1.
Queen Victoria, Helps, A.: Leaves From the Journal of Our Life in the Highlands From 1848 to 1861. General Books, Memphis (2012).
2.
Gosse, E.: The Character of Queen Victoria. The Quarterly Review. 193, 301–337 (1901).
3.
Homans, M.: Royal Representations: Queen Victoria and British Culture, 1837-1876. University of Chicago Presss (1998).
4.
Homans, M.: Royal Representations: Queen Victoria and British Culture, 1837-1876. University of Chicago Press, Chicago (1998).
5.
Munich, A.: Queen Victoria’s Secrets. Columbia University Press, New York (1996).
6.
The Queen in the Highlands and Islands. The London Quarterly Review. January, 27–43 (1868).
7.
Strachey, L.: Queen Victoria. Chatto & Windus, London (1921).
8.
Trevor-Roper, H.: The Invention of Tradition: The Highland Tradition of Scotland. In: The Invention of Tradition. Cambridge University Press, Cambridge (1992).
9.
Weintraub, S.: Victoria: An Intimate Biography. Dutton, New York (1987).
10.
Woodham-Smith, C.: Queen Victoria: Her Life and Times, Vol.1: 1819-1861. Hamilton, London (1972).
11.
Browning, E.B.: The Young Queen. In: The Poetical Works Of Elizabeth Barrett Browning (1897).
12.
Browning, E.B.: Victoria’s Tears. In: The Poetical Works Of Elizabeth Barrett Browning (1897).
13.
Browning, E.B.: Crowned and Wedded. In: The Poetical Works Of Elizabeth Barrett Browning (1897).
14.
Bakhtin, M.: The Bildungsroman and its Significance in the History of Realism. In: Speech Genres and Other Late Essays. University of Texas Press, Austin (1986).
15.
Moretti, F.: The Way of the World: The Bildungsroman in European Culture. Verso, London (2000).
16.
Schmidt, M.: The novel: a biography. The Belknap Press of Harvard University Press, Cambridge (2014).
17.
Levine, G.: How to read the Victorian novel. Blackwell, Malden, Mass (2008).
18.
Miller, J.H.: The form of Victorian fiction: Thackeray, Dickens, Trollope, George Eliot, Meredith and Hardy. University of Notre Dame Press, Notre Dame, [Ind.] (1968).
19.
Brontë, E.: Wuthering Heights. Penguin, Harmondsworth (1979).
20.
Barker, J.: The Brontës: A Life in Letters. Viking, London (1997).
21.
Beaumont, M.: Heathcliff’s Great Hunger: The Cannibal Other in Wuthering Heights. Journal of Victorian Culture. 9, 137–163 (2004). https://doi.org/10.3366/jvc.2004.9.2.137.
22.
Davies, S.: Emily Bronte. Northcote House, Plymouth (1998).
23.
Eagleton, T.: Heathcliff and the Great Hunger. Verso, London (1995).
24.
Eagleton, T.: Myths of Power: A Marxist Study of the Brontës. Macmillan, London (1975).
25.
Gilbert, S.M., Gubar, S.: The Madwoman in the Attic. Yale University Press, New Haven (1979).
26.
Glen, H.: The Cambridge Companion to the Brontës. Cambridge University Press, Cambridge (2002).
27.
Glen, H.: The Cambridge Companion to the Brontës. Cambridge University Press, Cambridge (2002). https://doi.org/10.1017/CCOL0521770270.
28.
Stoneman, P.: Brontë Transformations: The Cultural Dissemination of Jane Eyre and Wuthering Heights. Prentice Hall, London (1996).
29.
Sedgwick, E.K.: The Coherence of Gothic Conventions. Methuen, London (1986).
30.
Gaskell, E.: Mary Barton. Oxford University Press, Oxford (1987).
31.
Anderson, A.: Tainted Souls and Painted Faces. Cornell University Press, Ithaca (1993).
32.
Belsey, C.: Critical Practice. Methuen, London (1980).
33.
Belsey, C.: Critical Practice. Routledge, London (2002).
34.
Easson, A.: Elizabeth Gaskell: The Critical Heritage. Routledge, London (1991).
35.
Foster, S.: Elizabeth Gaskell: A Literary Life. Palgrave Macmillan, Basingstoke (2002).
36.
Gravil, R.: Negotiating Mary Barton. In: Master Narratives: Tellers and Telling in the English Novel. Ashgate, Burlington, Vt (2001).
37.
Gravil, R.: Negotiating Mary Barton. In: Master Narratives: Tellers and Telling in the English Novel. pp. 126–147. Humanities Ebooks, Tirril, Penrith (Cumbria) (2007).
38.
Guest, H.: The Deep Romance of Manchester: Gaskell’s Mary Barton. In: The Regional Novel in Britain and Ireland, 1800-1990. Cambridge University Press, Cambridge (1998).
39.
Brian Maidment: The Poorhouse Fugitives: Self Taught Poets and Poetry in Victorian Britain. Fyfield Books (1992).
40.
Matus, J.L.: Unstable Bodies: Victorian Representations of Sexuality and Maternity. Manchester University Press, Manchester (1995).
41.
Marcus, S.: Engels, Manchester and the Working Class. Weidenfeld and Nicolson, London (1974).
42.
Schor, H.M.: Scheherezade in the Marketplace: Elizabeth Gaskell and the Victorian Novel. Oxford University Press, New York (1992).
43.
Nord, D.E.: Walking the Victorian Streets: Women Representation and the City. Cornell University Press, Ithaca, N.Y. (1995).
44.
Svensen, K.: Protection or Restriction? Women’s Labour in Mary Barton. The Gaskell Journal. 7, 50–66 (1993).
45.
Stoneman, P.: Elizabeth Gaskell. Indiana University Press, Bloomongton (1987).
46.
Uglow, J.: Elizabeth Gaskell: A Habit of Stories. Faber and Faber, London (1993).
47.
Williams, R.: The Country and the City. Chatto & Windus, London (1973).
48.
Oxford Bibliographies Online.
49.
Nightingale, F.: Cassandra. Feminist Press, Old Westbury, N.Y. (1979).
50.
Nightingale, F.: Cassandra. In: Poovey, M. (ed.) Cassandra: And Other Selections from Suggestions For Thought. pp. 205–232. Pickering & Chatto, London (1991).
51.
Strachey, L.: Eminent Victorians. Chatto and Windus, London (1918).
52.
Vicinus, M.: A Widening Sphere. Indiana University Press, Bloomington (1977).
53.
Caine, B.: English Feminism, 1780-1980. Oxford University Press, Oxford (1997).
54.
Glover, D., Caplan, C.: Femininity and Feminism. In: Genders. Routledge, London (2000).
55.
Poovey, M.: A Housewifely Woman: The Social Construction of Florence Nightingale. In: Uneven Developments. Virago, London (1989).
56.
Davidoff, L., Hall, C.: Family Fortunes: Men and Women of the English Middle Class, 1780-1850. Routledge, London (2019).
57.
Kent, S.K.: Sex and Suffrage in Britain, 1860-1914. Princeton University Press, Princeton, N.J. (1987).
58.
Kent, S.K.: Sex and Suffrage in Britain: 1860-1914. (2014).
59.
Smart, C.: Regulating Womanhood: Historical Essays on Marriage, Motherhood and Sexuality. Routledge, London (1992).
60.
Smart, C.: Regulating Womanhood: Historical Essays on Marriage, Motherhood and Sexuality. Routledge (1992).
61.
Vicinus, M.: Suffer and Be Still: Women in the Victorian Age. Indiana University Press, Bloomington (1972).
62.
Mill, J.S.: A Crisis in My Mental History. In: Autobiography. Penguin, London (1989).
63.
Arnold, M.: The Function of Criticism at the Present Time [open access]. In: Essays in Criticism. Macmillan, London (1888).
64.
Armstrong, I.: Victorian Poetry: Poetry, Poetics and Politics. Routledge, London (1993).
65.
Armstrong, I.: Victorian Poetry: Poetry, Poetics, and Politics. Routledge, London (1993).
66.
Bristow, J.: The Cambridge Companion to Victorian Poetry. Cambridge University Press, Cambridge (2000).
67.
Bristow, J. ed: The Cambridge Companion to Victorian Poetry. Cambridge University Press, Cambridge (2000). https://doi.org/10.1017/CCOL0521641152.
68.
Bloom, H.: The Anxiety of Influence: A Theory of Poetry. Oxford University Press, New York (1997).
69.
Browning, R.: ‘The Pied Piper of Hamelin’ ‘My Last Duchess’ ‘Count Gismond’ ‘Porphyria’s Lover’ ‘Johannes Agricola in Meditation’ ‘Soliloquy of a Spanish Cloister’ ‘Incident of the French Camp’. In: Dramatic Lyrics. Kessinger Pub, [Place of publication not identified] (2004).
70.
Douglas-Fairhurst, R.: Victorian Afterlives: The Shaping of Influence in Nineteenth-Century Literature. Oxford University Press, Oxford (2007).
71.
Garrett, M.: A Browning Chronology: Elizabeth Barrett and Robert Browning. Palgrave, Basingstoke (2000).
72.
Hair, D.S.: Robert Browning’s Language. University of Toronto Press, Toronto (1999).
73.
Hair, D.S.: Robert Browning’s Language. University of Toronto Press, Toronto (1999).
74.
Hawlin, S.: The Complete Critical Guide to Robert Browning. Routledge, London (2002).
75.
Hawlin, S.: The Complete Critical Guide to Robert Browning. Routledge, London (2002).
76.
Armstrong, I.: Victorian Poetry: Poetry, Poetics, Politics. Routledge, London (1993).
77.
Armstrong, I.: Victorian Poetry: Poetry, Poetics, Politics. Routledge, London (1993).
78.
Matthews, S.: Poetical Remains: Poets’ Graves, Bodies, and Books in the Nineteenth Century. Oxford University Press, Oxford (2004).
79.
Matthews, S.: Poetical Remains : Poets’ Graves, Bodies and Books in the Nineteenth Century. Oxford University Press, Oxford (2004).
80.
Tucker, H.F.: Browning’s Beginnings: The Art of Disclosure. University of Minnesota Press, Minneapolis, Minn (1980).
81.
Tucker, H.F.: Browning’s Beginnings: The Art of Disclosure. University of Minnesota Press, Minneapolis, Minn (1980).
82.
Raymond, W.O.: The Infinite Moment. University of Toronto Press, Toronto (1965).
83.
Wood, S.: Robert Browning: A Literary Life. Palgrave, New York (2001).
84.
Woolford, J.: Robert Browning in Contexts. Wedgestone Press, Winfield, KS (1998).
85.
Slinn, E.W.: The Discourse of Self in Victorian Poetry. University Press of Virginia, Charlottesville, Va (1991).
86.
Browning, R.: The Poems of Browning: Vol. 1: 1826-1840. Longman, Harlow (1991).
87.
Browning, R.: The Poems of Browning: Vol. 2: 1841-1846. Longman, Harlow (1991).
88.
Tennyson, A.: Maud. Athlone, London (1986).
89.
Armstrong, I.: Victorian Poetry: Poetry, Poetics and Politics. Routledge, London (1993).
90.
Armstrong, I.: Victorian Poetry: Poetry, Poetics, and Politics. Routledge, London (1993).
91.
Vanden Bossche, C.R.: Realism Versus Romance: The War of Cultural Codes in Tennyson’s Maud. Victorian Poetry. 24, 69–82 (1986).
92.
Buckley, J.H.: Tennyson: the Growth of a Poet. Harvard University Press, Cambridge, Mass (1960).
93.
Collins, P.: Tennyson: Seven Essays. Macmillan, Basingstoke (1992).
94.
Culler, A.D.: The Poetry of Tennyson. Yale University Press, New Haven (1977).
95.
Griffiths, E.: The Printed Voice of Victorian Poetry. Clarendon, Oxford (1989).
96.
Hair, D.S.: Tennyson’s Language. University of Toronto Press, Toronto (1991).
97.
Johnson, E.D.H.: The Alien Vision of Victorian Poetry. Princeton University Press, Princeton, Ill (1952).
98.
Jordan, E.: Alfred Tennyson. Cambridge University Press, Cambridge (1988).
99.
Slinn, E.W.: Absence and Desire in Maud. In: The Discourse of the Self in Victorian Poetry. University Press of Virginia, Charlottesville, Va (1991).
100.
Giogione: A Venetian Pastoral. In: The Germ: Thoughts Towards Nature in Poetry, Literature and Art, 1850. pp. 260–260. Guild of Women Binders, London (1898).
101.
Morris, W.: The Tune of Seven Towers | Victorian Web, http://www.victorianweb.org/authors/morris/7towers.html.
102.
Morris, W.: ‘The Tune of Seven Towers’ and ‘The Blue Closet’. In: The Pre-Raphaelites: From Rossetti to Ruskin. Penguin, London (2010).
103.
Swinburne, A.C.: Before the Mirror. In: The Oxford Book of Victorian Verse (1922).
104.
Roe, D.: The Pre-Raphaelites: From Rossetti to Ruskin. Penguin, London (2010).
105.
Rossetti, C.: Goblin Market and Selected Poems. Kessinger Publishing, [Whitefish, Montana] (2004).
106.
Rossetti, C.: ‘Goblin Market’, ‘In an Artist’s Studio’, ‘Song [When I am Dead My Dearest]’, ‘A Better Resurrection’, ‘Autumn Violets’ and ‘Cousin Kate’. In: Selected Poems. Bloomsbury Poetry Classics, London (1992).
107.
Rossetti, C.: Long Barren | The Bard on the Hill, https://thebardonthehill.wordpress.com/2015/08/05/long-barren-by-christina-rossetti/.
108.
Avery, S.: Piety, Poetry, Passion: Contexts for Christina Rossetti. History Workshop Journal. 40, 244–245 (1995).
109.
Curran, S.: The Lyric Voice of Christina Rossetti. Victorian Poetry. 9, 287–299 (1971).
110.
Rosenblum, D.: Christina Rossetti’s Religious Poetry: Watching, Looking, Keeping Vigil. Victorian Poetry. 20, 33–49 (1982). https://doi.org/10.2307_40003689.
111.
Chapman, A.: The Afterlife of Christina Rossetti. Macmillan, Basingstoke (2000).
112.
Chapman, A.: The Afterlife of Christina Rossetti. Macmillan, Basingstoke (2000).
113.
Arseneau, M.: The Culture of Christina Rossetti: Female Poetics and Victorian Contexts. Ohio University Press, Athens (1999).
114.
Marsh, J.: Christina Rossetti: A Literary Biography. Cape, London (1994).
115.
Marsh, J.: The Pre-Raphaelite Sisterhood. Quartet, London (1985).
116.
Roe, D.: Christina Rossetti’s Faithful Imagination: The Devotional Poetry and Prose. Palgrave Macmillan, Basingstoke (2006).
117.
Roe, D.: Christina Rossetti’s Faithful Imagination: The Devotional Poetry and Prose. Palgrave Macmillan, Basingstoke (2006).
118.
Powell, K.: The Cambridge Companion to Victorian and Edwardian Theatre. Cambridge University Press, Cambridge (2004).
119.
Powell, K.: The Cambridge Companion to Victorian and Edwardian Theatre. Cambridge University Press, Cambridge (2004). https://doi.org/10.1017/CCOL052179157X.
120.
Booth, M.R.: Victorian Spectacular Theatre 1850-1910. Routledge & Kegan Paul, Boston, Mass (1981).
121.
Booth, M.R.: Theatre in the Victorian Age. Cambridge University Press, Cambridge (1991).
122.
Jackson, R.: Victorian Theatre. Black, London (1989).
123.
Rowell, G.: The Victorian Theatre: A Survey. Oxford U.P (1956).
124.
Taylor, G.: Players and Performances in the Victorian Theatre. Manchester University Press, Manchester, UK (1989).
125.
Bratton, J.: Theatre in the 19th Century | British Library, https://web.archive.org/web/20200805023443/https://www.bl.uk/romantics-and-victorians/articles/19th-century-theatre.
126.
Walker, J.: The Factory Lad. In: The Magistrate and Other Nineteenth-Century Plays. Oxford University Press, London (1974).
127.
Baugh, C.: An Early Performance of The Factory Lad Outside London. Theatre Notebook. 30, (1976).
128.
Davis, T.C., Holland, P.: The Performing Century: Nineteenth-Century Theatre’s History. Palgrave Macmillan, Basingstoke (2007).
129.
Davis, T., Holland, P.: The Performing Century: Nineteenth-Century Theatre’s History. Palgrave Macmillan Limited, London (2007).
130.
Estill, R.: The Factory Lad: Melodrama as Propaganda. Theatre Quarterly. 1, 22–26 (1971).
131.
Hadley, E.: Melodramatic Tactics: Theatricalized Dissent in the English Marketplace, 1800-1885. Stanford University Press, Stanford, Calif (1995).
132.
lserman, H.: Radicalism in the Melodrama of the Early Nineteenth-Century. In: Melodrama: The Cultural Emergence of a Genre. pp. 191–207. Macmillan, Basingstoke (1996).
133.
Leaver, K.: Victorian Melodrama and the Performance of Poverty. Victorian Literature and Culture. 27, 443–456 (1999). https://doi.org/10.1017/S1060150399272051.
134.
Mayer, D.: Encountering Melodrama. In: The Cambridge Companion to Victorian and Edwardian Theatre. pp. 145–163. Cambridge University Press, Cambridge (2004).
135.
Mayer, D.: Encountering Melodrama. In: The Cambridge Companion to Victorian and Edwardian Theatre. pp. 145–163. Cambridge University Press, Cambridge (2004). https://doi.org/10.1017/CCOL052179157X.009.
136.
Redmond, J.: Melodrama. Cambridge University Press, Cambridge (1992).
137.
Taylor, G.: Players and Performances in the Victorian Theatre. Manchester University Press, Manchester, UK (1989).
138.
The Victorian Theatre Research Web.
139.
Clough, A.H.: Amours De Voyage. Book Jungle, Champaign, IL (2009).
140.
Pinero, A.W.: The Second Mrs Tanqueray: A Play in Four Acts. Heinemann, London (1895).
141.
Pinero, A.W.: The Second Mrs. Tanqueray. Bloomsbury, [London] (2013).
142.
Dickens, C.: A Tale of Two Cities. Penguin, Harmondsworth (1970).
143.
Hutter, A.D.: Nation and Generation in A Tale of Two Cities. PMLA. 93, (1978). https://doi.org/10.2307/461866.
144.
Ackroyd, P.: Dickens. Sinclair-Stevenson, London (1990).
145.
Alter, R.: The Demons of History in Dickens’ Tale of Two Cities. NOVEL: A Forum on Fiction. 2, 135–142 (1969).
146.
Bloom, H.: Charles Dickens’s A Tale of Two Cities. Chelsea House Publishers, New York (1987).
147.
Collins, P.: Dickens: Interviews and Recollections. Macmillan, London (1981).
148.
Connor, S.: Charles Dickens. Blackwell, Oxford (1985).
149.
Court, F.E.: Boots, Barbarism, and the New Order in Dickens’ Tale of Two Cities. Victorians Institute Journal. 9, 29–37 (1980).
150.
Glancy, R.F.: A Tale of Two Cities: Dickens’ Revolutionary Novel. Twayne Publishers, Boston (1991).
151.
A Special Tale of Two Cities Issue. Dickens Studies Annual. 12, (1983).
152.
Flint, K.: Dickens. Harvester Press, Brighton, Sussex (1986).
153.
Forster, J., Hoppé (ed.), A.J.: The Life of Charles Dickens. Dent, London (1966).
154.
Miller, J.H.: Charles Dickens: The World of His Novels. Harvard University Press, Cambridge, Mass (1958).
155.
Slater, M.: Dickens and Women. Dent, London (1983).
156.
Eliot, G.: Adam Bede. Penguin, Harmondsworth (1980).
157.
Barrett, D.: Vocation and Desire: George Eliot’s Heroines. Routledge, London (1989).
158.
Beer, G.: George Eliot. Harvester, Brighton (1986).
159.
Beer, G.: Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction. Routledge, London (1983).
160.
Beer, G.: Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction. Cambridge University Press, Cambridge (2009).
161.
Belsey, C.: Critical Practice. Methuen, London (1980).
162.
Belsey, C.: Critical Practice. Routledge, London (2002).
163.
Brown, M.: Dutch-painters and British Novel-Readers: Adam Bede in the Context of Victorian Cultural Literacy. Victorians Institute Journal. 18, 113–133 (1990).
164.
Byerly, A.: Realism, Representation and the Arts in Nineteenth-Century Literature. Cambridge University Press, Cambridge (1997).
165.
Cunningham, V.: Everywhere Spoken Against: Dissent in the Victorian Novel. Clarendon, Oxford (1975).
166.
Davis, P., Bate, J.: The Victorians. Oxford University Press, Oxford (2002).
167.
Eliot, G.: The Natural History of German Life. Westminster Review. 10, (1856).
168.
Greiner, R.: Adam Bede: History’s Maggots. In: Anderson, A. and Shaw, H.E. (eds.) A Companion to George Eliot. pp. 105–116. Wiley Blackwell, Chichester, West Sussex (2015).
169.
Greiner, R.: Sympathetic Realism in Nineteenth-Century British Fiction. The Johns Hopkins University Press, Baltimore, Maryland (2012).
170.
Knoepflmacher, U.C.: George Eliot’s Early Novels: The Limits of Realism. University of California Press, Berkeley (1968).
171.
Gould, R.: The History of an Unnatural Act: Infanticide and Adam Bede. Victorian Literature and Culture. 25, 263–277 (1997). https://doi.org/10.1017/S1060150300004782.
172.
McDonagh, J.: Child-murder Narratives in George Eliot’s Adam Bede: Embedded Histories and Fictional Representation. Nineteenth-Century Literature. 56, 228–259 (2001). https://doi.org/10.1525/ncl.2001.56.2.228.
173.
Rodensky, L.: The Crime in Mind: Criminal Responsibility and the Victorian Novel. Oxford University Press, New York (2003).
174.
Rodensky, L.: The Crime in Mind: Criminal Responsibility and the Victorian Novel. Oxford University Press, New York (2003).
175.
Reed, J.R.: Soldier Boy: Forming Masculinity in Adam Bede. Studies in the Novel. 33, 268–284 (2001).
176.
Shuttleworth, S.: George Eliot and Nineteenth-Century Science: the Make Believe of a Beginning. Cambridge University Press, Cambridge (1984).
177.
Uglow, J.: George Eliot. Virago, London (1987).
178.
Witemeyer, H.: George Eliot and the Visual Arts. Yale University Press, New Haven (1979).
179.
Wolff, M.: Adam Bede’s Families: At Home in Hayslope and Nuneaton. George Eliot - George Henry Lewes Studies. 58–69 (1997).
180.
Kingsley, C.: The Water Babies. Wordsworth, Hertfordshire (1994).
181.
Beer, G.: Darwin’s Plots. Routledge, London (1983).
182.
Beer, G.: Darwin’s Plots. Cambridge University Press, Cambridge (2009).
183.
Carpenter, H.: Secret Gardens: A Study of The Golden Age of Children’s Literature. Faber and Faber, London (2009).
184.
Cunningham, V.: Soiled Fairy: The Water-Babies in its Time. Essays in Criticism. XXXV, 121–148 (1985). https://doi.org/10.1093/eic/XXXV.2.121.
185.
Fasick, L.: The Failure of Fatherhood: Maleness and Its Discontents in Charles Kingsley. Children’s Literature Association Quarterly. 18, 106–111 (1993). https://doi.org/10.1353/chq.0.0936.
186.
Harper, L.M.: Children’s Literature: Science and Faith in The Water-Babies. In: Children’s Literature: New Approaches. pp. 118–143. Palgrave Macmillan, New York (2004).
187.
Harper, L.M.: Children’s Literature: Science and Faith in The Water-Babies. In: Children’s Literature: New Approaches. pp. 118–143. Palgrave Macmillan, New York (2004).
188.
Prickett, S.: Victorian Fantasy. Harvester, Hassocks (1979).
189.
Prickett, S.: Victorian Fantasy. Baylor University Press, Waco, Tex (2005).
190.
Stevenson, D.: Sentiment and Significance: The Impossibility of Recovery in the Children’s Literature Canon, or The Drowning of The Water Babies. The Lion and the Unicorn. 21, 112–130 (1997). https://doi.org/10.1353/uni.1997.0010.
191.
Straley, J.: Of Beasts and Boys: Kingsley, Spencer, and the Theory of Recapitulation. Victorian Studies. 49, 583–609 (2007). https://doi.org/10.2979/VIC.2007.49.4.583.
192.
Uffelman, L.K.: Charles Kingsley. Twayne Publishers (1979).
193.
Wood, N.: A (Sea) Green Victorian: Charles Kingsley and The Water-Babies. The Lion and the Unicorn. 19, 233–252 (1995). https://doi.org/10.1353/uni.1995.0033.
194.
Trollope, A., Trollope Society: The Small House at Allington. Trollope Society, London (1997).
195.
Hardy, T.: Tess of the D’Urbervilles. Broadview, Peterborough, Ont (1996).
196.
Collins, W., Dickens, C.: Under the Management of Mr. Charles Dickens: His Production of ‘The Frozen Deep’. Cornell University Press, Ithaca, N.Y. (1966).
197.
McClintock, C.J.: A Narrative of the Discovery of the Fate of Sir John Franklin and His Companions. (1859).
198.
Armstrong, I.: Victorian Poetry: Poetry, Poetics and Politics. Routledge, London (1993).
199.
Armstrong, I.: Victorian Poetry: Poetry, Poetics and Politics. Routledge, London (1993).
200.
Armstrong, N.: Desire and Domestic Fiction: A Political History of the Novel. Oxford University Press, New York (1987).
201.
Armstrong, N.: Desire and Domestic Fiction: A Political History of the Novel. Oxford University Press, New York (1987).
202.
Bakhtin, M., Holquist, M., Emerson, C.: The Dialogic Imagination. University of Texas Press, Austin, Tex (1981).
203.
Benjamin, W.: The Storyteller. In: Illuminations. pp. 83–109. Pimlico, London (1999).
204.
Bullen, J.B.: The Pre-Raphaelite Body: Fear and Desire in Painting, Poetry and Criticism. Clarendon Press, Oxford (1998).
205.
Christ, C.T.: Victorian and Modern Poetics. University of Chicago Press, Chicago, [Ill.] (1984).
206.
Douglas-Fairhurst, R.: Victorian Afterlives: The Shaping of Influence in Nineteenth-Century Literature. Oxford University Press, Oxford (2002).
207.
Lukacs, G.: The Historical Novel. Merlin, London (1962).
208.
Matthews, S.: Poetical Remains : Poets’ Graves, Bodies and Books in the Nineteenth Century. Oxford University Press, Oxford (2004).
209.
Matthews, S.: Poetical Remains: Poets’ Graves, Bodies and Books in the Nineteenth Century. Oxford University Press, Oxford (2004).
210.
Miller, J.H.: The Form of Victorian Fiction: Thackeray, Dickens, Trollope, George Eliot, Meredith, and Hardy. University of Notre Dame Press, London (1968).
211.
Moretti, F.: The Way of the World: The Bildungsroman in European Culture. Verso, London (2000).
212.
Poovey, M.: Uneven Developments: the Ideological Work of Gender in Mid-Victorian England. Virago, London (1989).
213.
Richards, T.: The Commodity Culture of Victorian England: Advertising and Spectacle, 1851-1914. Verso, London (1991).
214.
Rimmon-Kenan, S.: Narrative Fiction: Contemporary Poetics. Routledge, London (1989).
215.
Rimmon-Kenan, S.: Narrative Fiction: Contemporary Poetics. Routledge, London (2002).
216.
Said, E.W.: Beginnings: Intention and Method. Granta, London (1998).
217.
Said, E.W.: Orientalism. Penguin, Harmondsworth (1991).