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Bhikhari Thakur and Meenu Gupta. ‘Gabar Ghichor’. Indian Literature 44.1 (2000): 127–140. Web. <http://www.jstor.org/stable/23343020?Search=yes&resultItemClick=true&searchText=sn:00195804&searchText=AND&searchText=sp:127&searchText=AND&searchText=vo:44&searchText=AND&searchText=year:2000&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dsn%253A00195804%2BAND%2Bsp%253A127%2BAND%2Bvo%253A44%2BAND%2Byear%253A2000%26amp%3D%26ymod%3DYour%2Binbound%2Blink%2Bdid%2Bnot%2Bhave%2Ban%2Bexact%2Bmatch%2Bin%2Bour%2Bdatabase.%2BBut%2Bbased%2Bon%2Bthe%2Belements%2Bwe%2Bcould%2Bmatch%252C%2Bwe%2Bhave%2Breturned%2Bthe%2Bfollowing%2Bresults.&seq=1#page_scan_tab_contents>.
‘Bill Irwin Clown Prince on Vimeo’. Web. <https://vimeo.com/41843938>.
‘Biting the Hand That Leads Us: Humor & Social Change’. 12 AD. Web. <https://www.youtube.com/watch?v=pL6-PHHjhIk&feature=youtu.be>.
Braun, Kwame. ‘Stage-Shakers!: Ghana’s Concert Party Theatre’. 2001 : n. pag. Print.
‘Buffalo Bill and the Indians (1976)’. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/00076824?bcast=121108713>.
‘Cabaret (1972)’. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/0002032B?bcast=122665187>.
Chaffee, Judith. The Routledge Companion to Commedia Dell’Arte. Ed. Olly Crick. Abingdon, Oxon: Routledge, 2015. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1864706>.
Chilton, Charles and Theatre Workshop. Oh What a Lovely War. London: Methuen, 1965. Print.
Cole, Catherine M. Ghana’s Concert Party Theatre. Bloomington: Indiana University Press, 2001. Print.
‘Comedy Genius -- The Regard of Flight -- 1983 -- Bill Irwin in Performance’. 13 AD. Web. <https://www.youtube.com/watch?v=-AVifTdjtvE>.
Cook, James W. The Arts of Deception: Playing with Fraud in the Age of Barnum. Cambridge, Mass: Harvard University Press, 2001. Print.
DesROCHERS, RICK. ‘Destabilizing Vaudeville: The Marx Brothers and the Party of the Third Part’. The Journal of Popular Culture 46.3 (2013): 524–544. Web.
Dickens, Charles, and Michael Slater. The Amusements of the People: And Other Papers: Reports, Essays and Reviews, 1834-51. The Dent uniform edition of Dickens’ journalism. London: Dent, 1996. Print.
Dong, Arthur E., Lorraine Dong, and Lisa See. Forbidden City, USA: Chinese American Nightclubs, 1936-1970. Los Angeles, CA: DeepFocus Productions, 2014. Print.
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Etchells, Tim and Forced Entertainment. ‘First Night’. 2001 : n. pag. Print.
‘Forbidden City’. Web. <https://vimeo.com/ondemand/forbiddencityusa/129055275>.
‘Funny Girl (1968)’. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/000149C1?bcast=116247752>.
Gardner, Martin A. The Marx Brothers as Social Critics: Satire and Comic Nihilism in Their Films. Jefferson, N.C.: McFarland & Co, 2009. Print.
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‘Gems from Cocoanuts, Irving Berlin Songs in Marx Brothers Show Victor 35769 (1926) Billy Murray’. 13 Dec. 2013. Web. <https://www.youtube.com/watch?v=Bn57EacJ7Ic&feature=youtu.be>.
Gordon, Mel. The Grand Guignol: Theatre of Fear and Terror. Rev. ed. New York: Da Capo, 1997. Print.
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Gregory Laski. ‘Falling Back into History: The Uncanny Trauma of Blackface Minstrelsy in Spike Lee’s Bamboozled’. Callaloo 33.4 (2011): 1093–1115. Web. <https://muse.jhu.edu/article/407670>.
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Ince, Bernard. ‘The Neglected Art: Trends and Transformations in British Concert Party Entertainment, 1850–1950’. New Theatre Quarterly 31.01 (2015): 3–16. Web.
Jenkins, Henry. What Made Pistachio Nuts?: Early Sound Comedy and the Vaudeville Aesthetic. Film and culture. New York: Columbia University Press, 1992. Print.
Jenkins, Roy. Acrobats of the Soul: Comedy and Virtuosity in Contemporary American Theatre. New York: Theatre Communications Group, 1988. Print.
Jennifer Robertson. Takarazuka: Sexual Politics and Popular Culture in Modern Japan. University of California Press, 2008. Web. <http://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb94082>.
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---. The Politics of Performance: Radical Theatre as Cultural Intervention. London: Routledge, 1992. Print.
Kopit, Arthur. Indians. London: Eyre Methuen, 1970. Print.
‘Landmarks: Oh What a Lovely War’. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/05C2D6B3>.
Lee, Young Jean. The Shipment: Lear. 1st ed. New York: Theatre Communications Group, 2010. Print.
Longinotto, Kim, and Jano Williams. ‘Dream Girls’. 2001 : n. pag. Print.
Mackenzie, John. ‘The Cheviot the Stag and the Black Black Oil’. 1974 : n. pag. Print.
‘Man on the Moon (1999)’. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/005FE953?bcast=78445955>.
McGrath, John. A Good Night out: Popular Theatre : Audience, Class and Form. 2nd ed. London: adHern, 1996. Print.
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Merrill, Dennis, and Thomas G. Paterson. Major Problems in American Foreign Relations: Documents and Essays, Vol. 2: Since 1914. 5th ed. Major problems in American history series. Boston: Houghton Mifflin, 2000. Print.
‘Nina Conti - A Ventriloquist’s Story: Her Master’s Voice’. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/02A22955?bcast=104878656>.
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Oja, Carol J. Bernstein Meets Broadway: Collaborative Art in a Time of War. Broadway legacies. New York, New York: Oxford University Press, 2014. Print.
‘On the Town (1949)’. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/00011873?bcast=123187998>.
Orenstein, Claudia. Festive Revolutions: The Politics of Popular Theater and the San Francisco Mime Troupe. Performance studies. Jackson: University Press of Mississippi, 1998. Print.
Parks, Suzan-Lori. Venus: A Play. First edition. New York: Theatre Communications Group, 2011. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=939914>.
Prakash, Brahma. ‘Performing Bidesiyā in Bihar: Strategy for Survival, Strategies for Performance’. Asian Theatre Journal 33.1 (2016): 57–81. Web.
Price, Jason. Modern Popular Theatre. Theatre and performance practices. London: Palgrave, 2016. Print.
Review by: James W. Cook. ‘Review: Mass Marketing and Cultural History: The Case of P.T. Barnum’. American Quarterly 51.1 (1999): 175–186. Web. <http://www.jstor.org/stable/30041638?seq=1#page_scan_tab_contents>.
Robertson, Jennifer. Takarazuka: Sexual Politics and Popular Culture in Modern Japan. Corr. [ed.]. Berkeley: University of California Press, 2001. Print.
Rogoff, Gordon. Vanishing Acts: Theater since the Sixties. New Haven: Yale University Press, 2000. Print.
SanSan Kwan. ‘Performing a Geography of Asian America: The Chop Suey Circuit’. TDR: The Drama Review 55.1 (2011): 120–136. Web. <https://muse.jhu.edu/article/414683>.
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Shank, Theodore. ‘Political Theatre as Popular Entertainment: The San Fransico Mime Troupe’. The Drama Review: TDR 18.1 (1974): n. pag. Web.
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‘The Elephant Man (1980)’. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/0001CCFA?bcast=113345973>.
‘The End of the Pier Show’. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/0682DD70?bcast=108015959>.
‘The Entertainer (1960)’. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/013B4A7C?bcast=40202753>.
‘The Flying Karamazov Brothers (1983) - Part 1 of 8’. 12 AD. Web. <https://www.youtube.com/watch?v=IpUQZh9HjJA>.
‘The King and I (1956)’. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/00004029?bcast=114650199>.
‘The Real Tom Thumb: History’s Smallest Superstar’. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/082E93A3?bcast=114586413>.
‘The Story of Music Hall with Michael Grade’. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/020F99B1?bcast=122210410>.
‘Topsy-Turvy (1999)’. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/004CA281?bcast=26893516>.
Tzu-I Chung. ‘The Transnational Vision of Miss Saigon: Performing the Orient in a Globalized World’. MELUS 36.4 (2011): 61–86. Web. <http://www.jstor.org/stable/23048513?seq=1#page_scan_tab_contents>.
‘Variety Stage: Vaudeville and Popular Entertainment (Short Films from the Library of Congress)’. 18 AD. Web. <https://www.youtube.com/watch?v=5TqBvXidBcE&feature=youtu.be&list=PL95A2316156D6ED2F>.
‘Vuadeville’. 27 AD. Web. <https://www.youtube.com/watch?v=vNTbJi8rc1Q&feature=youtu.be>.
