Ahmed, Sara, ‘Recognising Strangers’, in Strange Encounters: Embodied Others in Post-Coloniality (London: Routledge, 2000)
———, ‘Recognising Strangers’, in Strange Encounters: Embodied Others in Post-Coloniality (London: Routledge, 2000) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203349700>
Andron, Sabina, ‘Interviewing Walls: Towards a Method of Reading Hybrid Surface Inscriptions’, in Graffiti and Street Art: Reading, Writing and Representing the City, ed. by Konstantinos Avramidis and Myrto Tsilimpounidi (London: Routledge, 2017)
———, ‘Interviewing Walls: Towards a Method of Reading Hybrid Surface Inscriptions’, in Graffiti and Street Art: Reading, Writing and Representing the City (Florence: Taylor and Francis, 2016) <http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4767335>
Avgikos, J., ‘Group Material Timeline: Activism as a Work of Art’, in But Is It Art?: The Spirit of Art as Activism (Seattle: Bay Press, 1995)
Barns, Sarah, ‘Sounds Different: Listening to the Proliferating Spaces of Technological Modernity in the City’, Space and Culture, 17.1 (2014), 4–15 <https://doi.org/10.1177/1206331213494733>
BAVO, ‘Always Choose the Worst Option - Artistic Resistance and the Strategy of Over-Identification’, 2007 <http://www.bavo.biz/texts/view/45>
———, ‘Always Choose the Worst Option - Artistic Resistance and the Strategy of Over-Identification’, 2007 <http://www.bavo.biz/texts/view/45>
Bellinck, T., ‘We Were Dying and Then We Got a Prize’, in Art and Activism in the Age of Globalization (Rotterdam: NAi, 2010), no. 8
Beyes, T., ‘Summoning Art to Save the City: A Note’, Ephemera. Theory and Politics in Organization, 15.1 (2015) <http://www.ephemerajournal.org/contribution/summoning-art-save-city-note>
———, ‘Summoning Art to Save the City: A Note’, Ephemera. Theory and Politics in Organization, 15.1 (2015) <http://www.ephemerajournal.org/contribution/summoning-art-save-city-note>
Beyes, Timon, ‘Uncontained: The Art and Politics of Reconfiguring Urban Space’, Culture and Organization, 16.3 (2010), 229–46 <https://doi.org/10.1080/14759551.2010.503499>
Birch, Anna, and Joanne Tompkins, Performing Site-Specific Theatre: Politics, Place, Practice (Basingstoke: Palgrave Macmillan, 2012)
———, Performing Site-Specific Theatre: Politics, Place, Practice (Basingstoke: Palgrave Macmillan, 2012) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1058315>
Bishop, Claire, ‘The Social Turn: Collaboration and Its Discontents’, in Artificial Hells: Participatory Art and the Politics of Spectatorship (London: Verso, 2012)
———, ‘The Social Turn: Collaboration and Its Discontents’, in Artificial Hells: Participatory Art and the Politics of Spectatorship (London: Verso, 2012) <http://hdl.handle.net/2027/heb.32115>
———, ‘The Social Turn: Collaborations and Its Discontents’, Artforum International, 44.6 (Feb) (2006), 178–83 <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2127778290002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_JOURNALS&adaptor=Local%20Search%20Engine&tab=tab3&query=any,contains,artforum&sortby=rank&offset=0>
Bo, Zheng, ‘From Gongren to Gongmin: A Comparative Analysis of Ai Weiwei’s Sunflower Seeds and Nian’, Journal of Visual Art Practice, 11.2 (2012), 117–33 <https://doi.org/10.1386/jvap.11.2-3.117_1>
Bonnett, A, ‘Art, Ideology, and Everyday Space: Subversive Tendencies From Dada to Postmodernism’, Environment and Planning D: Society and Space, 10.1 (1992), 69–86 <https://doi.org/10.1068/d100069>
Borden, Iain, The Unknown City: Contesting Architecture and Social Space (Cambridge, Mass: MIT, 2002)
Boyd, Danah, ‘Social Network Sites as Networked Publics: Affordances, Dynamics, and Implications’, in A Networked Self: Identity, Community and Culture on Social Network Sites (New York: Routledge, 2011)
Brejzek, Thea, ‘From Social Network to Urban Intervention: On the Scenographies of Flash Mobs and Urban Swarms’, International Journal of Performance Arts & Digital Media, 6.1 (2010), 109–22 <https://doi.org/10.1386/padm.6.1.109_1>
Bull, Michael, and Les Back, The Auditory Culture Reader, 2nd edition (London: Bloomsbury Academic, an imprint of Bloomsbury Publishing, Plc, 2016)
Butler, Judith, ‘Bodies in Alliance and the Politics of the Street’, 2011 <http://www.eipcp.net/transversal/1011/butler/en>
Butler, Toby, ‘A Walk of Art: The Potential of the Sound Walk as Practice in Cultural Geography’, Social & Cultural Geography, 7.6 (2006), 889–908 <https://doi.org/10.1080/14649360601055821>
Butler, Toby, and Graeme Miller, ‘Linked: A Landmark in Sound, a Public Walk of Art’, Cultural Geographies, 12.1 (2005) <https://www.jstor.org/stable/44251015?sid=primo&seq=1#metadata_info_tab_contents>
Careri, Francesco, Walkscapes: Walking as an Aesthetic Practice (Ames, IA: Culicidae Architectural Press, 2017)
Carmona, Matthew, ‘Re-Theorising Contemporary Public Space: A New Narrative and a New Normative’, Journal of Urbanism: International Research on Placemaking and Urban Sustainability, 8.4 (2015), 373–405 <https://doi.org/10.1080/17549175.2014.909518>
Chilton, T., ‘Adventure Playgrounds in the Twenty-First Century’, in Playwork: Theory and Practice (Philadelphia, PA: Open University Press, 2002)
‘City: Vol 16, No 4’ <https://www.tandfonline.com/toc/ccit20/16/4>
Cohen, Philip, On the Wrong Side of the Track?: East London and the Post-Olympics (London: Lawrence and Wishart, 2013)
Cornish, Matthew, ‘Performing the Archive: History and Memory in Recent German Theatre’, Theatre Journal, 67.1 (2015), 63–82 <https://doi.org/10.1353/tj.2015.0032>
Dawkins, Ashley, and Alex Loftus, ‘The Senses as Direct Theoreticians in Practice’, Transactions of the Institute of British Geographers, 38.4 (2013), 665–77 <https://doi.org/10.1111/j.1475-5661.2012.00551.x>
De Cautier, Lieven, ‘Notes on Subversion/Theses on Activism’, in Art and Activism in the Age of Globalization (Rotterdam: NAi, 2010), no. 8
De Certeau, M., ‘Walking the City’, in The Practice of Everyday Life (Berkeley, Calif: University of California Press, 1988)
Deutsche, Rosalyn, ‘Art and Public Space: Questions of Democracy’, Thresholds, 2, 1992 <https://www.jstor.org/stable/43875830>
———, ‘Uneven Development: Public Art in New York City’, October, 47 (1988) <https://doi.org/10.2307/778979>
Dias, Marcos, ‘Digital Performance in Networked Public Spaces: Situating the Posthuman Subject | ISEA2011 Istanbul’, 2011 <https://isea2011.sabanciuniv.edu/paper/digital-performance-networked-public-spaces-situating-posthuman-subject>
Dias, Marcos Pereira, ‘A Machine to See With (And Reflect Upon)’, Liminalities, 8.1 (2012) <http://liminalities.net/8-1/blast-theory.html>
Dixon, Steve, Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation (Cambridge, Mass: MIT Press, 2007)
Dolan, Jill, ‘Performance, Utopia, and the “Utopian Performative”’, Theatre Journal, 53.3 (2001) <https://www.jstor.org/stable/25068953>
Dreysse, Miriam, and Florian Malzacher, Experts of the Everyday: The Theatre of Rimini Protokoll (Berlin: Alexander Verlag, 2008)
Edelman, Murray, From Art to Politics: How Artistic Creations Shape Political Conceptions (Chicago, [Ill.]: University of Chicago Press, 1995)
Edensor, Tim, ‘The Ghosts of Industrial Ruins: Ordering and Disordering Memory in Excessive Space’, Environment and Planning D: Society and Space, 23.6 (2005), 829–49 <https://doi.org/10.1068/d58j>
Eileraas, Karina, ‘Sex(t)Ing Revolution, Femen-Izing the Public Square: Aliaa Magda Elmahdy, Nude Protest, and Transnational Feminist Body Politics’, Signs: Journal of Women in Culture and Society, 40.1 (2014), 40–52 <https://doi.org/10.1086/677073>
Fenton, Jill, ‘Space, Chance, Time: Walking Backwards Through the Hours on the Left and Right Banks of Paris’, Cultural Geographies, 12.4 (2005) <https://www.jstor.org/stable/44251056?sid=primo&seq=1#metadata_info_tab_contents>
Foster, Susan Leigh, ‘Choreographies of Protest’, Theatre Journal, 55.3 (2003) <https://www.jstor.org/stable/25069277?seq=1#metadata_info_tab_contents>
Fraser, N., ‘Rethinking the Public Sphere: A Contribution to the Critique of Actually Existing Democracy’, in The Idea of the Public Sphere: A Reader (Lanham, Md: Lexington Books, 2010)
‘Games Monitor | Debunking Olympics Myths’ <http://www.gamesmonitor.org.uk/>
Gold, John R., and Margaret M. Gold, ‘Olympic Cities: Regeneration, City Rebranding and Changing Urban Agendas’, Geography Compass, 2.1 (2008), 300–318 <https://doi.org/10.1111/j.1749-8198.2007.00080.x>
Gold, John Robert, and Margaret M. Gold, Olympic Cities: City Agendas, Planning, and the World’s Games, 1896-2012 (Abingdon: Routledge, 2007)
Graham, Stephen, and Simon Marvin, Splintering Urbanism: Networked Infrastructures, Technological Mobilities and the Urban Condition (London: Routledge, 2001)
———, Splintering Urbanism: Networked Infrastructures, Technological Mobilities and the Urban Condition (London: Routledge, 2001) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=170145>
Hahn, Daniela, ‘Performing Public Spaces, Staging Collective Memory: 50 Kilometres of Files by Rimini Protokoll’, TDR/The Drama Review, 58.3 (2014), 27–38 <https://doi.org/10.1162/DRAM_a_00371>
Hall, Tim, ‘Art and Urban Change: Public Art in Urban Regeneration’, in Cultural Geography in Practice (London: Arnold, 2003) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781444118964>
Hannah, Dorita, ‘Constructing Barricades: Politics of the Event and “Weak Architecture”’ (Architecture and the Political Fourth International Symposium on Architectural Theory, 2011) <http://www.lau.edu.lb/news-events/conferences/architecture-political/docs/hannah.pdf>
Harvie, Jen, ‘Being Her: Presence, Absence, and Performance in the Art of Janet Cardiff and Tracey Emin’, in Auto/Biography and Identity: Women, Theatre and Performance (Manchester: Manchester University Press, 2005)
———, ‘City and Performativity: Performing in the City’, in Theatre & the City (Basingstoke: Palgrave Macmillan, 2009)
———, ‘City and Performativity: Performing in the City’, in Theatre & the City (Basingstoke: Palgrave Macmillan, 2009)
———, ‘City and Performativity: Performing the City’, in Theatre and the City (Basingstoke: Palgrave Macmillan, 2006) <http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4763483>
———, ‘City and Performativity: Performing the City’, in Theatre and the City (Basingstoke: Palgrave Macmillan, 2006) <http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4763483>
———, ‘Democracy and Neoliberalism in Art’s Social Turn and Roger Hiorns’s Seizure’, Performance Research, 16.2 (2011), 113–23 <https://doi.org/10.1080/13528165.2011.578842>
———, ‘Space: Exclusion and Engagement’, in Fair Play: Art, Performance and Neoliberalism (Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2013)
———, ‘Space, Exclusion and Engagement’, in Fair Play: Art, Performance and Neoliberalism, 2013 <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137027290>
———, ‘Space: Exclusion and Engagement’, in Fair Play: Art, Performance and Neoliberalism (Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2013)
———, ‘Space, Exclusion and Engagement’, in Fair Play: Art, Performance and Neoliberalism, 2013 <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137027290>
———, Theatre & the City (Basingstoke: Palgrave Macmillan, 2009)
Harvie, Jen, and Tim Etchells, Theatre and the City (Basingstoke: Palgrave Macmillan, 2006) <http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4763483>
Harvie, Jen, and Keren Zaiontz, ‘Contemporary Theatre Review: Vol 23, No 4: The Cultural Politics of London 2012’, 2013 <https://www.tandfonline.com/toc/gctr20/23/4?nav=tocList>
Hawkins, Harriet, ‘Geography and Art. An Expanding Field’, Progress in Human Geography, 37.1 (2013), 52–71 <https://doi.org/10.1177/0309132512442865>
———, ‘Turn Your Trash Into… Rubbish, Art and Politics. Richard Wentworth’s Geographical Imagination’, Social & Cultural Geography, 11.8 (2010), 805–27 <https://doi.org/10.1080/14649365.2010.522719>
Heddon, Deirdre, ‘The Horizon of Sound Soliciting the Earwitness’, Performance Research, 15.3 (2010), 36–42 <https://doi.org/10.1080/13528165.2010.527200>
Heddon, Deirdre, Carl Lavery, Phil Smith, and Roberta Mock, Walking, Writing and Performance: Autobiographical Texts (Bristol: Intellect, 2009)
———, Walking, Writing and Performance: Autobiographical Texts (Bristol: Intellect, 2009) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=457086>
Holub, B., ‘Why Is Taking Action Beautiful? Explorations for Actionology’, in New Stakeholders of Urban Change: A Question of Culture and Attitude?, ed. by Hilke Marit Berger and Gesa Ziemer (Berlin: Jovis, 2017), IV
Hopkins, D. J., Shelley Orr, and Kim Solga, ‘Introduction: City/Text/Performance’, in Performance and the City (Basingstoke: Palgrave Macmillan, 2011)
———, Performance and the City (Basingstoke: Palgrave Macmillan, 2011)
Hopkins, D. J., and Kim Solga, ‘Introduction: City/Text/Performance’, in Performance and the Global City, ed. by D. J. Hopkins and Kim Solga (Basingstoke: Palgrave Macmillan, 2013) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137367853>
Hopkins, D. J., Kim Solga, and Shelley Orr, Performance and the Global City (Basingstoke: Palgrave Macmillan, 2013) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1514238>
Imrie, Robert, Loretta Lees, and Mike Raco, Regenerating London: Governance, Sustainability and Community in a Global City (Milton Park, Abingdon, Oxon: Routledge, 2009)
———, Regenerating London: Governance, Sustainability and Community in a Global City (London: Routledge, 2009) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=401856>
Jackson, Shannon, ‘Quality Time: Social Practice Debates in Contemporary Art’, in Social Works: Performing Art, Supporting Publics (New York: Routledge, 2011)
———, ‘Quality Time: Social Practice Debates in Contemporary Art’, in Social Works: Performing Art, Supporting Publics (New York: Routledge, 2011) <http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=310592>
———, Social Works: Performing Art, Supporting Publics (New York: Routledge, 2011)
———, Social Works: Performing Art, Supporting Publics (New York: Routledge, 2011) <http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=310592>
Jenks, Chris, ‘Watching Your Step: The History and Practice of the Flâneur’, in Visual Culture (London: Routledge, 1995)
Kelly, Paul, ‘What Have You Done Today Mervyn Day?’, 2005
Kester, Grant, ‘Response to Claire Bishop’s “Another Turn”’, Artforum International, 44.9 (May) (2006) <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2127778290002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_JOURNALS&adaptor=Local%20Search%20Engine&tab=tab3&query=any,contains,artforum&sortby=rank&offset=0>
Kester, Grant H., Conversation Pieces: Community and Communication in Modern Art (Berkeley: University of California Press, 2004) <http://www.loc.gov/catdir/toc/ecip048/2003018998.html>
———, ‘Eminent Domain: Art and Urban Space’, in The One and the Many: Contemporary Collaborative Art in a Global Context (Durham, [N.C.]: Duke University Press, 2011)
———, ‘Eminent Domain: Art and Urban Space’, in The One and the Many: Contemporary Collaborative Art in a Global Context (Durham, [N.C.]: Duke University Press, 2011) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780822394037>
Kuppers, Petra, ‘Moving in the Cityscape: Performance and the Embodied Experience of the Flâneur’, New Theatre Quarterly, 15.04 (1999) <https://doi.org/10.1017/S0266464X00013245>
Kwon, Miwon, One Place After Another: Site-Specific Art and Locational Identity (Cambridge, Mass: MIT Press, 2004)
———, One Place After Another: Site-Specific Art and Locational Identity (Cambridge, Mass: MIT Press, 2004) <http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=138684&site=ehost-live>
LaBelle, Brandon, Background Noise: Perspectives on Sound Art (New York: Continuum, 2006)
Lavery, Carl, ‘The Pepys of London E11: Graeme Miller and the Politics of Linked’, New Theatre Quarterly, 21.2 (2005), 148–60 <https://doi.org/10.1017/S0266464X05000059>
Lavrinec, Jekaterina, ‘From a “Blind Walker” to an “Urban Curator”: Initiating “Emotionally Moving Situations” in Public Spaces’, Creativity Studies, 4.1 (2011), 54–63 <https://doi.org/10.3846/20290187.2011.577176>
———, ‘Revitalization of Public Space: From "Non-Places” to Creative Playgrounds’, Santalka: Filosofija, Komunikacija, 19.2 (2011), 70–75 <https://doi.org/10.3846/coactivity.2011.16>
Leeson, Loraine, Art for Change: Loraine Leeson : Works From 1975-2005 (Berlin: Neue Gesellschaft f�r Bildende Kunst, 2005)
Lefebvre, Henri, ‘Seen From the Window’, in Rhythmanalysis: Space, Time, and Everyday Life (London: Continuum, 2004)
———, ‘Seen From the Window’, in Rhythmanalysis: Space, Time, and Everyday Life (London: Continuum, 2004) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781847140364>
———, ‘The Rythmanalyst: A Previsionary Portrait’, in Rhythmanalysis: Space, Time, and Everyday Life (London: Continuum, 2004)
———, ‘The Rythmanalyst: A Previsionary Portrait’, in Rhythmanalysis: Space, Time, and Everyday Life (London: Continuum, 2004) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781847140364>
Lester, S., ‘Play as Protest: Clandestine Moments of Disturbance and Hope’, in Education, Childhood and Anarchism (Routledge; 1 edition, 2014) <https://www.amazon.co.uk/Education-Childhood-Anarchism-Catherine-Burke/dp/1138669881/ref=sr_1_1?ie=UTF8&qid=1543937885&sr=8-1&keywords=Education%2C+Childhood+and+Anarchism>
———, ‘Play as Protest: Clandestine Moments of Disturbance and Hope’, in Education, Childhood and Anarchism (Routledge; 1 edition, 2014) <https://www.amazon.co.uk/Education-Childhood-Anarchism-Catherine-Burke/dp/1138669881/ref=sr_1_1?ie=UTF8&qid=1543937885&sr=8-1&keywords=Education%2C+Childhood+and+Anarchism>
‘London 2012 Olympics | Citizens UK’ <https://web.archive.org/web/20130812091807/http://www.citizensuk.org/campaigns/london-2012-olympics/>
Malzacher, Florian, ‘Putting the Urinal Back in the Restroom’, in Truth Is Concrete: A Handbook for Artistic Strategies in Real Politics, ed. by Florian Malzacher and Anne Faucheret, Second edition (Berlin: Sternberg Press, 2014)
———, ‘Putting the Urinal Back in the Restroom’, in Truth Is Concrete: A Handbook for Artistic Strategies in Real Politics, ed. by Florian Malzacher and Anne Faucheret, Second edition (Berlin: Sternberg Press, 2014)
McCreery, Sandy, ‘The Claremont Road Situation’, in The Unknown City: Contesting Architecture and Social Space (Cambridge, Mass: MIT, 2001)
McDonough, Tom, The Situationists and the City (London: Verso, 2009)
McKeon, O., ‘Solidarity Means Attack: Choreographic Analysis and the West Coast Port Blockade’, Activate, 3.1 (2014)
Melville, Sandra, ‘Creating Spaces for Adventure’, Built Environment, 25.1 (1999) <https://www.jstor.org/stable/23289146>
Merx, Sigrid, ‘Public Pie Performing Public Space’, Performance Research, 16.2 (2011), 132–37 <https://doi.org/10.1080/13528165.2011.578844>
———, ‘The Politics of Scenography: Disrupting the Stage’, Performance Research, 18.3 (2013), 54–58 <https://doi.org/10.1080/13528165.2013.818314>
Miller, Graeme, Linked: A Landmark in Sound, an Invisible Artwork, a Walk (London: Arts Admin, 2003)
———, ‘Walking the Walk, Talking the Talk: Re-Imagining the Urban Landscape’, New Theatre Quarterly, 21.2 (2005), 161–65 <https://doi.org/10.1017/S0266464X05000060>
Mouffe, C., ‘Artistic Activism and Antagonistic Spaces’, Art and Research: A Journal of Ideas, Contexts and Methods, 1.2 (2007) <http://www.artandresearch.org.uk/v1n2/mouffe.html>
———, ‘Artistic Activism and Antagonistic Spaces’, Art and Research: A Journal of Ideas, Contexts and Methods, 1.2 (2007) <http://www.artandresearch.org.uk/v1n2/mouffe.html>
Neal, Zachary P., ‘Introduction: Public Space as Art, Theatre and Performance’, in Common Ground?: Readings and Reflections on Public Space, 2010
———, ‘Introduction: Public Space as Art, Theatre and Performance’, in Common Ground?: Readings and Reflections on Public Space (New York: Routledge, 2010) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203873960>
———, ‘Locating Public Space’, in Common Ground?: Readings and Reflections on Public Space, 2010
———, ‘Locating Public Space’, in Common Ground?: Readings and Reflections on Public Space (New York: Routledge, 2010) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203873960>
Nibbelink, L. G., ‘The Mirror of Public Space – Interview With Dries Verhoven’, in Intermedial Performance and Politics in the Public Sphere, ed. by Katia Arfara, Aneta Mancewicz, and Ralph Remshardt (Basingstoke, Hampshire: Palgrave Macmillan, 2015)
Olsen, Cecilie Sachs, Socially Engaged Art and the Neoliberal City (London: Routledge, 2019)
Orum, Anthony M., and Zachary P. Neal, Common Ground?: Readings and Reflections on Public Space, 2010
———, Common Ground?: Readings and Reflections on Public Space (New York: Routledge, 2010) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=446678>
Parry, Ben, ‘Rethinking Intervention’, in Cultural Hijack: Rethinking Intervention (Liverpool: Liverpool University Press, 2011)
Parry, Ben, Myriam Tahir, and Sally Medlyn, Cultural Hijack: Rethinking Intervention (Liverpool: Liverpool University Press, 2011)
Pearson, Mike, ‘Materiality’, in Site-Specific Performance (Basingstoke: Palgrave Macmillan, 2010)
Pinder, David, ‘Arts of Urban Exploration’, Cultural Geographies, 12.4 (2005) <https://www.jstor.org/stable/44251055?sid=primo&seq=1#metadata_info_tab_contents>
———, ‘Arts of Urban Exploration’, Cultural Geographies, 12.4 (2005) <https://www.jstor.org/stable/44251055?sid=primo#metadata_info_tab_contents>
———, ‘Ghostly Footsteps: Voices, Memories and Walks in the City’, Ecumene, 8.1 (2001), 1–19 <https://doi.org/10.1177/096746080100800101>
———, ‘Situationism/Situationist Geographies’, in International Encyclopedia of Human Geography, 2009, x, 144–50 <https://www.sciencedirect.com/referencework/9780080449104/international-encyclopedia-of-human-geography>
———, ‘Sound, Memory and Interruption: Ghosts of London’s M11 Link Road’, in Cities Interrupted: Visual Culture and Urban Space (Bloomsbury Academic; 01 edition, 2016) <https://www.amazon.co.uk/Cities-Interrupted-Shirley-Jordan/dp/1474224415/ref=sr_1_1?ie=UTF8&qid=1544003907&sr=8-1&keywords=Cities+Interrupted+jordan>
———, ‘Surrealism/Surrealist Geographies’, in International Encyclopedia of Human Geography, 2009, xi, 87–94 <https://www.sciencedirect.com/referencework/9780080449104/international-encyclopedia-of-human-geography>
———, Visions of the City: Utopianism, Power, and Politics in Twentieth-Century Urbanism (New York: Routledge, 2005)
———, Visions of the City: Utopianism, Power, and Politics in Twentieth-Century Urbanism (New York: Routledge, 2005) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315870496>
Pitsikali, A., ‘Examining the Playground as a Civic Space through the Lens of Play’, Journal of Playwork Practice, 2.1 (2015), 45–59
Powell, Hilary, and Isaac Marrero-Guillamn̤, The Art of Dissent: Adventures in London’s Olympic State (London: Marshgate, 2012)
Poynter, Gavin, Olympic Cities: 2012 and the Remaking of London, ed. by Iain MacRury (Abingdon: Routledge, 2016) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315247748>
Rancière, Jacques, The Politics of Aesthetics: The Distribution of the Sensible, ed. by Gabriel Rockhill, Updated edition (London: Bloomsbury Academic, 2015)
———, The Politics of Aesthetics: The Distribution of the Sensible, ed. by Gabriel Rockhill, Updated edition (London: Bloomsbury Academic, 2015)
Rendell, Jane, Art and Architecture: A Place Between (London: I. B. Tauris, 2006)
———, ‘Critical Spatial Practice’, 2009 <http://www.janerendell.co.uk/wp-content/uploads/2009/06/critical-spatial-practice.pdf>
Rodgers, Scott, Clive Barnett, and Allan Cochrane, ‘Media Practices and Urban Politics: Conceptualizing the Powers of the Media-Urban Nexus’, Environment and Planning D: Society and Space, 32.6 (2014), 1054–70 <https://doi.org/10.1068/d13157p>
Rosler, Martha, ‘Culture Class: Art, Creativity, Urbanism, Part I’, E-Flux, 21 (2010) <https://www.e-flux.com/journal/21/67676/culture-class-art-creativity-urbanism-part-i/>
———, ‘Culture Class: Art, Creativity, Urbanism, Part I’, E-Flux, 21 (2010) <https://www.e-flux.com/journal/21/67676/culture-class-art-creativity-urbanism-part-i/>
———, ‘Culture Class: Art, Creativity, Urbanism, Part II’, E-Flux, 23 (2011) <https://www.e-flux.com/journal/23/67813/culture-class-art-creativity-urbanism-part-ii/>
———, ‘Culture Class: Art, Creativity, Urbanism, Part II’, E-Flux, 23 (2011) <https://www.e-flux.com/journal/23/67813/culture-class-art-creativity-urbanism-part-ii/>
———, ‘Culture Class: Art, Creativity, Urbanism, Part III’, E-Flux, 25 (2011) <https://www.e-flux.com/journal/25/67898/culture-class-art-creativity-urbanism-part-iii/>
———, ‘Culture Class: Art, Creativity, Urbanism, Part III’, E-Flux, 25 (2011) <https://www.e-flux.com/journal/25/67898/culture-class-art-creativity-urbanism-part-iii/>
Rosler, Martha, and Brian Wallis, If You Lived Here: The City in Art, Theory and Social Activism (S. l: Bay Press, U. S., 1999)
Rossiter, Benjamin, and Katherine Gibson, ‘Walking and Performing “The City”: A Melbourne Chronicle’, in A Companion to the City (Oxford: Blackwell, 2003)
‘R-Urban London: R-Urban’ <https://r-urban-wick.net/>
Sachs Olsen, Cecilie, ‘Collaborative Challenges: Negotiating the Complicities of Socially Engaged Art Within an Era of Neoliberal Urbanism’, Environment and Planning D: Society and Space, 36.2 (2018), 273–93 <https://doi.org/10.1177/0263775817744782>
———, ‘Materiality as Performance’, Performance Research, 21.3 (2016), 37–46 <https://doi.org/10.1080/13528165.2016.1176736>
———, ‘Performance and Urban Space: An Ambivalent Affair’, Geography Compass, 2018 <https://doi.org/10.1111/gec3.12408>
Schaub, Mirjam, Janet Cardiff: The Walk Book (Vienna: Thyssen-Bornemisza Art Contemporary, 2005)
Schipper, Imanuel, ‘City as Performance’, TDR/The Drama Review, 58.3 (2014), 18–26 <https://doi.org/10.1162/DRAM_a_00370>
Schneider, Rebecca, Performing Remains: Art and War in Times of Theatrical Reenactment (London: Routledge, 2011)
———, Performing Remains: Art and War in Times of Theatrical Reenactment (London: Routledge, 2011) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=668786>
Shaw, Ian Graham Ronald, and Barney Warf, ‘Worlds of Affect: Virtual Geographies of Video Games’, Environment and Planning A, 41.6 (2009), 1332–43 <https://doi.org/10.1068/a41284>
‘Situationist International Online’ <https://www.cddc.vt.edu/sionline/>
Slater, Josephine Berry, and Anthony Iles, No Room to Move: Radical Art and the Regenerate City (London: Mute, 2010)
Solnit, Rebecca, Wanderlust: A History of Walking (New York: Penguin, 2001)
de Souza de Silva, A., and J. Frith, ‘Location-Aware Technologies: Control and Privacy in Hybrid Spaces’, in Communication Matters: Materialist Approaches to Media, Mobility and Networks (Abingdon, Oxon, U.K.: Routledge, 2012) <https://www.safaribooksonline.com/library/view/-/9780415782241/?ar>
de Souza e Silva, Adriana, ‘Location-Aware Mobile Technologies: Historical, Social and Spatial Approaches’, Mobile Media & Communication, 1.1 (2013), 116–21 <https://doi.org/10.1177/2050157912459492>
de Souza e Silva, Adriana, and Larissa Hjorth, ‘Playful Urban Spaces: A Historical Approach to Mobile Games’, Simulation & Gaming, 40.5 (2009), 602–25 <https://doi.org/10.1177/1046878109333723>
Taylor, Diana, The Archive and the Repertoire: Performing Cultural Memory in the Americas (Durham: Duke University Press, 2003)
Thompson, James, Performance Affects: Applied Theatre and the End of Effect (Basingstoke: Palgrave Macmillan, 2009)
———, Performance Affects: Applied Theatre and the End of Effect (Basingstoke: Palgrave Macmillan, 2009) <http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=250764>
Thompson, Nato, ‘Living as Form’, in Living as Form: Socially Engaged Art from 1991-2011 (MIT Press; Reprint edition, 2017) <https://www.amazon.co.uk/Living-Form-Socially-Engaged-1991-2011/dp/0262534398/ref=sr_1_1?ie=UTF8&qid=1543999788&sr=8-1&keywords=living+as+form>
Thompson, Nato, Gregory Sholette, Joseph Thompson, Nicholas Mirzoeff, C. Ondine Chavoya, and Arjen Noordeman, The Interventionists: Users’ Manual for the Creative Disruption of Everyday Life (North Adams, Mass: MASS MoCA, 2004)
Turner, Cathy, ‘Mis-Guidance and Spatial Planning: Dramaturgies of Public Space’, Contemporary Theatre Review, 20.2 (2010), 149–61 <https://doi.org/10.1080/10486801003682351>
Vickery, Jonathan, ‘Beyond the Creative City – Cultural Policy in an Age of Scarcity’, 2012 <https://vimeo.com/34525691>
Whybrow, Nicolas, Art and the City (London: I.B. Tauris, 2011)
———, Art and the City (London: I.B. Tauris, 2011) <http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=304817>
———, Art and the City (London: I.B. Tauris, 2011)
———, Art and the City (London: I.B. Tauris, 2011) <http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=304817>
———, Performance and the Contemporary City: An Interdisciplinary Reader (Basingstoke: Palgrave Macmillan, 2010)
———, Performance and the Contemporary City: An Interdisciplinary Reader (Basingstoke: Palgrave Macmillan, 2010)
Wilson, Elizabeth, ‘The Invisible Flâneur’, New Left Review, 191 (1992) <https://newleftreview.org/I/191/elizabeth-wilson-the-invisible-flaneur>
Wilson, Helen F., ‘On Geography and Encounter: Bodies, Borders, and Difference’, Progress in Human Geography, 41.4 (2017), 451–71 <https://doi.org/10.1177/0309132516645958>
