1.
Bailey P. Business and Good Fellowship in the London Music Hall. In: Popular Culture and Performance in the Victorian City. Cambridge University Press; 1998.
2.
Dickens C, Slater M. The Amusements of the People: And Other Papers: Reports, Essays and Reviews, 1834-51. Vol The Dent uniform edition of Dickens’ journalism. Dent; 1996.
3.
The Story of Music Hall with Michael Grade. https://learningonscreen.ac.uk/ondemand/index.php/prog/020F99B1?bcast=122210410
4.
The Elephant Man (1980). https://learningonscreen.ac.uk/ondemand/index.php/prog/0001CCFA?bcast=113345973
5.
The Entertainer (1960). https://learningonscreen.ac.uk/ondemand/index.php/prog/013B4A7C?bcast=40202753
6.
Hancock T. The Rebel / The Punch and Judy man. Published online 2003.
7.
Erlingsson B. The Show of Shows: A History of Circus, Cabaret and Vaudeville. Published online 2015.
8.
McNamara B. The Indian Medicine Show. Educational Theatre Journal. 1971;23(4). doi:10.2307/3205750
9.
Review by:                          James W. Cook. Review: Mass Marketing and Cultural History: The Case of P.T. Barnum. American Quarterly. 1999;51(1):175-186. http://www.jstor.org/stable/30041638?seq=1#page_scan_tab_contents
10.
Cook JW. The Arts of Deception: Playing with Fraud in the Age of Barnum. Harvard University Press; 2001.
11.
Buffalo Bill and the Indians (1976). https://learningonscreen.ac.uk/ondemand/index.php/prog/00076824?bcast=121108713
12.
The Real Tom Thumb: History’s Smallest Superstar. https://learningonscreen.ac.uk/ondemand/index.php/prog/082E93A3?bcast=114586413
13.
Cabaret (1972). https://learningonscreen.ac.uk/ondemand/index.php/prog/0002032B?bcast=122665187
14.
Kopit A. Indians. Eyre Methuen; 1970.
15.
Variety Stage: Vaudeville and Popular Entertainment (short films from the Library of Congress). Published online 18 AD. https://www.youtube.com/watch?v=5TqBvXidBcE&feature=youtu.be&list=PL95A2316156D6ED2F
16.
Funny Girl (1968). https://learningonscreen.ac.uk/ondemand/index.php/prog/000149C1?bcast=116247752
17.
Vuadeville. Published online 27 AD. https://www.youtube.com/watch?v=vNTbJi8rc1Q&feature=youtu.be
18.
DesROCHERS R. Destabilizing Vaudeville: The Marx Brothers and the Party of the Third Part. The Journal of Popular Culture. 2013;46(3):524-544. doi:10.1111/j.1540-5931.2011.00873.x
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Kaufman GS. By George: A Kaufman Collection. St. Martin’s Press; 1979.
20.
Santley J, Florey R, Marx G, et al. The Marx Brothers silver screen collection. Published online 2016.
21.
Gems from Cocoanuts, Irving Berlin songs in Marx Brothers show Victor 35769 (1926) Billy Murray. Published online 13 December 2013. https://www.youtube.com/watch?v=Bn57EacJ7Ic&feature=youtu.be
22.
Gardner MA. The Marx Brothers as Social Critics: Satire and Comic Nihilism in Their Films. McFarland & Co; 2009.
23.
Gardner MA. The Marx Brothers as Social Critics: Satire and Comic Nihilism in Their Films. McFarland & Co; 2009. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1594713
24.
Jenkins H. What Made Pistachio Nuts?: Early Sound Comedy and the Vaudeville Aesthetic. Vol Film and culture. Columbia University Press; 1992.
25.
Oja CJ. Bernstein Meets Broadway: Collaborative Art in a Time of War. Vol Broadway legacies. Oxford University Press; 2014.
26.
On the Town (1949). https://learningonscreen.ac.uk/ondemand/index.php/prog/00011873?bcast=123187998
27.
Gordon M. The Grand Guignol: Theatre of Fear and Terror. Rev. ed. Da Capo; 1997.
28.
Prakash B. Performing Bidesiyā in Bihar: Strategy for Survival, Strategies for Performance. Asian Theatre Journal. 2016;33(1):57-81. doi:10.1353/atj.2016.0023
29.
Bhikhari Thakur and Meenu Gupta. Gabar Ghichor. Indian Literature. 2000;44(1):127-140. http://www.jstor.org/stable/23343020?Search=yes&resultItemClick=true&searchText=sn:00195804&searchText=AND&searchText=sp:127&searchText=AND&searchText=vo:44&searchText=AND&searchText=year:2000&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dsn%253A00195804%2BAND%2Bsp%253A127%2BAND%2Bvo%253A44%2BAND%2Byear%253A2000%26amp%3D%26ymod%3DYour%2Binbound%2Blink%2Bdid%2Bnot%2Bhave%2Ban%2Bexact%2Bmatch%2Bin%2Bour%2Bdatabase.%2BBut%2Bbased%2Bon%2Bthe%2Belements%2Bwe%2Bcould%2Bmatch%252C%2Bwe%2Bhave%2Breturned%2Bthe%2Bfollowing%2Bresults.&seq=1#page_scan_tab_contents
30.
Topsy-Turvy (1999). https://learningonscreen.ac.uk/ondemand/index.php/prog/004CA281?bcast=26893516
31.
Merrill D, Paterson TG. Major Problems in American Foreign Relations: Documents and Essays, Vol. 2: Since 1914. Vol Major problems in American history series. 5th ed. Houghton Mifflin; 2000.
32.
Tzu-I Chung. The Transnational Vision of Miss Saigon: Performing the Orient in a Globalized World. MELUS. 2011;36(4):61-86. http://www.jstor.org/stable/23048513?seq=1#page_scan_tab_contents
33.
Dong AE, Dong L, See L. Forbidden City, USA: Chinese American Nightclubs, 1936-1970. DeepFocus Productions; 2014.
34.
SanSan Kwan. Performing a Geography of Asian America: The Chop Suey Circuit. TDR: The Drama Review. 2011;55(1):120-136. https://muse.jhu.edu/article/414683
35.
Forbidden City. https://vimeo.com/ondemand/forbiddencityusa/129055275
36.
Jennifer Robertson. Takarazuka: Sexual Politics and Popular Culture in Modern Japan. University of California Press; 2008. http://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb94082
37.
Robertson J. Takarazuka: Sexual Politics and Popular Culture in Modern Japan. Corr. [ed.]. University of California Press; 2001.
38.
Longinotto K, Williams J. Dream girls. 2001;Under the sun.
39.
Parks SL. Venus: A Play. First edition. Theatre Communications Group; 2011. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=939914
40.
The King and I (1956). https://learningonscreen.ac.uk/ondemand/index.php/prog/00004029?bcast=114650199
41.
Sullivan A, Gilbert WS, Miller J, et al. The Mikado. Published online 2005.
42.
Gordon R, Jubin O, Taylor M. British Musical Theatre since 1950. Vol Critical companions. Bloomsbury Methuen Drama; 2016.
43.
Gordon R, Jubin O, Taylor M. British Musical Theatre since 1950. Vol Critical companions. Bloomsbury Methuen Drama; 2016. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4527212
44.
Oh! What a Lovely War (1969). https://learningonscreen.ac.uk/ondemand/index.php/prog/0001DAC9?bcast=123384614
45.
Chilton C, Theatre Workshop. Oh What a Lovely War. Methuen; 1965.
46.
Landmarks: Oh What a lovely war. https://learningonscreen.ac.uk/ondemand/index.php/prog/05C2D6B3
47.
Stage to Screen. https://learningonscreen.ac.uk/ondemand/index.php/prog/00B6FE6E?bcast=30693149
48.
Ince B. The Neglected Art: Trends and Transformations in British Concert Party Entertainment, 1850–1950. New Theatre Quarterly. 2015;31(01):3-16. doi:10.1017/S0266464X15000019
49.
The End of the Pier Show. https://learningonscreen.ac.uk/ondemand/index.php/prog/0682DD70?bcast=108015959
50.
Braun K. Stage-shakers!: Ghana’s concert party theatre. Published online 2001.
51.
Cole CM. Ghana’s Concert Party Theatre. Indiana University Press; 2001.
52.
Biting the Hand That Leads Us: Humor & Social Change. Published online 12 AD. https://www.youtube.com/watch?v=pL6-PHHjhIk&feature=youtu.be
53.
Kershaw B. Politics of Performance: Radical Theatre as Cultural Intervention. Routledge; 1992. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=170014
54.
Kershaw B. The Politics of Performance: Radical Theatre as Cultural Intervention. Routledge; 1992.
55.
Mackenzie J. The Cheviot the Stag and the Black Black Oil. Published online 1974.
56.
McGrath J. Popular Theatre and the Changing Perspective of the Eighties. New Theatre Quarterly. 1985;1(04). doi:10.1017/S0266464X00001810
57.
McGrath J. A Good Night out: Popular Theatre : Audience, Class and Form. 2nd ed. adHern; 1996.
58.
Orenstein C. Festive Revolutions: The Politics of Popular Theater and the San Francisco Mime Troupe. Vol Performance studies. University Press of Mississippi; 1998.
59.
Chaffee J. The Routledge Companion to Commedia Dell’Arte. (Crick O, ed.). Routledge; 2015. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1864706
60.
Price J. Modern Popular Theatre. Vol Theatre and performance practices. Palgrave; 2016.
61.
Shank T. Political Theatre as Popular Entertainment: The San Fransico Mime Troupe. The Drama Review: TDR. 1974;18(1). doi:10.2307/1144869
62.
Gussow M. Profiles: Clown.
63.
Bill Irwin Clown Prince on Vimeo. https://vimeo.com/41843938
64.
Comedy Genius -- The Regard of Flight -- 1983 -- Bill Irwin in performance. Published online 13 AD. https://www.youtube.com/watch?v=-AVifTdjtvE
65.
Nina Conti - A Ventriloquist’s Story: Her Master’s Voice. https://learningonscreen.ac.uk/ondemand/index.php/prog/02A22955?bcast=104878656
66.
The Flying Karamazov Brothers (1983) - Part 1 of 8. Published online 12 AD. https://www.youtube.com/watch?v=IpUQZh9HjJA
67.
Alan Edelstein, Molly Bernstein, Bernstein M. Deceptive Practice: The Mysteries And Mentors Of Ricky Jay. Published online 2012.
68.
Etchells T, Forced Entertainment. First night. Published online 2001.
69.
Man on the Moon (1999). https://learningonscreen.ac.uk/ondemand/index.php/prog/005FE953?bcast=78445955
70.
Jenkins R. Acrobats of the Soul: Comedy and Virtuosity in Contemporary American Theatre. Theatre Communications Group; 1988.
71.
Rogoff G. Vanishing Acts: Theater since the Sixties. Yale University Press; 2000.
72.
Bamboozled (2000). https://learningonscreen.ac.uk/ondemand/index.php/prog/0057728F?bcast=44122094
73.
Gregory Laski. Falling Back into History: The Uncanny Trauma of Blackface Minstrelsy in Spike Lee’s Bamboozled. Callaloo. 2011;33(4):1093-1115. https://muse.jhu.edu/article/407670
74.
Lee YJ. The Shipment: Lear. 1st ed. Theatre Communications Group; 2010.