[1]
Alan Edelstein, Molly Bernstein and Bernstein, M. 2012. Deceptive Practice: The Mysteries And Mentors Of Ricky Jay.
[2]
Bailey, P. 1998. Business and Good Fellowship in the London Music Hall. Popular culture and performance in the Victorian city. Cambridge University Press.
[3]
Bhikhari Thakur and Meenu Gupta 2000. Gabar Ghichor. Indian Literature. 44, 1 (2000), 127–140.
[4]
Braun, K. 2001. Stage-shakers!: Ghana’s concert party theatre. Indiana University Pressl.
[5]
Chaffee, J. 2015. The Routledge companion to Commedia dell’Arte. Routledge.
[6]
Chilton, C. and Theatre Workshop 1965. Oh what a lovely war. Methuen.
[7]
Cole, C.M. 2001. Ghana’s concert party theatre. Indiana University Press.
[8]
Cook, J.W. 2001. The arts of deception: playing with fraud in the age of Barnum. Harvard University Press.
[9]
DesROCHERS, R. 2013. Destabilizing Vaudeville: The Marx Brothers and the Party of the Third Part. The Journal of Popular Culture. 46, 3 (June 2013), 524–544. https://doi.org/10.1111/j.1540-5931.2011.00873.x.
[10]
Dickens, C. and Slater, M. 1996. The amusements of the people: and other papers: reports, essays and reviews, 1834-51. Dent.
[11]
Dong, A.E. et al. 2014. Forbidden City, USA: Chinese American Nightclubs, 1936-1970. DeepFocus Productions.
[12]
Erlingsson, B. 2015. The Show of Shows: A History of Circus, Cabaret and Vaudeville.
[13]
Etchells, T. and Forced Entertainment 2001. First night. Forced Entertainment.
[14]
Gardner, M.A. 2009. The Marx Brothers as social critics: satire and comic nihilism in their films. McFarland & Co.
[15]
Gardner, M.A. 2009. The Marx Brothers as social critics: satire and comic nihilism in their films. McFarland & Co.
[16]
Gordon, M. 1997. The Grand Guignol: theatre of fear and terror. Da Capo.
[17]
Gordon, R. et al. 2016. British musical theatre since 1950. Bloomsbury Methuen Drama.
[18]
Gordon, R. et al. 2016. British musical theatre since 1950. Bloomsbury Methuen Drama.
[19]
Gregory Laski 2011. Falling Back into History: The Uncanny Trauma of Blackface Minstrelsy in Spike Lee’s Bamboozled. Callaloo. 33, 4 (2011), 1093–1115.
[20]
Gussow, M. Profiles: Clown.
[21]
Hancock, T. 2003. The Rebel / The Punch and Judy man. Warner.
[22]
Ince, B. 2015. The Neglected Art: Trends and Transformations in British Concert Party Entertainment, 1850–1950. New Theatre Quarterly. 31, 01 (Feb. 2015), 3–16. https://doi.org/10.1017/S0266464X15000019.
[23]
Jenkins, H. 1992. What made pistachio nuts?: early sound comedy and the Vaudeville aesthetic. Columbia University Press.
[24]
Jenkins, R. 1988. Acrobats of the soul: comedy and virtuosity in contemporary American theatre. Theatre Communications Group.
[25]
Jennifer Robertson 2008. Takarazuka: sexual politics and popular culture in modern Japan. University of California Press.
[26]
Kaufman, G.S. 1979. By George: A Kaufman Collection. St. Martin’s Press.
[27]
Kershaw, B. 1992. Politics of Performance: Radical Theatre as Cultural Intervention. Routledge.
[28]
Kershaw, B. 1992. The politics of performance: radical theatre as cultural intervention. Routledge.
[29]
Kopit, A. 1970. Indians. Eyre Methuen.
[30]
Lee, Y.J. 2010. The shipment: Lear. Theatre Communications Group.
[31]
Longinotto, K. and Williams, J. 2001. Dream girls. Royal Anthropological Institute.
[32]
Mackenzie, J. 1974. The Cheviot the Stag and the Black Black Oil.
[33]
McGrath, J. 1996. A good night out: popular theatre : audience, class and form. adHern.
[34]
McGrath, J. 1985. Popular Theatre and the Changing Perspective of the Eighties. New Theatre Quarterly. 1, 04 (Nov. 1985). https://doi.org/10.1017/S0266464X00001810.
[35]
McNamara, B. 1971. The Indian Medicine Show. Educational Theatre Journal. 23, 4 (Dec. 1971). https://doi.org/10.2307/3205750.
[36]
Merrill, D. and Paterson, T.G. 2000. Major problems in American foreign relations: documents and essays, Vol. 2: Since 1914. Houghton Mifflin.
[37]
Oja, C.J. 2014. Bernstein meets Broadway: collaborative art in a time of war. Oxford University Press.
[38]
Orenstein, C. 1998. Festive revolutions: the politics of popular theater and the San Francisco Mime Troupe. University Press of Mississippi.
[39]
Parks, S.-L. 2011. Venus: a play. Theatre Communications Group.
[40]
Prakash, B. 2016. Performing Bidesiyā in Bihar: Strategy for Survival, Strategies for Performance. Asian Theatre Journal. 33, 1 (2016), 57–81. https://doi.org/10.1353/atj.2016.0023.
[41]
Price, J. 2016. Modern popular theatre. Palgrave.
[42]
Review by: James W. Cook 1999. Review: Mass Marketing and Cultural History: The Case of P.T. Barnum. American Quarterly. 51, 1 (1999), 175–186.
[43]
Robertson, J. 2001. Takarazuka: sexual politics and popular culture in modern Japan. University of California Press.
[44]
Rogoff, G. 2000. Vanishing acts: theater since the sixties. Yale University Press.
[45]
SanSan Kwan 2011. Performing a Geography of Asian America: The Chop Suey Circuit. TDR: The Drama Review. 55, 1 (2011), 120–136.
[46]
Santley, J. et al. 2016. The Marx Brothers silver screen collection. Universal Studios.
[47]
Shank, T. 1974. Political Theatre as Popular Entertainment: The San Fransico Mime Troupe. The Drama Review: TDR. 18, 1 (Mar. 1974). https://doi.org/10.2307/1144869.
[48]
Sullivan, A. et al. 2005. The Mikado. A & E.
[49]
Tzu-I Chung 2011. The Transnational Vision of Miss Saigon: Performing the Orient in a Globalized World. MELUS. 36, 4 (2011), 61–86.
[50]
Bamboozled (2000). Channel 4.
[51]
Bill Irwin Clown Prince on Vimeo.
[52]
12 AD. Biting the Hand That Leads Us: Humor & Social Change.
[53]
Buffalo Bill and the Indians (1976). Dave.
[54]
Cabaret (1972). BBC2 England.
[55]
13 AD. Comedy Genius -- The Regard of Flight -- 1983 -- Bill Irwin in performance.
[57]
Funny Girl (1968). BBC2 England.
[58]
2013. Gems from Cocoanuts, Irving Berlin songs in Marx Brothers show Victor 35769 (1926) Billy Murray.
[59]
Landmarks: Oh What a lovely war. BBC Radio 3.
[60]
Man on the Moon (1999). BBC1 London.
[61]
Nina Conti - A Ventriloquist’s Story: Her Master’s Voice. BBC4.
[62]
Oh! What a Lovely War (1969). More4.
[63]
On the Town (1949). Channel 5.
[64]
Stage to Screen. BBC Radio 4.
[65]
The Elephant Man (1980). ITV3.
[66]
The End of the Pier Show. BBC2 England.
[67]
The Entertainer (1960). BBC2 England.
[68]
12 AD. The Flying Karamazov Brothers (1983) - Part 1 of 8.
[69]
The King and I (1956). FilmFour.
[70]
The Real Tom Thumb: History’s Smallest Superstar. BBC4.
[71]
The Story of Music Hall with Michael Grade. BBC4.
[72]
Topsy-Turvy (1999). BBC4.
[73]
18 AD. Variety Stage: Vaudeville and Popular Entertainment (short films from the Library of Congress).