‘A Special Tale of Two Cities Issue’, Dickens Studies Annual, 12 (1983)
Ackroyd, Peter, Dickens (London: Sinclair-Stevenson, 1990)
Alter, Robert, ‘The Demons of History in Dickens’ Tale of Two Cities’, NOVEL: A Forum on Fiction, 2.2 (1969), 135–42 <http://www.jstor.org/stable/1345395>
Anderson, Amanda, Tainted Souls and Painted Faces (Ithaca: Cornell University Press, 1993)
Armstrong, Isobel, Victorian Poetry: Poetry, Poetics and Politics (London: Routledge, 1993)
———, Victorian Poetry: Poetry, Poetics, and Politics (London: Routledge, 1993)
———, Victorian Poetry: Poetry, Poetics and Politics (London: Routledge, 1993)
———, Victorian Poetry: Poetry, Poetics, and Politics (London: Routledge, 1993)
———, Victorian Poetry: Poetry, Poetics and Politics (London: Routledge, 1993)
———, Victorian Poetry: Poetry, Poetics and Politics (London: Routledge, 1993)
———, Victorian Poetry: Poetry, Poetics, Politics (London: Routledge, 1993) <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13400680250002671&institutionId=2671&customerId=2670>
———, Victorian Poetry: Poetry, Poetics, Politics (London: Routledge, 1993) <http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=10544>
Armstrong, Nancy, Desire and Domestic Fiction: A Political History of the Novel (New York: Oxford University Press, 1987)
———, Desire and Domestic Fiction: A Political History of the Novel (New York: Oxford University Press, 1987)
Arnold, Matthew, ‘The Function of Criticism at the Present Time [Open Access]’, in Essays in Criticism (London: Macmillan, 1888) <https://www.google.co.uk/books/edition/The_Function_of_Criticism_at_the_Present/8GsAAAAAYAAJ?hl=en&gbpv=0>
Arseneau, Mary, The Culture of Christina Rossetti: Female Poetics and Victorian Contexts (Athens: Ohio University Press, 1999)
Avery, Simon, ‘Piety, Poetry, Passion: Contexts for Christina Rossetti’, History Workshop Journal, 40.Autumn (1995), 244–45 <http://www.jstor.org/stable/4289406>
Bakhtin, Mikhail, ‘The Bildungsroman and Its Significance in the History of Realism’, in Speech Genres and Other Late Essays (Austin: University of Texas Press, 1986), no.8
Bakhtin, Mikhail, Michael Holquist, and Caryl Emerson, The Dialogic Imagination (Austin, Tex: University of Texas Press, 1981)
Barker, Juliet, The Brontës: A Life in Letters (London: Viking, 1997)
Barrett, Dorothea, Vocation and Desire: George Eliot’s Heroines (London: Routledge, 1989)
Baugh, Christopher, ‘An Early Performance of The Factory Lad Outside London’, Theatre Notebook, 30 (1976)
Beaumont, Matthew, ‘Heathcliff’s Great Hunger: The Cannibal Other in Wuthering Heights’, Journal of Victorian Culture, 9.2 (2004), 137–63 <https://doi.org/10.3366/jvc.2004.9.2.137>
Beer, Gillian, Darwin’s Plots (London: Routledge, 1983)
———, Darwin’s Plots (Cambridge: Cambridge University Press, 2009) <https://ezproxy01.rhul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Holloway&isbn=9780511765117&uid=^u>
———, Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction (London: Routledge, 1983)
———, Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction (Cambridge: Cambridge University Press, 2009) <https://ezproxy01.rhul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Holloway&isbn=9780511765117&uid=^u>
———, George Eliot (Brighton: Harvester, 1986)
Belsey, Catherine, Critical Practice (London: Methuen, 1980)
———, Critical Practice (London: Routledge, 2002) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=181634>
———, Critical Practice (London: Methuen, 1980)
———, Critical Practice (London: Routledge, 2002) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=181634>
Benjamin, Walter, ‘The Storyteller’, in Illuminations (London: Pimlico, 1999), pp. 83–109
Bloom, Harold, Charles Dickens’s A Tale of Two Cities (New York: Chelsea House Publishers, 1987)
———, The Anxiety of Influence: A Theory of Poetry, 2nd ed (New York: Oxford University Press, 1997)
Booth, Michael R., Theatre in the Victorian Age (Cambridge: Cambridge University Press, 1991)
———, Victorian Spectacular Theatre 1850-1910 (Boston, Mass: Routledge & Kegan Paul, 1981)
Bratton, Jacky, ‘Theatre in the 19th Century | British Library’, 2014 <https://web.archive.org/web/20200805023443/https://www.bl.uk/romantics-and-victorians/articles/19th-century-theatre>
Brian Maidment, The Poorhouse Fugitives: Self Taught Poets and Poetry in Victorian Britain (Fyfield Books, 1992)
Bristow, Joseph, The Cambridge Companion to Victorian Poetry (Cambridge: Cambridge University Press, 2000)
———, ed., The Cambridge Companion to Victorian Poetry (Cambridge: Cambridge University Press, 2000) <https://doi.org/10.1017/CCOL0521641152>
Brontë, Emily, Wuthering Heights (Harmondsworth: Penguin, 1979)
Brown, Monika, ‘Dutch-Painters and British Novel-Readers: Adam Bede in the Context of Victorian Cultural Literacy’, Victorians Institute Journal, 18 (1990), 113–33
Browning, Elizabeth Barrett, ‘Crowned and Wedded’, in The Poetical Works Of Elizabeth Barrett Browning, 1897 <http://literature.proquest.com/searchFulltext.do?id=Z300289068&divLevel=3&area=poetry&DurUrl=Yes&forward=textsFT&queryType=findWork>
———, ‘The Young Queen’, in The Poetical Works Of Elizabeth Barrett Browning, 1897 <http://literature.proquest.com/searchFulltext.do?id=Z200288933&divLevel=2&area=poetry&DurUrl=Yes&forward=textsFT&queryType=findWork>
———, ‘Victoria’s Tears’, in The Poetical Works Of Elizabeth Barrett Browning, 1897 <http://literature.proquest.com/searchFulltext.do?id=Z200288934&divLevel=2&area=poetry&DurUrl=Yes&forward=textsFT&queryType=findWork>
Browning, Robert, ‘“The Pied Piper of Hamelin” “My Last Duchess” “Count Gismond” “Porphyria’s Lover” “Johannes Agricola in Meditation” “Soliloquy of a Spanish Cloister” “Incident of the French Camp”’, in Dramatic Lyrics ([Place of publication not identified]: Kessinger Pub, 2004)
———, The Poems of Browning: Vol. 1: 1826-1840 (Harlow: Longman, 1991)
———, The Poems of Browning: Vol. 2: 1841-1846 (Harlow: Longman, 1991)
Buckley, Jerome H., Tennyson: The Growth of a Poet (Cambridge, Mass: Harvard University Press, 1960)
Bullen, J. B., The Pre-Raphaelite Body: Fear and Desire in Painting, Poetry and Criticism (Oxford: Clarendon Press, 1998)
Byerly, Alison, Realism, Representation and the Arts in Nineteenth-Century Literature (Cambridge: Cambridge University Press, 1997)
Caine, Barbara, English Feminism, 1780-1980 (Oxford: Oxford University Press, 1997)
Carpenter, Humphrey, Secret Gardens: A Study of The Golden Age of Children’s Literature (London: Faber and Faber, 2009)
Chapman, Alison, The Afterlife of Christina Rossetti (Basingstoke: Macmillan, 2000)
———, The Afterlife of Christina Rossetti (Basingstoke: Macmillan, 2000) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=736139>
Christ, Carol T., Victorian and Modern Poetics (Chicago, [Ill.]: University of Chicago Press, 1984)
Clough, Arthur Hugh, Amours De Voyage (Champaign, IL: Book Jungle, 2009)
Collins, Philip, Dickens: Interviews and Recollections (London: Macmillan, 1981)
———, Tennyson: Seven Essays (Basingstoke: Macmillan, 1992)
Collins, Wilkie, and Charles Dickens, Under the Management of Mr. Charles Dickens: His Production of ‘The Frozen Deep’ (Ithaca, N.Y.: Cornell University Press, 1966)
Connor, Steven, Charles Dickens (Oxford: Blackwell, 1985)
Court, Franklin E., ‘Boots, Barbarism, and the New Order in Dickens’ Tale of Two Cities’, Victorians Institute Journal, 9 (1980), 29–37
Culler, A. Dwight, The Poetry of Tennyson (New Haven: Yale University Press, 1977)
Cunningham, Valentine, Everywhere Spoken Against: Dissent in the Victorian Novel (Oxford: Clarendon, 1975)
———, ‘Soiled Fairy: The Water-Babies in Its Time’, Essays in Criticism, XXXV.2 (1985), 121–48 <https://doi.org/10.1093/eic/XXXV.2.121>
Curran, Stuart, ‘The Lyric Voice of Christina Rossetti’, Victorian Poetry, 9.3 (1971), 287–99 <http://www.jstor.org/stable/40001569>
Davidoff, Leonore, and Catherine Hall, Family Fortunes: Men and Women of the English Middle Class, 1780-1850, Third edition (London: Routledge, 2019)
Davies, Stevie, Emily Bronte (Plymouth: Northcote House, 1998)
Davis, Philip, and Jonathan Bate, The Victorians (Oxford: Oxford University Press, 2002), The Oxford English Literary History, Volume 8
Davis, T., and P. Holland, The Performing Century: Nineteenth-Century Theatre’s History (London: Palgrave Macmillan Limited, 2007) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=367930>
Davis, Tracy C., and Peter Holland, The Performing Century: Nineteenth-Century Theatre’s History (Basingstoke: Palgrave Macmillan, 2007)
Dickens, Charles, A Tale of Two Cities (Harmondsworth: Penguin, 1970)
Douglas-Fairhurst, Robert, Victorian Afterlives: The Shaping of Influence in Nineteenth-Century Literature (Oxford: Oxford University Press, 2007)
———, Victorian Afterlives: The Shaping of Influence in Nineteenth-Century Literature (Oxford: Oxford University Press, 2002)
Eagleton, Terry, Heathcliff and the Great Hunger (London: Verso, 1995)
———, Myths of Power: A Marxist Study of the Brontës (London: Macmillan, 1975)
Easson, Angus, Elizabeth Gaskell: The Critical Heritage (London: Routledge, 1991)
Eliot, George, Adam Bede (Harmondsworth: Penguin, 1980)
———, ‘The Natural History of German Life’, Westminster Review, 10 (1856) <https://literature.proquest.com/searchFulltext.do?id=Z000731235&divLevel=0&area=prose&DurUrl=Yes&forward=textsFT&queryType=findWork&rft_source=primo>
Estill, Robin, ‘The Factory Lad: Melodrama as Propaganda’, Theatre Quarterly, 1 (1971), 22–26
Fasick, Laura, ‘The Failure of Fatherhood: Maleness and Its Discontents in Charles Kingsley’, Children’s Literature Association Quarterly, 18.3 (1993), 106–11 <https://doi.org/10.1353/chq.0.0936>
Flint, Kate, Dickens (Brighton, Sussex: Harvester Press, 1986)
Forster, John, and A. J. Hoppé (ed.), The Life of Charles Dickens, New ed., with notes and an index by A. J. Hoppé (London: Dent, 1966)
Foster, Shirley, Elizabeth Gaskell: A Literary Life (Basingstoke: Palgrave Macmillan, 2002), Literary lives
Garrett, Martin, A Browning Chronology: Elizabeth Barrett and Robert Browning (Basingstoke: Palgrave, 2000)
Gaskell, Elizabeth, Mary Barton (Oxford: Oxford University Press, 1987)
Gilbert, Sandra M., and Susan Gubar, The Madwoman in the Attic (New Haven: Yale University Press, 1979)
Giogione, ‘A Venetian Pastoral’, in The Germ: Thoughts Towards Nature in Poetry, Literature and Art, 1850 (London: Guild of Women Binders, 1898), pp. 260–260 <https://contentstore.cla.co.uk/secure/link?id=1e35fc8d-509a-e811-80cd-005056af4099>
Glancy, Ruth F, A Tale of Two Cities: Dickens’ Revolutionary Novel (Boston: Twayne Publishers, 1991)
Glen, Heather, The Cambridge Companion to the Brontës (Cambridge: Cambridge University Press, 2002)
———, The Cambridge Companion to the Brontës (Cambridge: Cambridge University Press, 2002) <https://doi.org/10.1017/CCOL0521770270>
Glover, David, and Cora Caplan, ‘Femininity and Feminism’, in Genders (London: Routledge, 2000)
Gosse, Edmund, ‘The Character of Queen Victoria’, The Quarterly Review, 193.386 (1901), 301–37 <https://search.proquest.com/docview/2491873?accountid=11455&rfr_id=info%3Axri%2Fsid%3Aprimo>
Gould, Rosemary, ‘The History of an Unnatural Act: Infanticide and Adam Bede’, Victorian Literature and Culture, 25.02 (1997), 263–77 <https://doi.org/10.1017/S1060150300004782>
Gravil, Richard, ‘Negotiating Mary Barton’, in Master Narratives: Tellers and Telling in the English Novel (Burlington, Vt: Ashgate, 2001)
———, ‘Negotiating Mary Barton’, in Master Narratives: Tellers and Telling in the English Novel (Tirril, Penrith (Cumbria): Humanities Ebooks, 2007), pp. 126–47 <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3306050>
Greiner, Rae, ‘Adam Bede: History’s Maggots’, in A Companion to George Eliot, ed. by Amanda Anderson and Harry E. Shaw (Chichester, West Sussex: Wiley Blackwell, 2015), Blackwell companions to literature and culture, 105–16
———, Sympathetic Realism in Nineteenth-Century British Fiction (Baltimore, Maryland: The Johns Hopkins University Press, 2012) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3318642>
Griffiths, Eric, The Printed Voice of Victorian Poetry (Oxford: Clarendon, 1989)
Guest, Harriet, ‘The Deep Romance of Manchester: Gaskell’s Mary Barton’, in The Regional Novel in Britain and Ireland, 1800-1990 (Cambridge: Cambridge University Press, 1998)
Hadley, Elaine, Melodramatic Tactics: Theatricalized Dissent in the English Marketplace, 1800-1885 (Stanford, Calif: Stanford University Press, 1995)
Hair, Donald S., Robert Browning’s Language (Toronto: University of Toronto Press, 1999)
———, Robert Browning’s Language (Toronto: University of Toronto Press, 1999) <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=4671915>
———, Tennyson’s Language (Toronto: University of Toronto Press, 1991)
Hardy, Thomas, Tess of the D’Urbervilles (Peterborough, Ont: Broadview, 1996)
Harper, Lila Marz, ‘Children’s Literature: Science and Faith in The Water-Babies’, in Children’s Literature: New Approaches (New York: Palgrave Macmillan, 2004), pp. 118–43
———, ‘Children’s Literature: Science and Faith in The Water-Babies’, in Children’s Literature: New Approaches (New York: Palgrave Macmillan, 2004), pp. 118–43 <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=270584>
Hawlin, Stefan, The Complete Critical Guide to Robert Browning (London: Routledge, 2002)
———, The Complete Critical Guide to Robert Browning (London: Routledge, 2002) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=237335>
Homans, Margaret, Royal Representations: Queen Victoria and British Culture, 1837-1876 (University of Chicago Presss, 1998)
———, Royal Representations: Queen Victoria and British Culture, 1837-1876 (Chicago: University of Chicago Press, 1998) <http://hdl.handle.net/2027/heb.04512>
Hutter, Albert D., ‘Nation and Generation in A Tale of Two Cities’, PMLA, 93.3 (1978) <https://doi.org/10.2307/461866>
Jackson, Russell, Victorian Theatre (London: Black, 1989)
Johnson, E. D. H., The Alien Vision of Victorian Poetry (Princeton, Ill: Princeton University Press, 1952)
Jordan, Elaine, Alfred Tennyson (Cambridge: Cambridge University Press, 1988)
Kent, Susan Kingsley, Sex and Suffrage in Britain, 1860-1914 (Princeton, N.J.: Princeton University Press, 1987)
———, Sex and Suffrage in Britain: 1860-1914, 2014 <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3030614>
Kingsley, Charles, The Water Babies (Hertfordshire: Wordsworth, 1994)
Knoepflmacher, U. C., George Eliot’s Early Novels: The Limits of Realism (Berkeley: University of California Press, 1968)
Leaver, Kristen, ‘Victorian Melodrama and the Performance of Poverty’, Victorian Literature and Culture, 27.02 (1999), 443–56 <https://doi.org/10.1017/S1060150399272051>
Levine, George, How to Read the Victorian Novel (Malden, Mass: Blackwell, 2008)
lserman, Helmut, ‘Radicalism in the Melodrama of the Early Nineteenth-Century’, in Melodrama: The Cultural Emergence of a Genre (Basingstoke: Macmillan, 1996), pp. 191–207
Lukacs, Gyorgy, The Historical Novel (London: Merlin, 1962)
Marcus, Steven, Engels, Manchester and the Working Class (London: Weidenfeld and Nicolson, 1974)
Marsh, Jan, Christina Rossetti: A Literary Biography (London: Cape, 1994)
———, The Pre-Raphaelite Sisterhood (London: Quartet, 1985)
Matthews, Samantha, Poetical Remains: Poets’ Graves, Bodies, and Books in the Nineteenth Century (Oxford: Oxford University Press, 2004)
———, Poetical Remains : Poets’ Graves, Bodies and Books in the Nineteenth Century (Oxford: Oxford University Press, 2004) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=422660>
———, Poetical Remains : Poets’ Graves, Bodies and Books in the Nineteenth Century (Oxford: Oxford University Press, 2004)
———, Poetical Remains: Poets’ Graves, Bodies and Books in the Nineteenth Century (Oxford: Oxford University Press, 2004) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=422660>
Matus, Jill L., Unstable Bodies: Victorian Representations of Sexuality and Maternity (Manchester: Manchester University Press, 1995)
Mayer, David, ‘Encountering Melodrama’, in The Cambridge Companion to Victorian and Edwardian Theatre (Cambridge: Cambridge University Press, 2004), pp. 145–63
———, ‘Encountering Melodrama’, in The Cambridge Companion to Victorian and Edwardian Theatre (Cambridge: Cambridge University Press, 2004), pp. 145–63 <https://doi.org/10.1017/CCOL052179157X.009>
McClintock, Captain James, A Narrative of the Discovery of the Fate of Sir John Franklin and His Companions, 1859 <https://archive.org/details/voyageoffoxinarc00mcli_0>
McDonagh, Josephine, ‘Child-Murder Narratives in George Eliot’s Adam Bede: Embedded Histories and Fictional Representation’, Nineteenth-Century Literature, 56.2 (2001), 228–59 <https://doi.org/10.1525/ncl.2001.56.2.228>
Mill, John Stuart, ‘A Crisis in My Mental History’, in Autobiography (London: Penguin, 1989)
Miller, J. Hillis, Charles Dickens: The World of His Novels (Cambridge, Mass: Harvard University Press, 1958)
———, The Form of Victorian Fiction: Thackeray, Dickens, Trollope, George Eliot, Meredith and Hardy (Notre Dame, [Ind.]: University of Notre Dame Press, 1968), v.2
———, The Form of Victorian Fiction: Thackeray, Dickens, Trollope, George Eliot, Meredith, and Hardy (London: University of Notre Dame Press, 1968), ii
Moretti, Franco, The Way of the World: The Bildungsroman in European Culture, New ed (London: Verso, 2000)
———, The Way of the World: The Bildungsroman in European Culture (London: Verso, 2000)
Morris, William, ‘The Tune of Seven Towers | Victorian Web’ <http://www.victorianweb.org/authors/morris/7towers.html>
———, ‘“The Tune of Seven Towers” and “The Blue Closet”’, in The Pre-Raphaelites: From Rossetti to Ruskin (London: Penguin, 2010)
Munich, Adrienne, Queen Victoria’s Secrets (New York: Columbia University Press, 1996)
Nightingale, Florence, Cassandra (Old Westbury, N.Y.: Feminist Press, 1979)
———, ‘Cassandra’, in Cassandra: And Other Selections from Suggestions For Thought, ed. by Mary Poovey (London: Pickering & Chatto, 1991), pp. 205–32
Nord, Deborah Epstein, Walking the Victorian Streets: Women Representation and the City (Ithaca, N.Y.: Cornell University Press, 1995)
Oxford Bibliographies Online
Pinero, Arthur Wing, The Second Mrs. Tanqueray ([London]: Bloomsbury, 2013) <http://dx.doi.org/10.5040/9781408189221.00000013>
———, The Second Mrs Tanqueray: A Play in Four Acts (London: Heinemann, 1895)
Poovey, Mary, ‘A Housewifely Woman: The Social Construction of Florence Nightingale’, in Uneven Developments (London: Virago, 1989)
———, Uneven Developments: The Ideological Work of Gender in Mid-Victorian England (London: Virago, 1989)
Powell, Kerry, The Cambridge Companion to Victorian and Edwardian Theatre (Cambridge: Cambridge University Press, 2004)
———, The Cambridge Companion to Victorian and Edwardian Theatre (Cambridge: Cambridge University Press, 2004) <https://doi.org/10.1017/CCOL052179157X>
Prickett, Stephen, Victorian Fantasy (Hassocks: Harvester, 1979)
———, Victorian Fantasy (Waco, Tex: Baylor University Press, 2005)
Queen Victoria, and Arthur Helps, Leaves From the Journal of Our Life in the Highlands From 1848 to 1861 (Memphis: General Books, 2012)
Raymond, William O., The Infinite Moment, 2nd enl.ed (Toronto: University of Toronto Press, 1965)
Redmond, James, Melodrama (Cambridge: Cambridge University Press, 1992)
Reed, John R., ‘Soldier Boy: Forming Masculinity in Adam Bede’, Studies in the Novel, 33.3 (2001), 268–84 <http://www.jstor.org/stable/29533455?seq=1#page_scan_tab_contents>
Richards, Thomas, The Commodity Culture of Victorian England: Advertising and Spectacle, 1851-1914 (London: Verso, 1991)
Rimmon-Kenan, Shlomith, Narrative Fiction: Contemporary Poetics (London: Routledge, 1989)
———, Narrative Fiction: Contemporary Poetics (London: Routledge, 2002) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=181642>
Rodensky, Lisa, The Crime in Mind: Criminal Responsibility and the Victorian Novel (New York: Oxford University Press, 2003) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=280985>
———, The Crime in Mind: Criminal Responsibility and the Victorian Novel (New York: Oxford University Press, 2003) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780198034353>
Roe, Dinah, Christina Rossetti’s Faithful Imagination: The Devotional Poetry and Prose (Basingstoke: Palgrave Macmillan, 2006)
———, Christina Rossetti’s Faithful Imagination: The Devotional Poetry and Prose (Basingstoke: Palgrave Macmillan, 2006) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=293720>
———, The Pre-Raphaelites: From Rossetti to Ruskin (London: Penguin, 2010)
Rosenblum, Dolores, ‘Christina Rossetti’s Religious Poetry: Watching, Looking, Keeping Vigil’, Victorian Poetry, 20.1 (1982), 33–49 <https://doi.org/10.2307_40003689>
Rossetti, Christina, Goblin Market and Selected Poems ([Whitefish, Montana]: Kessinger Publishing, 2004)
———, ‘“Goblin Market”, “In an Artist’s Studio”, “Song [When I Am Dead My Dearest]”, “A Better Resurrection”, “Autumn Violets” and “Cousin Kate”’, in Selected Poems (London: Bloomsbury Poetry Classics, 1992)
———, ‘Long Barren | The Bard on the Hill’ <https://thebardonthehill.wordpress.com/2015/08/05/long-barren-by-christina-rossetti/>
Rowell, George, The Victorian Theatre: A Survey (Oxford U.P, 1956)
Said, Edward W., Beginnings: Intention and Method (London: Granta, 1998)
———, Orientalism (Harmondsworth: Penguin, 1991)
Schmidt, Michael, The Novel: A Biography (Cambridge: The Belknap Press of Harvard University Press, 2014)
Schor, Hilary M., Scheherezade in the Marketplace: Elizabeth Gaskell and the Victorian Novel (New York: Oxford University Press, 1992)
Sedgwick, Eve Kosofsky, The Coherence of Gothic Conventions (London: Methuen, 1986)
Shuttleworth, Sally, George Eliot and Nineteenth-Century Science: The Make Believe of a Beginning (Cambridge: Cambridge University Press, 1984)
Slater, Michael, Dickens and Women (London: Dent, 1983)
Slinn, E. Warwick, ‘Absence and Desire in Maud’, in The Discourse of the Self in Victorian Poetry (Charlottesville, Va: University Press of Virginia, 1991)
———, The Discourse of Self in Victorian Poetry (Charlottesville, Va: University Press of Virginia, 1991)
Smart, Carol, Regulating Womanhood: Historical Essays on Marriage, Motherhood and Sexuality (London: Routledge, 1992)
———, Regulating Womanhood: Historical Essays on Marriage, Motherhood and Sexuality (Routledge, 1992) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=169103>
Stevenson, Deborah, ‘Sentiment and Significance: The Impossibility of Recovery in the Children’s Literature Canon, or The Drowning of The Water Babies’, The Lion and the Unicorn, 21.1 (1997), 112–30 <https://doi.org/10.1353/uni.1997.0010>
Stoneman, Patsy, Brontë Transformations: The Cultural Dissemination of Jane Eyre and Wuthering Heights (London: Prentice Hall, 1996)
———, Elizabeth Gaskell (Bloomongton: Indiana University Press, 1987)
Strachey, Lytton, Eminent Victorians (London: Chatto and Windus, 1918)
———, Queen Victoria (London: Chatto & Windus, 1921)
Straley, Jessica, ‘Of Beasts and Boys: Kingsley, Spencer, and the Theory of Recapitulation’, Victorian Studies, 49.4 (2007), 583–609 <https://doi.org/10.2979/VIC.2007.49.4.583>
Svensen, Kristine, ‘Protection or Restriction? Women’s Labour in Mary Barton’, The Gaskell Journal, 7 (1993), 50–66
Swinburne, Algernon Charles, ‘Before the Mirror’, in The Oxford Book of Victorian Verse, 1922 <http://www.bartleby.com/336/431.html>
Taylor, George, Players and Performances in the Victorian Theatre (Manchester, UK: Manchester University Press, 1989)
———, Players and Performances in the Victorian Theatre (Manchester, UK: Manchester University Press, 1989)
Tennyson, Alfred, Maud (London: Athlone, 1986)
‘The Queen in the Highlands and Islands’, The London Quarterly Review, January (1868), 27–43 <https://search.proquest.com/docview/2480195/E9EE85E068784DF0PQ/9?accountid=11455>
‘The Victorian Theatre Research Web’
Trevor-Roper, Hugh, ‘The Invention of Tradition: The Highland Tradition of Scotland’, in The Invention of Tradition, New ed (Cambridge: Cambridge University Press, 1992)
Trollope, Anthony and Trollope Society, The Small House at Allington (London: Trollope Society, 1997)
Tucker, Herbert F., Browning’s Beginnings: The Art of Disclosure (Minneapolis, Minn: University of Minnesota Press, 1980)
———, Browning’s Beginnings: The Art of Disclosure (Minneapolis, Minn: University of Minnesota Press, 1980)
Uffelman, Larry K., Charles Kingsley (Twayne Publishers, 1979)
Uglow, Jennifer, Elizabeth Gaskell: A Habit of Stories (London: Faber and Faber, 1993)
———, George Eliot (London: Virago, 1987)
Vanden Bossche, Chris R., ‘Realism Versus Romance: The War of Cultural Codes in Tennyson’s Maud’, Victorian Poetry, 24.1 (1986), 69–82 <http://www.jstor.org/stable/40002185?seq=1#page_scan_tab_contents>
Vicinus, Martha, A Widening Sphere (Bloomington: Indiana University Press, 1977)
———, Suffer and Be Still: Women in the Victorian Age (Bloomington: Indiana University Press, 1972)
Walker, John, ‘The Factory Lad’, in The Magistrate and Other Nineteenth-Century Plays (London: Oxford University Press, 1974)
Weintraub, Stanley, Victoria: An Intimate Biography (New York: Dutton, 1987)
Williams, Raymond, The Country and the City (London: Chatto & Windus, 1973)
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