Alan Edelstein, Molly Bernstein, and Molly Bernstein, Deceptive Practice: The Mysteries And Mentors Of Ricky Jay, 2012
Bailey, Peter, ‘Business and Good Fellowship in the London Music Hall’, in Popular Culture and Performance in the Victorian City (Cambridge University Press, 1998)
Bamboozled (2000), Channel 4, n.d. <https://learningonscreen.ac.uk/ondemand/index.php/prog/0057728F?bcast=44122094>
Bhikhari Thakur and Meenu Gupta, ‘Gabar Ghichor’, Indian Literature, 44.1 (2000), pp. 127–40 <http://www.jstor.org/stable/23343020?Search=yes&resultItemClick=true&searchText=sn:00195804&searchText=AND&searchText=sp:127&searchText=AND&searchText=vo:44&searchText=AND&searchText=year:2000&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dsn%253A00195804%2BAND%2Bsp%253A127%2BAND%2Bvo%253A44%2BAND%2Byear%253A2000%26amp%3D%26ymod%3DYour%2Binbound%2Blink%2Bdid%2Bnot%2Bhave%2Ban%2Bexact%2Bmatch%2Bin%2Bour%2Bdatabase.%2BBut%2Bbased%2Bon%2Bthe%2Belements%2Bwe%2Bcould%2Bmatch%252C%2Bwe%2Bhave%2Breturned%2Bthe%2Bfollowing%2Bresults.&seq=1#page_scan_tab_contents>
Bill Irwin Clown Prince on Vimeo, n.d. <https://vimeo.com/41843938>
Biting the Hand That Leads Us: Humor & Social Change, 12 AD <https://www.youtube.com/watch?v=pL6-PHHjhIk&feature=youtu.be>
Braun, Kwame, Stage-Shakers!: Ghana’s Concert Party Theatre, Indiana University Pressl, 2001
Buffalo Bill and the Indians (1976), Dave, n.d. <https://learningonscreen.ac.uk/ondemand/index.php/prog/00076824?bcast=121108713>
Cabaret (1972), BBC2 England, n.d. <https://learningonscreen.ac.uk/ondemand/index.php/prog/0002032B?bcast=122665187>
Chaffee, Judith, The Routledge Companion to Commedia Dell’Arte, ed. by Olly Crick (Routledge, 2015) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1864706>
Chilton, Charles and Theatre Workshop, Oh What a Lovely War (Methuen, 1965)
Cole, Catherine M., Ghana’s Concert Party Theatre (Indiana University Press, 2001)
Comedy Genius -- The Regard of Flight -- 1983 -- Bill Irwin in Performance, 13 AD <https://www.youtube.com/watch?v=-AVifTdjtvE>
Cook, James W., The Arts of Deception: Playing with Fraud in the Age of Barnum (Harvard University Press, 2001)
DesROCHERS, RICK, ‘Destabilizing Vaudeville: The Marx Brothers and the Party of the Third Part’, The Journal of Popular Culture, 46.3 (2013), pp. 524–44, doi:10.1111/j.1540-5931.2011.00873.x
Dickens, Charles, and Michael Slater, The Amusements of the People: And Other Papers: Reports, Essays and Reviews, 1834-51 (Dent, 1996), The Dent uniform edition of Dickens’ journalism
Dong, Arthur E., Lorraine Dong, and Lisa See, Forbidden City, USA: Chinese American Nightclubs, 1936-1970 (DeepFocus Productions, 2014)
Erlingsson, Benedikt, The Show of Shows: A History of Circus, Cabaret and Vaudeville, 2015
Etchells, Tim and Forced Entertainment, First Night, Forced Entertainment, 2001
Forbidden City, n.d. <https://vimeo.com/ondemand/forbiddencityusa/129055275>
Funny Girl (1968), BBC2 England, n.d. <https://learningonscreen.ac.uk/ondemand/index.php/prog/000149C1?bcast=116247752>
Gardner, Martin A., The Marx Brothers as Social Critics: Satire and Comic Nihilism in Their Films (McFarland & Co, 2009)
——, The Marx Brothers as Social Critics: Satire and Comic Nihilism in Their Films (McFarland & Co, 2009) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1594713>
Gems from Cocoanuts, Irving Berlin Songs in Marx Brothers Show Victor 35769 (1926) Billy Murray, 2013 <https://www.youtube.com/watch?v=Bn57EacJ7Ic&feature=youtu.be>
Gordon, Mel, The Grand Guignol: Theatre of Fear and Terror, Rev. ed (Da Capo, 1997)
Gordon, Robert, Olaf Jubin, and Millie Taylor, British Musical Theatre since 1950 (Bloomsbury Methuen Drama, 2016), Critical companions
——, Olaf Jubin, and Millie Taylor, British Musical Theatre since 1950 (Bloomsbury Methuen Drama, 2016), Critical companions <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4527212>
Gregory Laski, ‘Falling Back into History: The Uncanny Trauma of Blackface Minstrelsy in Spike Lee’s Bamboozled’, Callaloo, 33.4 (2011), pp. 1093–115 <https://muse.jhu.edu/article/407670>
Gussow, Mel, Profiles: Clown, n.d.
Hancock, Tony, The Rebel / The Punch and Judy Man, Warner, 2003
Ince, Bernard, ‘The Neglected Art: Trends and Transformations in British Concert Party Entertainment, 1850–1950’, New Theatre Quarterly, 31.01 (2015), pp. 3–16, doi:10.1017/S0266464X15000019
Jenkins, Henry, What Made Pistachio Nuts?: Early Sound Comedy and the Vaudeville Aesthetic (Columbia University Press, 1992), Film and culture
Jenkins, Roy, Acrobats of the Soul: Comedy and Virtuosity in Contemporary American Theatre (Theatre Communications Group, 1988)
Jennifer Robertson, Takarazuka: Sexual Politics and Popular Culture in Modern Japan (University of California Press, 2008) <http://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb94082>
Kaufman, George S, By George: A Kaufman Collection (St. Martin’s Press, 1979)
Kershaw, Baz, Politics of Performance: Radical Theatre as Cultural Intervention (Routledge, 1992) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=170014>
——, The Politics of Performance: Radical Theatre as Cultural Intervention (Routledge, 1992)
Kopit, Arthur, Indians (Eyre Methuen, 1970)
Landmarks: Oh What a Lovely War, BBC Radio 3, n.d. <https://learningonscreen.ac.uk/ondemand/index.php/prog/05C2D6B3>
Lee, Young Jean, The Shipment: Lear, 1st ed (Theatre Communications Group, 2010)
Longinotto, Kim, and Jano Williams, Dream Girls, Royal Anthropological Institute, 2001, Under the sun
Mackenzie, John, The Cheviot the Stag and the Black Black Oil, 1974
Man on the Moon (1999), BBC1 London, n.d. <https://learningonscreen.ac.uk/ondemand/index.php/prog/005FE953?bcast=78445955>
McGrath, John, A Good Night out: Popular Theatre : Audience, Class and Form, 2nd ed (adHern, 1996)
——, ‘Popular Theatre and the Changing Perspective of the Eighties’, New Theatre Quarterly, 1.04 (1985), doi:10.1017/S0266464X00001810
McNamara, Brooks, ‘The Indian Medicine Show’, Educational Theatre Journal, 23.4 (1971), doi:10.2307/3205750
Merrill, Dennis, and Thomas G. Paterson, Major Problems in American Foreign Relations: Documents and Essays, Vol. 2: Since 1914, 5th ed (Houghton Mifflin, 2000), Major problems in American history series
Nina Conti - A Ventriloquist’s Story: Her Master’s Voice, BBC4, n.d. <https://learningonscreen.ac.uk/ondemand/index.php/prog/02A22955?bcast=104878656>
Oh! What a Lovely War (1969), More4, n.d. <https://learningonscreen.ac.uk/ondemand/index.php/prog/0001DAC9?bcast=123384614>
Oja, Carol J., Bernstein Meets Broadway: Collaborative Art in a Time of War (Oxford University Press, 2014), Broadway legacies
On the Town (1949), Channel 5, n.d. <https://learningonscreen.ac.uk/ondemand/index.php/prog/00011873?bcast=123187998>
Orenstein, Claudia, Festive Revolutions: The Politics of Popular Theater and the San Francisco Mime Troupe (University Press of Mississippi, 1998), Performance studies
Parks, Suzan-Lori, Venus: A Play, First edition (Theatre Communications Group, 2011) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=939914>
Prakash, Brahma, ‘Performing Bidesiyā in Bihar: Strategy for Survival, Strategies for Performance’, Asian Theatre Journal, 33.1 (2016), pp. 57–81, doi:10.1353/atj.2016.0023
Price, Jason, Modern Popular Theatre (Palgrave, 2016), Theatre and performance practices
Review by: James W. Cook, ‘Review: Mass Marketing and Cultural History: The Case of P.T. Barnum’, American Quarterly, 51.1 (1999), pp. 175–86 <http://www.jstor.org/stable/30041638?seq=1#page_scan_tab_contents>
Robertson, Jennifer, Takarazuka: Sexual Politics and Popular Culture in Modern Japan, Corr. [ed.] (University of California Press, 2001)
Rogoff, Gordon, Vanishing Acts: Theater since the Sixties (Yale University Press, 2000)
SanSan Kwan, ‘Performing a Geography of Asian America: The Chop Suey Circuit’, TDR: The Drama Review, 55.1 (2011), pp. 120–36 <https://muse.jhu.edu/article/414683>
Santley, Joseph, and others, The Marx Brothers Silver Screen Collection, Universal Studios, 2016
Shank, Theodore, ‘Political Theatre as Popular Entertainment: The San Fransico Mime Troupe’, The Drama Review: TDR, 18.1 (1974), doi:10.2307/1144869
Stage to Screen, BBC Radio 4, n.d. <https://learningonscreen.ac.uk/ondemand/index.php/prog/00B6FE6E?bcast=30693149>
Sullivan, Arthur, and others, The Mikado, A & E, 2005
The Elephant Man (1980), ITV3, n.d. <https://learningonscreen.ac.uk/ondemand/index.php/prog/0001CCFA?bcast=113345973>
The End of the Pier Show, BBC2 England, n.d. <https://learningonscreen.ac.uk/ondemand/index.php/prog/0682DD70?bcast=108015959>
The Entertainer (1960), BBC2 England, n.d. <https://learningonscreen.ac.uk/ondemand/index.php/prog/013B4A7C?bcast=40202753>
The Flying Karamazov Brothers (1983) - Part 1 of 8, 12 AD <https://www.youtube.com/watch?v=IpUQZh9HjJA>
The King and I (1956), FilmFour, n.d. <https://learningonscreen.ac.uk/ondemand/index.php/prog/00004029?bcast=114650199>
The Real Tom Thumb: History’s Smallest Superstar, BBC4, n.d. <https://learningonscreen.ac.uk/ondemand/index.php/prog/082E93A3?bcast=114586413>
The Story of Music Hall with Michael Grade, BBC4, n.d. <https://learningonscreen.ac.uk/ondemand/index.php/prog/020F99B1?bcast=122210410>
Topsy-Turvy (1999), BBC4, n.d. <https://learningonscreen.ac.uk/ondemand/index.php/prog/004CA281?bcast=26893516>
Tzu-I Chung, ‘The Transnational Vision of Miss Saigon: Performing the Orient in a Globalized World’, MELUS, 36.4 (2011), pp. 61–86 <http://www.jstor.org/stable/23048513?seq=1#page_scan_tab_contents>
Variety Stage: Vaudeville and Popular Entertainment (Short Films from the Library of Congress), 18 AD <https://www.youtube.com/watch?v=5TqBvXidBcE&feature=youtu.be&list=PL95A2316156D6ED2F>
Vuadeville, 27 AD <https://www.youtube.com/watch?v=vNTbJi8rc1Q&feature=youtu.be>
