‘A Special Tale of Two Cities Issue’ (1983) Dickens Studies Annual, 12.
Ackroyd, P. (1990) Dickens. London: Sinclair-Stevenson.
Alter, R. (1969) ‘The Demons of History in Dickens’ Tale of Two Cities’, NOVEL: A Forum on Fiction, 2(2), pp. 135–142. Available at: http://www.jstor.org/stable/1345395.
Anderson, A. (1993) Tainted Souls and Painted Faces. Ithaca: Cornell University Press.
Armstrong, I. (1993a) Victorian Poetry: Poetry, Poetics and Politics. London: Routledge.
Armstrong, I. (1993b) Victorian Poetry: Poetry, Poetics, and Politics [electronic book]. London: Routledge.
Armstrong, I. (1993c) Victorian Poetry: Poetry, Poetics and Politics. London: Routledge.
Armstrong, I. (1993d) Victorian Poetry: Poetry, Poetics, and Politics [electronic book]. London: Routledge.
Armstrong, I. (1993e) Victorian Poetry: Poetry, Poetics and Politics. London: Routledge.
Armstrong, I. (1993f) Victorian Poetry: Poetry, Poetics and Politics [electronic book]. London: Routledge.
Armstrong, I. (1993g) Victorian Poetry: Poetry, Poetics, Politics. London: Routledge. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13400680250002671&institutionId=2671&customerId=2670.
Armstrong, I. (1993h) Victorian Poetry: Poetry, Poetics, Politics [electronic book]. London: Routledge. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=10544.
Armstrong, N. (1987a) Desire and Domestic Fiction: A Political History of the Novel. New York: Oxford University Press.
Armstrong, N. (1987b) Desire and Domestic Fiction: A Political History of the Novel [electronic book]. New York: Oxford University Press.
Arnold, M. (1888) ‘The Function of Criticism at the Present Time [open access]’, in Essays in Criticism. London: Macmillan. Available at: https://www.google.co.uk/books/edition/The_Function_of_Criticism_at_the_Present/8GsAAAAAYAAJ?hl=en&gbpv=0.
Arseneau, M. (1999) The Culture of Christina Rossetti: Female Poetics and Victorian Contexts. Athens: Ohio University Press.
Avery, S. (1995) ‘Piety, Poetry, Passion: Contexts for Christina Rossetti’, History Workshop Journal, 40(Autumn), pp. 244–245. Available at: http://www.jstor.org/stable/4289406.
Bakhtin, M. (1986) ‘The Bildungsroman and its Significance in the History of Realism’, in Speech Genres and Other Late Essays. Austin: University of Texas Press.
Bakhtin, M., Holquist, M. and Emerson, C. (1981) The Dialogic Imagination. Austin, Tex: University of Texas Press.
Barker, J. (1997) The Brontës: A Life in Letters. London: Viking.
Barrett, D. (1989) Vocation and Desire: George Eliot’s Heroines. London: Routledge.
Baugh, C. (1976) ‘An Early Performance of The Factory Lad Outside London’, Theatre Notebook, 30.
Beaumont, M. (2004) ‘Heathcliff’s Great Hunger: The Cannibal Other in Wuthering Heights’, Journal of Victorian Culture, 9(2), pp. 137–163. Available at: https://doi.org/10.3366/jvc.2004.9.2.137.
Beer, G. (1983a) Darwin’s Plots. London: Routledge.
Beer, G. (1983b) Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction. London: Routledge.
Beer, G. (1986) George Eliot. Brighton: Harvester.
Beer, G. (2009a) Darwin’s Plots [electronic book]. Cambridge: Cambridge University Press. Available at: https://ezproxy01.rhul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Holloway&isbn=9780511765117&uid=^u.
Beer, G. (2009b) Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction [electronic book]. Cambridge: Cambridge University Press. Available at: https://ezproxy01.rhul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Holloway&isbn=9780511765117&uid=^u.
Belsey, C. (1980a) Critical Practice. London: Methuen.
Belsey, C. (1980b) Critical Practice. London: Methuen.
Belsey, C. (2002a) Critical Practice [electronic book]. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=181634.
Belsey, C. (2002b) Critical Practice [electronic book]. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=181634.
Benjamin, W. (1999) ‘The Storyteller’, in Illuminations. London: Pimlico, pp. 83–109.
Bloom, H. (1987) Charles Dickens’s A Tale of Two Cities. New York: Chelsea House Publishers.
Bloom, H. (1997) The Anxiety of Influence: A Theory of Poetry. 2nd ed. New York: Oxford University Press.
Booth, M.R. (1981) Victorian Spectacular Theatre 1850-1910. Boston, Mass: Routledge & Kegan Paul.
Booth, M.R. (1991) Theatre in the Victorian Age. Cambridge: Cambridge University Press.
Bratton, J. (2014) Theatre in the 19th Century | British Library. Available at: https://web.archive.org/web/20200805023443/https://www.bl.uk/romantics-and-victorians/articles/19th-century-theatre.
Brian Maidment (1992) The Poorhouse Fugitives: Self Taught Poets and Poetry in Victorian Britain. Fyfield Books.
Bristow, J. (2000a) The Cambridge Companion to Victorian Poetry. Cambridge: Cambridge University Press.
Bristow, J. (ed.) (2000b) The Cambridge Companion to Victorian Poetry [electronic book]. Cambridge: Cambridge University Press. Available at: https://doi.org/10.1017/CCOL0521641152.
Brontë, E. (1979) Wuthering Heights. Harmondsworth: Penguin.
Brown, M. (1990) ‘Dutch-painters and British Novel-Readers: Adam Bede in the Context of Victorian Cultural Literacy’, Victorians Institute Journal, 18, pp. 113–133.
Browning, E.B. (1897a) ‘Crowned and Wedded’, in The Poetical Works Of Elizabeth Barrett Browning. Available at: http://literature.proquest.com/searchFulltext.do?id=Z300289068&divLevel=3&area=poetry&DurUrl=Yes&forward=textsFT&queryType=findWork.
Browning, E.B. (1897b) ‘The Young Queen’, in The Poetical Works Of Elizabeth Barrett Browning. Available at: http://literature.proquest.com/searchFulltext.do?id=Z200288933&divLevel=2&area=poetry&DurUrl=Yes&forward=textsFT&queryType=findWork.
Browning, E.B. (1897c) ‘Victoria’s Tears’, in The Poetical Works Of Elizabeth Barrett Browning. Available at: http://literature.proquest.com/searchFulltext.do?id=Z200288934&divLevel=2&area=poetry&DurUrl=Yes&forward=textsFT&queryType=findWork.
Browning, R. (1991a) The Poems of Browning: Vol. 1: 1826-1840. Harlow: Longman.
Browning, R. (1991b) The Poems of Browning: Vol. 2: 1841-1846. Harlow: Longman.
Browning, R. (2004) ‘“The Pied Piper of Hamelin” “My Last Duchess” “Count Gismond” “Porphyria’s Lover” “Johannes Agricola in Meditation” “Soliloquy of a Spanish Cloister” “Incident of the French Camp”’, in Dramatic Lyrics. [Place of publication not identified]: Kessinger Pub.
Buckley, J.H. (1960) Tennyson: the Growth of a Poet. Cambridge, Mass: Harvard University Press.
Bullen, J.B. (1998) The Pre-Raphaelite Body: Fear and Desire in Painting, Poetry and Criticism. Oxford: Clarendon Press.
Byerly, A. (1997) Realism, Representation and the Arts in Nineteenth-Century Literature. Cambridge: Cambridge University Press.
Caine, B. (1997) English Feminism, 1780-1980. Oxford: Oxford University Press.
Carpenter, H. (2009) Secret Gardens: A Study of The Golden Age of Children’s Literature. London: Faber and Faber.
Chapman, A. (2000a) The Afterlife of Christina Rossetti. Basingstoke: Macmillan.
Chapman, A. (2000b) The Afterlife of Christina Rossetti [electronic book]. Basingstoke: Macmillan. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=736139.
Christ, C.T. (1984) Victorian and Modern Poetics. Chicago, [Ill.]: University of Chicago Press.
Clough, A.H. (2009) Amours De Voyage. Champaign, IL: Book Jungle.
Collins, P. (1981) Dickens: Interviews and Recollections. London: Macmillan.
Collins, P. (1992) Tennyson: Seven Essays. Basingstoke: Macmillan.
Collins, W. and Dickens, C. (1966) Under the Management of Mr. Charles Dickens: His Production of ‘The Frozen Deep’. Ithaca, N.Y.: Cornell University Press.
Connor, S. (1985) Charles Dickens. Oxford: Blackwell.
Court, F.E. (1980) ‘Boots, Barbarism, and the New Order in Dickens’ Tale of Two Cities’, Victorians Institute Journal, 9, pp. 29–37.
Culler, A.D. (1977) The Poetry of Tennyson. New Haven: Yale University Press.
Cunningham, V. (1975) Everywhere Spoken Against: Dissent in the Victorian Novel. Oxford: Clarendon.
Cunningham, V. (1985) ‘Soiled Fairy: The Water-Babies in its Time’, Essays in Criticism, XXXV(2), pp. 121–148. Available at: https://doi.org/10.1093/eic/XXXV.2.121.
Curran, S. (1971) ‘The Lyric Voice of Christina Rossetti’, Victorian Poetry, 9(3), pp. 287–299. Available at: http://www.jstor.org/stable/40001569.
Davidoff, L. and Hall, C. (2019) Family Fortunes: Men and Women of the English Middle Class, 1780-1850. Third edition. London: Routledge.
Davies, S. (1998) Emily Bronte. Plymouth: Northcote House.
Davis, P. and Bate, J. (2002) The Victorians. Oxford: Oxford University Press.
Davis, T. and Holland, P. (2007) The Performing Century: Nineteenth-Century Theatre’s History. London: Palgrave Macmillan Limited. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=367930.
Davis, T.C. and Holland, P. (2007) The Performing Century: Nineteenth-Century Theatre’s History. Basingstoke: Palgrave Macmillan.
Dickens, C. (1970) A Tale of Two Cities. Harmondsworth: Penguin.
Douglas-Fairhurst, R. (2002) Victorian Afterlives: The Shaping of Influence in Nineteenth-Century Literature. Oxford: Oxford University Press.
Douglas-Fairhurst, R. (2007) Victorian Afterlives: The Shaping of Influence in Nineteenth-Century Literature. Oxford: Oxford University Press.
Eagleton, T. (1975) Myths of Power: A Marxist Study of the Brontës. London: Macmillan.
Eagleton, T. (1995) Heathcliff and the Great Hunger. London: Verso.
Easson, A. (1991) Elizabeth Gaskell: The Critical Heritage. London: Routledge.
Eliot, G. (1856) ‘The Natural History of German Life’, Westminster Review, 10. Available at: https://literature.proquest.com/searchFulltext.do?id=Z000731235&divLevel=0&area=prose&DurUrl=Yes&forward=textsFT&queryType=findWork&rft_source=primo.
Eliot, G. (1980) Adam Bede. Harmondsworth: Penguin.
Estill, R. (1971) ‘The Factory Lad: Melodrama as Propaganda’, Theatre Quarterly, 1, pp. 22–26.
Fasick, L. (1993) ‘The Failure of Fatherhood: Maleness and Its Discontents in Charles Kingsley’, Children’s Literature Association Quarterly, 18(3), pp. 106–111. Available at: https://doi.org/10.1353/chq.0.0936.
Flint, K. (1986) Dickens. Brighton, Sussex: Harvester Press.
Forster, J. and Hoppé (ed.), A.J. (1966) The Life of Charles Dickens. New ed., with notes and an index by A. J. Hoppé. London: Dent.
Foster, S. (2002) Elizabeth Gaskell: A Literary Life. Basingstoke: Palgrave Macmillan.
Garrett, M. (2000) A Browning Chronology: Elizabeth Barrett and Robert Browning. Basingstoke: Palgrave.
Gaskell, E. (1987) Mary Barton. Oxford: Oxford University Press.
Gilbert, S.M. and Gubar, S. (1979) The Madwoman in the Attic. New Haven: Yale University Press.
Giogione (1898) ‘A Venetian Pastoral’, in The Germ: Thoughts Towards Nature in Poetry, Literature and Art, 1850. London: Guild of Women Binders, pp. 260–260. Available at: https://contentstore.cla.co.uk/secure/link?id=1e35fc8d-509a-e811-80cd-005056af4099.
Glancy, R.F. (1991) A Tale of Two Cities: Dickens’ Revolutionary Novel. Boston: Twayne Publishers.
Glen, H. (2002a) The Cambridge Companion to the Brontës. Cambridge: Cambridge University Press.
Glen, H. (2002b) The Cambridge Companion to the Brontës. Cambridge: Cambridge University Press. Available at: https://doi.org/10.1017/CCOL0521770270.
Glover, D. and Caplan, C. (2000) ‘Femininity and Feminism’, in Genders. London: Routledge.
Gosse, E. (1901) ‘The Character of Queen Victoria’, The Quarterly Review, 193(386), pp. 301–337. Available at: https://search.proquest.com/docview/2491873?accountid=11455&rfr_id=info%3Axri%2Fsid%3Aprimo.
Gould, R. (1997) ‘The History of an Unnatural Act: Infanticide and Adam Bede’, Victorian Literature and Culture, 25(02), pp. 263–277. Available at: https://doi.org/10.1017/S1060150300004782.
Gravil, R. (2001) ‘Negotiating Mary Barton’, in Master Narratives: Tellers and Telling in the English Novel. Burlington, Vt: Ashgate.
Gravil, R. (2007) ‘Negotiating Mary Barton’, in Master Narratives: Tellers and Telling in the English Novel. Tirril, Penrith (Cumbria): Humanities Ebooks, pp. 126–147. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3306050.
Greiner, R. (2012) Sympathetic Realism in Nineteenth-Century British Fiction. Baltimore, Maryland: The Johns Hopkins University Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3318642.
Greiner, R. (2015) ‘Adam Bede: History’s Maggots’, in A. Anderson and H.E. Shaw (eds) A Companion to George Eliot. Chichester, West Sussex: Wiley Blackwell, pp. 105–116.
Griffiths, E. (1989) The Printed Voice of Victorian Poetry. Oxford: Clarendon.
Guest, H. (1998) ‘The Deep Romance of Manchester: Gaskell’s Mary Barton’, in The Regional Novel in Britain and Ireland, 1800-1990. Cambridge: Cambridge University Press.
Hadley, E. (1995) Melodramatic Tactics: Theatricalized Dissent in the English Marketplace, 1800-1885. Stanford, Calif: Stanford University Press.
Hair, D.S. (1991) Tennyson’s Language. Toronto: University of Toronto Press.
Hair, D.S. (1999a) Robert Browning’s Language. Toronto: University of Toronto Press.
Hair, D.S. (1999b) Robert Browning’s Language [electronic resource]. Toronto: University of Toronto Press. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=4671915.
Hardy, T. (1996) Tess of the D’Urbervilles. Peterborough, Ont: Broadview.
Harper, L.M. (2004a) ‘Children’s Literature: Science and Faith in The Water-Babies’, in Children’s Literature: New Approaches. New York: Palgrave Macmillan, pp. 118–143.
Harper, L.M. (2004b) ‘Children’s Literature: Science and Faith in The Water-Babies’, in Children’s Literature: New Approaches. New York: Palgrave Macmillan, pp. 118–143. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=270584.
Hawlin, S. (2002a) The Complete Critical Guide to Robert Browning. London: Routledge.
Hawlin, S. (2002b) The Complete Critical Guide to Robert Browning [electronic book]. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=237335.
Homans, M. (1998a) Royal Representations: Queen Victoria and British Culture, 1837-1876. University of Chicago Presss.
Homans, M. (1998b) Royal Representations: Queen Victoria and British Culture, 1837-1876 [electronic resource]. Chicago: University of Chicago Press. Available at: http://hdl.handle.net/2027/heb.04512.
Hutter, A.D. (1978) ‘Nation and Generation in A Tale of Two Cities’, PMLA, 93(3). Available at: https://doi.org/10.2307/461866.
Jackson, R. (1989) Victorian Theatre. London: Black.
Johnson, E.D.H. (1952) The Alien Vision of Victorian Poetry. Princeton, Ill: Princeton University Press.
Jordan, E. (1988) Alfred Tennyson. Cambridge: Cambridge University Press.
Kent, S.K. (1987) Sex and Suffrage in Britain, 1860-1914. Princeton, N.J.: Princeton University Press.
Kent, S.K. (2014) Sex and Suffrage in Britain: 1860-1914 [electronic book]. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3030614.
Kingsley, C. (1994) The Water Babies. Hertfordshire: Wordsworth.
Knoepflmacher, U.C. (1968) George Eliot’s Early Novels: The Limits of Realism. Berkeley: University of California Press.
Leaver, K. (1999) ‘Victorian Melodrama and the Performance of Poverty’, Victorian Literature and Culture, 27(02), pp. 443–456. Available at: https://doi.org/10.1017/S1060150399272051.
Levine, G. (2008) How to read the Victorian novel. Malden, Mass: Blackwell.
lserman, H. (1996) ‘Radicalism in the Melodrama of the Early Nineteenth-Century’, in Melodrama: The Cultural Emergence of a Genre. Basingstoke: Macmillan, pp. 191–207.
Lukacs, G. (1962) The Historical Novel. London: Merlin.
Marcus, S. (1974) Engels, Manchester and the Working Class. London: Weidenfeld and Nicolson.
Marsh, J. (1985) The Pre-Raphaelite Sisterhood. London: Quartet.
Marsh, J. (1994) Christina Rossetti: A Literary Biography. London: Cape.
Matthews, S. (2004a) Poetical Remains: Poets’ Graves, Bodies, and Books in the Nineteenth Century. Oxford: Oxford University Press.
Matthews, S. (2004b) Poetical Remains : Poets’ Graves, Bodies and Books in the Nineteenth Century [electronic book]. Oxford: Oxford University Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=422660.
Matthews, S. (2004c) Poetical Remains : Poets’ Graves, Bodies and Books in the Nineteenth Century. Oxford: Oxford University Press.
Matthews, S. (2004d) Poetical Remains: Poets’ Graves, Bodies and Books in the Nineteenth Century [electronic book]. Oxford: Oxford University Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=422660.
Matus, J.L. (1995) Unstable Bodies: Victorian Representations of Sexuality and Maternity. Manchester: Manchester University Press.
Mayer, D. (2004a) ‘Encountering Melodrama’, in The Cambridge Companion to Victorian and Edwardian Theatre. Cambridge: Cambridge University Press, pp. 145–163.
Mayer, D. (2004b) ‘Encountering Melodrama’, in The Cambridge Companion to Victorian and Edwardian Theatre. Cambridge: Cambridge University Press, pp. 145–163. Available at: https://doi.org/10.1017/CCOL052179157X.009.
McClintock, C.J. (1859) A Narrative of the Discovery of the Fate of Sir John Franklin and His Companions. Available at: https://archive.org/details/voyageoffoxinarc00mcli_0.
McDonagh, J. (2001) ‘Child-murder Narratives in George Eliot’s Adam Bede: Embedded Histories and Fictional Representation’, Nineteenth-Century Literature, 56(2), pp. 228–259. Available at: https://doi.org/10.1525/ncl.2001.56.2.228.
Mill, J.S. (1989) ‘A Crisis in My Mental History’, in Autobiography. London: Penguin.
Miller, J.H. (1958) Charles Dickens: The World of His Novels. Cambridge, Mass: Harvard University Press.
Miller, J.H. (1968a) The form of Victorian fiction: Thackeray, Dickens, Trollope, George Eliot, Meredith and Hardy. Notre Dame, [Ind.]: University of Notre Dame Press.
Miller, J.H. (1968b) The Form of Victorian Fiction: Thackeray, Dickens, Trollope, George Eliot, Meredith, and Hardy. London: University of Notre Dame Press.
Moretti, F. (2000a) The Way of the World: The Bildungsroman in European Culture. New ed. London: Verso.
Moretti, F. (2000b) The Way of the World: The Bildungsroman in European Culture. London: Verso.
Morris, W. (2010) ‘“The Tune of Seven Towers” and “The Blue Closet”’, in The Pre-Raphaelites: From Rossetti to Ruskin. London: Penguin.
Morris, W. (no date) The Tune of Seven Towers | Victorian Web. Available at: http://www.victorianweb.org/authors/morris/7towers.html.
Munich, A. (1996) Queen Victoria’s Secrets. New York: Columbia University Press.
Nightingale, F. (1979) Cassandra. Old Westbury, N.Y.: Feminist Press.
Nightingale, F. (1991) ‘Cassandra’, in M. Poovey (ed.) Cassandra: And Other Selections from Suggestions For Thought. London: Pickering & Chatto, pp. 205–232.
Nord, D.E. (1995) Walking the Victorian Streets: Women Representation and the City. Ithaca, N.Y.: Cornell University Press.
Oxford Bibliographies Online (no date).
Pinero, A.W. (1895) The Second Mrs Tanqueray: A Play in Four Acts. London: Heinemann.
Pinero, A.W. (2013) The Second Mrs. Tanqueray. [London]: Bloomsbury. Available at: http://dx.doi.org/10.5040/9781408189221.00000013.
Poovey, M. (1989a) ‘A Housewifely Woman: The Social Construction of Florence Nightingale’, in Uneven Developments. London: Virago.
Poovey, M. (1989b) Uneven Developments: the Ideological Work of Gender in Mid-Victorian England. London: Virago.
Powell, K. (2004a) The Cambridge Companion to Victorian and Edwardian Theatre. Cambridge: Cambridge University Press.
Powell, K. (2004b) The Cambridge Companion to Victorian and Edwardian Theatre [electronic book]. Cambridge: Cambridge University Press. Available at: https://doi.org/10.1017/CCOL052179157X.
Prickett, S. (1979) Victorian Fantasy. Hassocks: Harvester.
Prickett, S. (2005) Victorian Fantasy [electronic book]. Waco, Tex: Baylor University Press.
Queen Victoria and Helps, A. (2012) Leaves From the Journal of Our Life in the Highlands From 1848 to 1861. Memphis: General Books.
Raymond, W.O. (1965) The Infinite Moment. 2nd enl.ed. Toronto: University of Toronto Press.
Redmond, J. (1992) Melodrama. Cambridge: Cambridge University Press.
Reed, J.R. (2001) ‘Soldier Boy: Forming Masculinity in Adam Bede’, Studies in the Novel, 33(3), pp. 268–284. Available at: http://www.jstor.org/stable/29533455?seq=1#page_scan_tab_contents.
Richards, T. (1991) The Commodity Culture of Victorian England: Advertising and Spectacle, 1851-1914. London: Verso.
Rimmon-Kenan, S. (1989) Narrative Fiction: Contemporary Poetics. London: Routledge.
Rimmon-Kenan, S. (2002) Narrative Fiction: Contemporary Poetics [electronic book]. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=181642.
Rodensky, L. (2003a) The Crime in Mind: Criminal Responsibility and the Victorian Novel. New York: Oxford University Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=280985.
Rodensky, L. (2003b) The Crime in Mind: Criminal Responsibility and the Victorian Novel [electronic resource]. New York: Oxford University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780198034353.
Roe, D. (2006a) Christina Rossetti’s Faithful Imagination: The Devotional Poetry and Prose. Basingstoke: Palgrave Macmillan.
Roe, D. (2006b) Christina Rossetti’s Faithful Imagination: The Devotional Poetry and Prose [electronic book]. Basingstoke: Palgrave Macmillan. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=293720.
Roe, D. (2010) The Pre-Raphaelites: From Rossetti to Ruskin. London: Penguin.
Rosenblum, D. (1982) ‘Christina Rossetti’s Religious Poetry: Watching, Looking, Keeping Vigil’, Victorian Poetry, 20(1), pp. 33–49. Available at: https://doi.org/10.2307_40003689.
Rossetti, C. (1992) ‘“Goblin Market”, “In an Artist’s Studio”, “Song [When I am Dead My Dearest]”, “A Better Resurrection”, “Autumn Violets” and “Cousin Kate”’, in Selected Poems. London: Bloomsbury Poetry Classics.
Rossetti, C. (2004) Goblin Market and Selected Poems. [Whitefish, Montana]: Kessinger Publishing.
Rossetti, C. (no date) Long Barren | The Bard on the Hill. Available at: https://thebardonthehill.wordpress.com/2015/08/05/long-barren-by-christina-rossetti/.
Rowell, G. (1956) The Victorian Theatre: A Survey. Oxford U.P.
Said, E.W. (1991) Orientalism. Harmondsworth: Penguin.
Said, E.W. (1998) Beginnings: Intention and Method. London: Granta.
Schmidt, M. (2014) The novel: a biography. Cambridge: The Belknap Press of Harvard University Press.
Schor, H.M. (1992) Scheherezade in the Marketplace: Elizabeth Gaskell and the Victorian Novel. New York: Oxford University Press.
Sedgwick, E.K. (1986) The Coherence of Gothic Conventions. London: Methuen.
Shuttleworth, S. (1984) George Eliot and Nineteenth-Century Science: the Make Believe of a Beginning. Cambridge: Cambridge University Press.
Slater, M. (1983) Dickens and Women. London: Dent.
Slinn, E.W. (1991a) ‘Absence and Desire in Maud’, in The Discourse of the Self in Victorian Poetry. Charlottesville, Va: University Press of Virginia.
Slinn, E.W. (1991b) The Discourse of Self in Victorian Poetry. Charlottesville, Va: University Press of Virginia.
Smart, C. (1992a) Regulating Womanhood: Historical Essays on Marriage, Motherhood and Sexuality. London: Routledge.
Smart, C. (1992b) Regulating Womanhood: Historical Essays on Marriage, Motherhood and Sexuality [electronic book]. Routledge. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=169103.
Stevenson, D. (1997) ‘Sentiment and Significance: The Impossibility of Recovery in the Children’s Literature Canon, or The Drowning of The Water Babies’, The Lion and the Unicorn, 21(1), pp. 112–130. Available at: https://doi.org/10.1353/uni.1997.0010.
Stoneman, P. (1987) Elizabeth Gaskell. Bloomongton: Indiana University Press.
Stoneman, P. (1996) Brontë Transformations: The Cultural Dissemination of Jane Eyre and Wuthering Heights. London: Prentice Hall.
Strachey, L. (1918) Eminent Victorians. London: Chatto and Windus.
Strachey, L. (1921) Queen Victoria. London: Chatto & Windus.
Straley, J. (2007) ‘Of Beasts and Boys: Kingsley, Spencer, and the Theory of Recapitulation’, Victorian Studies, 49(4), pp. 583–609. Available at: https://doi.org/10.2979/VIC.2007.49.4.583.
Svensen, K. (1993) ‘Protection or Restriction? Women’s Labour in Mary Barton’, The Gaskell Journal, 7, pp. 50–66.
Swinburne, A.C. (1922) ‘Before the Mirror’, in The Oxford Book of Victorian Verse. Available at: http://www.bartleby.com/336/431.html.
Taylor, G. (1989a) Players and Performances in the Victorian Theatre. Manchester, UK: Manchester University Press.
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