Bibliography for GG3164: Urban Interventions BETA

Ahmed, S. (2000a) ‘Recognising Strangers’, in Strange Encounters: Embodied Others in Post-Coloniality. London: Routledge.

Ahmed, S. (2000b) ‘Recognising Strangers’, in Strange Encounters: Embodied Others in Post-Coloniality. London: Routledge. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203349700.

Andron, S. (2016) ‘Interviewing Walls: Towards a Method of Reading Hybrid Surface Inscriptions’, in Graffiti and Street Art: Reading, Writing and Representing the City. Florence: Taylor and Francis. Available at: http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4767335.

Andron, S. (2017) ‘Interviewing Walls: Towards a Method of Reading Hybrid Surface Inscriptions’, in K. Avramidis and M. Tsilimpounidi (eds) Graffiti and Street Art: Reading, Writing and Representing the City. London: Routledge.

Avgikos, J. (1995) ‘Group Material Timeline: Activism as a Work of Art’, in But Is It Art?: The Spirit of Art as Activism. Seattle: Bay Press.

Barns, S. (2014) ‘Sounds Different: Listening to the Proliferating Spaces of Technological Modernity in the City’, Space and Culture, 17(1), pp. 4–15. Available at: https://doi.org/10.1177/1206331213494733.

BAVO (2007a) Always Choose the Worst Option - Artistic Resistance and the Strategy of Over-Identification. Available at: http://www.bavo.biz/texts/view/45.

BAVO (2007b) Always Choose the Worst Option - Artistic Resistance and the Strategy of Over-Identification. Available at: http://www.bavo.biz/texts/view/45.

Bellinck, T. (2010) ‘We Were Dying and Then We Got a Prize’, in Art and Activism in the Age of Globalization. Rotterdam: NAi.

Beyes, T. (2010) ‘Uncontained: The Art and Politics of Reconfiguring Urban Space’, Culture and Organization, 16(3), pp. 229–246. Available at: https://doi.org/10.1080/14759551.2010.503499.

Beyes, T. (2015a) ‘Summoning Art to Save the City: A Note’, Ephemera. Theory and Politics in Organization, 15(1). Available at: http://www.ephemerajournal.org/contribution/summoning-art-save-city-note.

Beyes, T. (2015b) ‘Summoning Art to Save the City: A Note’, Ephemera. Theory and Politics in Organization, 15(1). Available at: http://www.ephemerajournal.org/contribution/summoning-art-save-city-note.

Birch, A. and Tompkins, J. (2012a) Performing Site-Specific Theatre: Politics, Place, Practice. Basingstoke: Palgrave Macmillan.

Birch, A. and Tompkins, J. (2012b) Performing Site-Specific Theatre: Politics, Place, Practice. Basingstoke: Palgrave Macmillan. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1058315.

Bishop, C. (2006) ‘The Social Turn: Collaborations and Its Discontents’, Artforum International, 44(6 (Feb)), pp. 178–183. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2127778290002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_JOURNALS&adaptor=Local%20Search%20Engine&tab=tab3&query=any,contains,artforum&sortby=rank&offset=0.

Bishop, C. (2012a) ‘The Social Turn: Collaboration and Its Discontents’, in Artificial Hells: Participatory Art and the Politics of Spectatorship. London: Verso.

Bishop, C. (2012b) ‘The Social Turn: Collaboration and Its Discontents’, in Artificial Hells: Participatory Art and the Politics of Spectatorship. London: Verso. Available at: http://hdl.handle.net/2027/heb.32115.

Bo, Z. (2012) ‘From Gongren to Gongmin: A Comparative Analysis of Ai Weiwei’s Sunflower Seeds and Nian’, Journal of Visual Art Practice, 11(2), pp. 117–133. Available at: https://doi.org/10.1386/jvap.11.2-3.117_1.

Bonnett, A. (1992) ‘Art, Ideology, and Everyday Space: Subversive Tendencies From Dada to Postmodernism’, Environment and Planning D: Society and Space, 10(1), pp. 69–86. Available at: https://doi.org/10.1068/d100069.

Borden, I. (2002) The Unknown City: Contesting Architecture and Social Space. Cambridge, Mass: MIT.

Boyd, D. (2011) ‘Social Network Sites as Networked Publics: Affordances, Dynamics, and Implications’, in A Networked Self: Identity, Community and Culture on Social Network Sites. New York: Routledge.

Brejzek, T. (2010) ‘From Social Network to Urban Intervention: On the Scenographies of Flash Mobs and Urban Swarms’, International Journal of Performance Arts & Digital Media, 6(1), pp. 109–122. Available at: https://doi.org/10.1386/padm.6.1.109_1.

Bull, M. and Back, L. (2016) The Auditory Culture Reader. 2nd edition. London: Bloomsbury Academic, an imprint of Bloomsbury Publishing, Plc.

Butler, J. (2011) Bodies in Alliance and the Politics of the Street. Available at: http://www.eipcp.net/transversal/1011/butler/en.

Butler, T. (2006) ‘A Walk of Art: The Potential of the Sound Walk as Practice in Cultural Geography’, Social & Cultural Geography, 7(6), pp. 889–908. Available at: https://doi.org/10.1080/14649360601055821.

Butler, T. and Miller, G. (2005) ‘Linked: A Landmark in Sound, a Public Walk of Art’, Cultural Geographies, 12(1). Available at: https://www.jstor.org/stable/44251015?sid=primo&seq=1#metadata_info_tab_contents.

Careri, F. (2017) Walkscapes: Walking as an Aesthetic Practice. Ames, IA: Culicidae Architectural Press.

Carmona, M. (2015) ‘Re-Theorising Contemporary Public Space: A New Narrative and a New Normative’, Journal of Urbanism: International Research on Placemaking and Urban Sustainability, 8(4), pp. 373–405. Available at: https://doi.org/10.1080/17549175.2014.909518.

Chilton, T. (2002) ‘Adventure Playgrounds in the Twenty-First Century’, in Playwork: Theory and Practice. Philadelphia, PA: Open University Press.

‘City: Vol 16, No 4’ (no date). Available at: https://www.tandfonline.com/toc/ccit20/16/4.

Cohen, P. (2013) On the Wrong Side of the Track?: East London and the Post-Olympics. London: Lawrence and Wishart.

Cornish, M. (2015) ‘Performing the Archive: History and Memory in Recent German Theatre’, Theatre Journal, 67(1), pp. 63–82. Available at: https://doi.org/10.1353/tj.2015.0032.

Dawkins, A. and Loftus, A. (2013) ‘The Senses as Direct Theoreticians in Practice’, Transactions of the Institute of British Geographers, 38(4), pp. 665–677. Available at: https://doi.org/10.1111/j.1475-5661.2012.00551.x.

De Cautier, L. (2010) ‘Notes on Subversion/Theses on Activism’, in Art and Activism in the Age of Globalization. Rotterdam: NAi.

De Certeau, M. (1988) ‘Walking the City’, in The Practice of Everyday Life. Berkeley, Calif: University of California Press.

Deutsche, R. (1988) ‘Uneven Development: Public Art in New York City’, October, 47. Available at: https://doi.org/10.2307/778979.

Deutsche, R. (1992) ‘Art and Public Space: Questions of Democracy’, Thresholds [Preprint], (2). Available at: https://www.jstor.org/stable/43875830.

Dias, M. (2011) Digital Performance in Networked Public Spaces: Situating the Posthuman Subject | ISEA2011 Istanbul. Available at: https://isea2011.sabanciuniv.edu/paper/digital-performance-networked-public-spaces-situating-posthuman-subject.

Dias, M.P. (2012) ‘A Machine to See With (And Reflect Upon)’, Liminalities, 8(1). Available at: http://liminalities.net/8-1/blast-theory.html.

Dixon, S. (2007) Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. Cambridge, Mass: MIT Press.

Dolan, J. (2001) ‘Performance, Utopia, and the “Utopian Performative”’, Theatre Journal, 53(3). Available at: https://www.jstor.org/stable/25068953.

Dreysse, M. and Malzacher, F. (2008) Experts of the Everyday: The Theatre of Rimini Protokoll. Berlin: Alexander Verlag.

Edelman, M. (1995) From Art to Politics: How Artistic Creations Shape Political Conceptions. Chicago, [Ill.]: University of Chicago Press.

Edensor, T. (2005) ‘The Ghosts of Industrial Ruins: Ordering and Disordering Memory in Excessive Space’, Environment and Planning D: Society and Space, 23(6), pp. 829–849. Available at: https://doi.org/10.1068/d58j.

Eileraas, K. (2014) ‘Sex(t)ing Revolution, Femen-izing the Public Square: Aliaa Magda Elmahdy, Nude Protest, and Transnational Feminist Body Politics’, Signs: Journal of Women in Culture and Society, 40(1), pp. 40–52. Available at: https://doi.org/10.1086/677073.

Fenton, J. (2005) ‘Space, Chance, Time: Walking Backwards Through the Hours on the Left and Right Banks of Paris’, Cultural Geographies, 12(4). Available at: https://www.jstor.org/stable/44251056?sid=primo&seq=1#metadata_info_tab_contents.

Foster, S.L. (2003) ‘Choreographies of Protest’, Theatre Journal, 55(3). Available at: https://www.jstor.org/stable/25069277?seq=1#metadata_info_tab_contents.

Fraser, N. (2010) ‘Rethinking the Public Sphere: A Contribution to the Critique of Actually Existing Democracy’, in The Idea of the Public Sphere: A Reader. Lanham, Md: Lexington Books.

Games Monitor | Debunking Olympics Myths (no date). Available at: http://www.gamesmonitor.org.uk/.

Gold, J.R. and Gold, M.M. (2007) Olympic Cities: City Agendas, Planning, and the World’s Games, 1896-2012. Abingdon: Routledge.

Gold, J.R. and Gold, M.M. (2008) ‘Olympic Cities: Regeneration, City Rebranding and Changing Urban Agendas’, Geography Compass, 2(1), pp. 300–318. Available at: https://doi.org/10.1111/j.1749-8198.2007.00080.x.

Graham, S. and Marvin, S. (2001a) Splintering Urbanism: Networked Infrastructures, Technological Mobilities and the Urban Condition. London: Routledge.

Graham, S. and Marvin, S. (2001b) Splintering Urbanism: Networked Infrastructures, Technological Mobilities and the Urban Condition. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=170145.

Hahn, D. (2014) ‘Performing Public Spaces, Staging Collective Memory: 50 Kilometres of Files by Rimini Protokoll’, TDR/The Drama Review, 58(3), pp. 27–38. Available at: https://doi.org/10.1162/DRAM_a_00371.

Hall, T. (2003) ‘Art and Urban Change: Public Art in Urban Regeneration’, in Cultural Geography in Practice. London: Arnold. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781444118964.

Hannah, D. (2011) ‘Constructing Barricades: Politics of the Event and “Weak Architecture”’. Architecture and the Political Fourth International Symposium on Architectural Theory. Available at: http://www.lau.edu.lb/news-events/conferences/architecture-political/docs/hannah.pdf.

Harvie, J. (2005) ‘Being Her: Presence, Absence, and Performance in the Art of Janet Cardiff and Tracey Emin’, in Auto/biography and Identity: Women, Theatre and Performance. Manchester: Manchester University Press.

Harvie, J. (2006a) ‘City and Performativity: Performing the City’, in Theatre and the City. Basingstoke: Palgrave Macmillan. Available at: http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4763483.

Harvie, J. (2006b) ‘City and Performativity: Performing the City’, in Theatre and the City. Basingstoke: Palgrave Macmillan. Available at: http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4763483.

Harvie, J. (2009a) ‘City and Performativity: Performing in the City’, in Theatre & the City. Basingstoke: Palgrave Macmillan.

Harvie, J. (2009b) ‘City and Performativity: Performing in the City’, in Theatre & the City. Basingstoke: Palgrave Macmillan.

Harvie, J. (2009c) Theatre & the City. Basingstoke: Palgrave Macmillan.

Harvie, J. (2011) ‘Democracy and Neoliberalism in Art’s Social Turn and Roger Hiorns’s Seizure’, Performance Research, 16(2), pp. 113–123. Available at: https://doi.org/10.1080/13528165.2011.578842.

Harvie, J. (2013a) ‘Space: Exclusion and Engagement’, in Fair Play: Art, Performance and Neoliberalism. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan.

Harvie, J. (2013b) ‘Space, Exclusion and Engagement’, in Fair Play: Art, Performance and Neoliberalism. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137027290.

Harvie, J. (2013c) ‘Space: Exclusion and Engagement’, in Fair Play: Art, Performance and Neoliberalism. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan.

Harvie, J. (2013d) ‘Space, Exclusion and Engagement’, in Fair Play: Art, Performance and Neoliberalism. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137027290.

Harvie, J. and Etchells, T. (2006) Theatre and the City. Basingstoke: Palgrave Macmillan. Available at: http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4763483.

Harvie, J. and Zaiontz, K. (2013) ‘Contemporary Theatre Review: Vol 23, No 4: The Cultural Politics of London 2012’. Available at: https://www.tandfonline.com/toc/gctr20/23/4?nav=tocList.

Hawkins, H. (2010) ‘Turn Your Trash Into… Rubbish, Art and Politics. Richard Wentworth’s Geographical Imagination’, Social & Cultural Geography, 11(8), pp. 805–827. Available at: https://doi.org/10.1080/14649365.2010.522719.

Hawkins, H. (2013) ‘Geography and Art. An Expanding Field’, Progress in Human Geography, 37(1), pp. 52–71. Available at: https://doi.org/10.1177/0309132512442865.

Heddon, D. et al. (2009a) Walking, Writing and Performance: Autobiographical Texts. Bristol: Intellect.

Heddon, D. et al. (2009b) Walking, Writing and Performance: Autobiographical Texts. Bristol: Intellect. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=457086.

Heddon, D. (2010) ‘The Horizon of Sound Soliciting the Earwitness’, Performance Research, 15(3), pp. 36–42. Available at: https://doi.org/10.1080/13528165.2010.527200.

Holub, B. (2017) ‘Why Is Taking Action Beautiful? Explorations for Actionology’, in H.M. Berger and G. Ziemer (eds) New Stakeholders of Urban Change: A Question of Culture and Attitude? Berlin: Jovis.

Hopkins, D.J., Orr, S. and Solga, K. (2011a) ‘Introduction: City/Text/Performance’, in Performance and the City. Basingstoke: Palgrave Macmillan.

Hopkins, D.J., Orr, S. and Solga, K. (2011b) Performance and the City. Basingstoke: Palgrave Macmillan.

Hopkins, D.J. and Solga, K. (2013) ‘Introduction: City/Text/Performance’, in D.J. Hopkins and K. Solga (eds) Performance and the Global City. Basingstoke: Palgrave Macmillan. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137367853.

Hopkins, D.J., Solga, K. and Orr, S. (2013) Performance and the Global City. Basingstoke: Palgrave Macmillan. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1514238.

Imrie, R., Lees, L. and Raco, M. (2009a) Regenerating London: Governance, Sustainability and Community in a Global City. Milton Park, Abingdon, Oxon: Routledge.

Imrie, R., Lees, L. and Raco, M. (2009b) Regenerating London: Governance, Sustainability and Community in a Global City. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=401856.

Jackson, S. (2011a) ‘Quality Time: Social Practice Debates in Contemporary Art’, in Social Works: Performing Art, Supporting Publics. New York: Routledge.

Jackson, S. (2011b) ‘Quality Time: Social Practice Debates in Contemporary Art’, in Social Works: Performing Art, Supporting Publics. New York: Routledge. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=310592.

Jackson, S. (2011c) Social Works: Performing Art, Supporting Publics. New York: Routledge.

Jackson, S. (2011d) Social Works: Performing Art, Supporting Publics. New York: Routledge. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=310592.

Jenks, C. (1995) ‘Watching Your Step: The History and Practice of the Flâneur’, in Visual Culture. London: Routledge.

Kelly, P. (2005) ‘What Have You Done Today Mervyn Day?’

Kester, G. (2006) ‘Response to Claire Bishop’s “Another Turn”’, Artforum International, 44(9 (May)). Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2127778290002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_JOURNALS&adaptor=Local%20Search%20Engine&tab=tab3&query=any,contains,artforum&sortby=rank&offset=0.

Kester, G.H. (2004) Conversation Pieces: Community and Communication in Modern Art. Berkeley: University of California Press. Available at: http://www.loc.gov/catdir/toc/ecip048/2003018998.html.

Kester, G.H. (2011a) ‘Eminent Domain: Art and Urban Space’, in The One and the Many: Contemporary Collaborative Art in a Global Context. Durham, [N.C.]: Duke University Press.

Kester, G.H. (2011b) ‘Eminent Domain: Art and Urban Space’, in The One and the Many: Contemporary Collaborative Art in a Global Context. Durham, [N.C.]: Duke University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780822394037.

Kuppers, P. (1999) ‘Moving in the Cityscape: Performance and the Embodied Experience of the Flâneur’, New Theatre Quarterly, 15(04). Available at: https://doi.org/10.1017/S0266464X00013245.

Kwon, M. (2004a) One Place After Another: Site-Specific Art and Locational Identity. Cambridge, Mass: MIT Press.

Kwon, M. (2004b) One Place After Another: Site-Specific Art and Locational Identity. Cambridge, Mass: MIT Press. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=138684&site=ehost-live.

LaBelle, B. (2006) Background Noise: Perspectives on Sound Art. New York: Continuum.

Lavery, C. (2005) ‘The Pepys of London E11: Graeme Miller and the Politics of Linked’, New Theatre Quarterly, 21(2), pp. 148–160. Available at: https://doi.org/10.1017/S0266464X05000059.

Lavrinec, J. (2011a) ‘From a “Blind Walker” to an “Urban Curator”: Initiating “Emotionally Moving Situations” in Public Spaces’, Creativity Studies, 4(1), pp. 54–63. Available at: https://doi.org/10.3846/20290187.2011.577176.

Lavrinec, J. (2011b) ‘Revitalization of Public Space: From "Non-Places” to Creative Playgrounds’, Santalka: filosofija, komunikacija, 19(2), pp. 70–75. Available at: https://doi.org/10.3846/coactivity.2011.16.

Leeson, L. (2005) Art for Change: Loraine Leeson : Works From 1975-2005. Berlin: Neue Gesellschaft f�r Bildende Kunst.

Lefebvre, H. (2004a) ‘Seen From the Window’, in Rhythmanalysis: Space, Time, and Everyday Life. London: Continuum.

Lefebvre, H. (2004b) ‘Seen From the Window’, in Rhythmanalysis: Space, Time, and Everyday Life. London: Continuum. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781847140364.

Lefebvre, H. (2004c) ‘The Rythmanalyst: A Previsionary Portrait’, in Rhythmanalysis: Space, Time, and Everyday Life. London: Continuum.

Lefebvre, H. (2004d) ‘The Rythmanalyst: A Previsionary Portrait’, in Rhythmanalysis: Space, Time, and Everyday Life. London: Continuum. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781847140364.

Lester, S. (2014a) ‘Play as Protest: Clandestine Moments of Disturbance and Hope’, in Education, Childhood and Anarchism. Routledge; 1 edition. Available at: https://www.amazon.co.uk/Education-Childhood-Anarchism-Catherine-Burke/dp/1138669881/ref=sr_1_1?ie=UTF8&qid=1543937885&sr=8-1&keywords=Education%2C+Childhood+and+Anarchism.

Lester, S. (2014b) ‘Play as Protest: Clandestine Moments of Disturbance and Hope’, in Education, Childhood and Anarchism. Routledge; 1 edition. Available at: https://www.amazon.co.uk/Education-Childhood-Anarchism-Catherine-Burke/dp/1138669881/ref=sr_1_1?ie=UTF8&qid=1543937885&sr=8-1&keywords=Education%2C+Childhood+and+Anarchism.

London 2012 Olympics | Citizens UK (no date). Available at: https://web.archive.org/web/20130812091807/http://www.citizensuk.org/campaigns/london-2012-olympics/.

Malzacher, F. (2014a) ‘Putting the Urinal Back in the Restroom’, in F. Malzacher and A. Faucheret (eds) Truth Is Concrete: A Handbook for Artistic Strategies in Real Politics. Second edition. Berlin: Sternberg Press.

Malzacher, F. (2014b) ‘Putting the Urinal Back in the Restroom’, in F. Malzacher and A. Faucheret (eds) Truth Is Concrete: A Handbook for Artistic Strategies in Real Politics. Second edition. Berlin: Sternberg Press.

McCreery, S. (2001) ‘The Claremont Road Situation’, in The Unknown City: Contesting Architecture and Social Space. Cambridge, Mass: MIT.

McDonough, T. (2009) The Situationists and the City. London: Verso.

McKeon, O. (2014) ‘Solidarity Means Attack: Choreographic Analysis and the West Coast Port Blockade’, Activate, 3(1).

Melville, S. (1999) ‘Creating Spaces for Adventure’, Built Environment, 25(1). Available at: https://www.jstor.org/stable/23289146.

Merx, S. (2011) ‘Public Pie Performing Public Space’, Performance Research, 16(2), pp. 132–137. Available at: https://doi.org/10.1080/13528165.2011.578844.

Merx, S. (2013) ‘The Politics of Scenography: Disrupting the Stage’, Performance Research, 18(3), pp. 54–58. Available at: https://doi.org/10.1080/13528165.2013.818314.

Miller, G. (2003) Linked: A Landmark in Sound, an Invisible Artwork, a Walk. London: Arts Admin.

Miller, G. (2005) ‘Walking the Walk, Talking the Talk: Re-imagining the Urban Landscape’, New Theatre Quarterly, 21(2), pp. 161–165. Available at: https://doi.org/10.1017/S0266464X05000060.

Mouffe, C. (2007a) ‘Artistic Activism and Antagonistic Spaces’, Art and Research: A Journal of Ideas, Contexts and Methods, 1(2). Available at: http://www.artandresearch.org.uk/v1n2/mouffe.html.

Mouffe, C. (2007b) ‘Artistic Activism and Antagonistic Spaces’, Art and Research: A Journal of Ideas, Contexts and Methods, 1(2). Available at: http://www.artandresearch.org.uk/v1n2/mouffe.html.

Neal, Z.P. (2010a) ‘Introduction: Public Space as Art, Theatre and Performance’, in Common Ground?: Readings and Reflections on Public Space.

Neal, Z.P. (2010b) ‘Introduction: Public Space as Art, Theatre and Performance’, in Common Ground?: Readings and Reflections on Public Space. New York: Routledge. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203873960.

Neal, Z.P. (2010c) ‘Locating Public Space’, in Common Ground?: Readings and Reflections on Public Space.

Neal, Z.P. (2010d) ‘Locating Public Space’, in Common Ground?: Readings and Reflections on Public Space. New York: Routledge. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203873960.

Nibbelink, L.G. (2015) ‘The Mirror of Public Space – Interview With Dries Verhoven’, in K. Arfara, A. Mancewicz, and R. Remshardt (eds) Intermedial performance and politics in the public sphere. Basingstoke, Hampshire: Palgrave Macmillan.

Olsen, C.S. (2019) Socially Engaged Art and the Neoliberal City. London: Routledge.

Orum, A.M. and Neal, Z.P. (2010a) Common Ground?: Readings and Reflections on Public Space.

Orum, A.M. and Neal, Z.P. (2010b) Common Ground?: Readings and Reflections on Public Space. New York: Routledge. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=446678.

Parry, B. (2011) ‘Rethinking Intervention’, in Cultural Hijack: Rethinking Intervention. Liverpool: Liverpool University Press.

Parry, B., Tahir, M. and Medlyn, S. (2011) Cultural Hijack: Rethinking Intervention. Liverpool: Liverpool University Press.

Pearson, M. (2010) ‘Materiality’, in Site-Specific Performance. Basingstoke: Palgrave Macmillan.

Pinder, D. (2001) ‘Ghostly Footsteps: Voices, Memories and Walks in the City’, Ecumene, 8(1), pp. 1–19. Available at: https://doi.org/10.1177/096746080100800101.

Pinder, D. (2005a) ‘Arts of Urban Exploration’, Cultural Geographies, 12(4). Available at: https://www.jstor.org/stable/44251055?sid=primo&seq=1#metadata_info_tab_contents.

Pinder, D. (2005b) ‘Arts of Urban Exploration’, Cultural Geographies, 12(4). Available at: https://www.jstor.org/stable/44251055?sid=primo#metadata_info_tab_contents.

Pinder, D. (2005c) Visions of the City: Utopianism, Power, and Politics in Twentieth-Century Urbanism. New York: Routledge.

Pinder, D. (2005d) Visions of the City: Utopianism, Power, and Politics in Twentieth-Century Urbanism. New York: Routledge. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315870496.

Pinder, D. (2009a) ‘Situationism/Situationist Geographies’, in International Encyclopedia of Human Geography, pp. 144–150. Available at: https://www.sciencedirect.com/referencework/9780080449104/international-encyclopedia-of-human-geography.

Pinder, D. (2009b) ‘Surrealism/Surrealist Geographies’, in International Encyclopedia of Human Geography, pp. 87–94. Available at: https://www.sciencedirect.com/referencework/9780080449104/international-encyclopedia-of-human-geography.

Pinder, D. (2016) ‘Sound, Memory and Interruption: Ghosts of London’s M11 Link Road’, in Cities Interrupted: Visual Culture and Urban Space. Bloomsbury Academic; 01 edition. Available at: https://www.amazon.co.uk/Cities-Interrupted-Shirley-Jordan/dp/1474224415/ref=sr_1_1?ie=UTF8&qid=1544003907&sr=8-1&keywords=Cities+Interrupted+jordan.

Pitsikali, A. (2015) ‘Examining the Playground as a Civic Space through the Lens of Play’, Journal of Playwork Practice, 2(1), pp. 45–59.

Powell, H. and Marrero-Guillamn̤, I. (2012) The Art of Dissent: Adventures in London’s Olympic State. London: Marshgate.

Poynter, G. (2016) Olympic Cities: 2012 and the Remaking of London. Edited by I. MacRury. Abingdon: Routledge. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315247748.

Rancière, J. (2015a) The Politics of Aesthetics: The Distribution of the Sensible. Updated edition. Edited by G. Rockhill. London: Bloomsbury Academic.

Rancière, J. (2015b) The Politics of Aesthetics: The Distribution of the Sensible. Updated edition. Edited by G. Rockhill. London: Bloomsbury Academic.

Rendell, J. (2006) Art and Architecture: A Place Between. London: I. B. Tauris.

Rendell, J. (2009) ‘Critical Spatial Practice’. Available at: http://www.janerendell.co.uk/wp-content/uploads/2009/06/critical-spatial-practice.pdf.

Rodgers, S., Barnett, C. and Cochrane, A. (2014) ‘Media Practices and Urban Politics: Conceptualizing the Powers of the Media-Urban Nexus’, Environment and Planning D: Society and Space, 32(6), pp. 1054–1070. Available at: https://doi.org/10.1068/d13157p.

Rosler, M. (2010a) ‘Culture Class: Art, Creativity, Urbanism, Part I’, e-flux, 21. Available at: https://www.e-flux.com/journal/21/67676/culture-class-art-creativity-urbanism-part-i/.

Rosler, M. (2010b) ‘Culture Class: Art, Creativity, Urbanism, Part I’, e-flux, 21. Available at: https://www.e-flux.com/journal/21/67676/culture-class-art-creativity-urbanism-part-i/.

Rosler, M. (2011a) ‘Culture Class: Art, Creativity, Urbanism, Part II’, e-flux, 23. Available at: https://www.e-flux.com/journal/23/67813/culture-class-art-creativity-urbanism-part-ii/.

Rosler, M. (2011b) ‘Culture Class: Art, Creativity, Urbanism, Part II’, e-flux, 23. Available at: https://www.e-flux.com/journal/23/67813/culture-class-art-creativity-urbanism-part-ii/.

Rosler, M. (2011c) ‘Culture Class: Art, Creativity, Urbanism, Part III’, e-flux, 25. Available at: https://www.e-flux.com/journal/25/67898/culture-class-art-creativity-urbanism-part-iii/.

Rosler, M. (2011d) ‘Culture Class: Art, Creativity, Urbanism, Part III’, e-flux, 25. Available at: https://www.e-flux.com/journal/25/67898/culture-class-art-creativity-urbanism-part-iii/.

Rosler, M. and Wallis, B. (1999) If You Lived Here: The City in Art, Theory and Social Activism. S. l: Bay Press, U. S.

Rossiter, B. and Gibson, K. (2003) ‘Walking and Performing “The City”: A Melbourne Chronicle’, in A Companion to the City. Oxford: Blackwell.

R-Urban London: R-Urban (no date). Available at: https://r-urban-wick.net/.

Sachs Olsen, C. (2016) ‘Materiality as Performance’, Performance Research, 21(3), pp. 37–46. Available at: https://doi.org/10.1080/13528165.2016.1176736.

Sachs Olsen, C. (2018a) ‘Collaborative Challenges: Negotiating the Complicities of Socially Engaged Art Within an Era of Neoliberal Urbanism’, Environment and Planning D: Society and Space, 36(2), pp. 273–293. Available at: https://doi.org/10.1177/0263775817744782.

Sachs Olsen, C. (2018b) ‘Performance and Urban Space: An Ambivalent Affair’, Geography Compass [Preprint]. Available at: https://doi.org/10.1111/gec3.12408.

Schaub, M. (2005) Janet Cardiff: The Walk Book. Vienna: Thyssen-Bornemisza Art Contemporary.

Schipper, I. (2014) ‘City as Performance’, TDR/The Drama Review, 58(3), pp. 18–26. Available at: https://doi.org/10.1162/DRAM_a_00370.

Schneider, R. (2011a) Performing Remains: Art and War in Times of Theatrical Reenactment. London: Routledge.

Schneider, R. (2011b) Performing Remains: Art and War in Times of Theatrical Reenactment. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=668786.

Shaw, I.G.R. and Warf, B. (2009) ‘Worlds of Affect: Virtual Geographies of Video Games’, Environment and Planning A, 41(6), pp. 1332–1343. Available at: https://doi.org/10.1068/a41284.

Situationist International Online (no date). Available at: https://www.cddc.vt.edu/sionline/.

Slater, J.B. and Iles, A. (2010) No Room to Move: Radical Art and the Regenerate City. London: Mute.

Solnit, R. (2001) Wanderlust: A History of Walking. New York: Penguin.

de Souza de Silva, A. and Frith, J. (2012) ‘Location-Aware Technologies: Control and Privacy in Hybrid Spaces’, in Communication Matters: Materialist Approaches to Media, Mobility and Networks. Abingdon, Oxon, U.K.: Routledge. Available at: https://www.safaribooksonline.com/library/view/-/9780415782241/?ar.

de Souza e Silva, A. (2013) ‘Location-Aware Mobile Technologies: Historical, Social and Spatial Approaches’, Mobile Media & Communication, 1(1), pp. 116–121. Available at: https://doi.org/10.1177/2050157912459492.

de Souza e Silva, A. and Hjorth, L. (2009) ‘Playful Urban Spaces: A Historical Approach to Mobile Games’, Simulation & Gaming, 40(5), pp. 602–625. Available at: https://doi.org/10.1177/1046878109333723.

Taylor, D. (2003) The Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham: Duke University Press.

Thompson, J. (2009a) Performance Affects: Applied Theatre and the End of Effect. Basingstoke: Palgrave Macmillan.

Thompson, J. (2009b) Performance Affects: Applied Theatre and the End of Effect. Basingstoke: Palgrave Macmillan. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=250764.

Thompson, N. et al. (2004) The Interventionists: Users’ Manual for the Creative Disruption of Everyday Life. North Adams, Mass: MASS MoCA.

Thompson, N. (2017) ‘Living as Form’, in Living as Form: Socially Engaged Art from 1991-2011. MIT Press; Reprint edition. Available at: https://www.amazon.co.uk/Living-Form-Socially-Engaged-1991-2011/dp/0262534398/ref=sr_1_1?ie=UTF8&qid=1543999788&sr=8-1&keywords=living+as+form.

Turner, C. (2010) ‘Mis-Guidance and Spatial Planning: Dramaturgies of Public Space’, Contemporary Theatre Review, 20(2), pp. 149–161. Available at: https://doi.org/10.1080/10486801003682351.

Vickery, J. (2012) ‘Beyond the Creative City – Cultural Policy in an Age of Scarcity’. Available at: https://vimeo.com/34525691.

Whybrow, N. (2010a) Performance and the Contemporary City: An Interdisciplinary Reader. Basingstoke: Palgrave Macmillan.

Whybrow, N. (2010b) Performance and the Contemporary City: An Interdisciplinary Reader. Basingstoke: Palgrave Macmillan.

Whybrow, N. (2011a) Art and the City. London: I.B. Tauris.

Whybrow, N. (2011b) Art and the City. London: I.B. Tauris. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=304817.

Whybrow, N. (2011c) Art and the City. London: I.B. Tauris.

Whybrow, N. (2011d) Art and the City. London: I.B. Tauris. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=304817.

Wilson, E. (1992) ‘The Invisible Flâneur’, New Left Review, 191. Available at: https://newleftreview.org/I/191/elizabeth-wilson-the-invisible-flaneur.

Wilson, H.F. (2017) ‘On Geography and Encounter: Bodies, Borders, and Difference’, Progress in Human Geography, 41(4), pp. 451–471. Available at: https://doi.org/10.1177/0309132516645958.