@misc{Aldrich_1962, title={Whatever Happened to Baby Jane?}, author={Aldrich, Robert}, year={1962} }
@inbook{Archer_1970, address={New York}, title={Masks and Faces}, booktitle={Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words}, publisher={Crown}, author={Archer, W.}, year={1970}, pages={340–346} }
@book{Archer_2017, address={London}, title={Masks or Faces: A Study in the Psychology of Acting}, publisher={Forgotten Books}, author={Archer, William}, year={2017} }
@misc{Attenborough_1992, title={Chaplin}, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/004EEF69?bcast=113951582}, author={Attenborough, Richard}, year={1992} }
@inbook{Bancroft_1970, address={New York}, title={Reality of Emotion}, booktitle={Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words}, publisher={Crown}, author={Bancroft, M.}, year={1970}, pages={323–323} }
@book{Barton_2009a, address={London}, title={Playing Shakespeare}, publisher={Methuen Drama}, author={Barton, John}, year={2009} }
@book{Barton_2009b, address={London}, title={Playing Shakespeare}, publisher={Methuen Drama}, author={Barton, John}, year={2009} }
@book{Benedetti_1998, address={London}, title={Stanislavski and the Actor}, publisher={Methuen Drama}, author={Benedetti, Jean}, year={1998} }
@book{Berger_2009, address={London}, title={Why Look at Animals?}, volume={80}, publisher={Penguin}, author={Berger, John}, year={2009} }
@inbook{Booth_1965a, address={London}, title={Melodramatic Acting}, booktitle={English Melodrama}, publisher={Jenkins}, author={Booth, Michael R.}, year={1965}, pages={190–211} }
@book{Booth_1965b, address={London}, title={English Melodrama}, publisher={Jenkins}, author={Booth, Michael R.}, year={1965} }
@book{Cole_Chinoy_1970a, address={New York}, title={Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words}, publisher={Crown}, author={Cole, Toby and Chinoy, Helen Krich}, year={1970} }
@book{Cole_Chinoy_1970b, address={New York}, title={Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words}, publisher={Crown}, author={Cole, Toby and Chinoy, Helen Krich}, year={1970} }
@misc{Cronenberg_2014, title={Maps to the Stars}, author={Cronenberg, David}, year={2014} }
@book{Diderot_Pollock_Irving_2015a, address={[S.l.]}, title={The Paradox of Acting}, publisher={Andesite}, author={Diderot, Denis and Pollock, Walter Herries and Irving, Henry}, year={2015} }
@book{Diderot_Pollock_Irving_2015b, address={[S.l.]}, title={The Paradox of Acting}, publisher={Andesite}, author={Diderot, Denis and Pollock, Walter Herries and Irving, Henry}, year={2015} }
@book{Douglas_Planer_2001, address={London}, edition={Rev ed}, title={I, An Actor}, publisher={Methuen}, author={Douglas, Christopher and Planer, Nigel}, year={2001} }
@book{During_2002a, address={Cambridge, Mass}, title={Modern Enchantments: The Cultural Power of Secular Magic}, publisher={Harvard University Press}, author={During, Simon}, year={2002} }
@book{During_2002b, address={Cambridge, Mass}, title={Modern Enchantments: The Cultural Power of Secular Magic}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3300571}, publisher={Harvard University Press}, author={During, Simon}, year={2002} }
@book{During_2002c, address={Cambridge, Mass}, title={Modern Enchantments: The Cultural Power of Secular Magic}, publisher={Harvard University Press}, author={During, Simon}, year={2002} }
@book{During_2002d, address={Cambridge, Mass}, title={Modern Enchantments: The Cultural Power of Secular Magic}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3300571}, publisher={Harvard University Press}, author={During, Simon}, year={2002} }
@inbook{Garrick_1970, address={New York}, title={An Essay on Acting}, booktitle={Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words}, publisher={Crown}, author={Garrick, D.}, year={1970}, pages={133–136} }
@book{Goffman_1990a, address={Harmondsworth}, title={The Presentation of Self in Everyday Life}, publisher={Penguin}, author={Goffman, Erving}, year={1990} }
@book{Goffman_1990b, address={Harmondsworth}, title={The Presentation of Self in Everyday Life}, publisher={Penguin}, author={Goffman, Erving}, year={1990} }
@misc{Hess_2019, title={Are Animals Getting Better at Acting? - The New York Times}, url={https://www.nytimes.com/2019/01/02/movies/animals-acting-movies-tv.html}, author={Hess, Amanda}, year={2019} }
@book{Hussey_1992a, address={London}, edition={2nd Edition}, title={The Literary Language of Shakespeare}, publisher={Longman}, author={Hussey, S. S.}, year={1992} }
@book{Hussey_1992b, address={London}, edition={2nd Edition}, title={The Literary Language of Shakespeare}, publisher={Longman}, author={Hussey, S. S.}, year={1992} }
@inbook{Kean_1970, address={New York}, title={Feeling Without Rhetoric}, booktitle={Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words}, publisher={Crown}, author={Kean, E.}, year={1970}, pages={299–299} }
@inbook{Kendal_1970, address={New York}, title={Should We Shed Real Tears?}, booktitle={Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words}, publisher={Crown}, author={Kendal, M.}, year={1970}, pages={337–337} }
@book{Mitter_1992a, address={London}, title={Systems of Rehearsal: Stanislavsky, Brecht, Grotowski and Brook}, publisher={Routledge}, author={Mitter, Shomit}, year={1992} }
@book{Mitter_1992b, address={London}, title={Systems of Rehearsal: Stanislavsky, Brecht, Grotowski and Brook}, publisher={Routledge}, author={Mitter, Shomit}, year={1992} }
@book{Mitter_1992c, address={London}, title={Systems of Rehearsal: Stanislavsky, Brecht, Grotowski and Brook}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=165711}, publisher={Routledge}, author={Mitter, Shomit}, year={1992} }
@book{Mitter_2012, address={Hoboken}, title={Systems of Rehearsal: Stanislavsky, Brecht, Grotowski, and Brook}, publisher={Taylor and Francis}, author={Mitter, Shomit}, year={2012} }
@misc{Pollack_1982, title={Tootsie}, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/0002F764?bcast=70518712}, author={Pollack, Sydney}, year={1982} }
@misc{Powell_Pressburger_1948, title={The Red Shoes}, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/010F42F7?bcast=125798958}, author={Powell, Michael and Pressburger, Emeric}, year={1948} }
@misc{Richardson_1960, title={The Entertainer}, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/013B4A7C?bcast=40202753}, author={Richardson, Tony}, year={1960} }
@inbook{Ridout_2006, address={Cambridge}, title={The Animal on Stage}, booktitle={Stage Fright, Animals, and Other Theatrical Problems}, publisher={Cambridge University Press}, author={Ridout, Nicolas}, year={2006}, pages={96–128} }
@inbook{Roach_1993a, address={Ann Arbor}, title={Diderot}, booktitle={The Player’s Passion: Studies in the Science of Acting}, publisher={University of Michigan Press}, author={Roach, J.}, year={1993}, pages={116–159} }
@book{Roach_1993b, address={Ann Arbor}, title={The Player’s Passion: Studies in the Science of Acting}, publisher={University of Michigan Press}, author={Roach, Joseph R.}, year={1993} }
@book{Roach_1993c, address={Ann Arbor}, title={The Player’s Passion: Studies in the Science of Acting}, publisher={University of Michigan Press}, author={Roach, Joseph R.}, year={1993} }
@inbook{Siddons_1970, address={New York}, title={On the Character of Lady Macbeth}, booktitle={Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words}, publisher={Crown}, author={Siddons, S.}, year={1970}, pages={142–142} }
@book{Stanislavsky_1980a, address={London}, title={An Actor Prepares}, publisher={Methuen Drama}, author={Stanislavsky, K. S.}, year={1980} }
@book{Stanislavsky_1980b, address={London}, title={An Actor Prepares}, publisher={Methuen Drama}, author={Stanislavsky, K. S}, year={1980} }
@book{Stanislavsky_2003a, address={New York}, title={An Actor Prepares}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=668654}, publisher={Routledge}, author={Stanislavsky, K. S.}, year={2003} }
@book{Stanislavsky_2003b, address={New York}, title={An Actor Prepares}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=668654}, publisher={Routledge}, author={Stanislavsky, K. S}, year={2003} }
@misc{Weir_2007, address={S.l.}, title={The Truman Show}, publisher={Paramount}, author={Weir, Peter}, year={2007} }
@misc{Weir_2015, address={San Francisco, California, USA}, title={The Truman Show}, url={https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS5166456900002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab1&query=any,contains,The%20Truman%20Show&sortby=date&facet=frbrgroupid,include,750118470&offset=0}, publisher={Kanopy Streaming}, author={Weir, Peter}, year={2015} }
@book{West_1991a, address={London}, title={The Image of the Actor: Verbal and Visual Representation in the Age of Garrick and Kemble}, publisher={Pinter}, author={West, Shearer}, year={1991} }
@book{West_1991b, address={London}, title={The Image of the Actor: Verbal and Visual Representation in the Age of Garrick and Kemble}, publisher={Pinter}, author={West, Shearer}, year={1991} }
@misc{Wilder_1950, title={Sunset Boulevard}, url={https://learningonscreen.ac.uk/ondemand/index.php/prog/0000F7F8?bcast=94110708}, author={Wilder, Billy}, year={1950} }
@misc{Yates_1982, title={The Dresser}, author={Yates, Peter}, year={1982} }
@article{Her Tears were Sincere: Kate McCann and the Paradox of Mourning_2008a, volume={18}, DOI={10.1080/10486800802067228}, number={2}, journal={Contemporary Theatre Review}, year={2008}, pages={269–286} }
@article{Her Tears were Sincere: Kate McCann and the Paradox of Mourning_2008b, volume={18}, DOI={10.1080/10486800802067228}, number={2}, journal={Contemporary Theatre Review}, year={2008}, pages={269–286} }