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P. Bailey, ‘Business and Good Fellowship in the London Music Hall’, in Popular culture and performance in the Victorian city, Cambridge: Cambridge University Press, 1998.
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‘The King and I (1956)’. FilmFour. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/00004029?bcast=114650199
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‘Oh! What a Lovely War (1969)’. More4. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/0001DAC9?bcast=123384614
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C. Chilton and Theatre Workshop, Oh what a lovely war. London: Methuen, 1965.
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‘Landmarks: Oh What a lovely war’. BBC Radio 3. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/05C2D6B3
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B. Ince, ‘The Neglected Art: Trends and Transformations in British Concert Party Entertainment, 1850–1950’, New Theatre Quarterly, vol. 31, no. 01, pp. 3–16, Feb. 2015, doi: 10.1017/S0266464X15000019
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‘The End of the Pier Show’. BBC2 England. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/0682DD70?bcast=108015959
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K. Braun, ‘Stage-shakers!: Ghana’s concert party theatre’. Indiana University Pressl, [S.l.], 2001.
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C. M. Cole, Ghana’s concert party theatre. Bloomington: Indiana University Press, 2001.
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B. Kershaw, The politics of performance: radical theatre as cultural intervention. London: Routledge, 1992.
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J. Mackenzie, ‘The Cheviot the Stag and the Black Black Oil’. 1974.
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J. Price, Modern popular theatre, vol. Theatre and performance practices. London: Palgrave, 2016.
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T. Shank, ‘Political Theatre as Popular Entertainment: The San Fransico Mime Troupe’, The Drama Review: TDR, vol. 18, no. 1, Mar. 1974, doi: 10.2307/1144869
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‘Bill Irwin Clown Prince on Vimeo’. Available: https://vimeo.com/41843938
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‘Comedy Genius -- The Regard of Flight -- 1983 -- Bill Irwin in performance’. 13 AD. Available: https://www.youtube.com/watch?v=-AVifTdjtvE
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