Aldrich, Robert, ‘Whatever Happened to Baby Jane?’, 1962
Archer, W., ‘Masks and Faces’, in Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words (New York: Crown, 1970), pp. 340–46
Archer, William, Masks or Faces: A Study in the Psychology of Acting (London: Forgotten Books, 2017)
Attenborough, Richard, ‘Chaplin’, 1992 <https://learningonscreen.ac.uk/ondemand/index.php/prog/004EEF69?bcast=113951582>
Bancroft, M., ‘Reality of Emotion’, in Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words (New York: Crown, 1970), pp. 323–323
Barton, John, Playing Shakespeare (London: Methuen Drama, 2009)
———, Playing Shakespeare (London: Methuen Drama, 2009)
Benedetti, Jean, Stanislavski and the Actor (London: Methuen Drama, 1998)
Berger, John, Why Look at Animals? (London: Penguin, 2009), lxxx
Booth, Michael R., English Melodrama (London: Jenkins, 1965)
———, ‘Melodramatic Acting’, in English Melodrama (London: Jenkins, 1965), pp. 190–211
Cole, Toby, and Helen Krich Chinoy, Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words (New York: Crown, 1970)
———, Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words (New York: Crown, 1970)
Cronenberg, David, ‘Maps to the Stars’, 2014
Diderot, Denis, Walter Herries Pollock, and Henry Irving, The Paradox of Acting ([S.l.]: Andesite, 2015)
———, The Paradox of Acting ([S.l.]: Andesite, 2015)
Douglas, Christopher, and Nigel Planer, I, An Actor, Rev ed (London: Methuen, 2001)
During, Simon, Modern Enchantments: The Cultural Power of Secular Magic (Cambridge, Mass: Harvard University Press, 2002)
———, Modern Enchantments: The Cultural Power of Secular Magic (Cambridge, Mass: Harvard University Press, 2002) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3300571>
———, Modern Enchantments: The Cultural Power of Secular Magic (Cambridge, Mass: Harvard University Press, 2002)
———, Modern Enchantments: The Cultural Power of Secular Magic (Cambridge, Mass: Harvard University Press, 2002) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3300571>
Garrick, D., ‘An Essay on Acting’, in Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words (New York: Crown, 1970), pp. 133–36
Goffman, Erving, The Presentation of Self in Everyday Life (Harmondsworth: Penguin, 1990)
———, The Presentation of Self in Everyday Life (Harmondsworth: Penguin, 1990)
‘Her Tears Were Sincere: Kate McCann and the Paradox of Mourning’, Contemporary Theatre Review, 18.2 (2008), 269–86 <https://doi.org/10.1080/10486800802067228>
‘———’, Contemporary Theatre Review, 18.2 (2008), 269–86 <https://doi.org/10.1080/10486800802067228>
Hess, Amanda, ‘Are Animals Getting Better at Acting? - The New York Times’, 2019 <https://www.nytimes.com/2019/01/02/movies/animals-acting-movies-tv.html>
Hussey, S. S., The Literary Language of Shakespeare, 2nd Edition (London: Longman, 1992)
———, The Literary Language of Shakespeare, 2nd Edition (London: Longman, 1992)
Kean, E., ‘Feeling Without Rhetoric’, in Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words (New York: Crown, 1970), pp. 299–299
Kendal, M., ‘Should We Shed Real Tears?’, in Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words (New York: Crown, 1970), pp. 337–337
Mitter, Shomit, Systems of Rehearsal: Stanislavsky, Brecht, Grotowski and Brook (London: Routledge, 1992)
———, Systems of Rehearsal: Stanislavsky, Brecht, Grotowski, and Brook (Hoboken: Taylor and Francis, 2012)
———, Systems of Rehearsal: Stanislavsky, Brecht, Grotowski and Brook (London: Routledge, 1992)
———, Systems of Rehearsal: Stanislavsky, Brecht, Grotowski and Brook (London: Routledge, 1992) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=165711>
Pollack, Sydney, ‘Tootsie’, 1982 <https://learningonscreen.ac.uk/ondemand/index.php/prog/0002F764?bcast=70518712>
Powell, Michael, and Emeric Pressburger, ‘The Red Shoes’, 1948 <https://learningonscreen.ac.uk/ondemand/index.php/prog/010F42F7?bcast=125798958>
Richardson, Tony, ‘The Entertainer’, 1960 <https://learningonscreen.ac.uk/ondemand/index.php/prog/013B4A7C?bcast=40202753>
Ridout, Nicolas, ‘The Animal on Stage’, in Stage Fright, Animals, and Other Theatrical Problems (Cambridge: Cambridge University Press, 2006), pp. 96–128
Roach, J., ‘Diderot’, in The Player’s Passion: Studies in the Science of Acting (Ann Arbor: University of Michigan Press, 1993), pp. 116–59
Roach, Joseph R., The Player’s Passion: Studies in the Science of Acting (Ann Arbor: University of Michigan Press, 1993)
———, The Player’s Passion: Studies in the Science of Acting (Ann Arbor: University of Michigan Press, 1993)
Siddons, S., ‘On the Character of Lady Macbeth’, in Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words (New York: Crown, 1970), pp. 142–142
Stanislavsky, K. S., An Actor Prepares (London: Methuen Drama, 1980)
———, An Actor Prepares (New York: Routledge, 2003) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=668654>
Stanislavsky, K. S, An Actor Prepares (London: Methuen Drama, 1980)
———, An Actor Prepares (New York: Routledge, 2003) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=668654>
Weir, Peter, ‘The Truman Show’ (S.l.: Paramount, 2007)
———, ‘The Truman Show’ (San Francisco, California, USA: Kanopy Streaming, 2015) <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS5166456900002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab1&query=any,contains,The%20Truman%20Show&sortby=date&facet=frbrgroupid,include,750118470&offset=0>
West, Shearer, The Image of the Actor: Verbal and Visual Representation in the Age of Garrick and Kemble (London: Pinter, 1991)
———, The Image of the Actor: Verbal and Visual Representation in the Age of Garrick and Kemble (London: Pinter, 1991)
Wilder, Billy, ‘Sunset Boulevard’, 1950 <https://learningonscreen.ac.uk/ondemand/index.php/prog/0000F7F8?bcast=94110708>
Yates, Peter, ‘The Dresser’, 1982
