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K. S. Stanislavsky, An Actor Prepares. London: Methuen Drama, 1980.
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K. S. Stanislavsky, An Actor Prepares. New York: Routledge, 2003 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=668654
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J. Benedetti, Stanislavski and the Actor. London: Methuen Drama, 1998.
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S. Mitter, Systems of Rehearsal: Stanislavsky, Brecht, Grotowski and Brook. London: Routledge, 1992.
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S. Mitter, Systems of Rehearsal: Stanislavsky, Brecht, Grotowski, and Brook. Hoboken: Taylor and Francis, 2012.
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M. R. Booth, ‘Melodramatic Acting’, in English Melodrama, London: Jenkins, 1965, pp. 190–211.
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D. Garrick, ‘An Essay on Acting’, in Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words, New York: Crown, 1970, pp. 133–136.
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S. Siddons, ‘On the Character of Lady Macbeth’, in Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words, New York: Crown, 1970, pp. 142–142.
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E. Kean, ‘Feeling Without Rhetoric’, in Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words, New York: Crown, 1970, pp. 299–299.
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M. Bancroft, ‘Reality of Emotion’, in Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words, New York: Crown, 1970, pp. 323–323.
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M. Kendal, ‘Should We Shed Real Tears?’, in Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words, New York: Crown, 1970, pp. 337–337.
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S. S. Hussey, The Literary Language of Shakespeare, 2nd Edition. London: Longman, 1992.
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J. Barton, Playing Shakespeare. London: Methuen Drama, 2009.
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D. Diderot, W. H. Pollock, and H. Irving, The Paradox of Acting. [S.l.]: Andesite, 2015.
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W. Archer, ‘Masks and Faces’, in Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words, New York: Crown, 1970, pp. 340–346.
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J. Roach, ‘Diderot’, in The Player’s Passion: Studies in the Science of Acting, Ann Arbor: University of Michigan Press, 1993, pp. 116–159.
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A. Hess, ‘Are Animals Getting Better at Acting? - The New York Times’, 2019. [Online]. Available: https://www.nytimes.com/2019/01/02/movies/animals-acting-movies-tv.html
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J. Berger, Why Look at Animals?, vol. 80. London: Penguin, 2009.
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N. Ridout, ‘The Animal on Stage’, in Stage Fright, Animals, and Other Theatrical Problems, Cambridge: Cambridge University Press, 2006, pp. 96–128.
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J. R. Roach, The Player’s Passion: Studies in the Science of Acting. Ann Arbor: University of Michigan Press, 1993.
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S. West, The Image of the Actor: Verbal and Visual Representation in the Age of Garrick and Kemble. London: Pinter, 1991.
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S. During, Modern Enchantments: The Cultural Power of Secular Magic. Cambridge, Mass: Harvard University Press, 2002.
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S. During, Modern Enchantments: The Cultural Power of Secular Magic. Cambridge, Mass: Harvard University Press, 2002 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3300571
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E. Goffman, The Presentation of Self in Everyday Life. Harmondsworth: Penguin, 1990.
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‘Her Tears were Sincere: Kate McCann and the Paradox of Mourning’, Contemporary Theatre Review, vol. 18, no. 2, pp. 269–286, 2008, doi: 10.1080/10486800802067228.
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W. Archer, Masks or Faces: A Study in the Psychology of Acting. London: Forgotten Books, 2017.
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J. Barton, Playing Shakespeare. London: Methuen Drama, 2009.
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M. R. Booth, English Melodrama. London: Jenkins, 1965.
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T. Cole and H. K. Chinoy, Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words. New York: Crown, 1970.
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T. Cole and H. K. Chinoy, Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words. New York: Crown, 1970.
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C. Douglas and N. Planer, I, An Actor, Rev ed. London: Methuen, 2001.
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D. Diderot, W. H. Pollock, and H. Irving, The Paradox of Acting. [S.l.]: Andesite, 2015.
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S. During, Modern Enchantments: The Cultural Power of Secular Magic. Cambridge, Mass: Harvard University Press, 2002.
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S. During, Modern Enchantments: The Cultural Power of Secular Magic. Cambridge, Mass: Harvard University Press, 2002 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3300571
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E. Goffman, The Presentation of Self in Everyday Life. Harmondsworth: Penguin, 1990.
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S. S. Hussey, The Literary Language of Shakespeare, 2nd Edition. London: Longman, 1992.
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S. Mitter, Systems of Rehearsal: Stanislavsky, Brecht, Grotowski and Brook. London: Routledge, 1992.
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S. Mitter, Systems of Rehearsal: Stanislavsky, Brecht, Grotowski and Brook. London: Routledge, 1992 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=165711
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‘Her Tears were Sincere: Kate McCann and the Paradox of Mourning’, Contemporary Theatre Review, vol. 18, no. 2, pp. 269–286, 2008, doi: 10.1080/10486800802067228.
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J. R. Roach, The Player’s Passion: Studies in the Science of Acting. Ann Arbor: University of Michigan Press, 1993.
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K. S. Stanislavsky, An Actor Prepares. London: Methuen Drama, 1980.
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K. S. Stanislavsky, An Actor Prepares. New York: Routledge, 2003 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=668654
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S. West, The Image of the Actor: Verbal and Visual Representation in the Age of Garrick and Kemble. London: Pinter, 1991.
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M. Powell and E. Pressburger, ‘The Red Shoes’. 1948 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/010F42F7?bcast=125798958
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B. Wilder, ‘Sunset Boulevard’. 1950 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/0000F7F8?bcast=94110708
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T. Richardson, ‘The Entertainer’. 1960 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/013B4A7C?bcast=40202753
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R. Aldrich, ‘Whatever Happened to Baby Jane?’ 1962.
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S. Pollack, ‘Tootsie’. 1982 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/0002F764?bcast=70518712
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P. Yates, ‘The Dresser’. 1982.
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R. Attenborough, ‘Chaplin’. 1992 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/004EEF69?bcast=113951582
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P. Weir, ‘The Truman Show’. Paramount, S.l., 2007.
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P. Weir, ‘The Truman Show’. Kanopy Streaming, San Francisco, California, USA, 2015 [Online]. Available: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS5166456900002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab1&query=any,contains,The%20Truman%20Show&sortby=date&facet=frbrgroupid,include,750118470&offset=0
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D. Cronenberg, ‘Maps to the Stars’. 2014.