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A. Easson, Elizabeth Gaskell: The Critical Heritage. London: Routledge, 1991.
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H. Guest, ‘The Deep Romance of Manchester: Gaskell’s Mary Barton’, in The Regional Novel in Britain and Ireland, 1800-1990, Cambridge: Cambridge University Press, 1998.
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Brian Maidment, The Poorhouse Fugitives: Self Taught Poets and Poetry in Victorian Britain. Fyfield Books, 1992.
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H. M. Schor, Scheherezade in the Marketplace: Elizabeth Gaskell and the Victorian Novel. New York: Oxford University Press, 1992.
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K. Svensen, ‘Protection or Restriction? Women’s Labour in Mary Barton’, The Gaskell Journal, vol. 7, pp. 50–66, 1993.
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C. Smart, Regulating Womanhood: Historical Essays on Marriage, Motherhood and Sexuality. London: Routledge, 1992.
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C. Smart, Regulating Womanhood: Historical Essays on Marriage, Motherhood and Sexuality. Routledge, 1992 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=169103
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M. Vicinus, Suffer and Be Still: Women in the Victorian Age. Bloomington: Indiana University Press, 1972.
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J. S. Mill, ‘A Crisis in My Mental History’, in Autobiography, London: Penguin, 1989.
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I. Armstrong, Victorian Poetry: Poetry, Poetics and Politics. London: Routledge, 1993.
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J. Bristow, The Cambridge Companion to Victorian Poetry. Cambridge: Cambridge University Press, 2000.
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H. Bloom, The Anxiety of Influence: A Theory of Poetry, 2nd ed. New York: Oxford University Press, 1997.
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R. Browning, ‘“The Pied Piper of Hamelin” “My Last Duchess” “Count Gismond” “Porphyria’s Lover” “Johannes Agricola in Meditation” “Soliloquy of a Spanish Cloister” “Incident of the French Camp”’, in Dramatic Lyrics, [Place of publication not identified]: Kessinger Pub, 2004.
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D. S. Hair, Robert Browning’s Language. Toronto: University of Toronto Press, 1999.
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S. Hawlin, The Complete Critical Guide to Robert Browning. London: Routledge, 2002.
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I. Armstrong, Victorian Poetry: Poetry, Poetics, Politics. London: Routledge, 1993 [Online]. Available: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13400680250002671&institutionId=2671&customerId=2670
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S. Matthews, Poetical Remains: Poets’ Graves, Bodies, and Books in the Nineteenth Century. Oxford: Oxford University Press, 2004.
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H. F. Tucker, Browning’s Beginnings: The Art of Disclosure. Minneapolis, Minn: University of Minnesota Press, 1980.
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E. W. Slinn, The Discourse of Self in Victorian Poetry. Charlottesville, Va: University Press of Virginia, 1991.
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R. Browning, The Poems of Browning: Vol. 1: 1826-1840. Harlow: Longman, 1991.
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A. Tennyson, Maud. London: Athlone, 1986.
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E. Griffiths, The Printed Voice of Victorian Poetry. Oxford: Clarendon, 1989.
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E. W. Slinn, ‘Absence and Desire in Maud’, in The Discourse of the Self in Victorian Poetry, Charlottesville, Va: University Press of Virginia, 1991.
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W. Morris, ‘“The Tune of Seven Towers” and “The Blue Closet”’, in The Pre-Raphaelites: From Rossetti to Ruskin, London: Penguin, 2010.
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A. C. Swinburne, ‘Before the Mirror’, in The Oxford Book of Victorian Verse, 1922 [Online]. Available: http://www.bartleby.com/336/431.html
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C. Rossetti, Goblin Market and Selected Poems. [Whitefish, Montana]: Kessinger Publishing, 2004.
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C. Rossetti, ‘“Goblin Market”, “In an Artist’s Studio”, “Song [When I am Dead My Dearest]”, “A Better Resurrection”, “Autumn Violets” and “Cousin Kate”’, in Selected Poems, London: Bloomsbury Poetry Classics, 1992.
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M. Arseneau, The Culture of Christina Rossetti: Female Poetics and Victorian Contexts. Athens: Ohio University Press, 1999.
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J. Marsh, Christina Rossetti: A Literary Biography. London: Cape, 1994.
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K. Powell, The Cambridge Companion to Victorian and Edwardian Theatre. Cambridge: Cambridge University Press, 2004.
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C. Baugh, ‘An Early Performance of The Factory Lad Outside London’, Theatre Notebook, vol. 30, 1976.
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R. Estill, ‘The Factory Lad: Melodrama as Propaganda’, Theatre Quarterly, vol. 1, pp. 22–26, 1971.
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D. Mayer, ‘Encountering Melodrama’, in The Cambridge Companion to Victorian and Edwardian Theatre, Cambridge: Cambridge University Press, 2004, pp. 145–163.
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L. Rodensky, The Crime in Mind: Criminal Responsibility and the Victorian Novel. New York: Oxford University Press, 2003 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780198034353
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