Ahmed, S. (2000a). Recognising Strangers. In Strange Encounters: Embodied Others in Post-Coloniality. Routledge.
Ahmed, S. (2000b). Recognising Strangers. In Strange Encounters: Embodied Others in Post-Coloniality. Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203349700
Andron, S. (2016). Interviewing Walls: Towards a Method of Reading Hybrid Surface Inscriptions. In Graffiti and Street Art: Reading, Writing and Representing the City. Taylor and Francis. http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4767335
Andron, S. (2017). Interviewing Walls: Towards a Method of Reading Hybrid Surface Inscriptions. In K. Avramidis & M. Tsilimpounidi (Eds.), Graffiti and Street Art: Reading, Writing and Representing the City. Routledge.
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Barns, S. (2014). Sounds Different: Listening to the Proliferating Spaces of Technological Modernity in the City. Space and Culture, 17(1), 4–15. https://doi.org/10.1177/1206331213494733
BAVO. (2007a). Always Choose the Worst Option - Artistic Resistance and the Strategy of Over-Identification. http://www.bavo.biz/texts/view/45
BAVO. (2007b). Always Choose the Worst Option - Artistic Resistance and the Strategy of Over-Identification. http://www.bavo.biz/texts/view/45
Bellinck, T. (2010). We Were Dying and Then We Got a Prize. In Art and Activism in the Age of Globalization: Vol. no. 8. NAi.
Beyes, T. (2010). Uncontained: The Art and Politics of Reconfiguring Urban Space. Culture and Organization, 16(3), 229–246. https://doi.org/10.1080/14759551.2010.503499
Beyes, T. (2015a). Summoning Art to Save the City: A Note. Ephemera. Theory and Politics in Organization, 15(1). http://www.ephemerajournal.org/contribution/summoning-art-save-city-note
Beyes, T. (2015b). Summoning Art to Save the City: A Note. Ephemera. Theory and Politics in Organization, 15(1). http://www.ephemerajournal.org/contribution/summoning-art-save-city-note
Birch, A., & Tompkins, J. (2012a). Performing Site-Specific Theatre: Politics, Place, Practice. Palgrave Macmillan.
Birch, A., & Tompkins, J. (2012b). Performing Site-Specific Theatre: Politics, Place, Practice. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1058315
Bishop, C. (2006). The Social Turn: Collaborations and Its Discontents. Artforum International, 44(6 (Feb)), 178–183. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2127778290002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_JOURNALS&adaptor=Local%20Search%20Engine&tab=tab3&query=any,contains,artforum&sortby=rank&offset=0
Bishop, C. (2012a). The Social Turn: Collaboration and Its Discontents. In Artificial Hells: Participatory Art and the Politics of Spectatorship. Verso.
Bishop, C. (2012b). The Social Turn: Collaboration and Its Discontents. In Artificial Hells: Participatory Art and the Politics of Spectatorship. Verso. http://hdl.handle.net/2027/heb.32115
Bo, Z. (2012). From Gongren to Gongmin: A Comparative Analysis of Ai Weiwei’s Sunflower Seeds and Nian. Journal of Visual Art Practice, 11(2), 117–133. https://doi.org/10.1386/jvap.11.2-3.117_1
Bonnett, A. (1992). Art, Ideology, and Everyday Space: Subversive Tendencies From Dada to Postmodernism. Environment and Planning D: Society and Space, 10(1), 69–86. https://doi.org/10.1068/d100069
Borden, I. (2002). The Unknown City: Contesting Architecture and Social Space. MIT.
Boyd, D. (2011). Social Network Sites as Networked Publics: Affordances, Dynamics, and Implications. In A Networked Self: Identity, Community and Culture on Social Network Sites. Routledge.
Brejzek, T. (2010). From Social Network to Urban Intervention: On the Scenographies of Flash Mobs and Urban Swarms. International Journal of Performance Arts & Digital Media, 6(1), 109–122. https://doi.org/10.1386/padm.6.1.109_1
Bull, M., & Back, L. (2016). The Auditory Culture Reader (2nd edition). Bloomsbury Academic, an imprint of Bloomsbury Publishing, Plc.
Butler, J. (2011). Bodies in Alliance and the Politics of the Street. http://www.eipcp.net/transversal/1011/butler/en
Butler, T. (2006). A Walk of Art: The Potential of the Sound Walk as Practice in Cultural Geography. Social & Cultural Geography, 7(6), 889–908. https://doi.org/10.1080/14649360601055821
Butler, T., & Miller, G. (2005). Linked: A Landmark in Sound, a Public Walk of Art. Cultural Geographies, 12(1). https://www.jstor.org/stable/44251015?sid=primo&seq=1#metadata_info_tab_contents
Careri, F. (2017). Walkscapes: Walking as an Aesthetic Practice. Culicidae Architectural Press.
Carmona, M. (2015). Re-Theorising Contemporary Public Space: A New Narrative and a New Normative. Journal of Urbanism: International Research on Placemaking and Urban Sustainability, 8(4), 373–405. https://doi.org/10.1080/17549175.2014.909518
Chilton, T. (2002). Adventure Playgrounds in the Twenty-First Century. In Playwork: Theory and Practice. Open University Press.
City: Vol 16, No 4. (n.d.). https://www.tandfonline.com/toc/ccit20/16/4
Cohen, P. (2013). On the Wrong Side of the Track?: East London and the Post-Olympics. Lawrence and Wishart.
Cornish, M. (2015). Performing the Archive: History and Memory in Recent German Theatre. Theatre Journal, 67(1), 63–82. https://doi.org/10.1353/tj.2015.0032
Dawkins, A., & Loftus, A. (2013). The Senses as Direct Theoreticians in Practice. Transactions of the Institute of British Geographers, 38(4), 665–677. https://doi.org/10.1111/j.1475-5661.2012.00551.x
De Cautier, L. (2010). Notes on Subversion/Theses on Activism. In Art and Activism in the Age of Globalization: Vol. no. 8. NAi.
De Certeau, M. (1988). Walking the City. In The Practice of Everyday Life. University of California Press.
de Souza de Silva, A., & Frith, J. (2012). Location-Aware Technologies: Control and Privacy in Hybrid Spaces. In Communication Matters: Materialist Approaches to Media, Mobility and Networks. Routledge. https://www.safaribooksonline.com/library/view/-/9780415782241/?ar
de Souza e Silva, A. (2013). Location-Aware Mobile Technologies: Historical, Social and Spatial Approaches. Mobile Media & Communication, 1(1), 116–121. https://doi.org/10.1177/2050157912459492
de Souza e Silva, A., & Hjorth, L. (2009). Playful Urban Spaces: A Historical Approach to Mobile Games. Simulation & Gaming, 40(5), 602–625. https://doi.org/10.1177/1046878109333723
Deutsche, R. (1988). Uneven Development: Public Art in New York City. October, 47. https://doi.org/10.2307/778979
Deutsche, R. (1992). Art and Public Space: Questions of Democracy. Thresholds, 2. https://www.jstor.org/stable/43875830
Dias, M. (2011). Digital Performance in Networked Public Spaces: Situating the Posthuman Subject | ISEA2011 Istanbul. https://isea2011.sabanciuniv.edu/paper/digital-performance-networked-public-spaces-situating-posthuman-subject
Dias, M. P. (2012). A Machine to See With (And Reflect Upon). Liminalities, 8(1). http://liminalities.net/8-1/blast-theory.html
Dixon, S. (2007). Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. MIT Press.
Dolan, J. (2001). Performance, Utopia, and the ‘Utopian Performative’. Theatre Journal, 53(3). https://www.jstor.org/stable/25068953
Dreysse, M., & Malzacher, F. (2008). Experts of the Everyday: The Theatre of Rimini Protokoll. Alexander Verlag.
Edelman, M. (1995). From Art to Politics: How Artistic Creations Shape Political Conceptions. University of Chicago Press.
Edensor, T. (2005). The Ghosts of Industrial Ruins: Ordering and Disordering Memory in Excessive Space. Environment and Planning D: Society and Space, 23(6), 829–849. https://doi.org/10.1068/d58j
Eileraas, K. (2014). Sex(t)ing Revolution, Femen-izing the Public Square: Aliaa Magda Elmahdy, Nude Protest, and Transnational Feminist Body Politics. Signs: Journal of Women in Culture and Society, 40(1), 40–52. https://doi.org/10.1086/677073
Fenton, J. (2005). Space, Chance, Time: Walking Backwards Through the Hours on the Left and Right Banks of Paris. Cultural Geographies, 12(4). https://www.jstor.org/stable/44251056?sid=primo&seq=1#metadata_info_tab_contents
Foster, S. L. (2003). Choreographies of Protest. Theatre Journal, 55(3). https://www.jstor.org/stable/25069277?seq=1#metadata_info_tab_contents
Fraser, N. (2010). Rethinking the Public Sphere: A Contribution to the Critique of Actually Existing Democracy. In The Idea of the Public Sphere: A Reader. Lexington Books.
Games Monitor | Debunking Olympics Myths. (n.d.). http://www.gamesmonitor.org.uk/
Gold, J. R., & Gold, M. M. (2007). Olympic Cities: City Agendas, Planning, and the World’s Games, 1896-2012. Routledge.
Gold, J. R., & Gold, M. M. (2008). Olympic Cities: Regeneration, City Rebranding and Changing Urban Agendas. Geography Compass, 2(1), 300–318. https://doi.org/10.1111/j.1749-8198.2007.00080.x
Graham, S., & Marvin, S. (2001a). Splintering Urbanism: Networked Infrastructures, Technological Mobilities and the Urban Condition. Routledge.
Graham, S., & Marvin, S. (2001b). Splintering Urbanism: Networked Infrastructures, Technological Mobilities and the Urban Condition. Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=170145
Hahn, D. (2014). Performing Public Spaces, Staging Collective Memory: 50 Kilometres of Files by Rimini Protokoll. TDR/The Drama Review, 58(3), 27–38. https://doi.org/10.1162/DRAM_a_00371
Hall, T. (2003). Art and Urban Change: Public Art in Urban Regeneration. In Cultural Geography in Practice. Arnold. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781444118964
Hannah, D. (2011). Constructing Barricades: Politics of the Event and ‘Weak Architecture’. Architecture and the Political Fourth International Symposium on Architectural Theory. http://www.lau.edu.lb/news-events/conferences/architecture-political/docs/hannah.pdf
Harvie, J. (2005). Being Her: Presence, Absence, and Performance in the Art of Janet Cardiff and Tracey Emin. In Auto/biography and Identity: Women, Theatre and Performance. Manchester University Press.
Harvie, J. (2006a). City and Performativity: Performing the City. In Theatre and the City. Palgrave Macmillan. http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4763483
Harvie, J. (2006b). City and Performativity: Performing the City. In Theatre and the City. Palgrave Macmillan. http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4763483
Harvie, J. (2009a). City and Performativity: Performing in the City. In Theatre & the City. Palgrave Macmillan.
Harvie, J. (2009b). City and Performativity: Performing in the City. In Theatre & the City. Palgrave Macmillan.
Harvie, J. (2009c). Theatre & the City. Palgrave Macmillan.
Harvie, J. (2011). Democracy and Neoliberalism in Art’s Social Turn and Roger Hiorns’s Seizure. Performance Research, 16(2), 113–123. https://doi.org/10.1080/13528165.2011.578842
Harvie, J. (2013a). Space: Exclusion and Engagement. In Fair Play: Art, Performance and Neoliberalism. Palgrave Macmillan.
Harvie, J. (2013b). Space, Exclusion and Engagement. In Fair Play: Art, Performance and Neoliberalism. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137027290
Harvie, J. (2013c). Space: Exclusion and Engagement. In Fair Play: Art, Performance and Neoliberalism. Palgrave Macmillan.
Harvie, J. (2013d). Space, Exclusion and Engagement. In Fair Play: Art, Performance and Neoliberalism. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137027290
Harvie, J., & Etchells, T. (2006). Theatre and the City. Palgrave Macmillan. http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4763483
Harvie, J., & Zaiontz, K. (2013). Contemporary Theatre Review: Vol 23, No 4: The Cultural Politics of London 2012. https://www.tandfonline.com/toc/gctr20/23/4?nav=tocList
Hawkins, H. (2010). Turn Your Trash Into… Rubbish, Art and Politics. Richard Wentworth’s Geographical Imagination. Social & Cultural Geography, 11(8), 805–827. https://doi.org/10.1080/14649365.2010.522719
Hawkins, H. (2013). Geography and Art. An Expanding Field. Progress in Human Geography, 37(1), 52–71. https://doi.org/10.1177/0309132512442865
Heddon, D. (2010). The Horizon of Sound Soliciting the Earwitness. Performance Research, 15(3), 36–42. https://doi.org/10.1080/13528165.2010.527200
Heddon, D., Lavery, C., Smith, P., & Mock, R. (2009a). Walking, Writing and Performance: Autobiographical Texts. Intellect.
Heddon, D., Lavery, C., Smith, P., & Mock, R. (2009b). Walking, Writing and Performance: Autobiographical Texts. Intellect. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=457086
Holub, B. (2017). Why Is Taking Action Beautiful? Explorations for Actionology. In H. M. Berger & G. Ziemer (Eds.), New Stakeholders of Urban Change: A Question of Culture and Attitude? Vol. IV. Jovis.
Hopkins, D. J., Orr, S., & Solga, K. (2011a). Introduction: City/Text/Performance. In Performance and the City. Palgrave Macmillan.
Hopkins, D. J., Orr, S., & Solga, K. (2011b). Performance and the City. Palgrave Macmillan.
Hopkins, D. J., & Solga, K. (2013). Introduction: City/Text/Performance. In D. J. Hopkins & K. Solga (Eds.), Performance and the Global City. Palgrave Macmillan. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137367853
Hopkins, D. J., Solga, K., & Orr, S. (2013). Performance and the Global City. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1514238
Imrie, R., Lees, L., & Raco, M. (2009a). Regenerating London: Governance, Sustainability and Community in a Global City. Routledge.
Imrie, R., Lees, L., & Raco, M. (2009b). Regenerating London: Governance, Sustainability and Community in a Global City. Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=401856
Jackson, S. (2011a). Quality Time: Social Practice Debates in Contemporary Art. In Social Works: Performing Art, Supporting Publics. Routledge.
Jackson, S. (2011b). Quality Time: Social Practice Debates in Contemporary Art. In Social Works: Performing Art, Supporting Publics. Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=310592
Jackson, S. (2011c). Social Works: Performing Art, Supporting Publics. Routledge.
Jackson, S. (2011d). Social Works: Performing Art, Supporting Publics. Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=310592
Jenks, C. (1995). Watching Your Step: The History and Practice of the Flâneur. In Visual Culture. Routledge.
Kelly, P. (2005). What Have You Done Today Mervyn Day?
Kester, G. (2006). Response to Claire Bishop’s ‘Another Turn’. Artforum International, 44(9 (May)). https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2127778290002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_JOURNALS&adaptor=Local%20Search%20Engine&tab=tab3&query=any,contains,artforum&sortby=rank&offset=0
Kester, G. H. (2004). Conversation Pieces: Community and Communication in Modern Art. University of California Press. http://www.loc.gov/catdir/toc/ecip048/2003018998.html
Kester, G. H. (2011a). Eminent Domain: Art and Urban Space. In The One and the Many: Contemporary Collaborative Art in a Global Context. Duke University Press.
Kester, G. H. (2011b). Eminent Domain: Art and Urban Space. In The One and the Many: Contemporary Collaborative Art in a Global Context. Duke University Press. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780822394037
Kuppers, P. (1999). Moving in the Cityscape: Performance and the Embodied Experience of the Flâneur. New Theatre Quarterly, 15(04). https://doi.org/10.1017/S0266464X00013245
Kwon, M. (2004a). One Place After Another: Site-Specific Art and Locational Identity. MIT Press.
Kwon, M. (2004b). One Place After Another: Site-Specific Art and Locational Identity. MIT Press. http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=138684&site=ehost-live
LaBelle, B. (2006). Background Noise: Perspectives on Sound Art. Continuum.
Lavery, C. (2005). The Pepys of London E11: Graeme Miller and the Politics of Linked. New Theatre Quarterly, 21(2), 148–160. https://doi.org/10.1017/S0266464X05000059
Lavrinec, J. (2011a). From a ‘Blind Walker’ to an ‘Urban Curator’: Initiating ‘Emotionally Moving Situations’ in Public Spaces. Creativity Studies, 4(1), 54–63. https://doi.org/10.3846/20290187.2011.577176
Lavrinec, J. (2011b). Revitalization of Public Space: From "Non-Places” to Creative Playgrounds. Santalka: Filosofija, Komunikacija, 19(2), 70–75. https://doi.org/10.3846/coactivity.2011.16
Leeson, L. (2005). Art for Change: Loraine Leeson : Works From 1975-2005. Neue Gesellschaft f�r Bildende Kunst.
Lefebvre, H. (2004a). Seen From the Window. In Rhythmanalysis: Space, Time, and Everyday Life. Continuum.
Lefebvre, H. (2004b). Seen From the Window. In Rhythmanalysis: Space, Time, and Everyday Life. Continuum. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781847140364
Lefebvre, H. (2004c). The Rythmanalyst: A Previsionary Portrait. In Rhythmanalysis: Space, Time, and Everyday Life. Continuum.
Lefebvre, H. (2004d). The Rythmanalyst: A Previsionary Portrait. In Rhythmanalysis: Space, Time, and Everyday Life. Continuum. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781847140364
Lester, S. (2014a). Play as Protest: Clandestine Moments of Disturbance and Hope. In Education, Childhood and Anarchism. Routledge; 1 edition. https://www.amazon.co.uk/Education-Childhood-Anarchism-Catherine-Burke/dp/1138669881/ref=sr_1_1?ie=UTF8&qid=1543937885&sr=8-1&keywords=Education%2C+Childhood+and+Anarchism
Lester, S. (2014b). Play as Protest: Clandestine Moments of Disturbance and Hope. In Education, Childhood and Anarchism. Routledge; 1 edition. https://www.amazon.co.uk/Education-Childhood-Anarchism-Catherine-Burke/dp/1138669881/ref=sr_1_1?ie=UTF8&qid=1543937885&sr=8-1&keywords=Education%2C+Childhood+and+Anarchism
London 2012 Olympics | Citizens UK. (n.d.). https://web.archive.org/web/20130812091807/http://www.citizensuk.org/campaigns/london-2012-olympics/
Malzacher, F. (2014a). Putting the Urinal Back in the Restroom. In F. Malzacher & A. Faucheret (Eds.), Truth Is Concrete: A Handbook for Artistic Strategies in Real Politics (Second edition). Sternberg Press.
Malzacher, F. (2014b). Putting the Urinal Back in the Restroom. In F. Malzacher & A. Faucheret (Eds.), Truth Is Concrete: A Handbook for Artistic Strategies in Real Politics (Second edition). Sternberg Press.
McCreery, S. (2001). The Claremont Road Situation. In The Unknown City: Contesting Architecture and Social Space. MIT.
McDonough, T. (2009). The Situationists and the City. Verso.
McKeon, O. (2014). Solidarity Means Attack: Choreographic Analysis and the West Coast Port Blockade. Activate, 3(1).
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Merx, S. (2011). Public Pie Performing Public Space. Performance Research, 16(2), 132–137. https://doi.org/10.1080/13528165.2011.578844
Merx, S. (2013). The Politics of Scenography: Disrupting the Stage. Performance Research, 18(3), 54–58. https://doi.org/10.1080/13528165.2013.818314
Miller, G. (2003). Linked: A Landmark in Sound, an Invisible Artwork, a Walk. Arts Admin.
Miller, G. (2005). Walking the Walk, Talking the Talk: Re-imagining the Urban Landscape. New Theatre Quarterly, 21(2), 161–165. https://doi.org/10.1017/S0266464X05000060
Mouffe, C. (2007a). Artistic Activism and Antagonistic Spaces. Art and Research: A Journal of Ideas, Contexts and Methods, 1(2). http://www.artandresearch.org.uk/v1n2/mouffe.html
Mouffe, C. (2007b). Artistic Activism and Antagonistic Spaces. Art and Research: A Journal of Ideas, Contexts and Methods, 1(2). http://www.artandresearch.org.uk/v1n2/mouffe.html
Neal, Z. P. (2010a). Introduction: Public Space as Art, Theatre and Performance. In Common Ground?: Readings and Reflections on Public Space.
Neal, Z. P. (2010b). Introduction: Public Space as Art, Theatre and Performance. In Common Ground?: Readings and Reflections on Public Space. Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203873960
Neal, Z. P. (2010c). Locating Public Space. In Common Ground?: Readings and Reflections on Public Space.
Neal, Z. P. (2010d). Locating Public Space. In Common Ground?: Readings and Reflections on Public Space. Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203873960
Nibbelink, L. G. (2015). The Mirror of Public Space – Interview With Dries Verhoven. In K. Arfara, A. Mancewicz, & R. Remshardt (Eds.), Intermedial performance and politics in the public sphere. Palgrave Macmillan.
Olsen, C. S. (2019). Socially Engaged Art and the Neoliberal City. Routledge.
Orum, A. M., & Neal, Z. P. (2010a). Common Ground?: Readings and Reflections on Public Space.
Orum, A. M., & Neal, Z. P. (2010b). Common Ground?: Readings and Reflections on Public Space. Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=446678
Parry, B. (2011). Rethinking Intervention. In Cultural Hijack: Rethinking Intervention. Liverpool University Press.
Parry, B., Tahir, M., & Medlyn, S. (2011). Cultural Hijack: Rethinking Intervention. Liverpool University Press.
Pearson, M. (2010). Materiality. In Site-Specific Performance. Palgrave Macmillan.
Pinder, D. (2001). Ghostly Footsteps: Voices, Memories and Walks in the City. Ecumene, 8(1), 1–19. https://doi.org/10.1177/096746080100800101
Pinder, D. (2005a). Arts of Urban Exploration. Cultural Geographies, 12(4). https://www.jstor.org/stable/44251055?sid=primo&seq=1#metadata_info_tab_contents
Pinder, D. (2005b). Arts of Urban Exploration. Cultural Geographies, 12(4). https://www.jstor.org/stable/44251055?sid=primo#metadata_info_tab_contents
Pinder, D. (2005c). Visions of the City: Utopianism, Power, and Politics in Twentieth-Century Urbanism. Routledge.
Pinder, D. (2005d). Visions of the City: Utopianism, Power, and Politics in Twentieth-Century Urbanism. Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315870496
Pinder, D. (2009a). Situationism/Situationist Geographies. In International Encyclopedia of Human Geography (Vol. 10, pp. 144–150). https://www.sciencedirect.com/referencework/9780080449104/international-encyclopedia-of-human-geography
Pinder, D. (2009b). Surrealism/Surrealist Geographies. In International Encyclopedia of Human Geography (Vol. 11, pp. 87–94). https://www.sciencedirect.com/referencework/9780080449104/international-encyclopedia-of-human-geography
Pinder, D. (2016). Sound, Memory and Interruption: Ghosts of London’s M11 Link Road. In Cities Interrupted: Visual Culture and Urban Space. Bloomsbury Academic; 01 edition. https://www.amazon.co.uk/Cities-Interrupted-Shirley-Jordan/dp/1474224415/ref=sr_1_1?ie=UTF8&qid=1544003907&sr=8-1&keywords=Cities+Interrupted+jordan
Pitsikali, A. (2015). Examining the Playground as a Civic Space through the Lens of Play. Journal of Playwork Practice, 2(1), 45–59.
Powell, H., & Marrero-Guillamn̤, I. (2012). The Art of Dissent: Adventures in London’s Olympic State. Marshgate.
Poynter, G. (2016). Olympic Cities: 2012 and the Remaking of London (I. MacRury, Ed.). Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315247748
Rancière, J. (2015a). The Politics of Aesthetics: The Distribution of the Sensible (G. Rockhill, Ed.; Updated edition). Bloomsbury Academic.
Rancière, J. (2015b). The Politics of Aesthetics: The Distribution of the Sensible (G. Rockhill, Ed.; Updated edition). Bloomsbury Academic.
Rendell, J. (2006). Art and Architecture: A Place Between. I. B. Tauris.
Rendell, J. (2009). Critical Spatial Practice. http://www.janerendell.co.uk/wp-content/uploads/2009/06/critical-spatial-practice.pdf
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Rosler, M. (2010a). Culture Class: Art, Creativity, Urbanism, Part I. E-Flux, 21. https://www.e-flux.com/journal/21/67676/culture-class-art-creativity-urbanism-part-i/
Rosler, M. (2010b). Culture Class: Art, Creativity, Urbanism, Part I. E-Flux, 21. https://www.e-flux.com/journal/21/67676/culture-class-art-creativity-urbanism-part-i/
Rosler, M. (2011a). Culture Class: Art, Creativity, Urbanism, Part II. E-Flux, 23. https://www.e-flux.com/journal/23/67813/culture-class-art-creativity-urbanism-part-ii/
Rosler, M. (2011b). Culture Class: Art, Creativity, Urbanism, Part II. E-Flux, 23. https://www.e-flux.com/journal/23/67813/culture-class-art-creativity-urbanism-part-ii/
Rosler, M. (2011c). Culture Class: Art, Creativity, Urbanism, Part III. E-Flux, 25. https://www.e-flux.com/journal/25/67898/culture-class-art-creativity-urbanism-part-iii/
Rosler, M. (2011d). Culture Class: Art, Creativity, Urbanism, Part III. E-Flux, 25. https://www.e-flux.com/journal/25/67898/culture-class-art-creativity-urbanism-part-iii/
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Thompson, J. (2009b). Performance Affects: Applied Theatre and the End of Effect. Palgrave Macmillan. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=250764
Thompson, N. (2017). Living as Form. In Living as Form: Socially Engaged Art from 1991-2011. MIT Press; Reprint edition. https://www.amazon.co.uk/Living-Form-Socially-Engaged-1991-2011/dp/0262534398/ref=sr_1_1?ie=UTF8&qid=1543999788&sr=8-1&keywords=living+as+form
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Whybrow, N. (2011a). Art and the City. I.B. Tauris.
Whybrow, N. (2011b). Art and the City. I.B. Tauris. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=304817
Whybrow, N. (2011c). Art and the City. I.B. Tauris.
Whybrow, N. (2011d). Art and the City. I.B. Tauris. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=304817
Wilson, E. (1992). The Invisible Flâneur. New Left Review, 191. https://newleftreview.org/I/191/elizabeth-wilson-the-invisible-flaneur
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