1.
Bailey, P.: Business and Good Fellowship in the London Music Hall. In: Popular culture and performance in the Victorian city. Cambridge University Press, Cambridge (1998).
2.
Dickens, C., Slater, M.: The amusements of the people: and other papers: reports, essays and reviews, 1834-51. Dent, London (1996).
3.
The Story of Music Hall with Michael Grade, https://learningonscreen.ac.uk/ondemand/index.php/prog/020F99B1?bcast=122210410.
4.
The Elephant Man (1980), https://learningonscreen.ac.uk/ondemand/index.php/prog/0001CCFA?bcast=113345973.
5.
The Entertainer (1960), https://learningonscreen.ac.uk/ondemand/index.php/prog/013B4A7C?bcast=40202753.
6.
Hancock, T.: The Rebel / The Punch and Judy man, (2003).
7.
Erlingsson, B.: The Show of Shows: A History of Circus, Cabaret and Vaudeville, (2015).
8.
McNamara, B.: The Indian Medicine Show. Educational Theatre Journal. 23, (1971). https://doi.org/10.2307/3205750.
9.
Review by:                          James W. Cook: Review: Mass Marketing and Cultural History: The Case of P.T. Barnum. American Quarterly. 51, 175–186 (1999).
10.
Cook, J.W.: The arts of deception: playing with fraud in the age of Barnum. Harvard University Press, Cambridge, Mass (2001).
11.
Buffalo Bill and the Indians (1976), https://learningonscreen.ac.uk/ondemand/index.php/prog/00076824?bcast=121108713.
12.
The Real Tom Thumb: History’s Smallest Superstar, https://learningonscreen.ac.uk/ondemand/index.php/prog/082E93A3?bcast=114586413.
13.
Cabaret (1972), https://learningonscreen.ac.uk/ondemand/index.php/prog/0002032B?bcast=122665187.
14.
Kopit, A.: Indians. Eyre Methuen, London (1970).
15.
Variety Stage: Vaudeville and Popular Entertainment (short films from the Library of Congress), https://www.youtube.com/watch?v=5TqBvXidBcE&feature=youtu.be&list=PL95A2316156D6ED2F, (18) AD.
16.
Funny Girl (1968), https://learningonscreen.ac.uk/ondemand/index.php/prog/000149C1?bcast=116247752.
17.
Vuadeville, https://www.youtube.com/watch?v=vNTbJi8rc1Q&feature=youtu.be, (27) AD.
18.
DesROCHERS, R.: Destabilizing Vaudeville: The Marx Brothers and the Party of the Third Part. The Journal of Popular Culture. 46, 524–544 (2013). https://doi.org/10.1111/j.1540-5931.2011.00873.x.
19.
Kaufman, G.S.: By George: A Kaufman Collection. St. Martin’s Press (1979).
20.
Santley, J., Florey, R., Marx, G., Marx, H., Marx, C., Marx, Z., Dumont, M., Shaw, O., Eaton, M., Francis, K., Gamby-Hale Ballet Girls, Alan K. Foster Girls, Marx Brothers, Universal Studios Home Entertainment (Firm): The Marx Brothers silver screen collection, (2016).
21.
Gems from Cocoanuts, Irving Berlin songs in Marx Brothers show Victor 35769 (1926) Billy Murray, https://www.youtube.com/watch?v=Bn57EacJ7Ic&feature=youtu.be, (2013).
22.
Gardner, M.A.: The Marx Brothers as social critics: satire and comic nihilism in their films. McFarland & Co, Jefferson, N.C. (2009).
23.
Gardner, M.A.: The Marx Brothers as social critics: satire and comic nihilism in their films. McFarland & Co, Jefferson, N.C. (2009).
24.
Jenkins, H.: What made pistachio nuts?: early sound comedy and the Vaudeville aesthetic. Columbia University Press, New York (1992).
25.
Oja, C.J.: Bernstein meets Broadway: collaborative art in a time of war. Oxford University Press, New York, New York (2014).
26.
On the Town (1949), https://learningonscreen.ac.uk/ondemand/index.php/prog/00011873?bcast=123187998.
27.
Gordon, M.: The Grand Guignol: theatre of fear and terror. Da Capo, New York (1997).
28.
Prakash, B.: Performing Bidesiyā in Bihar: Strategy for Survival, Strategies for Performance. Asian Theatre Journal. 33, 57–81 (2016). https://doi.org/10.1353/atj.2016.0023.
29.
Bhikhari Thakur and Meenu Gupta: Gabar Ghichor. Indian Literature. 44, 127–140 (2000).
30.
Topsy-Turvy (1999), https://learningonscreen.ac.uk/ondemand/index.php/prog/004CA281?bcast=26893516.
31.
Merrill, D., Paterson, T.G.: Major problems in American foreign relations: documents and essays, Vol. 2: Since 1914. Houghton Mifflin, Boston (2000).
32.
Tzu-I Chung: The Transnational Vision of Miss Saigon: Performing the Orient in a Globalized World. MELUS. 36, 61–86 (2011).
33.
Dong, A.E., Dong, L., See, L.: Forbidden City, USA: Chinese American Nightclubs, 1936-1970. DeepFocus Productions, Los Angeles, CA (2014).
34.
SanSan Kwan: Performing a Geography of Asian America: The Chop Suey Circuit. TDR: The Drama Review. 55, 120–136 (2011).
35.
Forbidden City, https://vimeo.com/ondemand/forbiddencityusa/129055275.
36.
Jennifer Robertson: Takarazuka: sexual politics and popular culture in modern Japan. University of California Press (2008).
37.
Robertson, J.: Takarazuka: sexual politics and popular culture in modern Japan. University of California Press, Berkeley (2001).
38.
Longinotto, K., Williams, J.: Dream girls, (2001).
39.
Parks, S.-L.: Venus: a play. Theatre Communications Group, New York (2011).
40.
The King and I (1956), https://learningonscreen.ac.uk/ondemand/index.php/prog/00004029?bcast=114650199.
41.
Sullivan, A., Gilbert, W.S., Miller, J., Phillips, J.M., Idle, E., Bullock, S., Garrett, L., Robinson, P., English National Opera: The Mikado, (2005).
42.
Gordon, R., Jubin, O., Taylor, M.: British musical theatre since 1950. Bloomsbury Methuen Drama, London (2016).
43.
Gordon, R., Jubin, O., Taylor, M.: British musical theatre since 1950. Bloomsbury Methuen Drama, London (2016).
44.
Oh! What a Lovely War (1969), https://learningonscreen.ac.uk/ondemand/index.php/prog/0001DAC9?bcast=123384614.
45.
Chilton, C., Theatre Workshop: Oh what a lovely war. Methuen, London (1965).
46.
Landmarks: Oh What a lovely war, https://learningonscreen.ac.uk/ondemand/index.php/prog/05C2D6B3.
47.
Stage to Screen, https://learningonscreen.ac.uk/ondemand/index.php/prog/00B6FE6E?bcast=30693149.
48.
Ince, B.: The Neglected Art: Trends and Transformations in British Concert Party Entertainment, 1850–1950. New Theatre Quarterly. 31, 3–16 (2015). https://doi.org/10.1017/S0266464X15000019.
49.
The End of the Pier Show, https://learningonscreen.ac.uk/ondemand/index.php/prog/0682DD70?bcast=108015959.
50.
Braun, K.: Stage-shakers!: Ghana’s concert party theatre, (2001).
51.
Cole, C.M.: Ghana’s concert party theatre. Indiana University Press, Bloomington (2001).
52.
Biting the Hand That Leads Us: Humor & Social Change, https://www.youtube.com/watch?v=pL6-PHHjhIk&feature=youtu.be, (12) AD.
53.
Kershaw, B.: Politics of Performance: Radical Theatre as Cultural Intervention. Routledge, London (1992).
54.
Kershaw, B.: The politics of performance: radical theatre as cultural intervention. Routledge, London (1992).
55.
Mackenzie, J.: The Cheviot the Stag and the Black Black Oil, (1974).
56.
McGrath, J.: Popular Theatre and the Changing Perspective of the Eighties. New Theatre Quarterly. 1, (1985). https://doi.org/10.1017/S0266464X00001810.
57.
McGrath, J.: A good night out: popular theatre : audience, class and form. adHern, London (1996).
58.
Orenstein, C.: Festive revolutions: the politics of popular theater and the San Francisco Mime Troupe. University Press of Mississippi, Jackson (1998).
59.
Chaffee, J.: The Routledge companion to Commedia dell’Arte. Routledge, Abingdon, Oxon (2015).
60.
Price, J.: Modern popular theatre. Palgrave, London (2016).
61.
Shank, T.: Political Theatre as Popular Entertainment: The San Fransico Mime Troupe. The Drama Review: TDR. 18, (1974). https://doi.org/10.2307/1144869.
62.
Gussow, M.: Profiles: Clown.
63.
Bill Irwin Clown Prince on Vimeo, https://vimeo.com/41843938.
64.
Comedy Genius -- The Regard of Flight -- 1983 -- Bill Irwin in performance, https://www.youtube.com/watch?v=-AVifTdjtvE, (13) AD.
65.
Nina Conti - A Ventriloquist’s Story: Her Master’s Voice, https://learningonscreen.ac.uk/ondemand/index.php/prog/02A22955?bcast=104878656.
66.
The Flying Karamazov Brothers (1983) - Part 1 of 8, https://www.youtube.com/watch?v=IpUQZh9HjJA, (12) AD.
67.
Alan Edelstein, Molly Bernstein, Bernstein, M.: Deceptive Practice: The Mysteries And Mentors Of Ricky Jay, (2012).
68.
Etchells, T., Forced Entertainment: First night, (2001).
69.
Man on the Moon (1999), https://learningonscreen.ac.uk/ondemand/index.php/prog/005FE953?bcast=78445955.
70.
Jenkins, R.: Acrobats of the soul: comedy and virtuosity in contemporary American theatre. Theatre Communications Group, New York (1988).
71.
Rogoff, G.: Vanishing acts: theater since the sixties. Yale University Press, New Haven (2000).
72.
Bamboozled (2000), https://learningonscreen.ac.uk/ondemand/index.php/prog/0057728F?bcast=44122094.
73.
Gregory Laski: Falling Back into History: The Uncanny Trauma of Blackface Minstrelsy in Spike Lee’s Bamboozled. Callaloo. 33, 1093–1115 (2011).
74.
Lee, Y.J.: The shipment: Lear. Theatre Communications Group, New York (2010).