A Special Tale of Two Cities Issue. (1983). Dickens Studies Annual, 12.
Ackroyd, P. (1990). Dickens. Sinclair-Stevenson.
Alter, R. (1969). The Demons of History in Dickens’ Tale of Two Cities. NOVEL: A Forum on Fiction, 2(2), 135–142. http://www.jstor.org/stable/1345395
Anderson, A. (1993). Tainted Souls and Painted Faces. Cornell University Press.
Armstrong, I. (1993a). Victorian Poetry: Poetry, Poetics and Politics. Routledge.
Armstrong, I. (1993b). Victorian Poetry: Poetry, Poetics, and Politics [Electronic book]. Routledge.
Armstrong, I. (1993c). Victorian Poetry: Poetry, Poetics and Politics. Routledge.
Armstrong, I. (1993d). Victorian Poetry: Poetry, Poetics, and Politics [Electronic book]. Routledge.
Armstrong, I. (1993e). Victorian Poetry: Poetry, Poetics and Politics. Routledge.
Armstrong, I. (1993f). Victorian Poetry: Poetry, Poetics and Politics [Electronic book]. Routledge.
Armstrong, I. (1993g). Victorian Poetry: Poetry, Poetics, Politics. Routledge. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13400680250002671&institutionId=2671&customerId=2670
Armstrong, I. (1993h). Victorian Poetry: Poetry, Poetics, Politics [Electronic book]. Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=10544
Armstrong, N. (1987a). Desire and Domestic Fiction: A Political History of the Novel. Oxford University Press.
Armstrong, N. (1987b). Desire and Domestic Fiction: A Political History of the Novel [Electronic book]. Oxford University Press.
Arnold, M. (1888). The Function of Criticism at the Present Time [open access]. In Essays in Criticism. Macmillan. https://www.google.co.uk/books/edition/The_Function_of_Criticism_at_the_Present/8GsAAAAAYAAJ?hl=en&gbpv=0
Arseneau, M. (1999). The Culture of Christina Rossetti: Female Poetics and Victorian Contexts. Ohio University Press.
Avery, S. (1995). Piety, Poetry, Passion: Contexts for Christina Rossetti. History Workshop Journal, 40(Autumn), 244–245. http://www.jstor.org/stable/4289406
Bakhtin, M. (1986). The Bildungsroman and its Significance in the History of Realism. In Speech Genres and Other Late Essays: Vol. no.8. University of Texas Press.
Bakhtin, M., Holquist, M., & Emerson, C. (1981). The Dialogic Imagination. University of Texas Press.
Barker, J. (1997). The Brontës: A Life in Letters. Viking.
Barrett, D. (1989). Vocation and Desire: George Eliot’s Heroines. Routledge.
Baugh, C. (1976). An Early Performance of The Factory Lad Outside London. Theatre Notebook, 30.
Beaumont, M. (2004). Heathcliff’s Great Hunger: The Cannibal Other in Wuthering Heights. Journal of Victorian Culture, 9(2), 137–163. https://doi.org/10.3366/jvc.2004.9.2.137
Beer, G. (1983a). Darwin’s Plots. Routledge.
Beer, G. (1983b). Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction. Routledge.
Beer, G. (1986). George Eliot. Harvester.
Beer, G. (2009a). Darwin’s Plots [Electronic book]. Cambridge University Press. https://ezproxy01.rhul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Holloway&isbn=9780511765117&uid=^u
Beer, G. (2009b). Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction [Electronic book]. Cambridge University Press. https://ezproxy01.rhul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openreader?id=Holloway&isbn=9780511765117&uid=^u
Belsey, C. (1980a). Critical Practice. Methuen.
Belsey, C. (1980b). Critical Practice. Methuen.
Belsey, C. (2002a). Critical Practice [Electronic book]. Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=181634
Belsey, C. (2002b). Critical Practice [Electronic book]. Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=181634
Benjamin, W. (1999). The Storyteller. In Illuminations (pp. 83–109). Pimlico.
Bloom, H. (1987). Charles Dickens’s A Tale of Two Cities. Chelsea House Publishers.
Bloom, H. (1997). The Anxiety of Influence: A Theory of Poetry (2nd ed). Oxford University Press.
Booth, M. R. (1981). Victorian Spectacular Theatre 1850-1910. Routledge & Kegan Paul.
Booth, M. R. (1991). Theatre in the Victorian Age. Cambridge University Press.
Bratton, J. (2014, March 15). Theatre in the 19th Century | British Library. https://web.archive.org/web/20200805023443/https://www.bl.uk/romantics-and-victorians/articles/19th-century-theatre
Brian Maidment. (1992). The Poorhouse Fugitives: Self Taught Poets and Poetry in Victorian Britain. Fyfield Books.
Bristow, J. (2000a). The Cambridge Companion to Victorian Poetry. Cambridge University Press.
Bristow, J. (Ed.). (2000b). The Cambridge Companion to Victorian Poetry [Electronic book]. Cambridge University Press. https://doi.org/10.1017/CCOL0521641152
Brontë, E. (1979). Wuthering Heights. Penguin.
Brown, M. (1990). Dutch-painters and British Novel-Readers: Adam Bede in the Context of Victorian Cultural Literacy. Victorians Institute Journal, 18, 113–133.
Browning, E. B. (1897a). Crowned and Wedded. In The Poetical Works Of Elizabeth Barrett Browning. http://literature.proquest.com/searchFulltext.do?id=Z300289068&divLevel=3&area=poetry&DurUrl=Yes&forward=textsFT&queryType=findWork
Browning, E. B. (1897b). The Young Queen. In The Poetical Works Of Elizabeth Barrett Browning. http://literature.proquest.com/searchFulltext.do?id=Z200288933&divLevel=2&area=poetry&DurUrl=Yes&forward=textsFT&queryType=findWork
Browning, E. B. (1897c). Victoria’s Tears. In The Poetical Works Of Elizabeth Barrett Browning. http://literature.proquest.com/searchFulltext.do?id=Z200288934&divLevel=2&area=poetry&DurUrl=Yes&forward=textsFT&queryType=findWork
Browning, R. (1991a). The Poems of Browning: Vol. 1: 1826-1840. Longman.
Browning, R. (1991b). The Poems of Browning: Vol. 2: 1841-1846. Longman.
Browning, R. (2004). ‘The Pied Piper of Hamelin’ ‘My Last Duchess’ ‘Count Gismond’ ‘Porphyria’s Lover’ ‘Johannes Agricola in Meditation’ ‘Soliloquy of a Spanish Cloister’ ‘Incident of the French Camp’. In Dramatic Lyrics. Kessinger Pub.
Buckley, J. H. (1960). Tennyson: the Growth of a Poet. Harvard University Press.
Bullen, J. B. (1998). The Pre-Raphaelite Body: Fear and Desire in Painting, Poetry and Criticism. Clarendon Press.
Byerly, A. (1997). Realism, Representation and the Arts in Nineteenth-Century Literature. Cambridge University Press.
Caine, B. (1997). English Feminism, 1780-1980. Oxford University Press.
Carpenter, H. (2009). Secret Gardens: A Study of The Golden Age of Children’s Literature. Faber and Faber.
Chapman, A. (2000a). The Afterlife of Christina Rossetti. Macmillan.
Chapman, A. (2000b). The Afterlife of Christina Rossetti [Electronic book]. Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=736139
Christ, C. T. (1984). Victorian and Modern Poetics. University of Chicago Press.
Clough, A. H. (2009). Amours De Voyage. Book Jungle.
Collins, P. (1981). Dickens: Interviews and Recollections. Macmillan.
Collins, P. (1992). Tennyson: Seven Essays. Macmillan.
Collins, W., & Dickens, C. (1966). Under the Management of Mr. Charles Dickens: His Production of ‘The Frozen Deep’. Cornell University Press.
Connor, S. (1985). Charles Dickens. Blackwell.
Court, F. E. (1980). Boots, Barbarism, and the New Order in Dickens’ Tale of Two Cities. Victorians Institute Journal, 9, 29–37.
Culler, A. D. (1977). The Poetry of Tennyson. Yale University Press.
Cunningham, V. (1975). Everywhere Spoken Against: Dissent in the Victorian Novel. Clarendon.
Cunningham, V. (1985). Soiled Fairy: The Water-Babies in its Time. Essays in Criticism, XXXV(2), 121–148. https://doi.org/10.1093/eic/XXXV.2.121
Curran, S. (1971). The Lyric Voice of Christina Rossetti. Victorian Poetry, 9(3), 287–299. http://www.jstor.org/stable/40001569
Davidoff, L., & Hall, C. (2019). Family Fortunes: Men and Women of the English Middle Class, 1780-1850 (Third edition). Routledge.
Davies, S. (1998). Emily Bronte. Northcote House.
Davis, P., & Bate, J. (2002). The Victorians: Vol. The Oxford English Literary History, Volume 8. Oxford University Press.
Davis, T. C., & Holland, P. (2007). The Performing Century: Nineteenth-Century Theatre’s History. Palgrave Macmillan.
Davis, T., & Holland, P. (2007). The Performing Century: Nineteenth-Century Theatre’s History. Palgrave Macmillan Limited. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=367930
Dickens, C. (1970). A Tale of Two Cities. Penguin.
Douglas-Fairhurst, R. (2002). Victorian Afterlives: The Shaping of Influence in Nineteenth-Century Literature. Oxford University Press.
Douglas-Fairhurst, R. (2007). Victorian Afterlives: The Shaping of Influence in Nineteenth-Century Literature. Oxford University Press.
Eagleton, T. (1975). Myths of Power: A Marxist Study of the Brontës. Macmillan.
Eagleton, T. (1995). Heathcliff and the Great Hunger. Verso.
Easson, A. (1991). Elizabeth Gaskell: The Critical Heritage. Routledge.
Eliot, G. (1856). The Natural History of German Life. Westminster Review, 10. https://literature.proquest.com/searchFulltext.do?id=Z000731235&divLevel=0&area=prose&DurUrl=Yes&forward=textsFT&queryType=findWork&rft_source=primo
Eliot, G. (1980). Adam Bede. Penguin.
Estill, R. (1971). The Factory Lad: Melodrama as Propaganda. Theatre Quarterly, 1, 22–26.
Fasick, L. (1993). The Failure of Fatherhood: Maleness and Its Discontents in Charles Kingsley. Children’s Literature Association Quarterly, 18(3), 106–111. https://doi.org/10.1353/chq.0.0936
Flint, K. (1986). Dickens. Harvester Press.
Forster, J., & Hoppé (ed.), A. J. (1966). The Life of Charles Dickens (New ed., with notes and an index by A. J. Hoppé). Dent.
Foster, S. (2002). Elizabeth Gaskell: A Literary Life: Vol. Literary lives. Palgrave Macmillan.
Garrett, M. (2000). A Browning Chronology: Elizabeth Barrett and Robert Browning. Palgrave.
Gaskell, E. (1987). Mary Barton. Oxford University Press.
Gilbert, S. M., & Gubar, S. (1979). The Madwoman in the Attic. Yale University Press.
Giogione. (1898). A Venetian Pastoral. In The Germ: Thoughts Towards Nature in Poetry, Literature and Art, 1850 (pp. 260–260). Guild of Women Binders. https://contentstore.cla.co.uk/secure/link?id=1e35fc8d-509a-e811-80cd-005056af4099
Glancy, R. F. (1991). A Tale of Two Cities: Dickens’ Revolutionary Novel. Twayne Publishers.
Glen, H. (2002a). The Cambridge Companion to the Brontës. Cambridge University Press.
Glen, H. (2002b). The Cambridge Companion to the Brontës. Cambridge University Press. https://doi.org/10.1017/CCOL0521770270
Glover, D., & Caplan, C. (2000). Femininity and Feminism. In Genders. Routledge.
Gosse, E. (1901). The Character of Queen Victoria. The Quarterly Review, 193(386), 301–337. https://search.proquest.com/docview/2491873?accountid=11455&rfr_id=info%3Axri%2Fsid%3Aprimo
Gould, R. (1997). The History of an Unnatural Act: Infanticide and Adam Bede. Victorian Literature and Culture, 25(02), 263–277. https://doi.org/10.1017/S1060150300004782
Gravil, R. (2001). Negotiating Mary Barton. In Master Narratives: Tellers and Telling in the English Novel. Ashgate.
Gravil, R. (2007). Negotiating Mary Barton. In Master Narratives: Tellers and Telling in the English Novel (pp. 126–147). Humanities Ebooks. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3306050
Greiner, R. (2012). Sympathetic Realism in Nineteenth-Century British Fiction. The Johns Hopkins University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3318642
Greiner, R. (2015). Adam Bede: History’s Maggots. In A. Anderson & H. E. Shaw (Eds.), A Companion to George Eliot: Vol. Blackwell companions to literature and culture (pp. 105–116). Wiley Blackwell.
Griffiths, E. (1989). The Printed Voice of Victorian Poetry. Clarendon.
Guest, H. (1998). The Deep Romance of Manchester: Gaskell’s Mary Barton. In The Regional Novel in Britain and Ireland, 1800-1990. Cambridge University Press.
Hadley, E. (1995). Melodramatic Tactics: Theatricalized Dissent in the English Marketplace, 1800-1885. Stanford University Press.
Hair, D. S. (1991). Tennyson’s Language. University of Toronto Press.
Hair, D. S. (1999a). Robert Browning’s Language. University of Toronto Press.
Hair, D. S. (1999b). Robert Browning’s Language [Electronic resource]. University of Toronto Press. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=4671915
Hardy, T. (1996). Tess of the D’Urbervilles. Broadview.
Harper, L. M. (2004a). Children’s Literature: Science and Faith in The Water-Babies. In Children’s Literature: New Approaches (pp. 118–143). Palgrave Macmillan.
Harper, L. M. (2004b). Children’s Literature: Science and Faith in The Water-Babies [Electronic book]. In Children’s Literature: New Approaches (pp. 118–143). Palgrave Macmillan. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=270584
Hawlin, S. (2002a). The Complete Critical Guide to Robert Browning. Routledge.
Hawlin, S. (2002b). The Complete Critical Guide to Robert Browning [Electronic book]. Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=237335
Homans, M. (1998a). Royal Representations: Queen Victoria and British Culture, 1837-1876. University of Chicago Presss.
Homans, M. (1998b). Royal Representations: Queen Victoria and British Culture, 1837-1876 [Electronic resource]. University of Chicago Press. http://hdl.handle.net/2027/heb.04512
Hutter, A. D. (1978). Nation and Generation in A Tale of Two Cities. PMLA, 93(3). https://doi.org/10.2307/461866
Jackson, R. (1989). Victorian Theatre. Black.
Johnson, E. D. H. (1952). The Alien Vision of Victorian Poetry. Princeton University Press.
Jordan, E. (1988). Alfred Tennyson. Cambridge University Press.
Kent, S. K. (1987). Sex and Suffrage in Britain, 1860-1914. Princeton University Press.
Kent, S. K. (2014). Sex and Suffrage in Britain: 1860-1914 [Electronic book]. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3030614
Kingsley, C. (1994). The Water Babies. Wordsworth.
Knoepflmacher, U. C. (1968). George Eliot’s Early Novels: The Limits of Realism. University of California Press.
Leaver, K. (1999). Victorian Melodrama and the Performance of Poverty. Victorian Literature and Culture, 27(02), 443–456. https://doi.org/10.1017/S1060150399272051
Levine, G. (2008). How to read the Victorian novel. Blackwell.
lserman, H. (1996). Radicalism in the Melodrama of the Early Nineteenth-Century. In Melodrama: The Cultural Emergence of a Genre (pp. 191–207). Macmillan.
Lukacs, G. (1962). The Historical Novel. Merlin.
Marcus, S. (1974). Engels, Manchester and the Working Class. Weidenfeld and Nicolson.
Marsh, J. (1985). The Pre-Raphaelite Sisterhood. Quartet.
Marsh, J. (1994). Christina Rossetti: A Literary Biography. Cape.
Matthews, S. (2004a). Poetical Remains: Poets’ Graves, Bodies, and Books in the Nineteenth Century. Oxford University Press.
Matthews, S. (2004b). Poetical Remains : Poets’ Graves, Bodies and Books in the Nineteenth Century [Electronic book]. Oxford University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=422660
Matthews, S. (2004c). Poetical Remains : Poets’ Graves, Bodies and Books in the Nineteenth Century. Oxford University Press.
Matthews, S. (2004d). Poetical Remains: Poets’ Graves, Bodies and Books in the Nineteenth Century [Electronic book]. Oxford University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=422660
Matus, J. L. (1995). Unstable Bodies: Victorian Representations of Sexuality and Maternity. Manchester University Press.
Mayer, D. (2004a). Encountering Melodrama. In The Cambridge Companion to Victorian and Edwardian Theatre (pp. 145–163). Cambridge University Press.
Mayer, D. (2004b). Encountering Melodrama [Electronic book]. In The Cambridge Companion to Victorian and Edwardian Theatre (pp. 145–163). Cambridge University Press. https://doi.org/10.1017/CCOL052179157X.009
McClintock, C. J. (1859). A Narrative of the Discovery of the Fate of Sir John Franklin and His Companions. https://archive.org/details/voyageoffoxinarc00mcli_0
McDonagh, J. (2001). Child-murder Narratives in George Eliot’s Adam Bede: Embedded Histories and Fictional Representation. Nineteenth-Century Literature, 56(2), 228–259. https://doi.org/10.1525/ncl.2001.56.2.228
Mill, J. S. (1989). A Crisis in My Mental History. In Autobiography. Penguin.
Miller, J. H. (1958). Charles Dickens: The World of His Novels. Harvard University Press.
Miller, J. H. (1968a). The Form of Victorian Fiction: Thackeray, Dickens, Trollope, George Eliot, Meredith, and Hardy (Vol. 2). University of Notre Dame Press.
Miller, J. H. (1968b). The form of Victorian fiction: Thackeray, Dickens, Trollope, George Eliot, Meredith and Hardy: Vol. v.2. University of Notre Dame Press.
Moretti, F. (2000a). The Way of the World: The Bildungsroman in European Culture (New ed). Verso.
Moretti, F. (2000b). The Way of the World: The Bildungsroman in European Culture. Verso.
Morris, W. (n.d.). The Tune of Seven Towers | Victorian Web. http://www.victorianweb.org/authors/morris/7towers.html
Morris, W. (2010). ‘The Tune of Seven Towers’ and ‘The Blue Closet’. In The Pre-Raphaelites: From Rossetti to Ruskin. Penguin.
Munich, A. (1996). Queen Victoria’s Secrets. Columbia University Press.
Nightingale, F. (1979). Cassandra. Feminist Press.
Nightingale, F. (1991). Cassandra. In M. Poovey (Ed.), Cassandra: And Other Selections from Suggestions For Thought (pp. 205–232). Pickering & Chatto.
Nord, D. E. (1995). Walking the Victorian Streets: Women Representation and the City. Cornell University Press.
Oxford Bibliographies Online. (n.d.).
Pinero, A. W. (1895). The Second Mrs Tanqueray: A Play in Four Acts. Heinemann.
Pinero, A. W. (2013). The Second Mrs. Tanqueray. Bloomsbury. http://dx.doi.org/10.5040/9781408189221.00000013
Poovey, M. (1989a). A Housewifely Woman: The Social Construction of Florence Nightingale. In Uneven Developments. Virago.
Poovey, M. (1989b). Uneven Developments: the Ideological Work of Gender in Mid-Victorian England. Virago.
Powell, K. (2004a). The Cambridge Companion to Victorian and Edwardian Theatre. Cambridge University Press.
Powell, K. (2004b). The Cambridge Companion to Victorian and Edwardian Theatre [Electronic book]. Cambridge University Press. https://doi.org/10.1017/CCOL052179157X
Prickett, S. (1979). Victorian Fantasy. Harvester.
Prickett, S. (2005). Victorian Fantasy [Electronic book]. Baylor University Press.
Queen Victoria, & Helps, A. (2012). Leaves From the Journal of Our Life in the Highlands From 1848 to 1861. General Books.
Raymond, W. O. (1965). The Infinite Moment (2nd enl.ed). University of Toronto Press.
Redmond, J. (1992). Melodrama. Cambridge University Press.
Reed, J. R. (2001). Soldier Boy: Forming Masculinity in Adam Bede. Studies in the Novel, 33(3), 268–284. http://www.jstor.org/stable/29533455?seq=1#page_scan_tab_contents
Richards, T. (1991). The Commodity Culture of Victorian England: Advertising and Spectacle, 1851-1914. Verso.
Rimmon-Kenan, S. (1989). Narrative Fiction: Contemporary Poetics. Routledge.
Rimmon-Kenan, S. (2002). Narrative Fiction: Contemporary Poetics [Electronic book]. Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=181642
Rodensky, L. (2003a). The Crime in Mind: Criminal Responsibility and the Victorian Novel. Oxford University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=280985
Rodensky, L. (2003b). The Crime in Mind: Criminal Responsibility and the Victorian Novel [Electronic resource]. Oxford University Press. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780198034353
Roe, D. (2006a). Christina Rossetti’s Faithful Imagination: The Devotional Poetry and Prose. Palgrave Macmillan.
Roe, D. (2006b). Christina Rossetti’s Faithful Imagination: The Devotional Poetry and Prose [Electronic book]. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=293720
Roe, D. (2010). The Pre-Raphaelites: From Rossetti to Ruskin. Penguin.
Rosenblum, D. (1982). Christina Rossetti’s Religious Poetry: Watching, Looking, Keeping Vigil. Victorian Poetry, 20(1), 33–49. https://doi.org/10.2307_40003689
Rossetti, C. (n.d.). Long Barren | The Bard on the Hill. https://thebardonthehill.wordpress.com/2015/08/05/long-barren-by-christina-rossetti/
Rossetti, C. (1992). ‘Goblin Market’, ‘In an Artist’s Studio’, ‘Song [When I am Dead My Dearest]’, ‘A Better Resurrection’, ‘Autumn Violets’ and ‘Cousin Kate’. In Selected Poems. Bloomsbury Poetry Classics.
Rossetti, C. (2004). Goblin Market and Selected Poems. Kessinger Publishing.
Rowell, G. (1956). The Victorian Theatre: A Survey. Oxford U.P.
Said, E. W. (1991). Orientalism. Penguin.
Said, E. W. (1998). Beginnings: Intention and Method. Granta.
Schmidt, M. (2014). The novel: a biography. The Belknap Press of Harvard University Press.
Schor, H. M. (1992). Scheherezade in the Marketplace: Elizabeth Gaskell and the Victorian Novel. Oxford University Press.
Sedgwick, E. K. (1986). The Coherence of Gothic Conventions. Methuen.
Shuttleworth, S. (1984). George Eliot and Nineteenth-Century Science: the Make Believe of a Beginning. Cambridge University Press.
Slater, M. (1983). Dickens and Women. Dent.
Slinn, E. W. (1991a). Absence and Desire in Maud. In The Discourse of the Self in Victorian Poetry. University Press of Virginia.
Slinn, E. W. (1991b). The Discourse of Self in Victorian Poetry. University Press of Virginia.
Smart, C. (1992a). Regulating Womanhood: Historical Essays on Marriage, Motherhood and Sexuality. Routledge.
Smart, C. (1992b). Regulating Womanhood: Historical Essays on Marriage, Motherhood and Sexuality [Electronic book]. Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=169103
Stevenson, D. (1997). Sentiment and Significance: The Impossibility of Recovery in the Children’s Literature Canon, or The Drowning of The Water Babies. The Lion and the Unicorn, 21(1), 112–130. https://doi.org/10.1353/uni.1997.0010
Stoneman, P. (1987). Elizabeth Gaskell. Indiana University Press.
Stoneman, P. (1996). Brontë Transformations: The Cultural Dissemination of Jane Eyre and Wuthering Heights. Prentice Hall.
Strachey, L. (1918). Eminent Victorians. Chatto and Windus.
Strachey, L. (1921). Queen Victoria. Chatto & Windus.
Straley, J. (2007). Of Beasts and Boys: Kingsley, Spencer, and the Theory of Recapitulation. Victorian Studies, 49(4), 583–609. https://doi.org/10.2979/VIC.2007.49.4.583
Svensen, K. (1993). Protection or Restriction? Women’s Labour in Mary Barton. The Gaskell Journal, 7, 50–66.
Swinburne, A. C. (1922). Before the Mirror. In The Oxford Book of Victorian Verse. http://www.bartleby.com/336/431.html
Taylor, G. (1989a). Players and Performances in the Victorian Theatre. Manchester University Press.
Taylor, G. (1989b). Players and Performances in the Victorian Theatre. Manchester University Press.
Tennyson, A. (1986). Maud. Athlone.
The Queen in the Highlands and Islands. (1868). The London Quarterly Review, January, 27–43. https://search.proquest.com/docview/2480195/E9EE85E068784DF0PQ/9?accountid=11455
The Victorian Theatre Research Web. (n.d.).
Trevor-Roper, H. (1992). The Invention of Tradition: The Highland Tradition of Scotland. In The Invention of Tradition (New ed). Cambridge University Press.
Trollope, A. & Trollope Society. (1997). The Small House at Allington. Trollope Society.
Tucker, H. F. (1980a). Browning’s Beginnings: The Art of Disclosure. University of Minnesota Press.
Tucker, H. F. (1980b). Browning’s Beginnings: The Art of Disclosure [Electronic book]. University of Minnesota Press.
Uffelman, L. K. (1979). Charles Kingsley. Twayne Publishers.
Uglow, J. (1987). George Eliot. Virago.
Uglow, J. (1993). Elizabeth Gaskell: A Habit of Stories. Faber and Faber.
Vanden Bossche, C. R. (1986). Realism Versus Romance: The War of Cultural Codes in Tennyson’s Maud. Victorian Poetry, 24(1), 69–82. http://www.jstor.org/stable/40002185?seq=1#page_scan_tab_contents
Vicinus, M. (1972). Suffer and Be Still: Women in the Victorian Age. Indiana University Press.
Vicinus, M. (1977). A Widening Sphere. Indiana University Press.
Walker, J. (1974). The Factory Lad. In The Magistrate and Other Nineteenth-Century Plays. Oxford University Press.
Weintraub, S. (1987). Victoria: An Intimate Biography. Dutton.
Williams, R. (1973). The Country and the City. Chatto & Windus.
Witemeyer, H. (1979). George Eliot and the Visual Arts. Yale University Press.
Wolff, M. (1997). Adam Bede’s Families: At Home in Hayslope and Nuneaton. George Eliot - George Henry Lewes Studies, 32/33, 58–69. http://www.jstor.org/stable/42827640?seq=1#page_scan_tab_contents
Wood, N. (1995). A (Sea) Green Victorian: Charles Kingsley and The Water-Babies. The Lion and the Unicorn, 19(2), 233–252. https://doi.org/10.1353/uni.1995.0033
Wood, S. (2001). Robert Browning: A Literary Life. Palgrave.
Woodham-Smith, C. (1972). Queen Victoria: Her Life and Times, Vol.1: 1819-1861. Hamilton.
Woolford, J. (1998). Robert Browning in Contexts. Wedgestone Press.