Alan Edelstein, Molly Bernstein, & Bernstein, M. (2012). Deceptive Practice: The Mysteries And Mentors Of Ricky Jay.
Bailey, P. (1998). Business and Good Fellowship in the London Music Hall. In Popular culture and performance in the Victorian city. Cambridge University Press.
Bamboozled (2000). (n.d.). Channel 4. https://learningonscreen.ac.uk/ondemand/index.php/prog/0057728F?bcast=44122094
Bhikhari Thakur and Meenu Gupta. (2000). Gabar Ghichor. Indian Literature, 44(1), 127–140. http://www.jstor.org/stable/23343020?Search=yes&resultItemClick=true&searchText=sn:00195804&searchText=AND&searchText=sp:127&searchText=AND&searchText=vo:44&searchText=AND&searchText=year:2000&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dsn%253A00195804%2BAND%2Bsp%253A127%2BAND%2Bvo%253A44%2BAND%2Byear%253A2000%26amp%3D%26ymod%3DYour%2Binbound%2Blink%2Bdid%2Bnot%2Bhave%2Ban%2Bexact%2Bmatch%2Bin%2Bour%2Bdatabase.%2BBut%2Bbased%2Bon%2Bthe%2Belements%2Bwe%2Bcould%2Bmatch%252C%2Bwe%2Bhave%2Breturned%2Bthe%2Bfollowing%2Bresults.&seq=1#page_scan_tab_contents
Bill Irwin Clown Prince on Vimeo. (n.d.). https://vimeo.com/41843938
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Braun, K. (2001). Stage-shakers!: Ghana’s concert party theatre. Indiana University Pressl.
Buffalo Bill and the Indians (1976). (n.d.). Dave. https://learningonscreen.ac.uk/ondemand/index.php/prog/00076824?bcast=121108713
Cabaret (1972). (n.d.). BBC2 England. https://learningonscreen.ac.uk/ondemand/index.php/prog/0002032B?bcast=122665187
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Chilton, C. & Theatre Workshop. (1965). Oh what a lovely war. Methuen.
Cole, C. M. (2001). Ghana’s concert party theatre. Indiana University Press.
Comedy Genius -- The Regard of Flight -- 1983 -- Bill Irwin in performance. (13 C.E.). https://www.youtube.com/watch?v=-AVifTdjtvE
Cook, J. W. (2001). The arts of deception: playing with fraud in the age of Barnum. Harvard University Press.
DesROCHERS, R. (2013). Destabilizing Vaudeville: The Marx Brothers and the Party of the Third Part. The Journal of Popular Culture, 46(3), 524–544. https://doi.org/10.1111/j.1540-5931.2011.00873.x
Dickens, C., & Slater, M. (1996). The amusements of the people: and other papers: reports, essays and reviews, 1834-51: Vol. The Dent uniform edition of Dickens’ journalism. Dent.
Dong, A. E., Dong, L., & See, L. (2014). Forbidden City, USA: Chinese American Nightclubs, 1936-1970. DeepFocus Productions.
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Forbidden City. (n.d.). https://vimeo.com/ondemand/forbiddencityusa/129055275
Funny Girl (1968). (n.d.). BBC2 England. https://learningonscreen.ac.uk/ondemand/index.php/prog/000149C1?bcast=116247752
Gardner, M. A. (2009a). The Marx Brothers as social critics: satire and comic nihilism in their films. McFarland & Co.
Gardner, M. A. (2009b). The Marx Brothers as social critics: satire and comic nihilism in their films [Electronic resource]. McFarland & Co. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1594713
Gems from Cocoanuts, Irving Berlin songs in Marx Brothers show Victor 35769 (1926) Billy Murray. (2013). https://www.youtube.com/watch?v=Bn57EacJ7Ic&feature=youtu.be
Gordon, M. (1997). The Grand Guignol: theatre of fear and terror (Rev. ed). Da Capo.
Gordon, R., Jubin, O., & Taylor, M. (2016a). British musical theatre since 1950: Vol. Critical companions. Bloomsbury Methuen Drama.
Gordon, R., Jubin, O., & Taylor, M. (2016b). British musical theatre since 1950: Vol. Critical companions [Electronic resource]. Bloomsbury Methuen Drama. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4527212
Gregory Laski. (2011). Falling Back into History: The Uncanny Trauma of Blackface Minstrelsy in Spike Lee’s Bamboozled. Callaloo, 33(4), 1093–1115. https://muse.jhu.edu/article/407670
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Hancock, T. (2003). The Rebel / The Punch and Judy man. Warner.
Ince, B. (2015). The Neglected Art: Trends and Transformations in British Concert Party Entertainment, 1850–1950. New Theatre Quarterly, 31(01), 3–16. https://doi.org/10.1017/S0266464X15000019
Jenkins, H. (1992). What made pistachio nuts?: early sound comedy and the Vaudeville aesthetic: Vol. Film and culture. Columbia University Press.
Jenkins, R. (1988). Acrobats of the soul: comedy and virtuosity in contemporary American theatre. Theatre Communications Group.
Jennifer Robertson. (2008). Takarazuka: sexual politics and popular culture in modern Japan. University of California Press. http://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb94082
Kaufman, G. S. (1979). By George: A Kaufman Collection. St. Martin’s Press.
Kershaw, B. (1992a). Politics of Performance: Radical Theatre as Cultural Intervention [Electronic resource]. Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=170014
Kershaw, B. (1992b). The politics of performance: radical theatre as cultural intervention. Routledge.
Kopit, A. (1970). Indians. Eyre Methuen.
Landmarks: Oh What a lovely war. (n.d.). BBC Radio 3. https://learningonscreen.ac.uk/ondemand/index.php/prog/05C2D6B3
Lee, Y. J. (2010). The shipment: Lear (1st ed). Theatre Communications Group.
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Man on the Moon (1999). (n.d.). BBC1 London. https://learningonscreen.ac.uk/ondemand/index.php/prog/005FE953?bcast=78445955
McGrath, J. (1985). Popular Theatre and the Changing Perspective of the Eighties. New Theatre Quarterly, 1(04). https://doi.org/10.1017/S0266464X00001810
McGrath, J. (1996). A good night out: popular theatre : audience, class and form (2nd ed). adHern.
McNamara, B. (1971). The Indian Medicine Show. Educational Theatre Journal, 23(4). https://doi.org/10.2307/3205750
Merrill, D., & Paterson, T. G. (2000). Major problems in American foreign relations: documents and essays, Vol. 2: Since 1914: Vol. Major problems in American history series (5th ed). Houghton Mifflin.
Nina Conti - A Ventriloquist’s Story: Her Master’s Voice. (n.d.). BBC4. https://learningonscreen.ac.uk/ondemand/index.php/prog/02A22955?bcast=104878656
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Orenstein, C. (1998). Festive revolutions: the politics of popular theater and the San Francisco Mime Troupe: Vol. Performance studies. University Press of Mississippi.
Parks, S.-L. (2011). Venus: a play (First edition). Theatre Communications Group. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=939914
Prakash, B. (2016). Performing Bidesiyā in Bihar: Strategy for Survival, Strategies for Performance. Asian Theatre Journal, 33(1), 57–81. https://doi.org/10.1353/atj.2016.0023
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Review by: James W. Cook. (1999). Review: Mass Marketing and Cultural History: The Case of P.T. Barnum. American Quarterly, 51(1), 175–186. http://www.jstor.org/stable/30041638?seq=1#page_scan_tab_contents
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SanSan Kwan. (2011). Performing a Geography of Asian America: The Chop Suey Circuit. TDR: The Drama Review, 55(1), 120–136. https://muse.jhu.edu/article/414683
Santley, J., Florey, R., Marx, G., Marx, H., Marx, C., Marx, Z., Dumont, M., Shaw, O., Eaton, M., Francis, K., Gamby-Hale Ballet Girls, Alan K. Foster Girls, Marx Brothers, & Universal Studios Home Entertainment (Firm). (2016). The Marx Brothers silver screen collection. Universal Studios.
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Stage to Screen. (n.d.). BBC Radio 4. https://learningonscreen.ac.uk/ondemand/index.php/prog/00B6FE6E?bcast=30693149
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The Elephant Man (1980). (n.d.). ITV3. https://learningonscreen.ac.uk/ondemand/index.php/prog/0001CCFA?bcast=113345973
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Tzu-I Chung. (2011). The Transnational Vision of Miss Saigon: Performing the Orient in a Globalized World. MELUS, 36(4), 61–86. http://www.jstor.org/stable/23048513?seq=1#page_scan_tab_contents
Variety Stage: Vaudeville and Popular Entertainment (short films from the Library of Congress). (18 C.E.). https://www.youtube.com/watch?v=5TqBvXidBcE&feature=youtu.be&list=PL95A2316156D6ED2F
Vuadeville. (27 C.E.). https://www.youtube.com/watch?v=vNTbJi8rc1Q&feature=youtu.be
