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---. Victorian Poetry: Poetry, Poetics, Politics. London: Routledge, 1993. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=10544>.
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---. Darwin’s Plots. Cambridge: Cambridge University Press, 2009. Web. <https://ezproxy01.rhul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Holloway&isbn=9780511765117&uid=^u>.
---. Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction. London: Routledge, 1983. Print.
---. Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction. Cambridge: Cambridge University Press, 2009. Web. <https://ezproxy01.rhul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Holloway&isbn=9780511765117&uid=^u>.
---. George Eliot. Brighton: Harvester, 1986. Print.
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---. Critical Practice. London: Methuen, 1980. Print.
---. Critical Practice. London: Routledge, 2002. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=181634>.
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Brian Maidment. The Poorhouse Fugitives: Self Taught Poets and Poetry in Victorian Britain. Fyfield Books, 1992. Print.
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Browning, Elizabeth Barrett. ‘Crowned and Wedded’. The Poetical Works Of Elizabeth Barrett Browning. N.p., 1897. Web. <http://literature.proquest.com/searchFulltext.do?id=Z300289068&amp;divLevel=3&amp;area=poetry&amp;DurUrl=Yes&amp;forward=textsFT&amp;queryType=findWork>.
---. ‘The Young Queen’. The Poetical Works Of Elizabeth Barrett Browning. N.p., 1897. Web. <http://literature.proquest.com/searchFulltext.do?id=Z200288933&amp;divLevel=2&amp;area=poetry&amp;DurUrl=Yes&amp;forward=textsFT&amp;queryType=findWork>.
---. ‘Victoria’s Tears’. The Poetical Works Of Elizabeth Barrett Browning. N.p., 1897. Web. <http://literature.proquest.com/searchFulltext.do?id=Z200288934&amp;divLevel=2&amp;area=poetry&amp;DurUrl=Yes&amp;forward=textsFT&amp;queryType=findWork>.
Browning, Robert. ‘“The Pied Piper of Hamelin” “My Last Duchess” “Count Gismond” “Porphyria’s Lover” “Johannes Agricola in Meditation” “Soliloquy of a Spanish Cloister” “Incident of the French Camp”’. Dramatic Lyrics. [Place of publication not identified]: Kessinger Pub, 2004. Print.
---. The Poems of Browning: Vol. 1: 1826-1840. Harlow: Longman, 1991. Print.
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Buckley, Jerome H. Tennyson: The Growth of a Poet. Cambridge, Mass: Harvard University Press, 1960. Print.
Bullen, J. B. The Pre-Raphaelite Body: Fear and Desire in Painting, Poetry and Criticism. Oxford: Clarendon Press, 1998. Print.
Byerly, Alison. Realism, Representation and the Arts in Nineteenth-Century Literature. Cambridge: Cambridge University Press, 1997. Print.
Caine, Barbara. English Feminism, 1780-1980. Oxford: Oxford University Press, 1997. Print.
Carpenter, Humphrey. Secret Gardens: A Study of The Golden Age of Children’s Literature. London: Faber and Faber, 2009. Print.
Chapman, Alison. The Afterlife of Christina Rossetti. Basingstoke: Macmillan, 2000. Print.
---. The Afterlife of Christina Rossetti. Basingstoke: Macmillan, 2000. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=736139>.
Christ, Carol T. Victorian and Modern Poetics. Chicago, [Ill.]: University of Chicago Press, 1984. Print.
Clough, Arthur Hugh. Amours De Voyage. Champaign, IL: Book Jungle, 2009. Print.
Collins, Philip. Dickens: Interviews and Recollections. London: Macmillan, 1981. Print.
---. Tennyson: Seven Essays. Basingstoke: Macmillan, 1992. Print.
Collins, Wilkie, and Charles Dickens. Under the Management of Mr. Charles Dickens: His Production of ‘The Frozen Deep’. Ithaca, N.Y.: Cornell University Press, 1966. Print.
Connor, Steven. Charles Dickens. Oxford: Blackwell, 1985. Print.
Court, Franklin E. ‘Boots, Barbarism, and the New Order in Dickens’ Tale of Two Cities’. Victorians Institute Journal 9 (1980): 29–37. Print.
Culler, A. Dwight. The Poetry of Tennyson. New Haven: Yale University Press, 1977. Print.
Cunningham, Valentine. Everywhere Spoken Against: Dissent in the Victorian Novel. Oxford: Clarendon, 1975. Print.
---. ‘Soiled Fairy: The Water-Babies in Its Time’. Essays in Criticism XXXV.2 (1985): 121–148. Web.
Curran, Stuart. ‘The Lyric Voice of Christina Rossetti’. Victorian Poetry 9.3 (1971): 287–299. Web. <http://www.jstor.org/stable/40001569>.
Davidoff, Leonore, and Catherine Hall. Family Fortunes: Men and Women of the English Middle Class, 1780-1850. Third edition. London: Routledge, 2019. Print.
Davies, Stevie. Emily Bronte. Plymouth: Northcote House, 1998. Print.
Davis, Philip, and Jonathan Bate. The Victorians. The Oxford English Literary History, Volume 8. Oxford: Oxford University Press, 2002. Print.
Davis, T., and P. Holland. The Performing Century: Nineteenth-Century Theatre’s History. London: Palgrave Macmillan Limited, 2007. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=367930>.
Davis, Tracy C., and Peter Holland. The Performing Century: Nineteenth-Century Theatre’s History. Basingstoke: Palgrave Macmillan, 2007. Print.
Dickens, Charles. A Tale of Two Cities. Harmondsworth: Penguin, 1970. Print.
Douglas-Fairhurst, Robert. Victorian Afterlives: The Shaping of Influence in Nineteenth-Century Literature. Oxford: Oxford University Press, 2007. Print.
---. Victorian Afterlives: The Shaping of Influence in Nineteenth-Century Literature. Oxford: Oxford University Press, 2002. Print.
Eagleton, Terry. Heathcliff and the Great Hunger. London: Verso, 1995. Print.
---. Myths of Power: A Marxist Study of the Brontës. London: Macmillan, 1975. Print.
Easson, Angus. Elizabeth Gaskell: The Critical Heritage. London: Routledge, 1991. Print.
Eliot, George. Adam Bede. Harmondsworth: Penguin, 1980. Print.
---. ‘The Natural History of German Life’. Westminster Review 10 (1856): n. pag. Web. <https://literature.proquest.com/searchFulltext.do?id=Z000731235&amp;divLevel=0&amp;area=prose&amp;DurUrl=Yes&amp;forward=textsFT&amp;queryType=findWork&amp;rft_source=primo>.
Estill, Robin. ‘The Factory Lad: Melodrama as Propaganda’. Theatre Quarterly 1 (1971): 22–26. Print.
Fasick, Laura. ‘The Failure of Fatherhood: Maleness and Its Discontents in Charles Kingsley’. Children’s Literature Association Quarterly 18.3 (1993): 106–111. Web.
Flint, Kate. Dickens. Brighton, Sussex: Harvester Press, 1986. Print.
Forster, John, and A. J. Hoppé (ed.). The Life of Charles Dickens. New ed., with notes and an index by A. J. Hoppé. London: Dent, 1966. Print.
Foster, Shirley. Elizabeth Gaskell: A Literary Life. Literary lives. Basingstoke: Palgrave Macmillan, 2002. Print.
Garrett, Martin. A Browning Chronology: Elizabeth Barrett and Robert Browning. Basingstoke: Palgrave, 2000. Print.
Gaskell, Elizabeth. Mary Barton. Oxford: Oxford University Press, 1987. Print.
Gilbert, Sandra M., and Susan Gubar. The Madwoman in the Attic. New Haven: Yale University Press, 1979. Print.
Giogione. ‘A Venetian Pastoral’. The Germ: Thoughts Towards Nature in Poetry, Literature and Art, 1850. London: Guild of Women Binders, 1898. 260–260. Web. <https://contentstore.cla.co.uk/secure/link?id=1e35fc8d-509a-e811-80cd-005056af4099>.
Glancy, Ruth F. A Tale of Two Cities: Dickens’ Revolutionary Novel. Boston: Twayne Publishers, 1991. Print.
Glen, Heather. The Cambridge Companion to the Brontës. Cambridge: Cambridge University Press, 2002. Print.
---. The Cambridge Companion to the Brontës. Cambridge: Cambridge University Press, 2002. Web.
Glover, David, and Cora Caplan. ‘Femininity and Feminism’. Genders. London: Routledge, 2000. Print.
Gosse, Edmund. ‘The Character of Queen Victoria’. The Quarterly Review 193.386 (1901): 301–337. Web. <https://search.proquest.com/docview/2491873?accountid=11455&amp;rfr_id=info%3Axri%2Fsid%3Aprimo>.
Gould, Rosemary. ‘The History of an Unnatural Act: Infanticide and Adam Bede’. Victorian Literature and Culture 25.02 (1997): 263–277. Web.
Gravil, Richard. ‘Negotiating Mary Barton’. Master Narratives: Tellers and Telling in the English Novel. Burlington, Vt: Ashgate, 2001. Print.
---. ‘Negotiating Mary Barton’. Master Narratives: Tellers and Telling in the English Novel. Tirril, Penrith (Cumbria): Humanities Ebooks, 2007. 126–147. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3306050>.
Greiner, Rae. ‘Adam Bede: History’s Maggots’. A Companion to George Eliot. Ed. Amanda Anderson and Harry E. Shaw. Blackwell companions to literature and culture. Chichester, West Sussex: Wiley Blackwell, 2015. 105–116. Print.
---. Sympathetic Realism in Nineteenth-Century British Fiction. Baltimore, Maryland: The Johns Hopkins University Press, 2012. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3318642>.
Griffiths, Eric. The Printed Voice of Victorian Poetry. Oxford: Clarendon, 1989. Print.
Guest, Harriet. ‘The Deep Romance of Manchester: Gaskell’s Mary Barton’. The Regional Novel in Britain and Ireland, 1800-1990. Cambridge: Cambridge University Press, 1998. Print.
Hadley, Elaine. Melodramatic Tactics: Theatricalized Dissent in the English Marketplace, 1800-1885. Stanford, Calif: Stanford University Press, 1995. Print.
Hair, Donald S. Robert Browning’s Language. Toronto: University of Toronto Press, 1999. Print.
---. Robert Browning’s Language. Toronto: University of Toronto Press, 1999. Web. <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=4671915>.
---. Tennyson’s Language. Toronto: University of Toronto Press, 1991. Print.
Hardy, Thomas. Tess of the D’Urbervilles. Peterborough, Ont: Broadview, 1996. Print.
Harper, Lila Marz. ‘Children’s Literature: Science and Faith in The Water-Babies’. Children’s Literature: New Approaches. New York: Palgrave Macmillan, 2004. 118–143. Print.
---. ‘Children’s Literature: Science and Faith in The Water-Babies’. Children’s Literature: New Approaches. New York: Palgrave Macmillan, 2004. 118–143. Web. <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=270584>.
Hawlin, Stefan. The Complete Critical Guide to Robert Browning. London: Routledge, 2002. Print.
---. The Complete Critical Guide to Robert Browning. London: Routledge, 2002. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=237335>.
Homans, Margaret. Royal Representations: Queen Victoria and British Culture, 1837-1876. University of Chicago Presss, 1998. Print.
---. Royal Representations: Queen Victoria and British Culture, 1837-1876. Chicago: University of Chicago Press, 1998. Web. <http://hdl.handle.net/2027/heb.04512>.
Hutter, Albert D. ‘Nation and Generation in A Tale of Two Cities’. PMLA 93.3 (1978): n. pag. Web.
Jackson, Russell. Victorian Theatre. London: Black, 1989. Print.
Johnson, E. D. H. The Alien Vision of Victorian Poetry. Princeton, Ill: Princeton University Press, 1952. Print.
Jordan, Elaine. Alfred Tennyson. Cambridge: Cambridge University Press, 1988. Print.
Kent, Susan Kingsley. Sex and Suffrage in Britain, 1860-1914. Princeton, N.J.: Princeton University Press, 1987. Print.
---. Sex and Suffrage in Britain: 1860-1914. N.p., 2014. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3030614>.
Kingsley, Charles. The Water Babies. Hertfordshire: Wordsworth, 1994. Print.
Knoepflmacher, U. C. George Eliot’s Early Novels: The Limits of Realism. Berkeley: University of California Press, 1968. Print.
Leaver, Kristen. ‘Victorian Melodrama and the Performance of Poverty’. Victorian Literature and Culture 27.02 (1999): 443–456. Web.
Levine, George. How to Read the Victorian Novel. Malden, Mass: Blackwell, 2008. Print.
lserman, Helmut. ‘Radicalism in the Melodrama of the Early Nineteenth-Century’. Melodrama: The Cultural Emergence of a Genre. Basingstoke: Macmillan, 1996. 191–207. Print.
Lukacs, Gyorgy. The Historical Novel. London: Merlin, 1962. Print.
Marcus, Steven. Engels, Manchester and the Working Class. London: Weidenfeld and Nicolson, 1974. Print.
Marsh, Jan. Christina Rossetti: A Literary Biography. London: Cape, 1994. Print.
---. The Pre-Raphaelite Sisterhood. London: Quartet, 1985. Print.
Matthews, Samantha. Poetical Remains: Poets’ Graves, Bodies, and Books in the Nineteenth Century. Oxford: Oxford University Press, 2004. Print.
---. Poetical Remains : Poets’ Graves, Bodies and Books in the Nineteenth Century. Oxford: Oxford University Press, 2004. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=422660>.
---. Poetical Remains : Poets’ Graves, Bodies and Books in the Nineteenth Century. Oxford: Oxford University Press, 2004. Print.
---. Poetical Remains: Poets’ Graves, Bodies and Books in the Nineteenth Century. Oxford: Oxford University Press, 2004. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=422660>.
Matus, Jill L. Unstable Bodies: Victorian Representations of Sexuality and Maternity. Manchester: Manchester University Press, 1995. Print.
Mayer, David. ‘Encountering Melodrama’. The Cambridge Companion to Victorian and Edwardian Theatre. Cambridge: Cambridge University Press, 2004. 145–163. Print.
---. ‘Encountering Melodrama’. The Cambridge Companion to Victorian and Edwardian Theatre. Cambridge: Cambridge University Press, 2004. 145–163. Web.
McClintock, Captain James. A Narrative of the Discovery of the Fate of Sir John Franklin and His Companions. N.p., 1859. Web. <https://archive.org/details/voyageoffoxinarc00mcli_0>.
McDonagh, Josephine. ‘Child-Murder Narratives in George Eliot’s Adam Bede: Embedded Histories and Fictional Representation’. Nineteenth-Century Literature 56.2 (2001): 228–259. Web.
Mill, John Stuart. ‘A Crisis in My Mental History’. Autobiography. London: Penguin, 1989. Print.
Miller, J. Hillis. Charles Dickens: The World of His Novels. Cambridge, Mass: Harvard University Press, 1958. Print.
---. The Form of Victorian Fiction: Thackeray, Dickens, Trollope, George Eliot, Meredith and Hardy. v.2. Notre Dame, [Ind.]: University of Notre Dame Press, 1968. Print.
---. The Form of Victorian Fiction: Thackeray, Dickens, Trollope, George Eliot, Meredith, and Hardy. Vol. 2. London: University of Notre Dame Press, 1968. Print.
Moretti, Franco. The Way of the World: The Bildungsroman in European Culture. New ed. London: Verso, 2000. Print.
---. The Way of the World: The Bildungsroman in European Culture. London: Verso, 2000. Print.
Morris, William. ‘The Tune of Seven Towers | Victorian Web’. N.p., n.d. Web. <http://www.victorianweb.org/authors/morris/7towers.html>.
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Munich, Adrienne. Queen Victoria’s Secrets. New York: Columbia University Press, 1996. Print.
Nightingale, Florence. Cassandra. Old Westbury, N.Y.: Feminist Press, 1979. Print.
---. ‘Cassandra’. Cassandra: And Other Selections from Suggestions For Thought. Ed. Mary Poovey. London: Pickering & Chatto, 1991. 205–232. Print.
Nord, Deborah Epstein. Walking the Victorian Streets: Women Representation and the City. Ithaca, N.Y.: Cornell University Press, 1995. Print.
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Pinero, Arthur Wing. The Second Mrs. Tanqueray. [London]: Bloomsbury, 2013. Web. <http://dx.doi.org/10.5040/9781408189221.00000013>.
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---. Uneven Developments: The Ideological Work of Gender in Mid-Victorian England. London: Virago, 1989. Print.
Powell, Kerry. The Cambridge Companion to Victorian and Edwardian Theatre. Cambridge: Cambridge University Press, 2004. Print.
---. The Cambridge Companion to Victorian and Edwardian Theatre. Cambridge: Cambridge University Press, 2004. Web.
Prickett, Stephen. Victorian Fantasy. Hassocks: Harvester, 1979. Print.
---. Victorian Fantasy. Waco, Tex: Baylor University Press, 2005. Print.
Queen Victoria, and Arthur Helps. Leaves From the Journal of Our Life in the Highlands From 1848 to 1861. Memphis: General Books, 2012. Print.
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Redmond, James. Melodrama. Cambridge: Cambridge University Press, 1992. Print.
Reed, John R. ‘Soldier Boy: Forming Masculinity in Adam Bede’. Studies in the Novel 33.3 (2001): 268–284. Web. <http://www.jstor.org/stable/29533455?seq=1#page_scan_tab_contents>.
Richards, Thomas. The Commodity Culture of Victorian England: Advertising and Spectacle, 1851-1914. London: Verso, 1991. Print.
Rimmon-Kenan, Shlomith. Narrative Fiction: Contemporary Poetics. London: Routledge, 1989. Print.
---. Narrative Fiction: Contemporary Poetics. London: Routledge, 2002. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=181642>.
Rodensky, Lisa. The Crime in Mind: Criminal Responsibility and the Victorian Novel. New York: Oxford University Press, 2003. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=280985>.
---. The Crime in Mind: Criminal Responsibility and the Victorian Novel. New York: Oxford University Press, 2003. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780198034353>.
Roe, Dinah. Christina Rossetti’s Faithful Imagination: The Devotional Poetry and Prose. Basingstoke: Palgrave Macmillan, 2006. Print.
---. Christina Rossetti’s Faithful Imagination: The Devotional Poetry and Prose. Basingstoke: Palgrave Macmillan, 2006. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=293720>.
---. The Pre-Raphaelites: From Rossetti to Ruskin. London: Penguin, 2010. Print.
Rosenblum, Dolores. ‘Christina Rossetti’s Religious Poetry: Watching, Looking, Keeping Vigil’. Victorian Poetry 20.1 (1982): 33–49. Web.
Rossetti, Christina. Goblin Market and Selected Poems. [Whitefish, Montana]: Kessinger Publishing, 2004. Print.
---. ‘“Goblin Market”, “In an Artist’s Studio”, “Song [When I Am Dead My Dearest]”, “A Better Resurrection”, “Autumn Violets” and “Cousin Kate”’. Selected Poems. London: Bloomsbury Poetry Classics, 1992. Print.
---. ‘Long Barren | The Bard on the Hill’. N.p., n.d. Web. <https://thebardonthehill.wordpress.com/2015/08/05/long-barren-by-christina-rossetti/>.
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Said, Edward W. Beginnings: Intention and Method. London: Granta, 1998. Print.
---. Orientalism. Harmondsworth: Penguin, 1991. Print.
Schmidt, Michael. The Novel: A Biography. Cambridge: The Belknap Press of Harvard University Press, 2014. Print.
Schor, Hilary M. Scheherezade in the Marketplace: Elizabeth Gaskell and the Victorian Novel. New York: Oxford University Press, 1992. Print.
Sedgwick, Eve Kosofsky. The Coherence of Gothic Conventions. London: Methuen, 1986. Print.
Shuttleworth, Sally. George Eliot and Nineteenth-Century Science: The Make Believe of a Beginning. Cambridge: Cambridge University Press, 1984. Print.
Slater, Michael. Dickens and Women. London: Dent, 1983. Print.
Slinn, E. Warwick. ‘Absence and Desire in Maud’. The Discourse of the Self in Victorian Poetry. Charlottesville, Va: University Press of Virginia, 1991. Print.
---. The Discourse of Self in Victorian Poetry. Charlottesville, Va: University Press of Virginia, 1991. Print.
Smart, Carol. Regulating Womanhood: Historical Essays on Marriage, Motherhood and Sexuality. London: Routledge, 1992. Print.
---. Regulating Womanhood: Historical Essays on Marriage, Motherhood and Sexuality. Routledge, 1992. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=169103>.
Stevenson, Deborah. ‘Sentiment and Significance: The Impossibility of Recovery in the Children’s Literature Canon, or The Drowning of The Water Babies’. The Lion and the Unicorn 21.1 (1997): 112–130. Web.
Stoneman, Patsy. Brontë Transformations: The Cultural Dissemination of Jane Eyre and Wuthering Heights. London: Prentice Hall, 1996. Print.
---. Elizabeth Gaskell. Bloomongton: Indiana University Press, 1987. Print.
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---. Queen Victoria. London: Chatto & Windus, 1921. Print.
Straley, Jessica. ‘Of Beasts and Boys: Kingsley, Spencer, and the Theory of Recapitulation’. Victorian Studies 49.4 (2007): 583–609. Web.
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Swinburne, Algernon Charles. ‘Before the Mirror’. The Oxford Book of Victorian Verse. N.p., 1922. Web. <http://www.bartleby.com/336/431.html>.
Taylor, George. Players and Performances in the Victorian Theatre. Manchester, UK: Manchester University Press, 1989. Print.
---. Players and Performances in the Victorian Theatre. Manchester, UK: Manchester University Press, 1989. Print.
Tennyson, Alfred. Maud. London: Athlone, 1986. Print.
‘The Queen in the Highlands and Islands’. The London Quarterly Review January (1868): 27–43. Web. <https://search.proquest.com/docview/2480195/E9EE85E068784DF0PQ/9?accountid=11455>.
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Trevor-Roper, Hugh. ‘The Invention of Tradition: The Highland Tradition of Scotland’. The Invention of Tradition. New ed. Cambridge: Cambridge University Press, 1992. Print.
Trollope, Anthony and Trollope Society. The Small House at Allington. London: Trollope Society, 1997. Print.
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---. George Eliot. London: Virago, 1987. Print.
Vanden Bossche, Chris R. ‘Realism Versus Romance: The War of Cultural Codes in Tennyson’s Maud’. Victorian Poetry 24.1 (1986): 69–82. Web. <http://www.jstor.org/stable/40002185?seq=1#page_scan_tab_contents>.
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---. Suffer and Be Still: Women in the Victorian Age. Bloomington: Indiana University Press, 1972. Print.
Walker, John. ‘The Factory Lad’. The Magistrate and Other Nineteenth-Century Plays. London: Oxford University Press, 1974. Print.
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