Aldrich, R. (1962). Whatever Happened to Baby Jane?
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Archer, W. (2017). Masks or Faces: A Study in the Psychology of Acting. Forgotten Books.
Attenborough, R. (1992). Chaplin. https://learningonscreen.ac.uk/ondemand/index.php/prog/004EEF69?bcast=113951582
Bancroft, M. (1970). Reality of Emotion. In Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words (pp. 323–323). Crown.
Barton, J. (2009a). Playing Shakespeare. Methuen Drama.
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Berger, J. (2009). Why Look at Animals? (Vol. 80). Penguin.
Booth, M. R. (1965a). English Melodrama. Jenkins.
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Cole, T., & Chinoy, H. K. (1970a). Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words. Crown.
Cole, T., & Chinoy, H. K. (1970b). Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words. Crown.
Cronenberg, D. (2014). Maps to the Stars.
Diderot, D., Pollock, W. H., & Irving, H. (2015a). The Paradox of Acting. Andesite.
Diderot, D., Pollock, W. H., & Irving, H. (2015b). The Paradox of Acting. Andesite.
Douglas, C., & Planer, N. (2001). I, An Actor (Rev ed). Methuen.
During, S. (2002a). Modern Enchantments: The Cultural Power of Secular Magic. Harvard University Press.
During, S. (2002b). Modern Enchantments: The Cultural Power of Secular Magic. Harvard University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3300571
During, S. (2002c). Modern Enchantments: The Cultural Power of Secular Magic. Harvard University Press.
During, S. (2002d). Modern Enchantments: The Cultural Power of Secular Magic. Harvard University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3300571
Garrick, D. (1970). An Essay on Acting. In Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words (pp. 133–136). Crown.
Goffman, E. (1990a). The Presentation of Self in Everyday Life. Penguin.
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Her Tears were Sincere: Kate McCann and the Paradox of Mourning. (2008a). Contemporary Theatre Review, 18(2), 269–286. https://doi.org/10.1080/10486800802067228
Her Tears were Sincere: Kate McCann and the Paradox of Mourning. (2008b). Contemporary Theatre Review, 18(2), 269–286. https://doi.org/10.1080/10486800802067228
Hess, A. (2019). Are Animals Getting Better at Acting? - The New York Times. https://www.nytimes.com/2019/01/02/movies/animals-acting-movies-tv.html
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Hussey, S. S. (1992b). The Literary Language of Shakespeare (2nd Edition). Longman.
Kean, E. (1970). Feeling Without Rhetoric. In Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words (pp. 299–299). Crown.
Kendal, M. (1970). Should We Shed Real Tears? In Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words (pp. 337–337). Crown.
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Mitter, S. (1992c). Systems of Rehearsal: Stanislavsky, Brecht, Grotowski and Brook. Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=165711
Mitter, S. (2012). Systems of Rehearsal: Stanislavsky, Brecht, Grotowski, and Brook. Taylor and Francis.
Pollack, S. (1982). Tootsie. https://learningonscreen.ac.uk/ondemand/index.php/prog/0002F764?bcast=70518712
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Ridout, N. (2006). The Animal on Stage. In Stage Fright, Animals, and Other Theatrical Problems (pp. 96–128). Cambridge University Press.
Roach, J. (1993). Diderot. In The Player’s Passion: Studies in the Science of Acting (pp. 116–159). University of Michigan Press.
Roach, J. R. (1993a). The Player’s Passion: Studies in the Science of Acting. University of Michigan Press.
Roach, J. R. (1993b). The Player’s Passion: Studies in the Science of Acting. University of Michigan Press.
Siddons, S. (1970). On the Character of Lady Macbeth. In Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words (pp. 142–142). Crown.
Stanislavsky, K. S. (1980a). An Actor Prepares. Methuen Drama.
Stanislavsky, K. S. (1980b). An Actor Prepares. Methuen Drama.
Stanislavsky, K. S. (2003a). An Actor Prepares. Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=668654
Stanislavsky, K. S. (2003b). An Actor Prepares. Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=668654
Weir, P. (2007). The Truman Show. Paramount.
Weir, P. (2015). The Truman Show. Kanopy Streaming. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS5166456900002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab1&query=any,contains,The%20Truman%20Show&sortby=date&facet=frbrgroupid,include,750118470&offset=0
West, S. (1991a). The Image of the Actor: Verbal and Visual Representation in the Age of Garrick and Kemble. Pinter.
West, S. (1991b). The Image of the Actor: Verbal and Visual Representation in the Age of Garrick and Kemble. Pinter.
Wilder, B. (1950). Sunset Boulevard. https://learningonscreen.ac.uk/ondemand/index.php/prog/0000F7F8?bcast=94110708
Yates, P. (1982). The Dresser.