Ahmed, Sara. ‘Recognising Strangers’. Strange Encounters: Embodied Others in Post-Coloniality. London: Routledge, 2000. Print.
---. ‘Recognising Strangers’. Strange Encounters: Embodied Others in Post-Coloniality. London: Routledge, 2000. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203349700>.
Andron, Sabina. ‘Interviewing Walls: Towards a Method of Reading Hybrid Surface Inscriptions’. Graffiti and Street Art: Reading, Writing and Representing the City. Ed. Konstantinos Avramidis and Myrto Tsilimpounidi. London: Routledge, 2017. Print.
---. ‘Interviewing Walls: Towards a Method of Reading Hybrid Surface Inscriptions’. Graffiti and Street Art: Reading, Writing and Representing the City. Florence: Taylor and Francis, 2016. Web. <http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4767335>.
Avgikos, J. ‘Group Material Timeline: Activism as a Work of Art’. But Is It Art?: The Spirit of Art as Activism. Seattle: Bay Press, 1995. Print.
Barns, Sarah. ‘Sounds Different: Listening to the Proliferating Spaces of Technological Modernity in the City’. Space and Culture 17.1 (2014): 4–15. Web.
BAVO. ‘Always Choose the Worst Option - Artistic Resistance and the Strategy of Over-Identification’. N.p., 2007. Web. <http://www.bavo.biz/texts/view/45>.
---. ‘Always Choose the Worst Option - Artistic Resistance and the Strategy of Over-Identification’. N.p., 2007. Web. <http://www.bavo.biz/texts/view/45>.
Bellinck, T. ‘We Were Dying and Then We Got a Prize’. Art and Activism in the Age of Globalization. no. 8. Rotterdam: NAi, 2010. Print.
Beyes, T. ‘Summoning Art to Save the City: A Note’. Ephemera. Theory and Politics in Organization 15.1 (2015): n. pag. Web. <http://www.ephemerajournal.org/contribution/summoning-art-save-city-note>.
---. ‘Summoning Art to Save the City: A Note’. Ephemera. Theory and Politics in Organization 15.1 (2015): n. pag. Web. <http://www.ephemerajournal.org/contribution/summoning-art-save-city-note>.
Beyes, Timon. ‘Uncontained: The Art and Politics of Reconfiguring Urban Space’. Culture and Organization 16.3 (2010): 229–246. Web.
Birch, Anna, and Joanne Tompkins. Performing Site-Specific Theatre: Politics, Place, Practice. Basingstoke: Palgrave Macmillan, 2012. Print.
---. Performing Site-Specific Theatre: Politics, Place, Practice. Basingstoke: Palgrave Macmillan, 2012. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1058315>.
Bishop, Claire. ‘The Social Turn: Collaboration and Its Discontents’. Artificial Hells: Participatory Art and the Politics of Spectatorship. London: Verso, 2012. Print.
---. ‘The Social Turn: Collaboration and Its Discontents’. Artificial Hells: Participatory Art and the Politics of Spectatorship. London: Verso, 2012. Web. <http://hdl.handle.net/2027/heb.32115>.
---. ‘The Social Turn: Collaborations and Its Discontents’. Artforum International 44.6 (Feb) (2006): 178–183. Web. <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2127778290002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_JOURNALS&adaptor=Local%20Search%20Engine&tab=tab3&query=any,contains,artforum&sortby=rank&offset=0>.
Bo, Zheng. ‘From Gongren to Gongmin: A Comparative Analysis of Ai Weiwei’s Sunflower Seeds and Nian’. Journal of Visual Art Practice 11.2 (2012): 117–133. Web.
Bonnett, A. ‘Art, Ideology, and Everyday Space: Subversive Tendencies From Dada to Postmodernism’. Environment and Planning D: Society and Space 10.1 (1992): 69–86. Web.
Borden, Iain. The Unknown City: Contesting Architecture and Social Space. Cambridge, Mass: MIT, 2002. Print.
Boyd, Danah. ‘Social Network Sites as Networked Publics: Affordances, Dynamics, and Implications’. A Networked Self: Identity, Community and Culture on Social Network Sites. New York: Routledge, 2011. Print.
Brejzek, Thea. ‘From Social Network to Urban Intervention: On the Scenographies of Flash Mobs and Urban Swarms’. International Journal of Performance Arts & Digital Media 6.1 (2010): 109–122. Web.
Bull, Michael, and Les Back. The Auditory Culture Reader. 2nd edition. London: Bloomsbury Academic, an imprint of Bloomsbury Publishing, Plc, 2016. Print.
Butler, Judith. ‘Bodies in Alliance and the Politics of the Street’. N.p., 2011. Web. <http://www.eipcp.net/transversal/1011/butler/en>.
Butler, Toby. ‘A Walk of Art: The Potential of the Sound Walk as Practice in Cultural Geography’. Social & Cultural Geography 7.6 (2006): 889–908. Web.
Butler, Toby, and Graeme Miller. ‘Linked: A Landmark in Sound, a Public Walk of Art’. Cultural Geographies 12.1 (2005): n. pag. Web. <https://www.jstor.org/stable/44251015?sid=primo&seq=1#metadata_info_tab_contents>.
Careri, Francesco. Walkscapes: Walking as an Aesthetic Practice. Ames, IA: Culicidae Architectural Press, 2017. Print.
Carmona, Matthew. ‘Re-Theorising Contemporary Public Space: A New Narrative and a New Normative’. Journal of Urbanism: International Research on Placemaking and Urban Sustainability 8.4 (2015): 373–405. Web.
Chilton, T. ‘Adventure Playgrounds in the Twenty-First Century’. Playwork: Theory and Practice. Philadelphia, PA: Open University Press, 2002. Print.
‘City: Vol 16, No 4’. n. pag. Web. <https://www.tandfonline.com/toc/ccit20/16/4>.
Cohen, Philip. On the Wrong Side of the Track?: East London and the Post-Olympics. London: Lawrence and Wishart, 2013. Print.
Cornish, Matthew. ‘Performing the Archive: History and Memory in Recent German Theatre’. Theatre Journal 67.1 (2015): 63–82. Web.
Dawkins, Ashley, and Alex Loftus. ‘The Senses as Direct Theoreticians in Practice’. Transactions of the Institute of British Geographers 38.4 (2013): 665–677. Web.
De Cautier, Lieven. ‘Notes on Subversion/Theses on Activism’. Art and Activism in the Age of Globalization. no. 8. Rotterdam: NAi, 2010. Print.
De Certeau, M. ‘Walking the City’. The Practice of Everyday Life. Berkeley, Calif: University of California Press, 1988. Print.
de Souza de Silva, A., and J. Frith. ‘Location-Aware Technologies: Control and Privacy in Hybrid Spaces’. Communication Matters: Materialist Approaches to Media, Mobility and Networks. Abingdon, Oxon, U.K.: Routledge, 2012. Web. <https://www.safaribooksonline.com/library/view/-/9780415782241/?ar>.
de Souza e Silva, Adriana. ‘Location-Aware Mobile Technologies: Historical, Social and Spatial Approaches’. Mobile Media & Communication 1.1 (2013): 116–121. Web.
de Souza e Silva, Adriana, and Larissa Hjorth. ‘Playful Urban Spaces: A Historical Approach to Mobile Games’. Simulation & Gaming 40.5 (2009): 602–625. Web.
Deutsche, Rosalyn. ‘Art and Public Space: Questions of Democracy’. Thresholds 2 (1992): n. pag. Web. <https://www.jstor.org/stable/43875830>.
---. ‘Uneven Development: Public Art in New York City’. October 47 (1988): n. pag. Web.
Dias, Marcos. ‘Digital Performance in Networked Public Spaces: Situating the Posthuman Subject | ISEA2011 Istanbul’. N.p., 2011. Web. <https://isea2011.sabanciuniv.edu/paper/digital-performance-networked-public-spaces-situating-posthuman-subject>.
Dias, Marcos Pereira. ‘A Machine to See With (And Reflect Upon)’. Liminalities 8.1 (2012): n. pag. Web. <http://liminalities.net/8-1/blast-theory.html>.
Dixon, Steve. Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. Cambridge, Mass: MIT Press, 2007. Print.
Dolan, Jill. ‘Performance, Utopia, and the “Utopian Performative”’. Theatre Journal 53.3 (2001): n. pag. Web. <https://www.jstor.org/stable/25068953>.
Dreysse, Miriam, and Florian Malzacher. Experts of the Everyday: The Theatre of Rimini Protokoll. Berlin: Alexander Verlag, 2008. Print.
Edelman, Murray. From Art to Politics: How Artistic Creations Shape Political Conceptions. Chicago, [Ill.]: University of Chicago Press, 1995. Print.
Edensor, Tim. ‘The Ghosts of Industrial Ruins: Ordering and Disordering Memory in Excessive Space’. Environment and Planning D: Society and Space 23.6 (2005): 829–849. Web.
Eileraas, Karina. ‘Sex(t)Ing Revolution, Femen-Izing the Public Square: Aliaa Magda Elmahdy, Nude Protest, and Transnational Feminist Body Politics’. Signs: Journal of Women in Culture and Society 40.1 (2014): 40–52. Web.
Fenton, Jill. ‘Space, Chance, Time: Walking Backwards Through the Hours on the Left and Right Banks of Paris’. Cultural Geographies 12.4 (2005): n. pag. Web. <https://www.jstor.org/stable/44251056?sid=primo&seq=1#metadata_info_tab_contents>.
Foster, Susan Leigh. ‘Choreographies of Protest’. Theatre Journal 55.3 (2003): n. pag. Web. <https://www.jstor.org/stable/25069277?seq=1#metadata_info_tab_contents>.
Fraser, N. ‘Rethinking the Public Sphere: A Contribution to the Critique of Actually Existing Democracy’. The Idea of the Public Sphere: A Reader. Lanham, Md: Lexington Books, 2010. Print.
‘Games Monitor | Debunking Olympics Myths’. N.p., n.d. Web. <http://www.gamesmonitor.org.uk/>.
Gold, John R., and Margaret M. Gold. ‘Olympic Cities: Regeneration, City Rebranding and Changing Urban Agendas’. Geography Compass 2.1 (2008): 300–318. Web.
Gold, John Robert, and Margaret M. Gold. Olympic Cities: City Agendas, Planning, and the World’s Games, 1896-2012. Abingdon: Routledge, 2007. Print.
Graham, Stephen, and Simon Marvin. Splintering Urbanism: Networked Infrastructures, Technological Mobilities and the Urban Condition. London: Routledge, 2001. Print.
---. Splintering Urbanism: Networked Infrastructures, Technological Mobilities and the Urban Condition. London: Routledge, 2001. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=170145>.
Hahn, Daniela. ‘Performing Public Spaces, Staging Collective Memory: 50 Kilometres of Files by Rimini Protokoll’. TDR/The Drama Review 58.3 (2014): 27–38. Web.
Hall, Tim. ‘Art and Urban Change: Public Art in Urban Regeneration’. Cultural Geography in Practice. London: Arnold, 2003. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781444118964>.
Hannah, Dorita. ‘Constructing Barricades: Politics of the Event and “Weak Architecture”’. 2011. Web. <http://www.lau.edu.lb/news-events/conferences/architecture-political/docs/hannah.pdf>.
Harvie, Jen. ‘Being Her: Presence, Absence, and Performance in the Art of Janet Cardiff and Tracey Emin’. Auto/Biography and Identity: Women, Theatre and Performance. Manchester: Manchester University Press, 2005. Print.
---. ‘City and Performativity: Performing in the City’. Theatre & the City. Basingstoke: Palgrave Macmillan, 2009. Print.
---. ‘City and Performativity: Performing in the City’. Theatre & the City. Basingstoke: Palgrave Macmillan, 2009. Print.
---. ‘City and Performativity: Performing the City’. Theatre and the City. Basingstoke: Palgrave Macmillan, 2006. Web. <http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4763483>.
---. ‘City and Performativity: Performing the City’. Theatre and the City. Basingstoke: Palgrave Macmillan, 2006. Web. <http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4763483>.
---. ‘Democracy and Neoliberalism in Art’s Social Turn and Roger Hiorns’s Seizure’. Performance Research 16.2 (2011): 113–123. Web.
---. ‘Space: Exclusion and Engagement’. Fair Play: Art, Performance and Neoliberalism. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2013. Print.
---. ‘Space, Exclusion and Engagement’. Fair Play: Art, Performance and Neoliberalism. N.p., 2013. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137027290>.
---. ‘Space: Exclusion and Engagement’. Fair Play: Art, Performance and Neoliberalism. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2013. Print.
---. ‘Space, Exclusion and Engagement’. Fair Play: Art, Performance and Neoliberalism. N.p., 2013. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137027290>.
---. Theatre & the City. Basingstoke: Palgrave Macmillan, 2009. Print.
Harvie, Jen, and Tim Etchells. Theatre and the City. Basingstoke: Palgrave Macmillan, 2006. Web. <http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4763483>.
Harvie, Jen, and Keren Zaiontz. ‘Contemporary Theatre Review: Vol 23, No 4: The Cultural Politics of London 2012’. (2013): n. pag. Web. <https://www.tandfonline.com/toc/gctr20/23/4?nav=tocList>.
Hawkins, Harriet. ‘Geography and Art. An Expanding Field’. Progress in Human Geography 37.1 (2013): 52–71. Web.
---. ‘Turn Your Trash Into… Rubbish, Art and Politics. Richard Wentworth’s Geographical Imagination’. Social & Cultural Geography 11.8 (2010): 805–827. Web.
Heddon, Deirdre. ‘The Horizon of Sound Soliciting the Earwitness’. Performance Research 15.3 (2010): 36–42. Web.
---. Walking, Writing and Performance: Autobiographical Texts. Bristol: Intellect, 2009. Print.
---. Walking, Writing and Performance: Autobiographical Texts. Bristol: Intellect, 2009. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=457086>.
Holub, B. ‘Why Is Taking Action Beautiful? Explorations for Actionology’. New Stakeholders of Urban Change: A Question of Culture and Attitude?. Ed. Hilke Marit Berger and Gesa Ziemer. IV. Berlin: Jovis, 2017. Print.
Hopkins, D. J., Shelley Orr, and Kim Solga. ‘Introduction: City/Text/Performance’. Performance and the City. Basingstoke: Palgrave Macmillan, 2011. Print.
---. Performance and the City. Basingstoke: Palgrave Macmillan, 2011. Print.
Hopkins, D. J., and Kim Solga. ‘Introduction: City/Text/Performance’. Performance and the Global City. Ed. D. J. Hopkins and Kim Solga. Basingstoke: Palgrave Macmillan, 2013. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137367853>.
Hopkins, D. J., Kim Solga, and Shelley Orr. Performance and the Global City. Basingstoke: Palgrave Macmillan, 2013. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1514238>.
Imrie, Robert, Loretta Lees, and Mike Raco. Regenerating London: Governance, Sustainability and Community in a Global City. Milton Park, Abingdon, Oxon: Routledge, 2009. Print.
---. Regenerating London: Governance, Sustainability and Community in a Global City. London: Routledge, 2009. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=401856>.
Jackson, Shannon. ‘Quality Time: Social Practice Debates in Contemporary Art’. Social Works: Performing Art, Supporting Publics. New York: Routledge, 2011. Print.
---. ‘Quality Time: Social Practice Debates in Contemporary Art’. Social Works: Performing Art, Supporting Publics. New York: Routledge, 2011. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=310592>.
---. Social Works: Performing Art, Supporting Publics. New York: Routledge, 2011. Print.
---. Social Works: Performing Art, Supporting Publics. New York: Routledge, 2011. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=310592>.
Jenks, Chris. ‘Watching Your Step: The History and Practice of the Flâneur’. Visual Culture. London: Routledge, 1995. Print.
Kelly, Paul. ‘What Have You Done Today Mervyn Day?’ 2005 : n. pag. Print.
Kester, Grant. ‘Response to Claire Bishop’s “Another Turn”’. Artforum International 44.9 (May) (2006): n. pag. Web. <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2127778290002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_JOURNALS&adaptor=Local%20Search%20Engine&tab=tab3&query=any,contains,artforum&sortby=rank&offset=0>.
Kester, Grant H. Conversation Pieces: Community and Communication in Modern Art. Berkeley: University of California Press, 2004. Web. <http://www.loc.gov/catdir/toc/ecip048/2003018998.html>.
---. ‘Eminent Domain: Art and Urban Space’. The One and the Many: Contemporary Collaborative Art in a Global Context. Durham, [N.C.]: Duke University Press, 2011. Print.
---. ‘Eminent Domain: Art and Urban Space’. The One and the Many: Contemporary Collaborative Art in a Global Context. Durham, [N.C.]: Duke University Press, 2011. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780822394037>.
Kuppers, Petra. ‘Moving in the Cityscape: Performance and the Embodied Experience of the Flâneur’. New Theatre Quarterly 15.04 (1999): n. pag. Web.
Kwon, Miwon. One Place After Another: Site-Specific Art and Locational Identity. Cambridge, Mass: MIT Press, 2004. Print.
---. One Place After Another: Site-Specific Art and Locational Identity. Cambridge, Mass: MIT Press, 2004. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=138684&site=ehost-live>.
LaBelle, Brandon. Background Noise: Perspectives on Sound Art. New York: Continuum, 2006. Print.
Lavery, Carl. ‘The Pepys of London E11: Graeme Miller and the Politics of Linked’. New Theatre Quarterly 21.2 (2005): 148–160. Web.
Lavrinec, Jekaterina. ‘From a “Blind Walker” to an “Urban Curator”: Initiating “Emotionally Moving Situations” in Public Spaces’. Creativity Studies 4.1 (2011): 54–63. Web.
---. ‘Revitalization of Public Space: From "Non-Places” to Creative Playgrounds’. Santalka: filosofija, komunikacija 19.2 (2011): 70–75. Web.
Leeson, Loraine. Art for Change: Loraine Leeson : Works From 1975-2005. Berlin: Neue Gesellschaft f�r Bildende Kunst, 2005. Print.
Lefebvre, Henri. ‘Seen From the Window’. Rhythmanalysis: Space, Time, and Everyday Life. London: Continuum, 2004. Print.
---. ‘Seen From the Window’. Rhythmanalysis: Space, Time, and Everyday Life. London: Continuum, 2004. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781847140364>.
---. ‘The Rythmanalyst: A Previsionary Portrait’. Rhythmanalysis: Space, Time, and Everyday Life. London: Continuum, 2004. Print.
---. ‘The Rythmanalyst: A Previsionary Portrait’. Rhythmanalysis: Space, Time, and Everyday Life. London: Continuum, 2004. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781847140364>.
Lester, S. ‘Play as Protest: Clandestine Moments of Disturbance and Hope’. Education, Childhood and Anarchism. Routledge; 1 edition, 2014. Web. <https://www.amazon.co.uk/Education-Childhood-Anarchism-Catherine-Burke/dp/1138669881/ref=sr_1_1?ie=UTF8&qid=1543937885&sr=8-1&keywords=Education%2C+Childhood+and+Anarchism>.
---. ‘Play as Protest: Clandestine Moments of Disturbance and Hope’. Education, Childhood and Anarchism. Routledge; 1 edition, 2014. Web. <https://www.amazon.co.uk/Education-Childhood-Anarchism-Catherine-Burke/dp/1138669881/ref=sr_1_1?ie=UTF8&qid=1543937885&sr=8-1&keywords=Education%2C+Childhood+and+Anarchism>.
‘London 2012 Olympics | Citizens UK’. N.p., n.d. Web. <https://web.archive.org/web/20130812091807/http://www.citizensuk.org/campaigns/london-2012-olympics/>.
Malzacher, Florian. ‘Putting the Urinal Back in the Restroom’. Truth Is Concrete: A Handbook for Artistic Strategies in Real Politics. Ed. Florian Malzacher and Anne Faucheret. Second edition. Berlin: Sternberg Press, 2014. Print.
---. ‘Putting the Urinal Back in the Restroom’. Truth Is Concrete: A Handbook for Artistic Strategies in Real Politics. Ed. Florian Malzacher and Anne Faucheret. Second edition. Berlin: Sternberg Press, 2014. Print.
McCreery, Sandy. ‘The Claremont Road Situation’. The Unknown City: Contesting Architecture and Social Space. Cambridge, Mass: MIT, 2001. Print.
McDonough, Tom. The Situationists and the City. London: Verso, 2009. Print.
McKeon, O. ‘Solidarity Means Attack: Choreographic Analysis and the West Coast Port Blockade’. Activate 3.1 (2014): n. pag. Print.
Melville, Sandra. ‘Creating Spaces for Adventure’. Built Environment 25.1 (1999): n. pag. Web. <https://www.jstor.org/stable/23289146>.
Merx, Sigrid. ‘Public Pie Performing Public Space’. Performance Research 16.2 (2011): 132–137. Web.
---. ‘The Politics of Scenography: Disrupting the Stage’. Performance Research 18.3 (2013): 54–58. Web.
Miller, Graeme. Linked: A Landmark in Sound, an Invisible Artwork, a Walk. London: Arts Admin, 2003. Print.
---. ‘Walking the Walk, Talking the Talk: Re-Imagining the Urban Landscape’. New Theatre Quarterly 21.2 (2005): 161–165. Web.
Mouffe, C. ‘Artistic Activism and Antagonistic Spaces’. Art and Research: A Journal of Ideas, Contexts and Methods 1.2 (2007): n. pag. Web. <http://www.artandresearch.org.uk/v1n2/mouffe.html>.
---. ‘Artistic Activism and Antagonistic Spaces’. Art and Research: A Journal of Ideas, Contexts and Methods 1.2 (2007): n. pag. Web. <http://www.artandresearch.org.uk/v1n2/mouffe.html>.
Neal, Zachary P. ‘Introduction: Public Space as Art, Theatre and Performance’. Common Ground?: Readings and Reflections on Public Space. N.p., 2010. Print.
---. ‘Introduction: Public Space as Art, Theatre and Performance’. Common Ground?: Readings and Reflections on Public Space. New York: Routledge, 2010. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203873960>.
---. ‘Locating Public Space’. Common Ground?: Readings and Reflections on Public Space. N.p., 2010. Print.
---. ‘Locating Public Space’. Common Ground?: Readings and Reflections on Public Space. New York: Routledge, 2010. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203873960>.
Nibbelink, L. G. ‘The Mirror of Public Space – Interview With Dries Verhoven’. Intermedial Performance and Politics in the Public Sphere. Ed. Katia Arfara, Aneta Mancewicz, and Ralph Remshardt. Basingstoke, Hampshire: Palgrave Macmillan, 2015. Print.
Olsen, Cecilie Sachs. Socially Engaged Art and the Neoliberal City. London: Routledge, 2019. Print.
Orum, Anthony M., and Zachary P. Neal. Common Ground?: Readings and Reflections on Public Space. N.p., 2010. Print.
---. Common Ground?: Readings and Reflections on Public Space. New York: Routledge, 2010. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=446678>.
Parry, Ben. ‘Rethinking Intervention’. Cultural Hijack: Rethinking Intervention. Liverpool: Liverpool University Press, 2011. Print.
Parry, Ben, Myriam Tahir, and Sally Medlyn. Cultural Hijack: Rethinking Intervention. Liverpool: Liverpool University Press, 2011. Print.
Pearson, Mike. ‘Materiality’. Site-Specific Performance. Basingstoke: Palgrave Macmillan, 2010. Print.
Pinder, David. ‘Arts of Urban Exploration’. Cultural Geographies 12.4 (2005): n. pag. Web. <https://www.jstor.org/stable/44251055?sid=primo&seq=1#metadata_info_tab_contents>.
---. ‘Arts of Urban Exploration’. Cultural Geographies 12.4 (2005): n. pag. Web. <https://www.jstor.org/stable/44251055?sid=primo#metadata_info_tab_contents>.
---. ‘Ghostly Footsteps: Voices, Memories and Walks in the City’. Ecumene 8.1 (2001): 1–19. Web.
---. ‘Situationism/Situationist Geographies’. International Encyclopedia of Human Geography. Vol. 10. N.p., 2009. 144–150. Web. <https://www.sciencedirect.com/referencework/9780080449104/international-encyclopedia-of-human-geography>.
---. ‘Sound, Memory and Interruption: Ghosts of London’s M11 Link Road’. Cities Interrupted: Visual Culture and Urban Space. Bloomsbury Academic; 01 edition, 2016. Web. <https://www.amazon.co.uk/Cities-Interrupted-Shirley-Jordan/dp/1474224415/ref=sr_1_1?ie=UTF8&qid=1544003907&sr=8-1&keywords=Cities+Interrupted+jordan>.
---. ‘Surrealism/Surrealist Geographies’. International Encyclopedia of Human Geography. Vol. 11. N.p., 2009. 87–94. Web. <https://www.sciencedirect.com/referencework/9780080449104/international-encyclopedia-of-human-geography>.
---. Visions of the City: Utopianism, Power, and Politics in Twentieth-Century Urbanism. New York: Routledge, 2005. Print.
---. Visions of the City: Utopianism, Power, and Politics in Twentieth-Century Urbanism. New York: Routledge, 2005. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315870496>.
Pitsikali, A. ‘Examining the Playground as a Civic Space through the Lens of Play’. Journal of Playwork Practice 2.1 (2015): 45–59. Print.
Powell, Hilary, and Isaac Marrero-Guillamn̤. The Art of Dissent: Adventures in London’s Olympic State. London: Marshgate, 2012. Print.
Poynter, Gavin. Olympic Cities: 2012 and the Remaking of London. Ed. Iain MacRury. Abingdon: Routledge, 2016. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315247748>.
Rancière, Jacques. The Politics of Aesthetics: The Distribution of the Sensible. Ed. Gabriel Rockhill. Updated edition. London: Bloomsbury Academic, 2015. Print.
---. The Politics of Aesthetics: The Distribution of the Sensible. Ed. Gabriel Rockhill. Updated edition. London: Bloomsbury Academic, 2015. Print.
Rendell, Jane. Art and Architecture: A Place Between. London: I. B. Tauris, 2006. Print.
---. ‘Critical Spatial Practice’. 2009. Web. <http://www.janerendell.co.uk/wp-content/uploads/2009/06/critical-spatial-practice.pdf>.
Rodgers, Scott, Clive Barnett, and Allan Cochrane. ‘Media Practices and Urban Politics: Conceptualizing the Powers of the Media-Urban Nexus’. Environment and Planning D: Society and Space 32.6 (2014): 1054–1070. Web.
Rosler, Martha. ‘Culture Class: Art, Creativity, Urbanism, Part I’. e-flux 21 (2010): n. pag. Web. <https://www.e-flux.com/journal/21/67676/culture-class-art-creativity-urbanism-part-i/>.
---. ‘Culture Class: Art, Creativity, Urbanism, Part I’. e-flux 21 (2010): n. pag. Web. <https://www.e-flux.com/journal/21/67676/culture-class-art-creativity-urbanism-part-i/>.
---. ‘Culture Class: Art, Creativity, Urbanism, Part II’. e-flux 23 (2011): n. pag. Web. <https://www.e-flux.com/journal/23/67813/culture-class-art-creativity-urbanism-part-ii/>.
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