Aldrich, Robert. ‘Whatever Happened to Baby Jane?’ 1962 : n. pag. Print.
Archer, W. ‘Masks and Faces’. Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words. New York: Crown, 1970. 340–346. Print.
Archer, William. Masks or Faces: A Study in the Psychology of Acting. London: Forgotten Books, 2017. Print.
Attenborough, Richard. ‘Chaplin’. 1992. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/004EEF69?bcast=113951582>.
Bancroft, M. ‘Reality of Emotion’. Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words. New York: Crown, 1970. 323–323. Print.
Barton, John. Playing Shakespeare. London: Methuen Drama, 2009. Print.
---. Playing Shakespeare. London: Methuen Drama, 2009. Print.
Benedetti, Jean. Stanislavski and the Actor. London: Methuen Drama, 1998. Print.
Berger, John. Why Look at Animals? Vol. 80. London: Penguin, 2009. Print.
Booth, Michael R. English Melodrama. London: Jenkins, 1965. Print.
---. ‘Melodramatic Acting’. English Melodrama. London: Jenkins, 1965. 190–211. Print.
Cole, Toby, and Helen Krich Chinoy. Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words. New York: Crown, 1970. Print.
---. Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words. New York: Crown, 1970. Print.
Cronenberg, David. ‘Maps to the Stars’. 2014 : n. pag. Print.
Diderot, Denis, Walter Herries Pollock, and Henry Irving. The Paradox of Acting. [S.l.]: Andesite, 2015. Print.
---. The Paradox of Acting. [S.l.]: Andesite, 2015. Print.
Douglas, Christopher, and Nigel Planer. I, An Actor. Rev ed. London: Methuen, 2001. Print.
During, Simon. Modern Enchantments: The Cultural Power of Secular Magic. Cambridge, Mass: Harvard University Press, 2002. Print.
---. Modern Enchantments: The Cultural Power of Secular Magic. Cambridge, Mass: Harvard University Press, 2002. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3300571>.
---. Modern Enchantments: The Cultural Power of Secular Magic. Cambridge, Mass: Harvard University Press, 2002. Print.
---. Modern Enchantments: The Cultural Power of Secular Magic. Cambridge, Mass: Harvard University Press, 2002. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3300571>.
Garrick, D. ‘An Essay on Acting’. Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words. New York: Crown, 1970. 133–136. Print.
Goffman, Erving. The Presentation of Self in Everyday Life. Harmondsworth: Penguin, 1990. Print.
---. The Presentation of Self in Everyday Life. Harmondsworth: Penguin, 1990. Print.
‘Her Tears Were Sincere: Kate McCann and the Paradox of Mourning’. Contemporary Theatre Review 18.2 (2008): 269–286. Web.
‘---’. Contemporary Theatre Review 18.2 (2008): 269–286. Web.
Hess, Amanda. ‘Are Animals Getting Better at Acting? - The New York Times’. N.p., 2019. Web. <https://www.nytimes.com/2019/01/02/movies/animals-acting-movies-tv.html>.
Hussey, S. S. The Literary Language of Shakespeare. 2nd Edition. London: Longman, 1992. Print.
---. The Literary Language of Shakespeare. 2nd Edition. London: Longman, 1992. Print.
Kean, E. ‘Feeling Without Rhetoric’. Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words. New York: Crown, 1970. 299–299. Print.
Kendal, M. ‘Should We Shed Real Tears?’ Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words. New York: Crown, 1970. 337–337. Print.
Mitter, Shomit. Systems of Rehearsal: Stanislavsky, Brecht, Grotowski and Brook. London: Routledge, 1992. Print.
---. Systems of Rehearsal: Stanislavsky, Brecht, Grotowski, and Brook. Hoboken: Taylor and Francis, 2012. Print.
---. Systems of Rehearsal: Stanislavsky, Brecht, Grotowski and Brook. London: Routledge, 1992. Print.
---. Systems of Rehearsal: Stanislavsky, Brecht, Grotowski and Brook. London: Routledge, 1992. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=165711>.
Pollack, Sydney. ‘Tootsie’. 1982. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/0002F764?bcast=70518712>.
Powell, Michael, and Emeric Pressburger. ‘The Red Shoes’. 1948. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/010F42F7?bcast=125798958>.
Richardson, Tony. ‘The Entertainer’. 1960. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/013B4A7C?bcast=40202753>.
Ridout, Nicolas. ‘The Animal on Stage’. Stage Fright, Animals, and Other Theatrical Problems. Cambridge: Cambridge University Press, 2006. 96–128. Print.
Roach, J. ‘Diderot’. The Player’s Passion: Studies in the Science of Acting. Ann Arbor: University of Michigan Press, 1993. 116–159. Print.
Roach, Joseph R. The Player’s Passion: Studies in the Science of Acting. Ann Arbor: University of Michigan Press, 1993. Print.
---. The Player’s Passion: Studies in the Science of Acting. Ann Arbor: University of Michigan Press, 1993. Print.
Siddons, S. ‘On the Character of Lady Macbeth’. Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words. New York: Crown, 1970. 142–142. Print.
Stanislavsky, K. S. An Actor Prepares. London: Methuen Drama, 1980. Print.
---. An Actor Prepares. New York: Routledge, 2003. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=668654>.
Stanislavsky, K. S. An Actor Prepares. London: Methuen Drama, 1980. Print.
---. An Actor Prepares. New York: Routledge, 2003. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=668654>.
Weir, Peter. ‘The Truman Show’. 2007 : n. pag. Print.
---. ‘The Truman Show’. 2015. Web. <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS5166456900002671&amp;context=L&amp;vid=44ROY_VU2&amp;lang=en_US&amp;search_scope=LSCOP_44ROY_ALL&amp;adaptor=Local%20Search%20Engine&amp;isFrbr=true&amp;tab=tab1&amp;query=any,contains,The%20Truman%20Show&amp;sortby=date&amp;facet=frbrgroupid,include,750118470&amp;offset=0>.
West, Shearer. The Image of the Actor: Verbal and Visual Representation in the Age of Garrick and Kemble. London: Pinter, 1991. Print.
---. The Image of the Actor: Verbal and Visual Representation in the Age of Garrick and Kemble. London: Pinter, 1991. Print.
Wilder, Billy. ‘Sunset Boulevard’. 1950. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/0000F7F8?bcast=94110708>.
Yates, Peter. ‘The Dresser’. 1982 : n. pag. Print.