1.
Stanislavsky, K.S.: An Actor Prepares. Methuen Drama, London (1980).
2.
Stanislavsky, K.S.: An Actor Prepares. Routledge, New York (2003).
3.
Benedetti, J.: Stanislavski and the Actor. Methuen Drama, London (1998).
4.
Mitter, S.: Systems of Rehearsal: Stanislavsky, Brecht, Grotowski and Brook. Routledge, London (1992).
5.
Mitter, S.: Systems of Rehearsal: Stanislavsky, Brecht, Grotowski, and Brook. Taylor and Francis, Hoboken (2012).
6.
Booth, M.R.: Melodramatic Acting. In: English Melodrama. pp. 190–211. Jenkins, London (1965).
7.
Garrick, D.: An Essay on Acting. In: Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words. pp. 133–136. Crown, New York (1970).
8.
Siddons, S.: On the Character of Lady Macbeth. In: Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words. pp. 142–142. Crown, New York (1970).
9.
Kean, E.: Feeling Without Rhetoric. In: Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words. pp. 299–299. Crown, New York (1970).
10.
Bancroft, M.: Reality of Emotion. In: Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words. pp. 323–323. Crown, New York (1970).
11.
Kendal, M.: Should We Shed Real Tears? In: Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words. pp. 337–337. Crown, New York (1970).
12.
Hussey, S.S.: The Literary Language of Shakespeare. Longman, London (1992).
13.
Barton, J.: Playing Shakespeare. Methuen Drama, London (2009).
14.
Diderot, D., Pollock, W.H., Irving, H.: The Paradox of Acting. Andesite, [S.l.] (2015).
15.
Archer, W.: Masks and Faces. In: Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words. pp. 340–346. Crown, New York (1970).
16.
Roach, J.: Diderot. In: The Player’s Passion: Studies in the Science of Acting. pp. 116–159. University of Michigan Press, Ann Arbor (1993).
17.
Hess, A.: Are Animals Getting Better at Acting? - The New York Times, https://www.nytimes.com/2019/01/02/movies/animals-acting-movies-tv.html.
18.
Berger, J.: Why Look at Animals? Penguin, London (2009).
19.
Ridout, N.: The Animal on Stage. In: Stage Fright, Animals, and Other Theatrical Problems. pp. 96–128. Cambridge University Press, Cambridge (2006).
20.
Roach, J.R.: The Player’s Passion: Studies in the Science of Acting. University of Michigan Press, Ann Arbor (1993).
21.
West, S.: The Image of the Actor: Verbal and Visual Representation in the Age of Garrick and Kemble. Pinter, London (1991).
22.
During, S.: Modern Enchantments: The Cultural Power of Secular Magic. Harvard University Press, Cambridge, Mass (2002).
23.
During, S.: Modern Enchantments: The Cultural Power of Secular Magic. Harvard University Press, Cambridge, Mass (2002).
24.
Goffman, E.: The Presentation of Self in Everyday Life. Penguin, Harmondsworth (1990).
25.
Her Tears were Sincere: Kate McCann and the Paradox of Mourning. Contemporary Theatre Review. 18, 269–286 (2008). https://doi.org/10.1080/10486800802067228.
26.
Archer, W.: Masks or Faces: A Study in the Psychology of Acting. Forgotten Books, London (2017).
27.
Barton, J.: Playing Shakespeare. Methuen Drama, London (2009).
28.
Booth, M.R.: English Melodrama. Jenkins, London (1965).
29.
Cole, T., Chinoy, H.K.: Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words. Crown, New York (1970).
30.
Cole, T., Chinoy, H.K.: Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words. Crown, New York (1970).
31.
Douglas, C., Planer, N.: I, An Actor. Methuen, London (2001).
32.
Diderot, D., Pollock, W.H., Irving, H.: The Paradox of Acting. Andesite, [S.l.] (2015).
33.
During, S.: Modern Enchantments: The Cultural Power of Secular Magic. Harvard University Press, Cambridge, Mass (2002).
34.
During, S.: Modern Enchantments: The Cultural Power of Secular Magic. Harvard University Press, Cambridge, Mass (2002).
35.
Goffman, E.: The Presentation of Self in Everyday Life. Penguin, Harmondsworth (1990).
36.
Hussey, S.S.: The Literary Language of Shakespeare. Longman, London (1992).
37.
Mitter, S.: Systems of Rehearsal: Stanislavsky, Brecht, Grotowski and Brook. Routledge, London (1992).
38.
Mitter, S.: Systems of Rehearsal: Stanislavsky, Brecht, Grotowski and Brook. Routledge, London (1992).
39.
Her Tears were Sincere: Kate McCann and the Paradox of Mourning. Contemporary Theatre Review. 18, 269–286 (2008). https://doi.org/10.1080/10486800802067228.
40.
Roach, J.R.: The Player’s Passion: Studies in the Science of Acting. University of Michigan Press, Ann Arbor (1993).
41.
Stanislavsky, K.S.: An Actor Prepares. Methuen Drama, London (1980).
42.
Stanislavsky, K.S.: An Actor Prepares. Routledge, New York (2003).
43.
West, S.: The Image of the Actor: Verbal and Visual Representation in the Age of Garrick and Kemble. Pinter, London (1991).
44.
Powell, M., Pressburger, E.: The Red Shoes, https://learningonscreen.ac.uk/ondemand/index.php/prog/010F42F7?bcast=125798958, (1948).
45.
Wilder, B.: Sunset Boulevard, https://learningonscreen.ac.uk/ondemand/index.php/prog/0000F7F8?bcast=94110708, (1950).
46.
Richardson, T.: The Entertainer, https://learningonscreen.ac.uk/ondemand/index.php/prog/013B4A7C?bcast=40202753, (1960).
47.
Aldrich, R.: Whatever Happened to Baby Jane?, (1962).
48.
Pollack, S.: Tootsie, https://learningonscreen.ac.uk/ondemand/index.php/prog/0002F764?bcast=70518712, (1982).
49.
Yates, P.: The Dresser, (1982).
50.
Attenborough, R.: Chaplin, https://learningonscreen.ac.uk/ondemand/index.php/prog/004EEF69?bcast=113951582, (1992).
51.
Weir, P.: The Truman Show, (2007).
52.
Weir, P.: The Truman Show, https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS5166456900002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab1&query=any,contains,The%20Truman%20Show&sortby=date&facet=frbrgroupid,include,750118470&offset=0, (2015).
53.
Cronenberg, D.: Maps to the Stars, (2014).