Aldrich, R. (1962) ‘Whatever Happened to Baby Jane?’
Archer, W. (1970) ‘Masks and Faces’, in Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words. New York: Crown, pp. 340–346.
Archer, W. (2017) Masks or Faces: A Study in the Psychology of Acting. London: Forgotten Books.
Attenborough, R. (1992) ‘Chaplin’. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/004EEF69?bcast=113951582.
Bancroft, M. (1970) ‘Reality of Emotion’, in Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words. New York: Crown, pp. 323–323.
Barton, J. (2009a) Playing Shakespeare. London: Methuen Drama.
Barton, J. (2009b) Playing Shakespeare. London: Methuen Drama.
Benedetti, J. (1998) Stanislavski and the Actor. London: Methuen Drama.
Berger, J. (2009) Why Look at Animals? London: Penguin.
Booth, M.R. (1965a) English Melodrama. London: Jenkins.
Booth, M.R. (1965b) ‘Melodramatic Acting’, in English Melodrama. London: Jenkins, pp. 190–211.
Cole, T. and Chinoy, H.K. (1970a) Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words. New York: Crown.
Cole, T. and Chinoy, H.K. (1970b) Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words. New York: Crown.
Cronenberg, D. (2014) ‘Maps to the Stars’.
Diderot, D., Pollock, W.H. and Irving, H. (2015a) The Paradox of Acting. [S.l.]: Andesite.
Diderot, D., Pollock, W.H. and Irving, H. (2015b) The Paradox of Acting. [S.l.]: Andesite.
Douglas, C. and Planer, N. (2001) I, An Actor. Rev ed. London: Methuen.
During, S. (2002a) Modern Enchantments: The Cultural Power of Secular Magic. Cambridge, Mass: Harvard University Press.
During, S. (2002b) Modern Enchantments: The Cultural Power of Secular Magic. Cambridge, Mass: Harvard University Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3300571.
During, S. (2002c) Modern Enchantments: The Cultural Power of Secular Magic. Cambridge, Mass: Harvard University Press.
During, S. (2002d) Modern Enchantments: The Cultural Power of Secular Magic. Cambridge, Mass: Harvard University Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3300571.
Garrick, D. (1970) ‘An Essay on Acting’, in Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words. New York: Crown, pp. 133–136.
Goffman, E. (1990a) The Presentation of Self in Everyday Life. Harmondsworth: Penguin.
Goffman, E. (1990b) The Presentation of Self in Everyday Life. Harmondsworth: Penguin.
‘Her Tears were Sincere: Kate McCann and the Paradox of Mourning’ (2008a) Contemporary Theatre Review, 18(2), pp. 269–286. Available at: https://doi.org/10.1080/10486800802067228.
‘Her Tears were Sincere: Kate McCann and the Paradox of Mourning’ (2008b) Contemporary Theatre Review, 18(2), pp. 269–286. Available at: https://doi.org/10.1080/10486800802067228.
Hess, A. (2019) Are Animals Getting Better at Acting? - The New York Times. Available at: https://www.nytimes.com/2019/01/02/movies/animals-acting-movies-tv.html.
Hussey, S.S. (1992a) The Literary Language of Shakespeare. 2nd Edition. London: Longman.
Hussey, S.S. (1992b) The Literary Language of Shakespeare. 2nd Edition. London: Longman.
Kean, E. (1970) ‘Feeling Without Rhetoric’, in Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words. New York: Crown, pp. 299–299.
Kendal, M. (1970) ‘Should We Shed Real Tears?’, in Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words. New York: Crown, pp. 337–337.
Mitter, S. (1992a) Systems of Rehearsal: Stanislavsky, Brecht, Grotowski and Brook. London: Routledge.
Mitter, S. (1992b) Systems of Rehearsal: Stanislavsky, Brecht, Grotowski and Brook. London: Routledge.
Mitter, S. (1992c) Systems of Rehearsal: Stanislavsky, Brecht, Grotowski and Brook. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=165711.
Mitter, S. (2012) Systems of Rehearsal: Stanislavsky, Brecht, Grotowski, and Brook. Hoboken: Taylor and Francis.
Pollack, S. (1982) ‘Tootsie’. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0002F764?bcast=70518712.
Powell, M. and Pressburger, E. (1948) ‘The Red Shoes’. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/010F42F7?bcast=125798958.
Richardson, T. (1960) ‘The Entertainer’. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/013B4A7C?bcast=40202753.
Ridout, N. (2006) ‘The Animal on Stage’, in Stage Fright, Animals, and Other Theatrical Problems. Cambridge: Cambridge University Press, pp. 96–128.
Roach, J. (1993) ‘Diderot’, in The Player’s Passion: Studies in the Science of Acting. Ann Arbor: University of Michigan Press, pp. 116–159.
Roach, J.R. (1993a) The Player’s Passion: Studies in the Science of Acting. Ann Arbor: University of Michigan Press.
Roach, J.R. (1993b) The Player’s Passion: Studies in the Science of Acting. Ann Arbor: University of Michigan Press.
Siddons, S. (1970) ‘On the Character of Lady Macbeth’, in Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words. New York: Crown, pp. 142–142.
Stanislavsky, K. S. (1980) An Actor Prepares. London: Methuen Drama.
Stanislavsky, K. S (1980) An Actor Prepares. London: Methuen Drama.
Stanislavsky, K. S. (2003) An Actor Prepares. New York: Routledge. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=668654.
Stanislavsky, K. S (2003) An Actor Prepares. New York: Routledge. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=668654.
Weir, P. (2007) ‘The Truman Show’. S.l.: Paramount.
Weir, P. (2015) ‘The Truman Show’. San Francisco, California, USA: Kanopy Streaming. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS5166456900002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab1&query=any,contains,The%20Truman%20Show&sortby=date&facet=frbrgroupid,include,750118470&offset=0.
West, S. (1991a) The Image of the Actor: Verbal and Visual Representation in the Age of Garrick and Kemble. London: Pinter.
West, S. (1991b) The Image of the Actor: Verbal and Visual Representation in the Age of Garrick and Kemble. London: Pinter.
Wilder, B. (1950) ‘Sunset Boulevard’. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0000F7F8?bcast=94110708.
Yates, P. (1982) ‘The Dresser’.