Bibliography for MU3412: Music, Power and Politics BETA

Adorno, Theodor W., ‘On Popular Music’, in Cultural Theory and Popular Culture: A Reader, 4th ed (Harlow, England: Pearson Longman, 2009)

Al Jazeera English, ‘Songs of War’, 2012 <http://www.aljazeera.com/programmes/aljazeeraworld/2012/05/201253072152430549.html>

Anderson, Benedict, ‘Introduction’, in Imagined Communities: Reflections on the Origin and Spread of Nationalism, Revised edition (London: Verso, 2016)

———, ‘Introduction’, in Imagined Communities: Reflections on the Origin and Spread of Nationalism (London: Verso, 2006) <http://ezproxy01.rhul.ac.uk/login?url=http://hdl.handle.net/2027/heb.01609>

Andrews, Gavin J., Paul Kingsbury, and Robin A. Kearns, eds., Soundscapes of Wellbeing in Popular Music, 2014, Geographies of health <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4470546>

Attali, Jacques, ‘Composing’, in Noise: The Political Economy of Music (Minneapolis: University of Minnesota Press, 1985), v. 16

———, ‘Listening’, in Noise: The Political Economy of Music (Manchester: Manchester University Press, 1985), Theory and history of literature

Averill, Gage, ‘Haitian Dance Bands, 1915-1970: Class, Race, and Authenticity’, Latin American Music Review / Revista de Música Latinoamericana, 10.2 (1989) <https://doi.org/10.2307/779951>

Baily, John, ‘Music and Censorship in Afghanistan, 1973-2003’, in Music and the Play of Power in the Middle East, North Africa and Central Asia (Aldershot: Ashgate, 2009), SOAS musicology series <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13407271910002671&institutionId=2671&customerId=2670>

Baker, Catherine, ‘Music as a Weapon of Ethnopolitical Violence and Conflict: Processes of Ethnic Separation During and After the Break-Up of Yugoslavia’, Patterns of Prejudice, 47.4–5 (2013), 409–29 <https://doi.org/10.1080/0031322X.2013.835914>

Baker, Geoffrey, ‘The Politics of Dancing: Reggaetón and Rap in Havana, Cuba’, in Reggaeton (Durham: Duke University Press, 2009), Refiguring American music

Baranovitch, Nimrod, China’s New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978-1997 (Berkeley: University of California Press, 2003)

———, China’s New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978-1997 (Berkeley: University of California Press, 2003)

Barz, Gregory F., ‘No One Will Listen to Us Unless We Bring Our Drums! AIDS and Women’s Music Performance in Uganda’, in Singing for Life: HIV/AIDS and Music in Uganda (New York: Routledge, 2006), pp. 77–107 <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315024547>

Barz, Gregory F., and Judah M. Cohen, The Culture of AIDS in Africa: Hope and Healing in Music and the Arts (New York: Oxford University Press, 2011) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3054321>

Bohlman, Philip V., The Music of European Nationalism: Cultural Identity and Modern History (Santa Barbara, CA: ABC-CLIO, 2004), ABC-CLIO world music series <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=265477>

———, The Study of Folk Music in the Modern World (Bloomington: Indiana University Press, 1988), Folkloristics

Bourdieu, Pierre, ‘Distinction and the Aristocracy of Culture’, in Cultural Theory and Popular Culture: A Reader, 4th ed (Harlow, England: Pearson Longman, 2009)

Brauer, Juliane, ‘How Can Music Be Torturous?: Music in Nazi Concentration and Extermination Camps’, Music & Politics, X.1 (2016) <http://quod.lib.umich.edu/m/mp/9460447.0010.103?view=text;rgn=main>

Chastagner, Claude, ‘Hate Music’, Transatlantica. Revue d’études Américaines. American Studies Journal, 2 <https://journals.openedition.org/transatlantica/6075>

———, ‘The Parents’ Music Resource Center: From Information to Censorship’, Popular Music, 18.2 (1999), 179–92 <http://www.jstor.org.ezproxy01.rhul.ac.uk/stable/853600?seq=1#page_scan_tab_contents>

Chornik, Katia, ‘Music and Torture in Chilean Detention Centers: Conversations with an Ex-Agent of Pinochet’s Secret Police’, The World of Music (New Series), 2.1 (2013), 51–65 <https://www.jstor.org/stable/24318196>

Cloonan, Martin, ‘Popular Music and Censorship in Britain: An Overview’, Popular Music and Society, 19.3 (1995), 75–104 <https://doi.org/10.1080/03007769508591600>

Cloonan, Martin, and Bruce Johnson, ‘Killing Me Softly With His Song: An Initial Investigation Into the Use of Popular Music as a Tool of Oppression’, Popular Music, 21.01 (2002) <https://doi.org/10.1017/S0261143002002027>

Cook, Nicholas, ‘Introduction: Music and Meaning in the Commercials’, in Analysing Musical Multimedia (Oxford [England]: Clarendon Press, 1997)

Corte, Ugo, and Bruce Johnson, ‘White Power Music and the Mobilization of Racist Social Movements’, Music and Arts in Action, 1.1 (2008), 4–20 <http://uu.diva-portal.org/smash/get/diva2:355075/FULLTEXT01.pdf>

Cross, Rich, ‘"There Is No Authority But Yourself ”: The Individual and the Collective in British Anarcho-Punk’ <http://quod.lib.umich.edu/m/mp/9460447.0004.203/--there-is-no-authority-but-yourself-the-individual?rgn=main;view=fulltext>

Crossley, Nick, ‘Intersubjectivity’, Key Concepts in Critical Social Theory <https://search-credoreference-com.ezproxy01.rhul.ac.uk/content/entry/sageukcst/intersubjectivity/0>

Cusick, Suzanne G., ‘Music as Torture / Music as Weapon’, Transcultural Music Review, 2006 <http://www.sibetrans.com/trans/articulo/152/music-as-torture-music-as-weapon>

———, ‘Toward an Acoustemology of Detention in the “Global War on Terror”’, in Music, Sound and Space: Transformations of Public and Private Experience (Cambridge: Cambridge University Press, 2013) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781107305397>

———, ‘"You Are in a Place That Is Out of the World. . .”: Music in the Detention Camps of the "Global War on Terror”’, Journal of the Society for American Music, 2.01 (2008) <https://doi.org/10.1017/S1752196308080012>

Cusick, Suzanne G., and Branden W. Joseph, ‘Across an Invisible Line: A Conversation about Music and Torture’, Grey Room, 42 (2011), 6–21 <https://doi.org/10.1162/GREY_a_00024>

Denisoff, R. Serge, ‘Protest Movements: Class Consciousness and the Propaganda Song’, The Sociological Quarterly, 9.2 (1968), 228–47 <http://www.jstor.org/stable/4105044>

DeNora, Tia, ‘Formulating Questions - the “Music and Society” Nexus’, in Music in Everyday Life (Cambridge: Cambridge University Press, 2000)

———, ‘Formulating Questions - the “Music and Society” Nexus’, in Music in Everyday Life (Cambridge: Cambridge University Press, 2000), pp. 1–20 <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780511324437>

———, ‘Music and the Body’, in Music in Everyday Life (Cambridge: Cambridge University Press, 2000), pp. 75–108 <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780511324437>

Dillane, Aileen, Martin J. Power, Eoin Devereux, and Amanda Haynes, eds., Songs of Social Protest: International Perspectives (London: Rowman & Littlefield International, 2018) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5504161>

Dirksen, Rebecca, ‘Surviving Material Poverty by Employing Cultural Wealth: Putting Music in the Service of Community in Haiti’, Yearbook for Traditional Music, 45 (2013) <https://doi.org/10.5921/yeartradmusi.45.2013.0043>

Duranti, Alessandro, ‘Husserl, Intersubjectivity and Anthropology’, Anthropological Theory, 10.1–2 (2010), 16–35 <https://doi.org/10.1177/1463499610370517>

Erlmann, Veit, ‘Black Political Song in South Africa: Some Research Perspectives’, in Popular Music Perspectives 2: Papers from the Second International Conference on Popular Music Studies, Reggio Emilia, September 19-24, 1983 (Göteborg: IASPM, 1985)

Evans, Jessica, Paul Du Gay, and Peter Redman, Identity: A Reader (London: SAGE in association with The Open University, 2000)

Farmer, Paul, and Arthur Kleinman, ‘AIDS as Human Suffering’, Daedalus, 118.2 (1989), 135–60 <http://www.jstor.org/stable/20025240>

Feld, Steven, ‘Aesthetics as Iconicity of Style, or “Lift-Up-Over Sounding”: Getting Into the Kaluli Groove’, Yearbook for Traditional Music, 20 (1988) <https://doi.org/10.2307/768167>

Finnegan, Ruth, ‘Music, Experience and the Anthropology of Emotion’, in The Cultural Study of Music: A Critical Introduction, 2nd ed (New York: Routledge, 2012)

———, ‘Music, Experience and the Anthropology of Emotion’, in The Cultural Study of Music: A Critical Introduction (New York: Routledge, 2012) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203149454>

‘Frequently Asked Questions | The Equality Trust’ <https://www.equalitytrust.org.uk/faq>

Frie, Roger, ‘Intersubjectivity’, in Encyclopedia of Philosophy and the Social Sciences, ed. by Byron Kaldis, pp. 500–502 <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1207760>

Friedman, Jonathan C., ed., The Routledge History of Social Protest in Popular Music (New York: Routledge, 2017)

Friedson, Steven M., ‘Dancing the Disease: Music and Trance in Tumbuka Healing’, in Musical Healing in Cultural Contexts (Aldershot: Ashgate, 2000)

Gellner, Ernest, and John Breuilly, ‘Definitions’, in Nations and Nationalism, 2nd ed (Ithaca, N.Y.: Cornell University Press, 2008), New perspectives on the past

Gier, Christina, ‘War, Anxiety, and Hope in American Sheet Music, 1914–1917’, Music & Politics, VII.1 (2013) <http://quod.lib.umich.edu/m/mp/9460447.0007.102/--war-anxiety-and-hope-in-american-sheet-music-19141917?rgn=main;view=fulltext>

Gilchrist, Karen, ‘BBC NEWS | World | Americas | Soldier Rapper Tells His Tale of Iraq’, 2006 <http://news.bbc.co.uk/1/hi/world/americas/4828816.stm>

Gilman, Lisa, ‘An American Soldier’s iPod: Layers of Identity and Situated Listening in Iraq’, Music & Politics, IV.2 (2010) <http://quod.lib.umich.edu/m/mp/9460447.0004.201/--american-soldiers-ipod-layers-of-identity-and-situated?rgn=main;view=fulltext>

Glick-Schiller, Nina, and Georges Fouron, ‘“Everywhere We Go, We Are in Danger”: Ti Manno and the Emergence of a Haitian Transnational Identity’, American Ethnologist, 17.2 (1990), 329–47 <http://www.jstor.org/stable/645083>

Goffman, Erving, Stigma: Notes on the Management of Spoiled Identity (Harmondsworth: Penguin, 1990)

———, The Presentation of Self in Everyday Life (Harmondsworth: Penguin, 1990)

Goffman, Erving, Charles Lemert, and Ann Branaman, The Goffman Reader (Oxford: Blackwell, 1997)

Gramsci, Antonio, ‘Hegemony, Intellectuals, and the State’, in Cultural Theory and Popular Culture: A Reader, 4th ed (Harlow, England: Pearson Longman, 2009)

Grant, M. J., and Anna Papaeti, eds., ‘The World of Music: Music and Torture | Music and Punishment’, 2.1 (2013) <https://www.jstor.org/stable/i24316991>

Grodach, Carl, ‘Cultural Economy Planning in Creative Cities: Discourse and Practice’, International Journal of Urban and Regional Research, 37.5 (2013), 1747–65 <https://doi.org/10.1111/j.1468-2427.2012.01165.x>

Hanson, Josef, ‘German National Song in the Third Reich: A Tale of Two Anthems’, Music & Politics, VII.1 (2013) <http://quod.lib.umich.edu/m/mp/9460447.0007.104/--german-national-song-in-the-third-reich-a-tale-of-two?rgn=main;view=fulltext>

Harrison, Klisala, ‘Music, Health, and Socio-Economic Status: A Perspective on Urban Poverty in Canada’, Yearbook for Traditional Music, 45 (2013) <https://doi.org/10.5921/yeartradmusi.45.2013.0058>

———, ‘The Relationship of Poverty to Music’, Yearbook for Traditional Music, 45 (2013) <https://doi.org/10.5921/yeartradmusi.45.2013.0001>

Hobsbawm, E. J., Nations and Nationalism Since 1780: Programme, Myth, Reality, 2nd ed (Cambridge: Cambridge University Press, 1992)

———, Nations and Nationalism since 1780: Programme, Myth, Reality, Second edition (Cambridge: Cambridge University Press, 2012), Canto classics <http://dx.doi.org/10.1017/CBO9781107295582>

Hobsbawm, E. J., and T. O. Ranger, The Invention of Tradition, New ed (Cambridge: Cambridge University Press, 1992), Canto

Hobsbawm, Eric, The Invention of Tradition, ed. by T. O. Ranger (Cambridge: Cambridge University Press, 2012) <http://dx.doi.org/10.1017/CBO9781107295636>

Hoffman, A. R., ‘Compelling Questions about Music, Education, and Socioeconomic Status’, Music Educators Journal, 100.1 (2013), 63–68 <https://doi.org/10.1177/0027432113494414>

Howard, Keith, ‘Minyo in Korea: Songs of the People and Songs for the People’, Asian Music, 30.2 (1999) <https://doi.org/10.2307/834312>

Ignatieff, Michael, ‘The Narcissism of Minor Differences’, in The Warrior’s Honor: Ethnic War and the Modern Conscience (New York: Henry Holt & Company Inc, 1998)

Jones, Craig Owen, ‘"Songs of Malice and Spite”?: Wales, Prince Charles, and an Anti-Investiture Ballad of Dafydd Iwan’, Music & Politics, VII.2 (2013) <http://quod.lib.umich.edu/m/mp/9460447.0007.203/--songs-of-malice-and-spite-wales-prince-charles-and-an-anti?rgn=main;view=fulltext>

Kaemmer, John E., ‘Social Power and Music Change among the Shona’, Ethnomusicology, 33.1 (1989) <https://doi.org/10.2307/852168>

Kalinak, Kathryn, Settling the Score: Music and the Classical Hollywood Film (University of Wisconsin Press, 1992)

Kirmayer, Laurence J., ‘Healing and the Invention of Metaphor: The Effectiveness of Symbols Revisited’, Culture, Medicine and Psychiatry, 17.2 (1993), 161–95 <https://doi.org/10.1007/BF01379325>

Kleinman, Arthur, ‘The Meanings of Symptoms and Disorders’, in The Illness Narratives: Suffering, Healing, and the Human Condition (New York: Basic, 1988), pp. 3–30

Koen, Benjamin D., ‘Musical Healing in Eastern Tajikistan: Transforming Stress and Depression Through Falak Performance’, Asian Music, 37.2 (2006), 58–83 <https://doi.org/10.1353/amu.2007.0006>

Korpe, Marie, Shoot the Singer!: Music Censorship Today (New York: Zed Books, 2004)

Kraus, Richard Curt, Pianos and Politics in China: Middle-Class Ambitions and the Struggle Over Western Music (New York: Oxford University Press, 1989) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4702074>

MacDonald, Raymond A. R., Gunter Kreutz, and Laura Mitchell, Music, Health, and Wellbeing (Oxford: Oxford University Press, 2012) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3054710>

Marx, Karl, ‘Base and Superstructure’, in Cultural Theory and Popular Culture: A Reader, 4th ed (Harlow, England: Pearson Longman, 2009)

Marx, Karl, and Frederick Engels, ‘Ruling Class and Ruling Ideas’, in Cultural Theory and Popular Culture: A Reader, 4th ed (Harlow, England: Pearson Longman, 2009)

McLellan, Ros, Maurice Galton, Susan Steward, and Charlotte Page, ‘The Impact of Creative Initiatives on Wellbeing: A Literature Review’, 2012 <https://www.creativitycultureeducation.org/publication/the-impact-of-creative-initiatives-on-wellbeing-a-literature-review/>

McNeill, Fraser G., ‘"We Sing About What We Cannot Talk About”: Biomedical Knowledge in Stanza’, in AIDS, Politics, and Music in South Africa (Cambridge: Cambridge University Press, 2011), The International African Library <http://dx.doi.org/10.1017/CBO9780511842580>

Millar, Stephen R., ‘Musically Consonant, Socially Dissonant: Orange Walks and Catholic Interpretation in West-Central Scotland’, Music & Politics, IX.1 (2015) <http://quod.lib.umich.edu/m/mp/9460447.0009.102/--musically-consonant-socially-dissonant-orange-walks?rgn=main;view=fulltext>

Morcom, Anna, ‘Chinese Nationalist and Socialist Ideology Towards Tibetan Music’, in Unity and Discord: Music and Politics in Contemporary Tibet (London: Tibet Information Network, 2004)

———, ‘Chinese Nationalist and Socialist Ideology Towards Tibetan Music’, in Unity and Discord: Music and Politics in Contemporary Tibet, 2004 <https://repository.royalholloway.ac.uk/items/35fe17bd-288f-a7ea-c9cb-6616b9bc8813/8/>

———, ‘Music in a Socialist Market Economy: The Musical Culture of Tibet Today’, in Unity and Discord: Music and Politics in Contemporary Tibet (London: Tibet Information Network, 2004)

———, ‘Music in a Socialist Market Economy: The Musical Culture of Tibet Today’, in Unity and Discord: Music and Politics in Contemporary Tibet, 2004 <https://repository.royalholloway.ac.uk/items/35fe17bd-288f-a7ea-c9cb-6616b9bc8813/4/>

———, ‘The Voice of the State: Musical Propaganda in Tibet’, in Unity and Discord: Music and Politics in Contemporary Tibet (London: Tibet Information Network, 2004)

———, ‘The Voice of the State: Musical Propaganda in Tibet’, in Unity and Discord: Music and Politics in Contemporary Tibet, 2004 <https://repository.royalholloway.ac.uk/items/35fe17bd-288f-a7ea-c9cb-6616b9bc8813/4/>

Nettl, Bruno, ‘The Art of Combining Tones: The Music Concept’, in The Study of Ethnomusicology: Thirty-One Issues and Concepts, 2nd ed (Urbana, Ill: University of Illinois Press, 2005)

———, ‘The Art of Combining Tones: The Music Concept’, in The Study of Ethnomusicology: Thirty-One Issues and Concepts (Urbana: University of Illinois Press, 2005), pp. 16–25 <http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=389585>

———, ‘The Basic Unit of All Culture and Civilization: Signs and Symbols’, in The Study of Ethnomusicology: Thirty-One Issues and Concepts (Urbana: University of Illinois Press, 2005) <http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=389585>

———, The Study of Ethnomusicology: Thirty-One Issues and Concepts (Urbana: University of Illinois Press, 2005) <http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=389585>

Nguyen, Vinh-Kim, and Karine Peschard, ‘Anthropology, Inequality, and Disease: A Review’, Annual Review of Anthropology, 32.1 (2003), 447–74 <https://doi.org/10.1146/annurev.anthro.32.061002.093412>

Nooshin, L., ‘Subversion and Countersubversion: Power, Control, and Meaning in the New Iranian Pop Music’, in Music, Power, and Politics (New York: Routledge, 2005) <http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=10299>

Nooshin, Laudan, ‘Prelude: Power and the Play of Music’, in Music and the Play of Power in the Middle East, North Africa and Central Asia / Edited by Laudan Nooshin (Farnham, Surrey, England: Ashgate, 2009)

———, ‘Prelude: Power and the Play of Music’, in Music and the Play of Power in the Middle East, North Africa and Central Asia (Aldershot: Ashgate, 2009), SOAS musicology series, 1–32 <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780754693840>

Nuxoll, Cornelia, ‘"We Listened to It Because of the Message”: Juvenile RUF Combatants and the Role of Music in the Sierra Leone Civil War’, Music & Politics, IX.1 (2015) <http://quod.lib.umich.edu/m/mp/9460447.0009.104/--we-listened-to-it-because-of-the-message-juvenile-ruf?rgn=main;view=fulltext>

Nuzum, Eric, ‘Crash Into Me, Baby: America’s Implicit Music Censorship Since 9/11’, in Shoot the Singer!: Music Censorship Today (New York: Zed Books, 2004), pp. 149–59

Olmstead, Anthony A., ‘The Capitalisation of Musical Production: The Conceptual and Spatial Development of London’s Public Concerts, 1660-1750’, in Music and Marx: Ideas, Practices, Politics, ed. by Qureshi Regula Burckhardt (New York: Routledge, 2002)

Olwage, Grant, ‘Discipline and Choralism: The Birth of Musical Colonialism’, in Music, Power, and Politics (New York: Routledge, 2005) <http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=10299>

Ortner, Sherry B., ‘Subjectivity and Cultural Critique’, Anthropological Theory, 5.1 (2005), 31–52 <https://doi.org/10.1177/1463499605050867>

Orzech, Rachel, ‘Nabucco in Zion: Place, Metaphor and Nationalism in an Israeli Production of Verdi’s Opera[1]’, Music & Politics, IX.1 (2015) <http://quod.lib.umich.edu/m/mp/9460447.0009.103/--nabucco-in-zion-place-metaphor-and-nationalism-in-an-israeli?rgn=main;view=fulltext>

Payerhin, Marek, ‘Singing Out of Pain: Protest Songs and Social Mobilization’, The Polish Review, 57.1 (2012) <https://www.jstor.org/stable/41557949?seq=1#metadata_info_tab_contents>

Perris, Arnold, ‘Music as Propaganda: Art at the Command of Doctrine in the People’s Republic of China’, Ethnomusicology, 27.1 (1983) <https://doi.org/10.2307/850880>

Pettan, Svanibor, Music, Politics, and War: Views From Croatia (Zagreb: Institute of Ethnology and Folklore Research, 1998)

Pieslak, Jonathan R., Sound Targets: American Soldiers and Music in the Iraq War (Bloomington: Indiana University Press, 2009)

———, ‘Sound Targets: Music and the War in Iraq’, Journal of Musicological Research, 26.2–3 (2007), 123–49 <https://doi.org/10.1080/01411890701360153>

Power, Martin J., Aileen Dillane, and Eoin Devereux, ‘"I Sing Out to the Youth of the Slums”: Morrissey and Class Disgust’, Popular Music and Society, 39.5 (2016), 547–62 <https://doi.org/10.1080/03007766.2015.1072871>

Qureshi, Regula Burckhardt, ‘Mode of Production and Musical Production: Is Hindustani Music Feudal?’, in Music and Marx: Ideas, Practices, Politics (New York: Routledge, 2002)

Ramnarine, Tina K., Ilmatar’s Inspirations: Nationalism, Globalization, and the Changing Soundscapes of Finnish Folk Music (Chicago: University of Chicago Press, 2003), Chicago studies in ethnomusicology

Randall, Annie J., ‘A Censorship of Forgetting: Origin and Origin Myths of "Battle Hymn of the Republic”’, in Music, Power, and Politics (New York: Routledge, 2005) <http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=10299>

Rice, Timothy, ‘Chapter 5 - Reflections on Music and Identity in Ethnomusicology’, in Modeling Ethnomusicology, pp. 139–60 <https://www-dawsonera-com.ezproxy01.rhul.ac.uk/readonline/9780190616908>

———, Modeling Ethnomusicology (New York, NY: Oxford University Press, 2017) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4806735>

———, ‘Reflections on Music and Meaning: Metaphor, Signification and Control in the Bulgarian Case’, British Journal of Ethnomusicology, 10.1 (2001), 19–38 <https://doi.org/10.1080/09681220108567308>

———, ‘The Dialectic of Economics and Aesthetics in Bulgarian Music’, in Retuning Culture: Musical Changes in Central and Eastern Europe (Durham: Duke University Press, 1996)

Ritter, Jonathan, and J. Martin Daughtry, eds., Music in the Post-9/11 World (New York: Routledge, 2007) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1521142>

Roberts, D., ‘From the Cultural Contradictions of Capitalism to the Creative Economy: Reflections on the New Spirit of Art and Capitalism’, Thesis Eleven, 110.1 (2012), 83–97 <https://doi.org/10.1177/0725513612444563>

Roseman, Marina, ‘Concepts of Being’, in Healing Sounds From the Malaysian Rainforest: Temiar Music and Medicine (University of California Press, 1993), Comparative studies of health systems and medical care, 24–51

Roust, Colin, ‘Communal Singing as Political Act: A Chorus of Women Resistants in La Petite Roquette, 1943–1944’, Music & Politics, VII.2 (2013) <http://quod.lib.umich.edu/m/mp/9460447.0007.202/--communal-singing-as-political-act-a-chorus-of-women?rgn=main;view=fulltext>

Seeger, Anthony, ‘Singing as a Creative Activity’, in Why Suyá Sing: A Musical Anthropology of an Amazonian People (Urbana: University of Illinois Press, 2004)

———, ‘Why Suya Sing’, in Why Suyá Sing: A Musical Anthropology of an Amazonian People (Urbana: University of Illinois Press, 2004)

Sen, Amartya, Development as Freedom (Oxford: Oxford University Press, 2001)

Shepherd, John, ‘Music and Social Categories’, in The Cultural Study of Music: A Critical Introduction, 2nd ed (New York: Routledge, 2012)

———, ‘Music and Social Categories’, in The Cultural Study of Music: A Critical Introduction (New York: Routledge, 2012) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203149454>

Sherinian, Zoe C., ‘Musical Style and the Changing Social Identity of Tamil Christians’, Ethnomusicology, 51.2 (2007), 238–80 <http://www.jstor.org.ezproxy01.rhul.ac.uk/stable/20174525?seq=1#page_scan_tab_contents>

Slobin, Mark, ‘Searching for Subculture’, in Subcultural Sounds: Micromusics of the West (Hanover, NH: Wesleyan University Press, 1993)

———, ‘The Superculture’, in Subcultural Sounds: Micromusics of the West (Hanover, NH: Wesleyan University Press, 1993)

Small, Christopher, ‘A Place for Hearing’, in Musicking: The Meanings of Performing and Listening (Hanover: University Press of New England, 1998)

———, ‘Introduction’, in Musicking: The Meanings of Performing and Listening (Hanover: University Press of New England, 1998), Music/culture

Spinetti, Federico, ‘Music, Politics and Nation Building in Post-Soviet Tajikistan’, in Music and the Play of Power in the Middle East, North Africa and Central Asia (Aldershot: Ashgate, 2009), SOAS musicology series <http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13407234570002671&institutionId=2671&customerId=2670>

Stokes, Martin, ‘Introduction: Ethnicity, Identity and Music’, in Ethnicity, Identity and Music: The Musical Construction of Place (Oxford: Berg, 1994), Ethnicity and identity series

Subramanian, L., ‘The Reinvention of a Tradition: Nationalism, Carnatic Music and the Madras Music Academy, 1900-1947’, Indian Economic & Social History Review, 36.2 (1999), 131–63 <https://doi.org/10.1177/001946469903600201>

Sweers, Britta, ‘The Power to Influence Minds: German Folk Music During the Nazi Era and After’, in Music, Power, and Politics (New York: Routledge, 2005) <http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=10299>

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