Alan Edelstein, Molly Bernstein and Bernstein, M. (2012) ‘Deceptive Practice: The Mysteries And Mentors Of Ricky Jay’.
Bailey, P. (1998) ‘Business and Good Fellowship in the London Music Hall’, in Popular culture and performance in the Victorian city. Cambridge: Cambridge University Press.
‘Bamboozled (2000)’ (no date). Channel 4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0057728F?bcast=44122094.
Bhikhari Thakur and Meenu Gupta (2000) ‘Gabar Ghichor’, Indian Literature, 44(1), pp. 127–140. Available at: http://www.jstor.org/stable/23343020?Search=yes&resultItemClick=true&searchText=sn:00195804&searchText=AND&searchText=sp:127&searchText=AND&searchText=vo:44&searchText=AND&searchText=year:2000&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dsn%253A00195804%2BAND%2Bsp%253A127%2BAND%2Bvo%253A44%2BAND%2Byear%253A2000%26amp%3D%26ymod%3DYour%2Binbound%2Blink%2Bdid%2Bnot%2Bhave%2Ban%2Bexact%2Bmatch%2Bin%2Bour%2Bdatabase.%2BBut%2Bbased%2Bon%2Bthe%2Belements%2Bwe%2Bcould%2Bmatch%252C%2Bwe%2Bhave%2Breturned%2Bthe%2Bfollowing%2Bresults.&seq=1#page_scan_tab_contents.
‘Bill Irwin Clown Prince on Vimeo’ (no date). Available at: https://vimeo.com/41843938.
‘Biting the Hand That Leads Us: Humor & Social Change’ (12 AD). Available at: https://www.youtube.com/watch?v=pL6-PHHjhIk&feature=youtu.be.
Braun, K. (2001) ‘Stage-shakers!: Ghana’s concert party theatre’. [S.l.]: Indiana University Pressl.
‘Buffalo Bill and the Indians (1976)’ (no date). Dave. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00076824?bcast=121108713.
‘Cabaret (1972)’ (no date). BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0002032B?bcast=122665187.
Chaffee, J. (2015) The Routledge companion to Commedia dell’Arte. Edited by O. Crick. Abingdon, Oxon: Routledge. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1864706.
Chilton, C. and Theatre Workshop (1965) Oh what a lovely war. London: Methuen.
Cole, C.M. (2001) Ghana’s concert party theatre. Bloomington: Indiana University Press.
‘Comedy Genius -- The Regard of Flight -- 1983 -- Bill Irwin in performance’ (13 AD). Available at: https://www.youtube.com/watch?v=-AVifTdjtvE.
Cook, J.W. (2001) The arts of deception: playing with fraud in the age of Barnum. Cambridge, Mass: Harvard University Press.
DesROCHERS, R. (2013) ‘Destabilizing Vaudeville: The Marx Brothers and the Party of the Third Part’, The Journal of Popular Culture, 46(3), pp. 524–544. Available at: https://doi.org/10.1111/j.1540-5931.2011.00873.x.
Dickens, C. and Slater, M. (1996) The amusements of the people: and other papers: reports, essays and reviews, 1834-51. London: Dent.
Dong, A.E., Dong, L. and See, L. (2014) Forbidden City, USA: Chinese American Nightclubs, 1936-1970. Los Angeles, CA: DeepFocus Productions.
Erlingsson, B. (2015) ‘The Show of Shows: A History of Circus, Cabaret and Vaudeville’.
Etchells, T. and Forced Entertainment (2001) ‘First night’. Sheffield: Forced Entertainment.
‘Forbidden City’ (no date). Available at: https://vimeo.com/ondemand/forbiddencityusa/129055275.
‘Funny Girl (1968)’ (no date). BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/000149C1?bcast=116247752.
Gardner, M.A. (2009a) The Marx Brothers as social critics: satire and comic nihilism in their films. Jefferson, N.C.: McFarland & Co.
Gardner, M.A. (2009b) The Marx Brothers as social critics: satire and comic nihilism in their films [electronic resource]. Jefferson, N.C.: McFarland & Co. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1594713.
‘Gems from Cocoanuts, Irving Berlin songs in Marx Brothers show Victor 35769 (1926) Billy Murray’ (2013). Available at: https://www.youtube.com/watch?v=Bn57EacJ7Ic&feature=youtu.be.
Gordon, M. (1997) The Grand Guignol: theatre of fear and terror. Rev. ed. New York: Da Capo.
Gordon, R., Jubin, O. and Taylor, M. (2016a) British musical theatre since 1950. London: Bloomsbury Methuen Drama.
Gordon, R., Jubin, O. and Taylor, M. (2016b) British musical theatre since 1950 [electronic resource]. London: Bloomsbury Methuen Drama. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4527212.
Gregory Laski (2011) ‘Falling Back into History: The Uncanny Trauma of Blackface Minstrelsy in Spike Lee’s Bamboozled’, Callaloo, 33(4), pp. 1093–1115. Available at: https://muse.jhu.edu/article/407670.
Gussow, M. (no date) ‘Profiles: Clown’.
Hancock, T. (2003) ‘The Rebel / The Punch and Judy man’. Burbank: Warner.
Ince, B. (2015) ‘The Neglected Art: Trends and Transformations in British Concert Party Entertainment, 1850–1950’, New Theatre Quarterly, 31(01), pp. 3–16. Available at: https://doi.org/10.1017/S0266464X15000019.
Jenkins, H. (1992) What made pistachio nuts?: early sound comedy and the Vaudeville aesthetic. New York: Columbia University Press.
Jenkins, R. (1988) Acrobats of the soul: comedy and virtuosity in contemporary American theatre. New York: Theatre Communications Group.
Jennifer Robertson (2008) Takarazuka: sexual politics and popular culture in modern Japan. University of California Press. Available at: http://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb94082.
Kaufman, G.S. (1979) By George: A Kaufman Collection. St. Martin’s Press.
Kershaw, B. (1992a) Politics of Performance: Radical Theatre as Cultural Intervention [electronic resource]. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=170014.
Kershaw, B. (1992b) The politics of performance: radical theatre as cultural intervention. London: Routledge.
Kopit, A. (1970) Indians. London: Eyre Methuen.
‘Landmarks: Oh What a lovely war’ (no date). BBC Radio 3. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/05C2D6B3.
Lee, Y.J. (2010) The shipment: Lear. 1st ed. New York: Theatre Communications Group.
Longinotto, K. and Williams, J. (2001) ‘Dream girls’. London: Royal Anthropological Institute.
Mackenzie, J. (1974) ‘The Cheviot the Stag and the Black Black Oil’.
‘Man on the Moon (1999)’ (no date). BBC1 London. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/005FE953?bcast=78445955.
McGrath, J. (1985) ‘Popular Theatre and the Changing Perspective of the Eighties’, New Theatre Quarterly, 1(04). Available at: https://doi.org/10.1017/S0266464X00001810.
McGrath, J. (1996) A good night out: popular theatre : audience, class and form. 2nd ed. London: adHern.
McNamara, B. (1971) ‘The Indian Medicine Show’, Educational Theatre Journal, 23(4). Available at: https://doi.org/10.2307/3205750.
Merrill, D. and Paterson, T.G. (2000) Major problems in American foreign relations: documents and essays, Vol. 2: Since 1914. 5th ed. Boston: Houghton Mifflin.
‘Nina Conti - A Ventriloquist’s Story: Her Master’s Voice’ (no date). BBC4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/02A22955?bcast=104878656.
‘Oh! What a Lovely War (1969)’ (no date). More4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0001DAC9?bcast=123384614.
Oja, C.J. (2014) Bernstein meets Broadway: collaborative art in a time of war. New York, New York: Oxford University Press.
‘On the Town (1949)’ (no date). Channel 5. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00011873?bcast=123187998.
Orenstein, C. (1998) Festive revolutions: the politics of popular theater and the San Francisco Mime Troupe. Jackson: University Press of Mississippi.
Parks, S.-L. (2011) Venus: a play. First edition. New York: Theatre Communications Group. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=939914.
Prakash, B. (2016) ‘Performing Bidesiyā in Bihar: Strategy for Survival, Strategies for Performance’, Asian Theatre Journal, 33(1), pp. 57–81. Available at: https://doi.org/10.1353/atj.2016.0023.
Price, J. (2016) Modern popular theatre. London: Palgrave.
Review by:                          James W. Cook (1999) ‘Review: Mass Marketing and Cultural History: The Case of P.T. Barnum’, American Quarterly, 51(1), pp. 175–186. Available at: http://www.jstor.org/stable/30041638?seq=1#page_scan_tab_contents.
Robertson, J. (2001) Takarazuka: sexual politics and popular culture in modern Japan. Corr. [ed.]. Berkeley: University of California Press.
Rogoff, G. (2000) Vanishing acts: theater since the sixties. New Haven: Yale University Press.
SanSan Kwan (2011) ‘Performing a Geography of Asian America: The Chop Suey Circuit’, TDR: The Drama Review, 55(1), pp. 120–136. Available at: https://muse.jhu.edu/article/414683.
Santley, J. et al. (2016) ‘The Marx Brothers silver screen collection’. Universal City, CA: Universal Studios.
Shank, T. (1974) ‘Political Theatre as Popular Entertainment: The San Fransico Mime Troupe’, The Drama Review: TDR, 18(1). Available at: https://doi.org/10.2307/1144869.
‘Stage to Screen’ (no date). BBC Radio 4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00B6FE6E?bcast=30693149.
Sullivan, A. et al. (2005) ‘The Mikado’. A & E.
‘The Elephant Man (1980)’ (no date). ITV3. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0001CCFA?bcast=113345973.
‘The End of the Pier Show’ (no date). BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0682DD70?bcast=108015959.
‘The Entertainer (1960)’ (no date). BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/013B4A7C?bcast=40202753.
‘The Flying Karamazov Brothers (1983) - Part 1 of 8’ (12 AD). Available at: https://www.youtube.com/watch?v=IpUQZh9HjJA.
‘The King and I (1956)’ (no date). FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00004029?bcast=114650199.
‘The Real Tom Thumb: History’s Smallest Superstar’ (no date). BBC4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/082E93A3?bcast=114586413.
‘The Story of Music Hall with Michael Grade’ (no date). BBC4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/020F99B1?bcast=122210410.
‘Topsy-Turvy (1999)’ (no date). BBC4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/004CA281?bcast=26893516.
Tzu-I Chung (2011) ‘The Transnational Vision of Miss Saigon: Performing the Orient in a Globalized World’, MELUS, 36(4), pp. 61–86. Available at: http://www.jstor.org/stable/23048513?seq=1#page_scan_tab_contents.
‘Variety Stage: Vaudeville and Popular Entertainment (short films from the Library of Congress)’ (18 AD). Available at: https://www.youtube.com/watch?v=5TqBvXidBcE&feature=youtu.be&list=PL95A2316156D6ED2F.
‘Vuadeville’ (27 AD). Available at: https://www.youtube.com/watch?v=vNTbJi8rc1Q&feature=youtu.be.