‘A Special Tale of Two Cities Issue’. 1983. Dickens Studies Annual 12.
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———. 1993b. Victorian Poetry: Poetry, Poetics, and Politics. Electronic book. London: Routledge.
———. 1993c. Victorian Poetry: Poetry, Poetics and Politics. London: Routledge.
———. 1993d. Victorian Poetry: Poetry, Poetics, and Politics. Electronic book. London: Routledge.
———. 1993e. Victorian Poetry: Poetry, Poetics and Politics. London: Routledge.
———. 1993f. Victorian Poetry: Poetry, Poetics and Politics. Electronic book. London: Routledge.
———. 1993g. Victorian Poetry: Poetry, Poetics, Politics. London: Routledge. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13400680250002671&institutionId=2671&customerId=2670.
———. 1993h. Victorian Poetry: Poetry, Poetics, Politics. Electronic book. London: Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=10544.
Armstrong, Nancy. 1987a. Desire and Domestic Fiction: A Political History of the Novel. New York: Oxford University Press.
———. 1987b. Desire and Domestic Fiction: A Political History of the Novel. Electronic book. New York: Oxford University Press.
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Beaumont, Matthew. 2004. ‘Heathcliff’s Great Hunger: The Cannibal Other in Wuthering Heights’. Journal of Victorian Culture 9 (2): 137–63. https://doi.org/10.3366/jvc.2004.9.2.137.
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———. 1983b. Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction. London: Routledge.
———. 1986. George Eliot. Brighton: Harvester.
———. 2009a. Darwin’s Plots. Electronic book. Cambridge: Cambridge University Press. https://ezproxy01.rhul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Holloway&isbn=9780511765117&uid=^u.
———. 2009b. Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction. Electronic book. Cambridge: Cambridge University Press. https://ezproxy01.rhul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Holloway&isbn=9780511765117&uid=^u.
Belsey, Catherine. 1980a. Critical Practice. London: Methuen.
———. 1980b. Critical Practice. London: Methuen.
———. 2002a. Critical Practice. Electronic book. London: Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=181634.
———. 2002b. Critical Practice. Electronic book. London: Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=181634.
Benjamin, Walter. 1999. ‘The Storyteller’. In Illuminations, 83–109. London: Pimlico.
Bloom, Harold. 1987. Charles Dickens’s A Tale of Two Cities. New York: Chelsea House Publishers.
———. 1997. The Anxiety of Influence: A Theory of Poetry. 2nd ed. New York: Oxford University Press.
Booth, Michael R. 1981. Victorian Spectacular Theatre 1850-1910. Boston, Mass: Routledge & Kegan Paul.
———. 1991. Theatre in the Victorian Age. Cambridge: Cambridge University Press.
Bratton, Jacky. 2014. ‘Theatre in the 19th Century | British Library’. 15 March 2014. https://web.archive.org/web/20200805023443/https://www.bl.uk/romantics-and-victorians/articles/19th-century-theatre.
Brian Maidment. 1992. The Poorhouse Fugitives: Self Taught Poets and Poetry in Victorian Britain. Fyfield Books.
Bristow, Joseph. 2000a. The Cambridge Companion to Victorian Poetry. Cambridge: Cambridge University Press.
———, ed. 2000b. The Cambridge Companion to Victorian Poetry. Electronic book. Cambridge: Cambridge University Press. https://doi.org/10.1017/CCOL0521641152.
Brontë, Emily. 1979. Wuthering Heights. Harmondsworth: Penguin.
Brown, Monika. 1990. ‘Dutch-Painters and British Novel-Readers: Adam Bede in the Context of Victorian Cultural Literacy’. Victorians Institute Journal 18: 113–33.
Browning, Elizabeth Barrett. 1897a. ‘Crowned and Wedded’. In The Poetical Works Of Elizabeth Barrett Browning. http://literature.proquest.com/searchFulltext.do?id=Z300289068&divLevel=3&area=poetry&DurUrl=Yes&forward=textsFT&queryType=findWork.
———. 1897b. ‘The Young Queen’. In The Poetical Works Of Elizabeth Barrett Browning. http://literature.proquest.com/searchFulltext.do?id=Z200288933&divLevel=2&area=poetry&DurUrl=Yes&forward=textsFT&queryType=findWork.
———. 1897c. ‘Victoria’s Tears’. In The Poetical Works Of Elizabeth Barrett Browning. http://literature.proquest.com/searchFulltext.do?id=Z200288934&divLevel=2&area=poetry&DurUrl=Yes&forward=textsFT&queryType=findWork.
Browning, Robert. 1991a. The Poems of Browning: Vol. 1: 1826-1840. Harlow: Longman.
———. 1991b. The Poems of Browning: Vol. 2: 1841-1846. Harlow: Longman.
———. 2004. ‘“The Pied Piper of Hamelin” “My Last Duchess” “Count Gismond” “Porphyria’s Lover” “Johannes Agricola in Meditation” “Soliloquy of a Spanish Cloister” “Incident of the French Camp”’. In Dramatic Lyrics. [Place of publication not identified]: Kessinger Pub.
Buckley, Jerome H. 1960. Tennyson: The Growth of a Poet. Cambridge, Mass: Harvard University Press.
Bullen, J. B. 1998. The Pre-Raphaelite Body: Fear and Desire in Painting, Poetry and Criticism. Oxford: Clarendon Press.
Byerly, Alison. 1997. Realism, Representation and the Arts in Nineteenth-Century Literature. Cambridge: Cambridge University Press.
Caine, Barbara. 1997. English Feminism, 1780-1980. Oxford: Oxford University Press.
Carpenter, Humphrey. 2009. Secret Gardens: A Study of The Golden Age of Children’s Literature. London: Faber and Faber.
Chapman, Alison. 2000a. The Afterlife of Christina Rossetti. Basingstoke: Macmillan.
———. 2000b. The Afterlife of Christina Rossetti. Electronic book. Basingstoke: Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=736139.
Christ, Carol T. 1984. Victorian and Modern Poetics. Chicago, [Ill.]: University of Chicago Press.
Clough, Arthur Hugh. 2009. Amours De Voyage. Champaign, IL: Book Jungle.
Collins, Philip. 1981. Dickens: Interviews and Recollections. London: Macmillan.
———. 1992. Tennyson: Seven Essays. Basingstoke: Macmillan.
Collins, Wilkie, and Charles Dickens. 1966. Under the Management of Mr. Charles Dickens: His Production of ‘The Frozen Deep’. Ithaca, N.Y.: Cornell University Press.
Connor, Steven. 1985. Charles Dickens. Oxford: Blackwell.
Court, Franklin E. 1980. ‘Boots, Barbarism, and the New Order in Dickens’ Tale of Two Cities’. Victorians Institute Journal 9: 29–37.
Culler, A. Dwight. 1977. The Poetry of Tennyson. New Haven: Yale University Press.
Cunningham, Valentine. 1975. Everywhere Spoken Against: Dissent in the Victorian Novel. Oxford: Clarendon.
———. 1985. ‘Soiled Fairy: The Water-Babies in Its Time’. Essays in Criticism XXXV (2): 121–48. https://doi.org/10.1093/eic/XXXV.2.121.
Curran, Stuart. 1971. ‘The Lyric Voice of Christina Rossetti’. Victorian Poetry 9 (3): 287–99. http://www.jstor.org/stable/40001569.
Davidoff, Leonore, and Catherine Hall. 2019. Family Fortunes: Men and Women of the English Middle Class, 1780-1850. Third edition. London: Routledge.
Davies, Stevie. 1998. Emily Bronte. Plymouth: Northcote House.
Davis, Philip, and Jonathan Bate. 2002. The Victorians. Vol. The Oxford English Literary History, Volume 8. Oxford: Oxford University Press.
Davis, T., and P. Holland. 2007. The Performing Century: Nineteenth-Century Theatre’s History. London: Palgrave Macmillan Limited. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=367930.
Davis, Tracy C., and Peter Holland. 2007. The Performing Century: Nineteenth-Century Theatre’s History. Basingstoke: Palgrave Macmillan.
Dickens, Charles. 1970. A Tale of Two Cities. Harmondsworth: Penguin.
Douglas-Fairhurst, Robert. 2002. Victorian Afterlives: The Shaping of Influence in Nineteenth-Century Literature. Oxford: Oxford University Press.
———. 2007. Victorian Afterlives: The Shaping of Influence in Nineteenth-Century Literature. Oxford: Oxford University Press.
Eagleton, Terry. 1975. Myths of Power: A Marxist Study of the Brontës. London: Macmillan.
———. 1995. Heathcliff and the Great Hunger. London: Verso.
Easson, Angus. 1991. Elizabeth Gaskell: The Critical Heritage. London: Routledge.
Eliot, George. 1856. ‘The Natural History of German Life’. Westminster Review 10. https://literature.proquest.com/searchFulltext.do?id=Z000731235&divLevel=0&area=prose&DurUrl=Yes&forward=textsFT&queryType=findWork&rft_source=primo.
———. 1980. Adam Bede. Harmondsworth: Penguin.
Estill, Robin. 1971. ‘The Factory Lad: Melodrama as Propaganda’. Theatre Quarterly 1: 22–26.
Fasick, Laura. 1993. ‘The Failure of Fatherhood: Maleness and Its Discontents in Charles Kingsley’. Children’s Literature Association Quarterly 18 (3): 106–11. https://doi.org/10.1353/chq.0.0936.
Flint, Kate. 1986. Dickens. Brighton, Sussex: Harvester Press.
Forster, John, and A. J. Hoppé (ed.). 1966. The Life of Charles Dickens. New ed., with Notes and an Index by A. J. Hoppé. London: Dent.
Foster, Shirley. 2002. Elizabeth Gaskell: A Literary Life. Vol. Literary lives. Basingstoke: Palgrave Macmillan.
Garrett, Martin. 2000. A Browning Chronology: Elizabeth Barrett and Robert Browning. Basingstoke: Palgrave.
Gaskell, Elizabeth. 1987. Mary Barton. Oxford: Oxford University Press.
Gilbert, Sandra M., and Susan Gubar. 1979. The Madwoman in the Attic. New Haven: Yale University Press.
Giogione. 1898. ‘A Venetian Pastoral’. In The Germ: Thoughts Towards Nature in Poetry, Literature and Art, 1850, 260–260. London: Guild of Women Binders. https://contentstore.cla.co.uk/secure/link?id=1e35fc8d-509a-e811-80cd-005056af4099.
Glancy, Ruth F. 1991. A Tale of Two Cities: Dickens’ Revolutionary Novel. Boston: Twayne Publishers.
Glen, Heather. 2002a. The Cambridge Companion to the Brontës. Cambridge: Cambridge University Press.
———. 2002b. The Cambridge Companion to the Brontës. Cambridge: Cambridge University Press. https://doi.org/10.1017/CCOL0521770270.
Glover, David, and Cora Caplan. 2000. ‘Femininity and Feminism’. In Genders. London: Routledge.
Gosse, Edmund. 1901. ‘The Character of Queen Victoria’. The Quarterly Review 193 (386): 301–37. https://search.proquest.com/docview/2491873?accountid=11455&rfr_id=info%3Axri%2Fsid%3Aprimo.
Gould, Rosemary. 1997. ‘The History of an Unnatural Act: Infanticide and Adam Bede’. Victorian Literature and Culture 25 (02): 263–77. https://doi.org/10.1017/S1060150300004782.
Gravil, Richard. 2001. ‘Negotiating Mary Barton’. In Master Narratives: Tellers and Telling in the English Novel. Burlington, Vt: Ashgate.
———. 2007. ‘Negotiating Mary Barton’. In Master Narratives: Tellers and Telling in the English Novel, 126–47. Tirril, Penrith (Cumbria): Humanities Ebooks. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3306050.
Greiner, Rae. 2012. Sympathetic Realism in Nineteenth-Century British Fiction. Baltimore, Maryland: The Johns Hopkins University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3318642.
———. 2015. ‘Adam Bede: History’s Maggots’. In A Companion to George Eliot, edited by Amanda Anderson and Harry E. Shaw, Blackwell companions to literature and culture:105–16. Chichester, West Sussex: Wiley Blackwell.
Griffiths, Eric. 1989. The Printed Voice of Victorian Poetry. Oxford: Clarendon.
Guest, Harriet. 1998. ‘The Deep Romance of Manchester: Gaskell’s Mary Barton’. In The Regional Novel in Britain and Ireland, 1800-1990. Cambridge: Cambridge University Press.
Hadley, Elaine. 1995. Melodramatic Tactics: Theatricalized Dissent in the English Marketplace, 1800-1885. Stanford, Calif: Stanford University Press.
Hair, Donald S. 1991. Tennyson’s Language. Toronto: University of Toronto Press.
———. 1999a. Robert Browning’s Language. Toronto: University of Toronto Press.
———. 1999b. Robert Browning’s Language. Electronic resource. Toronto: University of Toronto Press. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=4671915.
Hardy, Thomas. 1996. Tess of the D’Urbervilles. Peterborough, Ont: Broadview.
Harper, Lila Marz. 2004a. ‘Children’s Literature: Science and Faith in The Water-Babies’. In Children’s Literature: New Approaches, 118–43. New York: Palgrave Macmillan.
———. 2004b. ‘Children’s Literature: Science and Faith in The Water-Babies’. Electronic book. In Children’s Literature: New Approaches, 118–43. New York: Palgrave Macmillan. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=270584.
Hawlin, Stefan. 2002a. The Complete Critical Guide to Robert Browning. London: Routledge.
———. 2002b. The Complete Critical Guide to Robert Browning. Electronic book. London: Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=237335.
Homans, Margaret. 1998a. Royal Representations: Queen Victoria and British Culture, 1837-1876. University of Chicago Presss.
———. 1998b. Royal Representations: Queen Victoria and British Culture, 1837-1876. Electronic resource. Chicago: University of Chicago Press. http://hdl.handle.net/2027/heb.04512.
Hutter, Albert D. 1978. ‘Nation and Generation in A Tale of Two Cities’. PMLA 93 (3). https://doi.org/10.2307/461866.
Jackson, Russell. 1989. Victorian Theatre. London: Black.
Johnson, E. D. H. 1952. The Alien Vision of Victorian Poetry. Princeton, Ill: Princeton University Press.
Jordan, Elaine. 1988. Alfred Tennyson. Cambridge: Cambridge University Press.
Kent, Susan Kingsley. 1987. Sex and Suffrage in Britain, 1860-1914. Princeton, N.J.: Princeton University Press.
———. 2014. Sex and Suffrage in Britain: 1860-1914. Electronic book. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3030614.
Kingsley, Charles. 1994. The Water Babies. Hertfordshire: Wordsworth.
Knoepflmacher, U. C. 1968. George Eliot’s Early Novels: The Limits of Realism. Berkeley: University of California Press.
Leaver, Kristen. 1999. ‘Victorian Melodrama and the Performance of Poverty’. Victorian Literature and Culture 27 (02): 443–56. https://doi.org/10.1017/S1060150399272051.
Levine, George. 2008. How to Read the Victorian Novel. Malden, Mass: Blackwell.
lserman, Helmut. 1996. ‘Radicalism in the Melodrama of the Early Nineteenth-Century’. In Melodrama: The Cultural Emergence of a Genre, 191–207. Basingstoke: Macmillan.
Lukacs, Gyorgy. 1962. The Historical Novel. London: Merlin.
Marcus, Steven. 1974. Engels, Manchester and the Working Class. London: Weidenfeld and Nicolson.
Marsh, Jan. 1985. The Pre-Raphaelite Sisterhood. London: Quartet.
———. 1994. Christina Rossetti: A Literary Biography. London: Cape.
Matthews, Samantha. 2004a. Poetical Remains: Poets’ Graves, Bodies, and Books in the Nineteenth Century. Oxford: Oxford University Press.
———. 2004b. Poetical Remains : Poets’ Graves, Bodies and Books in the Nineteenth Century. Electronic book. Oxford: Oxford University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=422660.
———. 2004c. Poetical Remains : Poets’ Graves, Bodies and Books in the Nineteenth Century. Oxford: Oxford University Press.
———. 2004d. Poetical Remains: Poets’ Graves, Bodies and Books in the Nineteenth Century. Electronic book. Oxford: Oxford University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=422660.
Matus, Jill L. 1995. Unstable Bodies: Victorian Representations of Sexuality and Maternity. Manchester: Manchester University Press.
Mayer, David. 2004a. ‘Encountering Melodrama’. In The Cambridge Companion to Victorian and Edwardian Theatre, 145–63. Cambridge: Cambridge University Press.
———. 2004b. ‘Encountering Melodrama’. Electronic book. In The Cambridge Companion to Victorian and Edwardian Theatre, 145–63. Cambridge: Cambridge University Press. https://doi.org/10.1017/CCOL052179157X.009.
McClintock, Captain James. 1859. A Narrative of the Discovery of the Fate of Sir John Franklin and His Companions. https://archive.org/details/voyageoffoxinarc00mcli_0.
McDonagh, Josephine. 2001. ‘Child-Murder Narratives in George Eliot’s Adam Bede: Embedded Histories and Fictional Representation’. Nineteenth-Century Literature 56 (2): 228–59. https://doi.org/10.1525/ncl.2001.56.2.228.
Mill, John Stuart. 1989. ‘A Crisis in My Mental History’. In Autobiography. London: Penguin.
Miller, J. Hillis. 1958. Charles Dickens: The World of His Novels. Cambridge, Mass: Harvard University Press.
———. 1968a. The Form of Victorian Fiction: Thackeray, Dickens, Trollope, George Eliot, Meredith and Hardy. Vol. v.2. Notre Dame, [Ind.]: University of Notre Dame Press.
———. 1968b. The Form of Victorian Fiction: Thackeray, Dickens, Trollope, George Eliot, Meredith, and Hardy. Vol. 2. London: University of Notre Dame Press.
Moretti, Franco. 2000a. The Way of the World: The Bildungsroman in European Culture. New ed. London: Verso.
———. 2000b. The Way of the World: The Bildungsroman in European Culture. London: Verso.
Morris, William. 2010. ‘“The Tune of Seven Towers” and “The Blue Closet”’. In The Pre-Raphaelites: From Rossetti to Ruskin. London: Penguin.
———. n.d. ‘The Tune of Seven Towers | Victorian Web’. http://www.victorianweb.org/authors/morris/7towers.html.
Munich, Adrienne. 1996. Queen Victoria’s Secrets. New York: Columbia University Press.
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———. 1991. ‘Cassandra’. In Cassandra: And Other Selections from Suggestions For Thought, edited by Mary Poovey, 205–32. London: Pickering & Chatto.
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———. 2013. The Second Mrs. Tanqueray. [London]: Bloomsbury. http://dx.doi.org/10.5040/9781408189221.00000013.
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———. 1989b. Uneven Developments: The Ideological Work of Gender in Mid-Victorian England. London: Virago.
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———. 2004b. The Cambridge Companion to Victorian and Edwardian Theatre. Electronic book. Cambridge: Cambridge University Press. https://doi.org/10.1017/CCOL052179157X.
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———. 2002. Narrative Fiction: Contemporary Poetics. Electronic book. London: Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=181642.
Rodensky, Lisa. 2003a. The Crime in Mind: Criminal Responsibility and the Victorian Novel. New York: Oxford University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=280985.
———. 2003b. The Crime in Mind: Criminal Responsibility and the Victorian Novel. Electronic resource. New York: Oxford University Press. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780198034353.
Roe, Dinah. 2006a. Christina Rossetti’s Faithful Imagination: The Devotional Poetry and Prose. Basingstoke: Palgrave Macmillan.
———. 2006b. Christina Rossetti’s Faithful Imagination: The Devotional Poetry and Prose. Electronic book. Basingstoke: Palgrave Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=293720.
———. 2010. The Pre-Raphaelites: From Rossetti to Ruskin. London: Penguin.
Rosenblum, Dolores. 1982. ‘Christina Rossetti’s Religious Poetry: Watching, Looking, Keeping Vigil’. Victorian Poetry 20 (1): 33–49. https://doi.org/10.2307_40003689.
Rossetti, Christina. 1992. ‘“Goblin Market”, “In an Artist’s Studio”, “Song [When I Am Dead My Dearest]”, “A Better Resurrection”, “Autumn Violets” and “Cousin Kate”’. In Selected Poems. London: Bloomsbury Poetry Classics.
———. 2004. Goblin Market and Selected Poems. [Whitefish, Montana]: Kessinger Publishing.
———. n.d. ‘Long Barren | The Bard on the Hill’. https://thebardonthehill.wordpress.com/2015/08/05/long-barren-by-christina-rossetti/.
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———. 1998. Beginnings: Intention and Method. London: Granta.
Schmidt, Michael. 2014. The Novel: A Biography. Cambridge: The Belknap Press of Harvard University Press.
Schor, Hilary M. 1992. Scheherezade in the Marketplace: Elizabeth Gaskell and the Victorian Novel. New York: Oxford University Press.
Sedgwick, Eve Kosofsky. 1986. The Coherence of Gothic Conventions. London: Methuen.
Shuttleworth, Sally. 1984. George Eliot and Nineteenth-Century Science: The Make Believe of a Beginning. Cambridge: Cambridge University Press.
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Slinn, E. Warwick. 1991a. ‘Absence and Desire in Maud’. In The Discourse of the Self in Victorian Poetry. Charlottesville, Va: University Press of Virginia.
———. 1991b. The Discourse of Self in Victorian Poetry. Charlottesville, Va: University Press of Virginia.
Smart, Carol. 1992a. Regulating Womanhood: Historical Essays on Marriage, Motherhood and Sexuality. London: Routledge.
———. 1992b. Regulating Womanhood: Historical Essays on Marriage, Motherhood and Sexuality. Electronic book. Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=169103.
Stevenson, Deborah. 1997. ‘Sentiment and Significance: The Impossibility of Recovery in the Children’s Literature Canon, or The Drowning of The Water Babies’. The Lion and the Unicorn 21 (1): 112–30. https://doi.org/10.1353/uni.1997.0010.
Stoneman, Patsy. 1987. Elizabeth Gaskell. Bloomongton: Indiana University Press.
———. 1996. Brontë Transformations: The Cultural Dissemination of Jane Eyre and Wuthering Heights. London: Prentice Hall.
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———. 1921. Queen Victoria. London: Chatto & Windus.
Straley, Jessica. 2007. ‘Of Beasts and Boys: Kingsley, Spencer, and the Theory of Recapitulation’. Victorian Studies 49 (4): 583–609. https://doi.org/10.2979/VIC.2007.49.4.583.
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Swinburne, Algernon Charles. 1922. ‘Before the Mirror’. In The Oxford Book of Victorian Verse. http://www.bartleby.com/336/431.html.
Taylor, George. 1989a. Players and Performances in the Victorian Theatre. Manchester, UK: Manchester University Press.
———. 1989b. Players and Performances in the Victorian Theatre. Manchester, UK: Manchester University Press.
Tennyson, Alfred. 1986. Maud. London: Athlone.
‘The Queen in the Highlands and Islands’. 1868. The London Quarterly Review January: 27–43. https://search.proquest.com/docview/2480195/E9EE85E068784DF0PQ/9?accountid=11455.
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Trollope, Anthony and Trollope Society. 1997. The Small House at Allington. London: Trollope Society.
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———. 1980b. Browning’s Beginnings: The Art of Disclosure. Electronic book. Minneapolis, Minn: University of Minnesota Press.
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———. 1993. Elizabeth Gaskell: A Habit of Stories. London: Faber and Faber.
Vanden Bossche, Chris R. 1986. ‘Realism Versus Romance: The War of Cultural Codes in Tennyson’s Maud’. Victorian Poetry 24 (1): 69–82. http://www.jstor.org/stable/40002185?seq=1#page_scan_tab_contents.
Vicinus, Martha. 1972. Suffer and Be Still: Women in the Victorian Age. Bloomington: Indiana University Press.
———. 1977. A Widening Sphere. Bloomington: Indiana University Press.
Walker, John. 1974. ‘The Factory Lad’. In The Magistrate and Other Nineteenth-Century Plays. London: Oxford University Press.
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