Ahmed, Sara. 2000a. ‘Recognising Strangers’. In Strange Encounters: Embodied Others in Post-Coloniality. London: Routledge.
———. 2000b. ‘Recognising Strangers’. In Strange Encounters: Embodied Others in Post-Coloniality. London: Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203349700.
Andron, Sabina. 2016. ‘Interviewing Walls: Towards a Method of Reading Hybrid Surface Inscriptions’. In Graffiti and Street Art: Reading, Writing and Representing the City. Florence: Taylor and Francis. http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4767335.
———. 2017. ‘Interviewing Walls: Towards a Method of Reading Hybrid Surface Inscriptions’. In Graffiti and Street Art: Reading, Writing and Representing the City, edited by Konstantinos Avramidis and Myrto Tsilimpounidi. London: Routledge.
Avgikos, J. 1995. ‘Group Material Timeline: Activism as a Work of Art’. In But Is It Art?: The Spirit of Art as Activism. Seattle: Bay Press.
Barns, Sarah. 2014. ‘Sounds Different: Listening to the Proliferating Spaces of Technological Modernity in the City’. Space and Culture 17 (1): 4–15. https://doi.org/10.1177/1206331213494733.
BAVO. 2007a. ‘Always Choose the Worst Option - Artistic Resistance and the Strategy of Over-Identification’. 2007. http://www.bavo.biz/texts/view/45.
———. 2007b. ‘Always Choose the Worst Option - Artistic Resistance and the Strategy of Over-Identification’. 2007. http://www.bavo.biz/texts/view/45.
Bellinck, T. 2010. ‘We Were Dying and Then We Got a Prize’. In Art and Activism in the Age of Globalization. Vol. no. 8. Rotterdam: NAi.
Beyes, T. 2015a. ‘Summoning Art to Save the City: A Note’. Ephemera. Theory and Politics in Organization 15 (1). http://www.ephemerajournal.org/contribution/summoning-art-save-city-note.
———. 2015b. ‘Summoning Art to Save the City: A Note’. Ephemera. Theory and Politics in Organization 15 (1). http://www.ephemerajournal.org/contribution/summoning-art-save-city-note.
Beyes, Timon. 2010. ‘Uncontained: The Art and Politics of Reconfiguring Urban Space’. Culture and Organization 16 (3): 229–46. https://doi.org/10.1080/14759551.2010.503499.
Birch, Anna, and Joanne Tompkins. 2012a. Performing Site-Specific Theatre: Politics, Place, Practice. Basingstoke: Palgrave Macmillan.
———. 2012b. Performing Site-Specific Theatre: Politics, Place, Practice. Basingstoke: Palgrave Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1058315.
Bishop, Claire. 2006. ‘The Social Turn: Collaborations and Its Discontents’. Artforum International 44 (6 (Feb)): 178–83. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2127778290002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_JOURNALS&adaptor=Local%20Search%20Engine&tab=tab3&query=any,contains,artforum&sortby=rank&offset=0.
———. 2012a. ‘The Social Turn: Collaboration and Its Discontents’. In Artificial Hells: Participatory Art and the Politics of Spectatorship. London: Verso.
———. 2012b. ‘The Social Turn: Collaboration and Its Discontents’. In Artificial Hells: Participatory Art and the Politics of Spectatorship. London: Verso. http://hdl.handle.net/2027/heb.32115.
Bo, Zheng. 2012. ‘From Gongren to Gongmin: A Comparative Analysis of Ai Weiwei’s Sunflower Seeds and Nian’. Journal of Visual Art Practice 11 (2): 117–33. https://doi.org/10.1386/jvap.11.2-3.117_1.
Bonnett, A. 1992. ‘Art, Ideology, and Everyday Space: Subversive Tendencies From Dada to Postmodernism’. Environment and Planning D: Society and Space 10 (1): 69–86. https://doi.org/10.1068/d100069.
Borden, Iain. 2002. The Unknown City: Contesting Architecture and Social Space. Cambridge, Mass: MIT.
Boyd, Danah. 2011. ‘Social Network Sites as Networked Publics: Affordances, Dynamics, and Implications’. In A Networked Self: Identity, Community and Culture on Social Network Sites. New York: Routledge.
Brejzek, Thea. 2010. ‘From Social Network to Urban Intervention: On the Scenographies of Flash Mobs and Urban Swarms’. International Journal of Performance Arts & Digital Media 6 (1): 109–22. https://doi.org/10.1386/padm.6.1.109_1.
Bull, Michael, and Les Back. 2016. The Auditory Culture Reader. 2nd edition. London: Bloomsbury Academic, an imprint of Bloomsbury Publishing, Plc.
Butler, Judith. 2011. ‘Bodies in Alliance and the Politics of the Street’. 2011. http://www.eipcp.net/transversal/1011/butler/en.
Butler, Toby. 2006. ‘A Walk of Art: The Potential of the Sound Walk as Practice in Cultural Geography’. Social & Cultural Geography 7 (6): 889–908. https://doi.org/10.1080/14649360601055821.
Butler, Toby, and Graeme Miller. 2005. ‘Linked: A Landmark in Sound, a Public Walk of Art’. Cultural Geographies 12 (1). https://www.jstor.org/stable/44251015?sid=primo&seq=1#metadata_info_tab_contents.
Careri, Francesco. 2017. Walkscapes: Walking as an Aesthetic Practice. Ames, IA: Culicidae Architectural Press.
Carmona, Matthew. 2015. ‘Re-Theorising Contemporary Public Space: A New Narrative and a New Normative’. Journal of Urbanism: International Research on Placemaking and Urban Sustainability 8 (4): 373–405. https://doi.org/10.1080/17549175.2014.909518.
Chilton, T. 2002. ‘Adventure Playgrounds in the Twenty-First Century’. In Playwork: Theory and Practice. Philadelphia, PA: Open University Press.
‘City: Vol 16, No 4’. n.d. https://www.tandfonline.com/toc/ccit20/16/4.
Cohen, Philip. 2013. On the Wrong Side of the Track?: East London and the Post-Olympics. London: Lawrence and Wishart.
Cornish, Matthew. 2015. ‘Performing the Archive: History and Memory in Recent German Theatre’. Theatre Journal 67 (1): 63–82. https://doi.org/10.1353/tj.2015.0032.
Dawkins, Ashley, and Alex Loftus. 2013. ‘The Senses as Direct Theoreticians in Practice’. Transactions of the Institute of British Geographers 38 (4): 665–77. https://doi.org/10.1111/j.1475-5661.2012.00551.x.
De Cautier, Lieven. 2010. ‘Notes on Subversion/Theses on Activism’. In Art and Activism in the Age of Globalization. Vol. no. 8. Rotterdam: NAi.
De Certeau, M. 1988. ‘Walking the City’. In The Practice of Everyday Life. Berkeley, Calif: University of California Press.
Deutsche, Rosalyn. 1988. ‘Uneven Development: Public Art in New York City’. October 47. https://doi.org/10.2307/778979.
———. 1992. ‘Art and Public Space: Questions of Democracy’. Thresholds, no. 2. https://www.jstor.org/stable/43875830.
Dias, Marcos. 2011. ‘Digital Performance in Networked Public Spaces: Situating the Posthuman Subject | ISEA2011 Istanbul’. 2011. https://isea2011.sabanciuniv.edu/paper/digital-performance-networked-public-spaces-situating-posthuman-subject.
Dias, Marcos Pereira. 2012. ‘A Machine to See With (And Reflect Upon)’. Liminalities 8 (1). http://liminalities.net/8-1/blast-theory.html.
Dixon, Steve. 2007. Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. Cambridge, Mass: MIT Press.
Dolan, Jill. 2001. ‘Performance, Utopia, and the “Utopian Performative”’. Theatre Journal 53 (3). https://www.jstor.org/stable/25068953.
Dreysse, Miriam, and Florian Malzacher. 2008. Experts of the Everyday: The Theatre of Rimini Protokoll. Berlin: Alexander Verlag.
Edelman, Murray. 1995. From Art to Politics: How Artistic Creations Shape Political Conceptions. Chicago, [Ill.]: University of Chicago Press.
Edensor, Tim. 2005. ‘The Ghosts of Industrial Ruins: Ordering and Disordering Memory in Excessive Space’. Environment and Planning D: Society and Space 23 (6): 829–49. https://doi.org/10.1068/d58j.
Eileraas, Karina. 2014. ‘Sex(t)Ing Revolution, Femen-Izing the Public Square: Aliaa Magda Elmahdy, Nude Protest, and Transnational Feminist Body Politics’. Signs: Journal of Women in Culture and Society 40 (1): 40–52. https://doi.org/10.1086/677073.
Fenton, Jill. 2005. ‘Space, Chance, Time: Walking Backwards Through the Hours on the Left and Right Banks of Paris’. Cultural Geographies 12 (4). https://www.jstor.org/stable/44251056?sid=primo&seq=1#metadata_info_tab_contents.
Foster, Susan Leigh. 2003. ‘Choreographies of Protest’. Theatre Journal 55 (3). https://www.jstor.org/stable/25069277?seq=1#metadata_info_tab_contents.
Fraser, N. 2010. ‘Rethinking the Public Sphere: A Contribution to the Critique of Actually Existing Democracy’. In The Idea of the Public Sphere: A Reader. Lanham, Md: Lexington Books.
‘Games Monitor | Debunking Olympics Myths’. n.d. http://www.gamesmonitor.org.uk/.
Gold, John R., and Margaret M. Gold. 2008. ‘Olympic Cities: Regeneration, City Rebranding and Changing Urban Agendas’. Geography Compass 2 (1): 300–318. https://doi.org/10.1111/j.1749-8198.2007.00080.x.
Gold, John Robert, and Margaret M. Gold. 2007. Olympic Cities: City Agendas, Planning, and the World’s Games, 1896-2012. Abingdon: Routledge.
Graham, Stephen, and Simon Marvin. 2001a. Splintering Urbanism: Networked Infrastructures, Technological Mobilities and the Urban Condition. London: Routledge.
———. 2001b. Splintering Urbanism: Networked Infrastructures, Technological Mobilities and the Urban Condition. London: Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=170145.
Hahn, Daniela. 2014. ‘Performing Public Spaces, Staging Collective Memory: 50 Kilometres of Files by Rimini Protokoll’. TDR/The Drama Review 58 (3): 27–38. https://doi.org/10.1162/DRAM_a_00371.
Hall, Tim. 2003. ‘Art and Urban Change: Public Art in Urban Regeneration’. In Cultural Geography in Practice. London: Arnold. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781444118964.
Hannah, Dorita. 2011. ‘Constructing Barricades: Politics of the Event and “Weak Architecture”’. Architecture and the Political Fourth International Symposium on Architectural Theory. http://www.lau.edu.lb/news-events/conferences/architecture-political/docs/hannah.pdf.
Harvie, Jen. 2005. ‘Being Her: Presence, Absence, and Performance in the Art of Janet Cardiff and Tracey Emin’. In Auto/Biography and Identity: Women, Theatre and Performance. Manchester: Manchester University Press.
———. 2006a. ‘City and Performativity: Performing the City’. In Theatre and the City. Basingstoke: Palgrave Macmillan. http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4763483.
———. 2006b. ‘City and Performativity: Performing the City’. In Theatre and the City. Basingstoke: Palgrave Macmillan. http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4763483.
———. 2009a. ‘City and Performativity: Performing in the City’. In Theatre & the City. Basingstoke: Palgrave Macmillan.
———. 2009b. ‘City and Performativity: Performing in the City’. In Theatre & the City. Basingstoke: Palgrave Macmillan.
———. 2009c. Theatre & the City. Basingstoke: Palgrave Macmillan.
———. 2011. ‘Democracy and Neoliberalism in Art’s Social Turn and Roger Hiorns’s Seizure’. Performance Research 16 (2): 113–23. https://doi.org/10.1080/13528165.2011.578842.
———. 2013a. ‘Space: Exclusion and Engagement’. In Fair Play: Art, Performance and Neoliberalism. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan.
———. 2013b. ‘Space, Exclusion and Engagement’. In Fair Play: Art, Performance and Neoliberalism. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137027290.
———. 2013c. ‘Space: Exclusion and Engagement’. In Fair Play: Art, Performance and Neoliberalism. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan.
———. 2013d. ‘Space, Exclusion and Engagement’. In Fair Play: Art, Performance and Neoliberalism. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137027290.
Harvie, Jen, and Tim Etchells. 2006. Theatre and the City. Basingstoke: Palgrave Macmillan. http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4763483.
Harvie, Jen, and Keren Zaiontz. 2013. ‘Contemporary Theatre Review: Vol 23, No 4: The Cultural Politics of London 2012’. https://www.tandfonline.com/toc/gctr20/23/4?nav=tocList.
Hawkins, Harriet. 2010. ‘Turn Your Trash Into… Rubbish, Art and Politics. Richard Wentworth’s Geographical Imagination’. Social & Cultural Geography 11 (8): 805–27. https://doi.org/10.1080/14649365.2010.522719.
———. 2013. ‘Geography and Art. An Expanding Field’. Progress in Human Geography 37 (1): 52–71. https://doi.org/10.1177/0309132512442865.
Heddon, Deirdre. 2010. ‘The Horizon of Sound Soliciting the Earwitness’. Performance Research 15 (3): 36–42. https://doi.org/10.1080/13528165.2010.527200.
Heddon, Deirdre, Carl Lavery, Phil Smith, and Roberta Mock. 2009a. Walking, Writing and Performance: Autobiographical Texts. Bristol: Intellect.
———. 2009b. Walking, Writing and Performance: Autobiographical Texts. Bristol: Intellect. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=457086.
Holub, B. 2017. ‘Why Is Taking Action Beautiful? Explorations for Actionology’. In New Stakeholders of Urban Change: A Question of Culture and Attitude?, edited by Hilke Marit Berger and Gesa Ziemer. Vol. IV. Berlin: Jovis.
Hopkins, D. J., Shelley Orr, and Kim Solga. 2011a. ‘Introduction: City/Text/Performance’. In Performance and the City. Basingstoke: Palgrave Macmillan.
———. 2011b. Performance and the City. Basingstoke: Palgrave Macmillan.
Hopkins, D. J., and Kim Solga. 2013. ‘Introduction: City/Text/Performance’. In Performance and the Global City, edited by D. J. Hopkins and Kim Solga. Basingstoke: Palgrave Macmillan. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137367853.
Hopkins, D. J., Kim Solga, and Shelley Orr. 2013. Performance and the Global City. Basingstoke: Palgrave Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1514238.
Imrie, Robert, Loretta Lees, and Mike Raco. 2009a. Regenerating London: Governance, Sustainability and Community in a Global City. Milton Park, Abingdon, Oxon: Routledge.
———. 2009b. Regenerating London: Governance, Sustainability and Community in a Global City. London: Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=401856.
Jackson, Shannon. 2011a. ‘Quality Time: Social Practice Debates in Contemporary Art’. In Social Works: Performing Art, Supporting Publics. New York: Routledge.
———. 2011b. ‘Quality Time: Social Practice Debates in Contemporary Art’. In Social Works: Performing Art, Supporting Publics. New York: Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=310592.
———. 2011c. Social Works: Performing Art, Supporting Publics. New York: Routledge.
———. 2011d. Social Works: Performing Art, Supporting Publics. New York: Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=310592.
Jenks, Chris. 1995. ‘Watching Your Step: The History and Practice of the Flâneur’. In Visual Culture. London: Routledge.
Kelly, Paul. 2005. ‘What Have You Done Today Mervyn Day?’
Kester, Grant. 2006. ‘Response to Claire Bishop’s “Another Turn”’. Artforum International 44 (9 (May)). https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2127778290002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_JOURNALS&adaptor=Local%20Search%20Engine&tab=tab3&query=any,contains,artforum&sortby=rank&offset=0.
Kester, Grant H. 2004. Conversation Pieces: Community and Communication in Modern Art. Berkeley: University of California Press. http://www.loc.gov/catdir/toc/ecip048/2003018998.html.
———. 2011a. ‘Eminent Domain: Art and Urban Space’. In The One and the Many: Contemporary Collaborative Art in a Global Context. Durham, [N.C.]: Duke University Press.
———. 2011b. ‘Eminent Domain: Art and Urban Space’. In The One and the Many: Contemporary Collaborative Art in a Global Context. Durham, [N.C.]: Duke University Press. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780822394037.
Kuppers, Petra. 1999. ‘Moving in the Cityscape: Performance and the Embodied Experience of the Flâneur’. New Theatre Quarterly 15 (04). https://doi.org/10.1017/S0266464X00013245.
Kwon, Miwon. 2004a. One Place After Another: Site-Specific Art and Locational Identity. Cambridge, Mass: MIT Press.
———. 2004b. One Place After Another: Site-Specific Art and Locational Identity. Cambridge, Mass: MIT Press. http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=138684&site=ehost-live.
LaBelle, Brandon. 2006. Background Noise: Perspectives on Sound Art. New York: Continuum.
Lavery, Carl. 2005. ‘The Pepys of London E11: Graeme Miller and the Politics of Linked’. New Theatre Quarterly 21 (2): 148–60. https://doi.org/10.1017/S0266464X05000059.
Lavrinec, Jekaterina. 2011a. ‘From a “Blind Walker” to an “Urban Curator”: Initiating “Emotionally Moving Situations” in Public Spaces’. Creativity Studies 4 (1): 54–63. https://doi.org/10.3846/20290187.2011.577176.
———. 2011b. ‘Revitalization of Public Space: From "Non-Places” to Creative Playgrounds’. Santalka: Filosofija, Komunikacija 19 (2): 70–75. https://doi.org/10.3846/coactivity.2011.16.
Leeson, Loraine. 2005. Art for Change: Loraine Leeson : Works From 1975-2005. Berlin: Neue Gesellschaft f�r Bildende Kunst.
Lefebvre, Henri. 2004a. ‘Seen From the Window’. In Rhythmanalysis: Space, Time, and Everyday Life. London: Continuum.
———. 2004b. ‘Seen From the Window’. In Rhythmanalysis: Space, Time, and Everyday Life. London: Continuum. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781847140364.
———. 2004c. ‘The Rythmanalyst: A Previsionary Portrait’. In Rhythmanalysis: Space, Time, and Everyday Life. London: Continuum.
———. 2004d. ‘The Rythmanalyst: A Previsionary Portrait’. In Rhythmanalysis: Space, Time, and Everyday Life. London: Continuum. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781847140364.
Lester, S. 2014a. ‘Play as Protest: Clandestine Moments of Disturbance and Hope’. In Education, Childhood and Anarchism. Routledge; 1 edition. https://www.amazon.co.uk/Education-Childhood-Anarchism-Catherine-Burke/dp/1138669881/ref=sr_1_1?ie=UTF8&qid=1543937885&sr=8-1&keywords=Education%2C+Childhood+and+Anarchism.
———. 2014b. ‘Play as Protest: Clandestine Moments of Disturbance and Hope’. In Education, Childhood and Anarchism. Routledge; 1 edition. https://www.amazon.co.uk/Education-Childhood-Anarchism-Catherine-Burke/dp/1138669881/ref=sr_1_1?ie=UTF8&qid=1543937885&sr=8-1&keywords=Education%2C+Childhood+and+Anarchism.
‘London 2012 Olympics | Citizens UK’. n.d. https://web.archive.org/web/20130812091807/http://www.citizensuk.org/campaigns/london-2012-olympics/.
Malzacher, Florian. 2014a. ‘Putting the Urinal Back in the Restroom’. In Truth Is Concrete: A Handbook for Artistic Strategies in Real Politics, edited by Florian Malzacher and Anne Faucheret, Second edition. Berlin: Sternberg Press.
———. 2014b. ‘Putting the Urinal Back in the Restroom’. In Truth Is Concrete: A Handbook for Artistic Strategies in Real Politics, edited by Florian Malzacher and Anne Faucheret, Second edition. Berlin: Sternberg Press.
McCreery, Sandy. 2001. ‘The Claremont Road Situation’. In The Unknown City: Contesting Architecture and Social Space. Cambridge, Mass: MIT.
McDonough, Tom. 2009. The Situationists and the City. London: Verso.
McKeon, O. 2014. ‘Solidarity Means Attack: Choreographic Analysis and the West Coast Port Blockade’. Activate 3 (1).
Melville, Sandra. 1999. ‘Creating Spaces for Adventure’. Built Environment 25 (1). https://www.jstor.org/stable/23289146.
Merx, Sigrid. 2011. ‘Public Pie Performing Public Space’. Performance Research 16 (2): 132–37. https://doi.org/10.1080/13528165.2011.578844.
———. 2013. ‘The Politics of Scenography: Disrupting the Stage’. Performance Research 18 (3): 54–58. https://doi.org/10.1080/13528165.2013.818314.
Miller, Graeme. 2003. Linked: A Landmark in Sound, an Invisible Artwork, a Walk. London: Arts Admin.
———. 2005. ‘Walking the Walk, Talking the Talk: Re-Imagining the Urban Landscape’. New Theatre Quarterly 21 (2): 161–65. https://doi.org/10.1017/S0266464X05000060.
Mouffe, C. 2007a. ‘Artistic Activism and Antagonistic Spaces’. Art and Research: A Journal of Ideas, Contexts and Methods 1 (2). http://www.artandresearch.org.uk/v1n2/mouffe.html.
———. 2007b. ‘Artistic Activism and Antagonistic Spaces’. Art and Research: A Journal of Ideas, Contexts and Methods 1 (2). http://www.artandresearch.org.uk/v1n2/mouffe.html.
Neal, Zachary P. 2010a. ‘Introduction: Public Space as Art, Theatre and Performance’. In Common Ground?: Readings and Reflections on Public Space.
———. 2010b. ‘Introduction: Public Space as Art, Theatre and Performance’. In Common Ground?: Readings and Reflections on Public Space. New York: Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203873960.
———. 2010c. ‘Locating Public Space’. In Common Ground?: Readings and Reflections on Public Space.
———. 2010d. ‘Locating Public Space’. In Common Ground?: Readings and Reflections on Public Space. New York: Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203873960.
Nibbelink, L. G. 2015. ‘The Mirror of Public Space – Interview With Dries Verhoven’. In Intermedial Performance and Politics in the Public Sphere, edited by Katia Arfara, Aneta Mancewicz, and Ralph Remshardt. Basingstoke, Hampshire: Palgrave Macmillan.
Olsen, Cecilie Sachs. 2019. Socially Engaged Art and the Neoliberal City. London: Routledge.
Orum, Anthony M., and Zachary P. Neal. 2010a. Common Ground?: Readings and Reflections on Public Space.
———. 2010b. Common Ground?: Readings and Reflections on Public Space. New York: Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=446678.
Parry, Ben. 2011. ‘Rethinking Intervention’. In Cultural Hijack: Rethinking Intervention. Liverpool: Liverpool University Press.
Parry, Ben, Myriam Tahir, and Sally Medlyn. 2011. Cultural Hijack: Rethinking Intervention. Liverpool: Liverpool University Press.
Pearson, Mike. 2010. ‘Materiality’. In Site-Specific Performance. Basingstoke: Palgrave Macmillan.
Pinder, David. 2001. ‘Ghostly Footsteps: Voices, Memories and Walks in the City’. Ecumene 8 (1): 1–19. https://doi.org/10.1177/096746080100800101.
———. 2005a. ‘Arts of Urban Exploration’. Cultural Geographies 12 (4). https://www.jstor.org/stable/44251055?sid=primo&seq=1#metadata_info_tab_contents.
———. 2005b. ‘Arts of Urban Exploration’. Cultural Geographies 12 (4). https://www.jstor.org/stable/44251055?sid=primo#metadata_info_tab_contents.
———. 2005c. Visions of the City: Utopianism, Power, and Politics in Twentieth-Century Urbanism. New York: Routledge.
———. 2005d. Visions of the City: Utopianism, Power, and Politics in Twentieth-Century Urbanism. New York: Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315870496.
———. 2009a. ‘Situationism/Situationist Geographies’. In International Encyclopedia of Human Geography, 10:144–50. https://www.sciencedirect.com/referencework/9780080449104/international-encyclopedia-of-human-geography.
———. 2009b. ‘Surrealism/Surrealist Geographies’. In International Encyclopedia of Human Geography, 11:87–94. https://www.sciencedirect.com/referencework/9780080449104/international-encyclopedia-of-human-geography.
———. 2016. ‘Sound, Memory and Interruption: Ghosts of London’s M11 Link Road’. In Cities Interrupted: Visual Culture and Urban Space. Bloomsbury Academic; 01 edition. https://www.amazon.co.uk/Cities-Interrupted-Shirley-Jordan/dp/1474224415/ref=sr_1_1?ie=UTF8&qid=1544003907&sr=8-1&keywords=Cities+Interrupted+jordan.
Pitsikali, A. 2015. ‘Examining the Playground as a Civic Space through the Lens of Play’. Journal of Playwork Practice 2 (1): 45–59.
Powell, Hilary, and Isaac Marrero-Guillamn̤. 2012. The Art of Dissent: Adventures in London’s Olympic State. London: Marshgate.
Poynter, Gavin. 2016. Olympic Cities: 2012 and the Remaking of London. Edited by Iain MacRury. Abingdon: Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315247748.
Rancière, Jacques. 2015a. The Politics of Aesthetics: The Distribution of the Sensible. Edited by Gabriel Rockhill. Updated edition. London: Bloomsbury Academic.
———. 2015b. The Politics of Aesthetics: The Distribution of the Sensible. Edited by Gabriel Rockhill. Updated edition. London: Bloomsbury Academic.
Rendell, Jane. 2006. Art and Architecture: A Place Between. London: I. B. Tauris.
———. 2009. ‘Critical Spatial Practice’. http://www.janerendell.co.uk/wp-content/uploads/2009/06/critical-spatial-practice.pdf.
Rodgers, Scott, Clive Barnett, and Allan Cochrane. 2014. ‘Media Practices and Urban Politics: Conceptualizing the Powers of the Media-Urban Nexus’. Environment and Planning D: Society and Space 32 (6): 1054–70. https://doi.org/10.1068/d13157p.
Rosler, Martha. 2010a. ‘Culture Class: Art, Creativity, Urbanism, Part I’. E-Flux 21. https://www.e-flux.com/journal/21/67676/culture-class-art-creativity-urbanism-part-i/.
———. 2010b. ‘Culture Class: Art, Creativity, Urbanism, Part I’. E-Flux 21. https://www.e-flux.com/journal/21/67676/culture-class-art-creativity-urbanism-part-i/.
———. 2011a. ‘Culture Class: Art, Creativity, Urbanism, Part II’. E-Flux 23. https://www.e-flux.com/journal/23/67813/culture-class-art-creativity-urbanism-part-ii/.
———. 2011b. ‘Culture Class: Art, Creativity, Urbanism, Part II’. E-Flux 23. https://www.e-flux.com/journal/23/67813/culture-class-art-creativity-urbanism-part-ii/.
———. 2011c. ‘Culture Class: Art, Creativity, Urbanism, Part III’. E-Flux 25. https://www.e-flux.com/journal/25/67898/culture-class-art-creativity-urbanism-part-iii/.
———. 2011d. ‘Culture Class: Art, Creativity, Urbanism, Part III’. E-Flux 25. https://www.e-flux.com/journal/25/67898/culture-class-art-creativity-urbanism-part-iii/.
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———. 2018a. ‘Collaborative Challenges: Negotiating the Complicities of Socially Engaged Art Within an Era of Neoliberal Urbanism’. Environment and Planning D: Society and Space 36 (2): 273–93. https://doi.org/10.1177/0263775817744782.
———. 2018b. ‘Performance and Urban Space: An Ambivalent Affair’. Geography Compass. https://doi.org/10.1111/gec3.12408.
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———. 2011a. Art and the City. London: I.B. Tauris.
———. 2011b. Art and the City. London: I.B. Tauris. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=304817.
———. 2011c. Art and the City. London: I.B. Tauris.
———. 2011d. Art and the City. London: I.B. Tauris. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=304817.
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