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J. Avgikos, ‘Group Material Timeline: Activism as a Work of Art’, in But Is It Art?: The Spirit of Art as Activism, Seattle: Bay Press, 1995.
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BAVO, ‘Always Choose the Worst Option - Artistic Resistance and the Strategy of Over-Identification’, 2007. [Online]. Available: http://www.bavo.biz/texts/view/45
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J. Lavrinec, ‘Revitalization of Public Space: From "Non-Places” to Creative Playgrounds’, Santalka: filosofija, komunikacija, vol. 19, no. 2, pp. 70–75, 2011, doi: 10.3846/coactivity.2011.16.
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L. G. Nibbelink, ‘The Mirror of Public Space – Interview With Dries Verhoven’, in Intermedial performance and politics in the public sphere, K. Arfara, A. Mancewicz, and R. Remshardt, Eds. Basingstoke, Hampshire: Palgrave Macmillan, 2015.
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S. Andron, ‘Interviewing Walls: Towards a Method of Reading Hybrid Surface Inscriptions’, in Graffiti and Street Art: Reading, Writing and Representing the City, K. Avramidis and M. Tsilimpounidi, Eds. London: Routledge, 2017.
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T. Bellinck, ‘We Were Dying and Then We Got a Prize’, in Art and Activism in the Age of Globalization, vol. no. 8, Rotterdam: NAi, 2010.
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F. Malzacher, ‘Putting the Urinal Back in the Restroom’, in Truth Is Concrete: A Handbook for Artistic Strategies in Real Politics, Second edition., F. Malzacher and A. Faucheret, Eds. Berlin: Sternberg Press, 2014.
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D. Pinder, ‘Arts of Urban Exploration’, Cultural Geographies, vol. 12, no. 4, 2005 [Online]. Available: https://www.jstor.org/stable/44251055?sid=primo&seq=1#metadata_info_tab_contents
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[77]
J. Harvie, ‘Space: Exclusion and Engagement’, in Fair Play: Art, Performance and Neoliberalism, Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2013.
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J. Harvie, ‘City and Performativity: Performing in the City’, in Theatre & the City, Basingstoke: Palgrave Macmillan, 2009.
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[81]
H. Lefebvre, ‘The Rythmanalyst: A Previsionary Portrait’, in Rhythmanalysis: Space, Time, and Everyday Life, London: Continuum, 2004.
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[83]
BAVO, ‘Always Choose the Worst Option - Artistic Resistance and the Strategy of Over-Identification’, 2007. [Online]. Available: http://www.bavo.biz/texts/view/45
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F. Malzacher, ‘Putting the Urinal Back in the Restroom’, in Truth Is Concrete: A Handbook for Artistic Strategies in Real Politics, Second edition., F. Malzacher and A. Faucheret, Eds. Berlin: Sternberg Press, 2014.
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T. Hall, ‘Art and Urban Change: Public Art in Urban Regeneration’, in Cultural Geography in Practice, London: Arnold, 2003 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781444118964
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S. Jackson, ‘Quality Time: Social Practice Debates in Contemporary Art’, in Social Works: Performing Art, Supporting Publics, New York: Routledge, 2011.
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A. Birch and J. Tompkins, Performing Site-Specific Theatre: Politics, Place, Practice. Basingstoke: Palgrave Macmillan, 2012.
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N. Thompson, ‘Living as Form’, in Living as Form: Socially Engaged Art from 1991-2011, MIT Press; Reprint edition, 2017 [Online]. Available: https://www.amazon.co.uk/Living-Form-Socially-Engaged-1991-2011/dp/0262534398/ref=sr_1_1?ie=UTF8&qid=1543999788&sr=8-1&keywords=living+as+form
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G. H. Kester, Conversation Pieces: Community and Communication in Modern Art. Berkeley: University of California Press, 2004 [Online]. Available: http://www.loc.gov/catdir/toc/ecip048/2003018998.html
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