Aldrich, Robert. 1962. ‘Whatever Happened to Baby Jane?’
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Archer, William. 2017. Masks or Faces: A Study in the Psychology of Acting. London: Forgotten Books.
Attenborough, Richard. 1992. ‘Chaplin’. https://learningonscreen.ac.uk/ondemand/index.php/prog/004EEF69?bcast=113951582.
Bancroft, M. 1970. ‘Reality of Emotion’. In Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words, 323–323. New York: Crown.
Barton, John. 2009a. Playing Shakespeare. London: Methuen Drama.
———. 2009b. Playing Shakespeare. London: Methuen Drama.
Benedetti, Jean. 1998. Stanislavski and the Actor. London: Methuen Drama.
Berger, John. 2009. Why Look at Animals? Vol. 80. London: Penguin.
Booth, Michael R. 1965a. English Melodrama. London: Jenkins.
———. 1965b. ‘Melodramatic Acting’. In English Melodrama, 190–211. London: Jenkins.
Cole, Toby, and Helen Krich Chinoy. 1970a. Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words. New York: Crown.
———. 1970b. Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words. New York: Crown.
Cronenberg, David. 2014. ‘Maps to the Stars’.
Diderot, Denis, Walter Herries Pollock, and Henry Irving. 2015a. The Paradox of Acting. [S.l.]: Andesite.
———. 2015b. The Paradox of Acting. [S.l.]: Andesite.
Douglas, Christopher, and Nigel Planer. 2001. I, An Actor. Rev ed. London: Methuen.
During, Simon. 2002a. Modern Enchantments: The Cultural Power of Secular Magic. Cambridge, Mass: Harvard University Press.
———. 2002b. Modern Enchantments: The Cultural Power of Secular Magic. Cambridge, Mass: Harvard University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3300571.
———. 2002c. Modern Enchantments: The Cultural Power of Secular Magic. Cambridge, Mass: Harvard University Press.
———. 2002d. Modern Enchantments: The Cultural Power of Secular Magic. Cambridge, Mass: Harvard University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3300571.
Garrick, D. 1970. ‘An Essay on Acting’. In Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words, 133–36. New York: Crown.
Goffman, Erving. 1990a. The Presentation of Self in Everyday Life. Harmondsworth: Penguin.
———. 1990b. The Presentation of Self in Everyday Life. Harmondsworth: Penguin.
‘Her Tears Were Sincere: Kate McCann and the Paradox of Mourning’. 2008a. Contemporary Theatre Review 18 (2): 269–86. https://doi.org/10.1080/10486800802067228.
‘———’. 2008b. Contemporary Theatre Review 18 (2): 269–86. https://doi.org/10.1080/10486800802067228.
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Hussey, S. S. 1992a. The Literary Language of Shakespeare. 2nd Edition. London: Longman.
———. 1992b. The Literary Language of Shakespeare. 2nd Edition. London: Longman.
Kean, E. 1970. ‘Feeling Without Rhetoric’. In Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words, 299–299. New York: Crown.
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Mitter, Shomit. 1992a. Systems of Rehearsal: Stanislavsky, Brecht, Grotowski and Brook. London: Routledge.
———. 1992b. Systems of Rehearsal: Stanislavsky, Brecht, Grotowski and Brook. London: Routledge.
———. 1992c. Systems of Rehearsal: Stanislavsky, Brecht, Grotowski and Brook. London: Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=165711.
———. 2012. Systems of Rehearsal: Stanislavsky, Brecht, Grotowski, and Brook. Hoboken: Taylor and Francis.
Pollack, Sydney. 1982. ‘Tootsie’. https://learningonscreen.ac.uk/ondemand/index.php/prog/0002F764?bcast=70518712.
Powell, Michael, and Emeric Pressburger. 1948. ‘The Red Shoes’. https://learningonscreen.ac.uk/ondemand/index.php/prog/010F42F7?bcast=125798958.
Richardson, Tony. 1960. ‘The Entertainer’. https://learningonscreen.ac.uk/ondemand/index.php/prog/013B4A7C?bcast=40202753.
Ridout, Nicolas. 2006. ‘The Animal on Stage’. In Stage Fright, Animals, and Other Theatrical Problems, 96–128. Cambridge: Cambridge University Press.
Roach, J. 1993. ‘Diderot’. In The Player’s Passion: Studies in the Science of Acting, 116–59. Ann Arbor: University of Michigan Press.
Roach, Joseph R. 1993a. The Player’s Passion: Studies in the Science of Acting. Ann Arbor: University of Michigan Press.
———. 1993b. The Player’s Passion: Studies in the Science of Acting. Ann Arbor: University of Michigan Press.
Siddons, S. 1970. ‘On the Character of Lady Macbeth’. In Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words, 142–142. New York: Crown.
Stanislavsky, K. S. 1980a. An Actor Prepares. London: Methuen Drama.
Stanislavsky, K. S. 1980b. An Actor Prepares. London: Methuen Drama.
Stanislavsky, K. S. 2003a. An Actor Prepares. New York: Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=668654.
Stanislavsky, K. S. 2003b. An Actor Prepares. New York: Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=668654.
Weir, Peter. 2007. ‘The Truman Show’. S.l.: Paramount.
———. 2015. ‘The Truman Show’. San Francisco, California, USA: Kanopy Streaming. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS5166456900002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab1&query=any,contains,The%20Truman%20Show&sortby=date&facet=frbrgroupid,include,750118470&offset=0.
West, Shearer. 1991a. The Image of the Actor: Verbal and Visual Representation in the Age of Garrick and Kemble. London: Pinter.
———. 1991b. The Image of the Actor: Verbal and Visual Representation in the Age of Garrick and Kemble. London: Pinter.
Wilder, Billy. 1950. ‘Sunset Boulevard’. https://learningonscreen.ac.uk/ondemand/index.php/prog/0000F7F8?bcast=94110708.
Yates, Peter. 1982. ‘The Dresser’.