). Beyond Politics in Bond’s Lear. Modern Drama, 23(3), 269–276. https://doi.org/10.1353/mdr.1980.0011
Novy, M. (1999a). King Lear and A Thousand Acres: Gender, Genre and the Revisionary Impulse. In Transforming Shakespeare: Twentieth-Century Women’s Re-Visions. Macmillan.
Novy, M. (1999b). The Polluted Quarry: Nature and Body in A Thousand Acres. In Transforming Shakespeare: Twentieth-Century Women’s Re-Visions. Macmillan.
Orgel, S. (1987). Introduction. In The Tempest. Clarendon. https://www-oxfordscholarlyeditions-com.ezproxy01.rhul.ac.uk/display/10.1093/actrade/9780198129172.book.1/actrade-9780198129172-book-1
Palmer, D. J. (1967). Introduction to The Tempest. In Shakespeare, the Tempest: A Casebook: Vol. Casebook series. Macmillan.
Palmer, D. J. (1968a). Extract. In Shakespeare, The Tempest: A Casebook: Vol. Casebook series (pp. 34–71). Macmillan.
Palmer, D. J. (1968b). Shakespeare’s Dream. In Shakespeare, the Tempest: A Casebook: Vol. Casebook series (pp. 109–129). Macmillan.
Parker, G. F. (1989a). Johnson’s Shakespeare. Clarendon.
Parker, G. F. (1989b). Johnson’s Shakespeare. Clarendon.
Patterson, A. M. (1989). "What Matter Who’s Speaking?”: Hamlet and King Lear. In Shakespeare and the Popular Voice (pp. 93–119).
Plath, S. (n.d.-a). Ariel | Poetry Foundation. https://www.poetryfoundation.org/poems-and-poets/poems/detail/49001
Plath, S. (n.d.-b). Full Fathom Five | Digital-Shakespeare. http://digital-shakespeare.angelfire.com/fullfathomplath.html
Plath, S. (1965). Ariel. Faber.
Plath, S. (1967). Full Fathom Five. In The Colossus (pp. 46–47). Faber.
Rabey, D. I. (2008). Howard Baker: Ecstasy and Death: An Expository Study of His Plays and Production Work, 1988-2008. Palgrave Macmillan.
Raleigh, W. (1907). The Last Phase. In Shakespeare: Vol. English men of letters. Macmillan.
Rose, J. (1991). The Haunting of Sylvia Plath. Virago.
Ryan, K. (1999a). Introduction. In Shakespeare: The Last Plays: Vol. Longman Critical Readers (pp. 4–12). Longman.
Ryan, K. (1999b). Introduction. In Shakespeare: The Last Plays: Vol. Longman Critical Readers (pp. 1–21). Longman.
Ryan, K. (1999c). "What Cares These Roarers for the Name of King?”: Language and Utopia in The Tempest. In Shakespeare: The Last Plays: Vol. Longman Critical Readers (pp. 245–278). Longman. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1710649
Ryan, K. (2002a). The Tempest: The Complicities of Art. In Shakespeare (3rd Edition). Palgrave.
Ryan, K. (2002b). The Tempest: The Complicities of Art. In Shakespeare. Palgrave. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=5297581
Ryan, K. (2005). Introduction. In King Lear: Vol. Penguin Shakespeare (pp. xxi–lxiv). Penguin.
Sawyer, R. (1999a). Remembering King Lear in Jane Smiley’s A Thousand Acres. In Shakespeare and Appropriation: Vol. Accents on Shakespeare (pp. 85–102). Routledge.
Sawyer, R. (1999b). Remembering King Lear in Jane Smiley’s A Thousand Acres. In Shakespeare and Appropriation (pp. 85–102). Routledge. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=169306
Sawyer, R. (1999c). The Shakespeareanization of Robert Browning. In Shakespeare and Appropriation: Vol. Accents on Shakespeare (pp. 142–159). Routledge.
Shakespeare, W. (1997). King Lear: Vol. Arden Shakespeare.: Third series (R. A. Foakes, Ed.; New Edition). Nelson.
Shakespeare, W., Hunter, G., & Ryan, K. (2005). The Popular Voice of King Lear. In King Lear: Contemporary Critical Essays: Vol. Penguin Shakespeare (pp. 130–144). Penguin.
Shakespeare, W., Jarman, D., & Williams, H. (1979). The Tempest. Second Sight.
Shakespeare, W., & Orgel, S. (1987). The Tempest. Clarendon. https://www-oxfordscholarlyeditions-com.ezproxy01.rhul.ac.uk/display/10.1093/actrade/9780198129172.book.1/actrade-9780198129172-book-1
Shakespeare, W., & Taymor, J. (2010). The Tempest | Box of Broadcasts. https://learningonscreen.ac.uk/ondemand/index.php/prog/05A9694D?bcast=123986425
Shaughnessy, R. (1998). A Post-National European Cinema: A Consideration of Derek Jarman’s The Tempest and Edward II. In Shakespeare on Film: Vol. New Casebooks (pp. 145–155). Macmillan.
Shaw, D. (1968). Extract. In The Dialectical Temper: The Rhetorical Art of Robert Browning (pp. 193–203). Cornell University Press.
Sibley-Esposito, C. (2011). Becoming-Ariel: Viewing Julie Taymor’s The Tempest through an Ecocritical Lens. Babel, 24, 121–134. https://doi.org/10.4000/babel.156
Sinfield, A. (1994). The Patriarchal Bard: Feminist Criticism and Shakespeare: King Lear and Measure for Measure. In Political Shakespeare: Essays in Cultural Materialism (2nd Edition, pp. 88–108). Manchester University Press.
Slinn, E. W. (1982). Extract. In Browning and the Fictions of Identity (pp. 84–90). Macmillan.
Smiley, J. (1992). A Thousand Acres. Flamingo.
Smith, S. (1985). Extract. In W. H. Auden: Vol. Rereading literature (pp. 153–160). Blackwell.
Sokolyansky, M. (2007a). Grigori Kozintsev’s Hamlet and King Lear. In The Cambridge Companion to Shakespeare on Film: Vol. Cambridge companions to literature The Cambridge companion to Shakespeare on film (2nd Edition, pp. 203–215). Cambridge University Press.
Sokolyansky, M. (2007b). Grigori Kozintsev’s Hamlet and King Lear. In The Cambridge Companion to Shakespeare on Film: Vol. Cambridge Companions to Literature (pp. 203–215). Cambridge University Press. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521866006
Strachey, L. (1922). Shakespeare’s Final Period. In Books and Characters: French and English. Chatto and Windus.
Taylor, M. (2001). Shakespeare Criticism in the Twentieth Century: Vol. Oxford Shakespeare Topics. Oxford University Press.
Taymor, J., & Shakespeare, W. (2010). The Tempest. Abrams.
Thompson, A. (1988). King Lear: Vol. The critics debate. Macmillan.
Vickers, B. (1974a). Shakespeare, the Critical Heritage - Volume 1, 1623-1692. Routledge and Kegan Paul.
Vickers, B. (1974b). Shakespeare, the Critical Heritage - Volume 2, 1693-1733. Routledge and Kegan Paul.
Vickers, B. (1975). Shakespeare, the Critical Heritage - Volume 3, 1733-1752. Routledge and Kegan Paul.
Vickers, B. (1976). Shakespeare, the Critical Heritage - Volume 4, 1753-1765. Routledge and Kegan Paul.
Vickers, B. (1979). Shakespeare, the Critical Heritage - Volume 5, 1765-1774. Routledge and Kegan Paul.
Vickers, B. (1981a). Shakespeare, the Critical Heritage - Volume 6, 1774-1801. Routledge and Kegan Paul.
Vickers, B. (1981b). Shakespeare: The Critical Heritage 1623-1801: Vol. The Critical Heritage Series. Routledge & Kegan Paul.
Wagner, E. (2001). Ariel’s Gift: Ted Hughes, Sylvia Plath and the Story of Birthday Letters. Norton.
Wikander, M. H. (1991). ‘The Duke my Father’s Wrack’: The Innocence of the Restoration Tempest. In S. Wells (Ed.), Shakespeare Survey 43 (pp. 91–98). Cambridge University Press. https://doi.org/10.1017/CCOL0521395291.008
Wood, N. (1995). Political Criticism at the Crossroads: The Utopian Historicism. In The Tempest: Vol. Theory in practice series (pp. 29–66). Open University Press.
Woudhuysen, H. R. (1989). Notes on King Lear. In Samuel Johnson on Shakespeare (pp. 219–223). Penguin.
Yachnin, P. E. (2009). The Properties of Character in King Lear. In Shakespeare and Character: Theory, History, Performance, and Theatrical Persons: Vol. Palgrave Shakespeare studies (pp. 98–116). Palgrave Macmillan.
Zimmerman, S. (1998). Perspectives: Dover Cliff and the  Conditions of Representation. In Shakespeare’s Tragedies: Vol. New casebooks (pp. 155–166). Macmillan.