Bibliography for MU3412: Music, Power and Politics BETA

1.

DeNora T. Formulating Questions - the ‘Music and Society’ Nexus. In: Music in Everyday Life. Cambridge University Press; 2000.

2.

DeNora T. Formulating Questions - the ‘Music and Society’ Nexus. In: Music in Everyday Life. Cambridge University Press; 2000:1-20. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780511324437

3.

Nooshin L. Prelude: Power and the Play of Music. In: Music and the Play of Power in the Middle East, North Africa and Central Asia / Edited by Laudan Nooshin. Ashgate; 2009.

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Nooshin L. Prelude: Power and the Play of Music. In: Music and the Play of Power in the Middle East, North Africa and Central Asia. Vol SOAS musicology series. Ashgate; 2009:1-32. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780754693840

5.

Morcom A. Chinese Nationalist and Socialist Ideology Towards Tibetan Music. In: Unity and Discord: Music and Politics in Contemporary Tibet. Tibet Information Network; 2004.

6.

Morcom A. Chinese Nationalist and Socialist Ideology Towards Tibetan Music. In: Unity and Discord: Music and Politics in Contemporary Tibet. ; 2004. https://repository.royalholloway.ac.uk/items/35fe17bd-288f-a7ea-c9cb-6616b9bc8813/8/

7.

Nettl B. The Art of Combining Tones: The Music Concept. In: The Study of Ethnomusicology: Thirty-One Issues and Concepts. 2nd ed. University of Illinois Press; 2005.

8.

Nettl B. The Art of Combining Tones: The Music Concept. In: The Study of Ethnomusicology: Thirty-One Issues and Concepts. University of Illinois Press; 2005:16-25. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=389585

9.

Turino T. Introduction: Why Music Matters. In: Music as Social Life: The Politics of Participation. Vol Chicago studies in ethnomusicology. University of Chicago Press; 2008.

10.

Cook N. Introduction: Music and Meaning in the Commercials. In: Analysing Musical Multimedia. Clarendon Press; 1997.

11.

Turino T. Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music. Ethnomusicology. 1999;43(2). doi:10.2307/852734

12.

Kalinak K. Settling the Score: Music and the Classical Hollywood Film. University of Wisconsin Press; 1992.

13.

Nettl B. The Basic Unit of All Culture and Civilization: Signs and Symbols. In: The Study of Ethnomusicology: Thirty-One Issues and Concepts. University of Illinois Press; 2005. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=389585

14.

Tagg P. Musicology and the Semiotics of Popular Music. Semiotica. 1987;66:279-298. http://www.tagg.org/articles/xpdfs/semiota.pdf

15.

Zbikowski L. Music and Metaphor. http://zbikowski.uchicago.edu/pdfs/Zbikowski_Metaphor_and_Music_2008.pdf

16.

Seeger A. Singing as a Creative Activity. In: Why Suyá Sing: A Musical Anthropology of an Amazonian People. University of Illinois Press; 2004.

17.

Small C. Introduction. In: Musicking: The Meanings of Performing and Listening. Vol Music/culture. University Press of New England; 1998.

18.

Small C. A Place for Hearing. In: Musicking: The Meanings of Performing and Listening. University Press of New England; 1998.

19.

Baranovitch N. China’s New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978-1997. University of California Press; 2003.

20.

Feld S. Aesthetics as Iconicity of Style, or ‘Lift-Up-Over Sounding’: Getting Into the Kaluli Groove. Yearbook for Traditional Music. 1988;20. doi:10.2307/768167

21.

Nooshin L. Subversion and Countersubversion: Power, Control, and Meaning in the New Iranian Pop Music. In: Music, Power, and Politics. Routledge; 2005. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=10299

22.

Olwage G. Discipline and Choralism: The Birth of Musical Colonialism. In: Music, Power, and Politics. Routledge; 2005. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=10299

23.

Rice T. Reflections on Music and Meaning: Metaphor, Signification and Control in the Bulgarian Case. British Journal of Ethnomusicology. 2001;10(1):19-38. doi:10.1080/09681220108567308

24.

Seeger A. Why Suya Sing. In: Why Suyá Sing: A Musical Anthropology of an Amazonian People. University of Illinois Press; 2004.

25.

Turino T. The Urban-Mestizo Charango Tradition in Southern Peru: A Statement of Shifting Identity. Ethnomusicology. 1984;28(2). doi:10.2307/850760

26.

Waterman CA. Jùjú: A Social History and Ethnography of African Popular Music. Vol Chicago studies in ethnomusicology. University of Chicago Press; 1990.

27.

Waterman CA. ‘I’m a Leader, Not a Boss’: Social Identity and Popular Music in Ibadan, Nigeria. Ethnomusicology. 1982;26(1). doi:10.2307/851402

28.

Sherinian ZC. Musical Style and the Changing Social Identity of Tamil Christians. Ethnomusicology. 2007;51(2):238-280. http://www.jstor.org.ezproxy01.rhul.ac.uk/stable/20174525?seq=1#page_scan_tab_contents

29.

Friedman JC, ed. The Routledge History of Social Protest in Popular Music. Routledge; 2017.

30.

Dillane A, Power MJ, Devereux E, Haynes A, eds. Songs of Social Protest: International Perspectives. Rowman & Littlefield International; 2018. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5504161

31.

Nettl B. The Study of Ethnomusicology: Thirty-One Issues and Concepts. University of Illinois Press; 2005. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=389585

32.

Stokes M. Introduction: Ethnicity, Identity and Music. In: Ethnicity, Identity and Music: The Musical Construction of Place. Vol Ethnicity and identity series. Berg; 1994.

33.

Goffman E, Lemert C, Branaman A. The Goffman Reader. Blackwell; 1997.

34.

Goffman E. The Presentation of Self in Everyday Life. Penguin; 1990.

35.

Warden N. Ethnomusicology’s "Identity” Problem: The History and Definitions of a Troubled Term in Music Research. El Oído Pensante. 2016;4(2). http://ppct.caicyt.gov.ar/index.php/oidopensante/article/view/9403/8390

36.

Evans J, Du Gay P, Redman P. Identity: A Reader. SAGE in association with The Open University; 2000.

37.

Rice T. Chapter 5 - Reflections on music and identity in Ethnomusicology. In: Modeling Ethnomusicology. ; :139-160. https://www-dawsonera-com.ezproxy01.rhul.ac.uk/readonline/9780190616908

38.

Rice T. Modeling Ethnomusicology. Oxford University Press; 2017. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4806735

39.

Cusick SG. Music as Torture / Music as Weapon. Transcultural Music Review. Published 2006. http://www.sibetrans.com/trans/articulo/152/music-as-torture-music-as-weapon

40.

Pieslak JR. Sound Targets: Music and the War in Iraq. Journal of Musicological Research. 2007;26(2-3):123-149. doi:10.1080/01411890701360153

41.

Gilchrist K. BBC NEWS | World | Americas | Soldier Rapper Tells His Tale of Iraq. Published 2006. http://news.bbc.co.uk/1/hi/world/americas/4828816.stm

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Baker C. Music as a Weapon of Ethnopolitical Violence and Conflict: Processes of Ethnic Separation During and After the Break-Up of Yugoslavia. Patterns of Prejudice. 2013;47(4-5):409-429. doi:10.1080/0031322X.2013.835914

43.

Brauer J. How Can Music Be Torturous?: Music in Nazi Concentration and Extermination Camps. Music & Politics. 2016;X(1). http://quod.lib.umich.edu/m/mp/9460447.0010.103?view=text;rgn=main

44.

Chornik K. Music and Torture in Chilean Detention Centers: Conversations with an ex-Agent of Pinochet’s Secret Police. The World of Music (new series). 2013;2(1):51-65. https://www.jstor.org/stable/24318196

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Cloonan M, Johnson B. Killing Me Softly With His Song: An Initial Investigation Into the Use of Popular Music as a Tool of Oppression. Popular Music. 2002;21(01). doi:10.1017/S0261143002002027

46.

Corte U, Johnson B. White Power Music and the Mobilization of Racist Social Movements. Music and Arts in Action. 2008;1(1):4-20. http://uu.diva-portal.org/smash/get/diva2:355075/FULLTEXT01.pdf

47.

Cusick SG. "You Are in a Place That Is Out of the World. . .”: Music in the Detention Camps of the "Global War on Terror”. Journal of the Society for American Music. 2008;2(01). doi:10.1017/S1752196308080012

48.

Cusick SG, Joseph BW. Across an Invisible Line: A Conversation about Music and Torture. Grey Room. 2011;42:6-21. doi:10.1162/GREY_a_00024

49.

Cusick SG. Toward an Acoustemology of Detention in the ‘Global War on Terror’. In: Music, Sound and Space: Transformations of Public and Private Experience. Cambridge University Press; 2013. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781107305397

50.

Finnegan R. Music, Experience and the Anthropology of Emotion. In: The Cultural Study of Music: A Critical Introduction. 2nd ed. Routledge; 2012.

51.

Finnegan R. Music, Experience and the Anthropology of Emotion. In: The Cultural Study of Music: A Critical Introduction. Routledge; 2012. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203149454

52.

Gilman L. An American Soldier’s iPod: Layers of Identity and Situated Listening in Iraq. Music & Politics. 2010;IV(2). http://quod.lib.umich.edu/m/mp/9460447.0004.201/--american-soldiers-ipod-layers-of-identity-and-situated?rgn=main;view=fulltext

53.

Grant MJ, Papaeti A, eds. The World of Music: Music and Torture | Music and Punishment. 2013;2(1). https://www.jstor.org/stable/i24316991

54.

Nuxoll C. "We Listened to it Because of the Message”: Juvenile RUF Combatants and the Role of Music in the Sierra Leone Civil War. Music & Politics. 2015;IX(1). http://quod.lib.umich.edu/m/mp/9460447.0009.104/--we-listened-to-it-because-of-the-message-juvenile-ruf?rgn=main;view=fulltext

55.

Nuzum E. Crash Into Me, Baby: America’s Implicit Music Censorship Since 9/11. In: Shoot the Singer!: Music Censorship Today. Zed Books; 2004:149-159.

56.

Pettan S. Music, Politics, and War: Views From Croatia. Institute of Ethnology and Folklore Research; 1998.

57.

Pieslak JR. Sound Targets: American Soldiers and Music in the Iraq War. Indiana University Press; 2009.

58.

Ritter J, Daughtry JM, eds. Music in the Post-9/11 World. Routledge; 2007. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1521142

59.

Chastagner C. Hate Music. Transatlantica Revue d’études américaines American Studies Journal. (2). https://journals.openedition.org/transatlantica/6075

60.

Al Jazeera English. Songs of War. Published online 2012. http://www.aljazeera.com/programmes/aljazeeraworld/2012/05/201253072152430549.html

61.

Whitaker L. No-Go Zones and Comfortable Places: Musical Challenges to the Displacements of HIV and AIDS in South Africa. In: Andrews GJ, Kingsbury P, Kearns RA, eds. Soundscapes of Wellbeing in Popular Music. Ashgate; 2014.

62.

Whittaker L. No-Go Zones and Comfortable Places: Musical Challenges to the Displacements of HIV and AIDS in South Africa. In: Andrews GJ, Kingsbury P, Kearns RA, eds. Soundscapes of Wellbeing in Popular Music. Vol Geographies of health. ; 2014:237-256. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781409443605

63.

Duranti A. Husserl, Intersubjectivity and Anthropology. Anthropological Theory. 2010;10(1-2):16-35. doi:10.1177/1463499610370517

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Goffman E. Stigma: Notes on the Management of Spoiled Identity. Penguin; 1990.

65.

Kleinman A. The Meanings of Symptoms and Disorders. In: The Illness Narratives: Suffering, Healing, and the Human Condition. Basic; 1988:3-30.

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Kirmayer LJ. Healing and the Invention of Metaphor: The Effectiveness of Symbols Revisited. Culture, Medicine and Psychiatry. 1993;17(2):161-195. doi:10.1007/BF01379325

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Ortner SB. Subjectivity and Cultural Critique. Anthropological Theory. 2005;5(1):31-52. doi:10.1177/1463499605050867

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Crossley N. Intersubjectivity. Key Concepts in Critical Social Theory. https://search-credoreference-com.ezproxy01.rhul.ac.uk/content/entry/sageukcst/intersubjectivity/0

69.

Frie R. Intersubjectivity. In: Kaldis B, ed. Encyclopedia of Philosophy and the Social Sciences. ; :500-502. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1207760

70.

Barz GF. No One Will Listen to Us Unless We Bring Our Drums! AIDS and Women’s Music Performance in Uganda. In: Singing for Life: HIV/AIDS and Music in Uganda. Routledge; 2006:77-107. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315024547

71.

Barz GF, Cohen JM. The Culture of AIDS in Africa: Hope and Healing in Music and the Arts. Oxford University Press; 2011. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3054321

72.

Farmer P, Kleinman A. AIDS as Human Suffering. Daedalus. 1989;118(2):135-160. http://www.jstor.org/stable/20025240

73.

Friedson SM. Dancing the Disease: Music and Trance in Tumbuka Healing. In: Musical Healing in Cultural Contexts. Ashgate; 2000.

74.

Koen BD. Musical Healing in Eastern Tajikistan: Transforming Stress and Depression Through Falak Performance. Asian Music. 2006;37(2):58-83. doi:10.1353/amu.2007.0006

75.

McNeill FG. "We Sing About What We Cannot Talk About”: Biomedical Knowledge in Stanza. In: AIDS, Politics, and Music in South Africa. Vol The International African Library. Cambridge University Press; 2011. http://dx.doi.org/10.1017/CBO9780511842580

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Van Buren KJ. Applied Ethnomusicology and HIV and AIDS: Ethnomusicology. 2010;54(2). doi:10.5406/ethnomusicology.54.2.0202

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Whittaker L. Performing and Transforming ‘The Second Life’: Music and HIV/AIDS Activism in South Africa. Published 2010. https://vimeo.com/24411644/24e9eefacf

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Attali J. Listening. In: Noise: The Political Economy of Music. Vol Theory and history of literature. Manchester University Press; 1985.

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Attali J. Composing. In: Noise: The Political Economy of Music. Vol v. 16. University of Minnesota Press; 1985.

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Baily J. Music and Censorship in Afghanistan, 1973-2003. In: Music and the Play of Power in the Middle East, North Africa and Central Asia. Vol SOAS musicology series. Ashgate; 2009. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13407271910002671&institutionId=2671&customerId=2670

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Baker G. The Politics of Dancing: Reggaetón and Rap in Havana, Cuba. In: Reggaeton. Vol Refiguring American music. Duke University Press; 2009.

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Chastagner C. The Parents’ Music Resource Center: From Information to Censorship. Popular Music. 1999;18(2):179-192. http://www.jstor.org.ezproxy01.rhul.ac.uk/stable/853600?seq=1#page_scan_tab_contents

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Cloonan M. Popular Music and Censorship in Britain: An Overview. Popular Music and Society. 1995;19(3):75-104. doi:10.1080/03007769508591600

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Denisoff RS. Protest Movements: Class Consciousness and the Propaganda Song. The Sociological Quarterly. 1968;9(2):228-247. http://www.jstor.org/stable/4105044

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Erlmann V. Black Political Song in South Africa: Some Research Perspectives. In: Popular Music Perspectives 2: Papers from the Second International Conference on Popular Music Studies, Reggio Emilia, September 19-24, 1983. IASPM; 1985.

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Gier C. War, Anxiety, and Hope in American Sheet Music, 1914–1917. Music & Politics. 2013;VII(1). http://quod.lib.umich.edu/m/mp/9460447.0007.102/--war-anxiety-and-hope-in-american-sheet-music-19141917?rgn=main;view=fulltext

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Glick-Schiller N, Fouron G. ‘Everywhere We Go, We Are in Danger’: Ti Manno and the Emergence of a Haitian Transnational Identity. American Ethnologist. 1990;17(2):329-347. http://www.jstor.org/stable/645083

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Kaemmer JE. Social Power and Music Change among the Shona. Ethnomusicology. 1989;33(1). doi:10.2307/852168

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Millar SR. Musically Consonant, Socially Dissonant: Orange Walks and Catholic Interpretation in West-Central Scotland. Music & Politics. 2015;IX(1). http://quod.lib.umich.edu/m/mp/9460447.0009.102/--musically-consonant-socially-dissonant-orange-walks?rgn=main;view=fulltext

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Morcom A. Music in a Socialist Market Economy: The Musical Culture of Tibet Today. In: Unity and Discord: Music and Politics in Contemporary Tibet. Tibet Information Network; 2004.

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Morcom A. Music in a Socialist Market Economy: The Musical Culture of Tibet Today. In: Unity and Discord: Music and Politics in Contemporary Tibet. ; 2004. https://repository.royalholloway.ac.uk/items/35fe17bd-288f-a7ea-c9cb-6616b9bc8813/4/

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Morcom A. The Voice of the State: Musical Propaganda in Tibet. In: Unity and Discord: Music and Politics in Contemporary Tibet. Tibet Information Network; 2004.

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Morcom A. The Voice of the State: Musical Propaganda in Tibet. In: Unity and Discord: Music and Politics in Contemporary Tibet. ; 2004. https://repository.royalholloway.ac.uk/items/35fe17bd-288f-a7ea-c9cb-6616b9bc8813/4/

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Payerhin M. Singing Out of Pain: Protest Songs and Social Mobilization. The Polish Review. 2012;57(1). https://www.jstor.org/stable/41557949?seq=1#metadata_info_tab_contents

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Randall AJ. A Censorship of Forgetting: Origin and Origin Myths of "Battle Hymn of the Republic”. In: Music, Power, and Politics. Routledge; 2005. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=10299

98.

Roust C. Communal Singing as Political Act: A Chorus of Women Resistants in La Petite Roquette, 1943–1944. Music & Politics. 2013;VII(2). http://quod.lib.umich.edu/m/mp/9460447.0007.202/--communal-singing-as-political-act-a-chorus-of-women?rgn=main;view=fulltext

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Whittaker L. Refining the Nation’s ‘New Gold’: Music, Youth Development and Neoliberalism in South Africa. Culture, Theory and Critique. 2014;55(2):233-256. doi:10.1080/14735784.2014.897244

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Andrews GJ, Kingsbury P, Kearns RA, eds. Soundscapes of Wellbeing in Popular Music. Vol Geographies of health.; 2014. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4470546

102.

DeNora T. Music and the Body. In: Music in Everyday Life. Cambridge University Press; 2000:75-108. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780511324437

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Dirksen R. Surviving Material Poverty by Employing Cultural Wealth: Putting Music in the Service of Community in Haiti. Yearbook for Traditional Music. 2013;45. doi:10.5921/yeartradmusi.45.2013.0043

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Harrison K. Music, Health, and Socio-Economic Status: A Perspective on Urban Poverty in Canada. Yearbook for Traditional Music. 2013;45. doi:10.5921/yeartradmusi.45.2013.0058

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MacDonald RAR, Kreutz G, Mitchell L. Music, Health, and Wellbeing. Oxford University Press; 2012. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3054710

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Hanson J. German National Song in the Third Reich: A Tale of Two Anthems. Music & Politics. 2013;VII(1). http://quod.lib.umich.edu/m/mp/9460447.0007.104/--german-national-song-in-the-third-reich-a-tale-of-two?rgn=main;view=fulltext

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Jones CO. "Songs of Malice and Spite”?: Wales, Prince Charles, and an Anti-Investiture Ballad of Dafydd Iwan. Music & Politics. 2013;VII(2). http://quod.lib.umich.edu/m/mp/9460447.0007.203/--songs-of-malice-and-spite-wales-prince-charles-and-an-anti?rgn=main;view=fulltext

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Orzech R. Nabucco in Zion: Place, Metaphor and Nationalism in an Israeli Production of Verdi’s Opera[1]. Music & Politics. 2015;IX(1). http://quod.lib.umich.edu/m/mp/9460447.0009.103/--nabucco-in-zion-place-metaphor-and-nationalism-in-an-israeli?rgn=main;view=fulltext

129.

Ramnarine TK. Ilmatar’s Inspirations: Nationalism, Globalization, and the Changing Soundscapes of Finnish Folk Music. Vol Chicago studies in ethnomusicology. University of Chicago Press; 2003.

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Spinetti F. Music, Politics and Nation Building in Post-Soviet Tajikistan. In: Music and the Play of Power in the Middle East, North Africa and Central Asia. Vol SOAS musicology series. Ashgate; 2009. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13407234570002671&institutionId=2671&customerId=2670

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Subramanian L. The Reinvention of a Tradition: Nationalism, Carnatic Music and the Madras Music Academy, 1900-1947. Indian Economic & Social History Review. 1999;36(2):131-163. doi:10.1177/001946469903600201

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Sweers B. The Power to Influence Minds: German Folk Music During the Nazi Era and After. In: Music, Power, and Politics. Routledge; 2005. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=10299

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Tan SE. Manufacturing and Consuming Culture: Fakesong in Singapore. Ethnomusicology Forum. 2005;14(1):83-106. doi:10.1080/17411910500096745

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Tuohy S. The Sonic Dimensions of Nationalism in Modern China: Musical Representation and Transformation. Ethnomusicology. 2001;45(1). doi:10.2307/852636

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White H, Murphy M. Musical Constructions of Nationalism: Essays on the History and Ideology of European Musical Culture 1800-1945. Cork University Press; 2001.

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