Bibliography for MU3412: Music, Power and Politics BETA

Adorno, T. W. (2009). On Popular Music. In Cultural Theory and Popular Culture: A Reader (4th ed). Pearson Longman.

Al Jazeera English. (2012). Songs of War. http://www.aljazeera.com/programmes/aljazeeraworld/2012/05/201253072152430549.html

Anderson, B. (2006). Introduction. In Imagined Communities: Reflections on the Origin and Spread of Nationalism. Verso. http://ezproxy01.rhul.ac.uk/login?url=http://hdl.handle.net/2027/heb.01609

Anderson, B. (2016). Introduction. In Imagined Communities: Reflections on the Origin and Spread of Nationalism (Revised edition). Verso.

Andrews, G. J., Kingsbury, P., & Kearns, R. A. (Eds.). (2014). Soundscapes of Wellbeing in Popular Music: Vol. Geographies of health. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4470546

Attali, J. (1985a). Composing. In Noise: The Political Economy of Music: Vol. v. 16. University of Minnesota Press.

Attali, J. (1985b). Listening. In Noise: The Political Economy of Music: Vol. Theory and history of literature. Manchester University Press.

Averill, G. (1989). Haitian Dance Bands, 1915-1970: Class, Race, and Authenticity. Latin American Music Review / Revista de Música Latinoamericana, 10(2). https://doi.org/10.2307/779951

Baily, J. (2009). Music and Censorship in Afghanistan, 1973-2003. In Music and the Play of Power in the Middle East, North Africa and Central Asia: Vol. SOAS musicology series. Ashgate. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13407271910002671&institutionId=2671&customerId=2670

Baker, C. (2013). Music as a Weapon of Ethnopolitical Violence and Conflict: Processes of Ethnic Separation During and After the Break-Up of Yugoslavia. Patterns of Prejudice, 47(4–5), 409–429. https://doi.org/10.1080/0031322X.2013.835914

Baker, G. (2009). The Politics of Dancing: Reggaetón and Rap in Havana, Cuba. In Reggaeton: Vol. Refiguring American music. Duke University Press.

Baranovitch, N. (2003a). China’s New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978-1997. University of California Press.

Baranovitch, N. (2003b). China’s New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978-1997. University of California Press.

Barz, G. F. (2006). No One Will Listen to Us Unless We Bring Our Drums! AIDS and Women’s Music Performance in Uganda. In Singing for Life: HIV/AIDS and Music in Uganda (pp. 77–107). Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315024547

Barz, G. F., & Cohen, J. M. (2011). The Culture of AIDS in Africa: Hope and Healing in Music and the Arts. Oxford University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3054321

Bohlman, P. V. (1988). The Study of Folk Music in the Modern World: Vol. Folkloristics. Indiana University Press.

Bohlman, P. V. (2004). The Music of European Nationalism: Cultural Identity and Modern History: Vol. ABC-CLIO world music series. ABC-CLIO. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=265477

Bourdieu, P. (2009). Distinction and the Aristocracy of Culture. In Cultural Theory and Popular Culture: A Reader (4th ed). Pearson Longman.

Brauer, J. (2016). How Can Music Be Torturous?: Music in Nazi Concentration and Extermination Camps. Music & Politics, X(1). http://quod.lib.umich.edu/m/mp/9460447.0010.103?view=text;rgn=main

Chastagner, C. (n.d.). Hate Music. Transatlantica. Revue d’études Américaines. American Studies Journal, 2. https://journals.openedition.org/transatlantica/6075

Chastagner, C. (1999). The Parents’ Music Resource Center: From Information to Censorship. Popular Music, 18(2), 179–192. http://www.jstor.org.ezproxy01.rhul.ac.uk/stable/853600?seq=1#page_scan_tab_contents

Chornik, K. (2013). Music and Torture in Chilean Detention Centers: Conversations with an ex-Agent of Pinochet’s Secret Police. The World of Music (New Series), 2(1), 51–65. https://www.jstor.org/stable/24318196

Cloonan, M. (1995). Popular Music and Censorship in Britain: An Overview. Popular Music and Society, 19(3), 75–104. https://doi.org/10.1080/03007769508591600

Cloonan, M., & Johnson, B. (2002). Killing Me Softly With His Song: An Initial Investigation Into the Use of Popular Music as a Tool of Oppression. Popular Music, 21(01). https://doi.org/10.1017/S0261143002002027

Cook, N. (1997). Introduction: Music and Meaning in the Commercials. In Analysing Musical Multimedia. Clarendon Press.

Corte, U., & Johnson, B. (2008). White Power Music and the Mobilization of Racist Social Movements. Music and Arts in Action, 1(1), 4–20. http://uu.diva-portal.org/smash/get/diva2:355075/FULLTEXT01.pdf

Cross, R. (n.d.). "There Is No Authority But Yourself ”: The Individual and the Collective in British Anarcho-Punk. http://quod.lib.umich.edu/m/mp/9460447.0004.203/--there-is-no-authority-but-yourself-the-individual?rgn=main;view=fulltext

Crossley, N. (n.d.). Intersubjectivity. Key Concepts in Critical Social Theory. https://search-credoreference-com.ezproxy01.rhul.ac.uk/content/entry/sageukcst/intersubjectivity/0

Cusick, S. G. (2006). Music as Torture / Music as Weapon. Transcultural Music Review. http://www.sibetrans.com/trans/articulo/152/music-as-torture-music-as-weapon

Cusick, S. G. (2008). "You Are in a Place That Is Out of the World. . .”: Music in the Detention Camps of the "Global War on Terror”. Journal of the Society for American Music, 2(01). https://doi.org/10.1017/S1752196308080012

Cusick, S. G. (2013). Toward an Acoustemology of Detention in the ‘Global War on Terror’. In Music, Sound and Space: Transformations of Public and Private Experience. Cambridge University Press. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781107305397

Cusick, S. G., & Joseph, B. W. (2011). Across an Invisible Line: A Conversation about Music and Torture. Grey Room, 42, 6–21. https://doi.org/10.1162/GREY_a_00024

Denisoff, R. S. (1968). Protest Movements: Class Consciousness and the Propaganda Song. The Sociological Quarterly, 9(2), 228–247. http://www.jstor.org/stable/4105044

DeNora, T. (2000a). Formulating Questions - the ‘Music and Society’ Nexus. In Music in Everyday Life. Cambridge University Press.

DeNora, T. (2000b). Formulating Questions - the ‘Music and Society’ Nexus. In Music in Everyday Life (pp. 1–20). Cambridge University Press. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780511324437

DeNora, T. (2000c). Music and the Body. In Music in Everyday Life (pp. 75–108). Cambridge University Press. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780511324437

Dillane, A., Power, M. J., Devereux, E., & Haynes, A. (Eds.). (2018). Songs of Social Protest: International Perspectives. Rowman & Littlefield International. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5504161

Dirksen, R. (2013). Surviving Material Poverty by Employing Cultural Wealth: Putting Music in the Service of Community in Haiti. Yearbook for Traditional Music, 45. https://doi.org/10.5921/yeartradmusi.45.2013.0043

Duranti, A. (2010). Husserl, Intersubjectivity and Anthropology. Anthropological Theory, 10(1–2), 16–35. https://doi.org/10.1177/1463499610370517

Erlmann, V. (1985). Black Political Song in South Africa: Some Research Perspectives. In Popular music perspectives 2: papers from the Second International Conference on Popular Music Studies, Reggio Emilia, September 19-24, 1983. IASPM.

Evans, J., Du Gay, P., & Redman, P. (2000). Identity: A Reader. SAGE in association with The Open University.

Farmer, P., & Kleinman, A. (1989). AIDS as Human Suffering. Daedalus, 118(2), 135–160. http://www.jstor.org/stable/20025240

Feld, S. (1988). Aesthetics as Iconicity of Style, or ‘Lift-Up-Over Sounding’: Getting Into the Kaluli Groove. Yearbook for Traditional Music, 20. https://doi.org/10.2307/768167

Finnegan, R. (2012a). Music, Experience and the Anthropology of Emotion. In The Cultural Study of Music: A Critical Introduction (2nd ed). Routledge.

Finnegan, R. (2012b). Music, Experience and the Anthropology of Emotion. In The Cultural Study of Music: A Critical Introduction. Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203149454

Frequently Asked Questions | The Equality Trust. (n.d.). https://www.equalitytrust.org.uk/faq

Frie, R. (n.d.). Intersubjectivity. In B. Kaldis (Ed.), Encyclopedia of philosophy and the social sciences (pp. 500–502). https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1207760

Friedman, J. C. (Ed.). (2017). The Routledge History of Social Protest in Popular Music. Routledge.

Friedson, S. M. (2000). Dancing the Disease: Music and Trance in Tumbuka Healing. In Musical Healing in Cultural Contexts. Ashgate.

Gellner, E., & Breuilly, J. (2008). Definitions. In Nations and Nationalism: Vol. New perspectives on the past (2nd ed). Cornell University Press.

Gier, C. (2013). War, Anxiety, and Hope in American Sheet Music, 1914–1917. Music & Politics, VII(1). http://quod.lib.umich.edu/m/mp/9460447.0007.102/--war-anxiety-and-hope-in-american-sheet-music-19141917?rgn=main;view=fulltext

Gilchrist, K. (2006). BBC NEWS | World | Americas | Soldier Rapper Tells His Tale of Iraq. http://news.bbc.co.uk/1/hi/world/americas/4828816.stm

Gilman, L. (2010). An American Soldier’s iPod: Layers of Identity and Situated Listening in Iraq. Music & Politics, IV(2). http://quod.lib.umich.edu/m/mp/9460447.0004.201/--american-soldiers-ipod-layers-of-identity-and-situated?rgn=main;view=fulltext

Glick-Schiller, N., & Fouron, G. (1990). ‘Everywhere We Go, We Are in Danger’: Ti Manno and the Emergence of a Haitian Transnational Identity. American Ethnologist, 17(2), 329–347. http://www.jstor.org/stable/645083

Goffman, E. (1990a). Stigma: Notes on the Management of Spoiled Identity. Penguin.

Goffman, E. (1990b). The Presentation of Self in Everyday Life. Penguin.

Goffman, E., Lemert, C., & Branaman, A. (1997). The Goffman Reader. Blackwell.

Gramsci, A. (2009). Hegemony, Intellectuals, and the State. In Cultural Theory and Popular Culture: A Reader (4th ed). Pearson Longman.

Grant, M. J., & Papaeti, A. (Eds.). (2013). The World of Music: Music and Torture | Music and Punishment. 2(1). https://www.jstor.org/stable/i24316991

Grodach, C. (2013). Cultural Economy Planning in Creative Cities: Discourse and Practice. International Journal of Urban and Regional Research, 37(5), 1747–1765. https://doi.org/10.1111/j.1468-2427.2012.01165.x

Hanson, J. (2013). German National Song in the Third Reich: A Tale of Two Anthems. Music & Politics, VII(1). http://quod.lib.umich.edu/m/mp/9460447.0007.104/--german-national-song-in-the-third-reich-a-tale-of-two?rgn=main;view=fulltext

Harrison, K. (2013a). Music, Health, and Socio-Economic Status: A Perspective on Urban Poverty in Canada. Yearbook for Traditional Music, 45. https://doi.org/10.5921/yeartradmusi.45.2013.0058

Harrison, K. (2013b). The Relationship of Poverty to Music. Yearbook for Traditional Music, 45. https://doi.org/10.5921/yeartradmusi.45.2013.0001

Hobsbawm, E. (2012). The Invention of Tradition (T. O. Ranger, Ed.). Cambridge University Press. http://dx.doi.org/10.1017/CBO9781107295636

Hobsbawm, E. J. (1992). Nations and Nationalism Since 1780: Programme, Myth, Reality (2nd ed). Cambridge University Press.

Hobsbawm, E. J. (2012). Nations and Nationalism since 1780: Programme, Myth, Reality: Vol. Canto classics (Second edition). Cambridge University Press. http://dx.doi.org/10.1017/CBO9781107295582

Hobsbawm, E. J., & Ranger, T. O. (1992). The Invention of Tradition: Vol. Canto (New ed). Cambridge University Press.

Hoffman, A. R. (2013). Compelling Questions about Music, Education, and Socioeconomic Status. Music Educators Journal, 100(1), 63–68. https://doi.org/10.1177/0027432113494414

Howard, K. (1999). Minyo in Korea: Songs of the People and Songs for the People. Asian Music, 30(2). https://doi.org/10.2307/834312

Ignatieff, M. (1998). The Narcissism of Minor Differences. In The warrior’s honor: Ethnic war and the modern conscience. Henry Holt & Company Inc.

Jones, C. O. (2013). "Songs of Malice and Spite”?: Wales, Prince Charles, and an Anti-Investiture Ballad of Dafydd Iwan. Music & Politics, VII(2). http://quod.lib.umich.edu/m/mp/9460447.0007.203/--songs-of-malice-and-spite-wales-prince-charles-and-an-anti?rgn=main;view=fulltext

Kaemmer, J. E. (1989). Social Power and Music Change among the Shona. Ethnomusicology, 33(1). https://doi.org/10.2307/852168

Kalinak, K. (1992). Settling the Score: Music and the Classical Hollywood Film. University of Wisconsin Press.

Kirmayer, L. J. (1993). Healing and the Invention of Metaphor: The Effectiveness of Symbols Revisited. Culture, Medicine and Psychiatry, 17(2), 161–195. https://doi.org/10.1007/BF01379325

Kleinman, A. (1988). The Meanings of Symptoms and Disorders. In The Illness Narratives: Suffering, Healing, and the Human Condition (pp. 3–30). Basic.

Koen, B. D. (2006). Musical Healing in Eastern Tajikistan: Transforming Stress and Depression Through Falak Performance. Asian Music, 37(2), 58–83. https://doi.org/10.1353/amu.2007.0006

Korpe, M. (2004). Shoot the Singer!: Music Censorship Today. Zed Books.

Kraus, R. C. (1989). Pianos and Politics in China: Middle-Class Ambitions and the Struggle Over Western Music. Oxford University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4702074

MacDonald, R. A. R., Kreutz, G., & Mitchell, L. (2012). Music, Health, and Wellbeing. Oxford University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3054710

Marx, K. (2009). Base and Superstructure. In Cultural Theory and Popular Culture: A Reader (4th ed). Pearson Longman.

Marx, K., & Engels, F. (2009). Ruling Class and Ruling Ideas. In Cultural Theory and Popular Culture: A Reader (4th ed). Pearson Longman.

McLellan, R., Galton, M., Steward, S., & Page, C. (2012). The Impact of Creative Initiatives on Wellbeing: A Literature Review. https://www.creativitycultureeducation.org/publication/the-impact-of-creative-initiatives-on-wellbeing-a-literature-review/

McNeill, F. G. (2011). "We Sing About What We Cannot Talk About”: Biomedical Knowledge in Stanza. In AIDS, Politics, and Music in South Africa: Vol. The International African Library. Cambridge University Press. http://dx.doi.org/10.1017/CBO9780511842580

Millar, S. R. (2015). Musically Consonant, Socially Dissonant: Orange Walks and Catholic Interpretation in West-Central Scotland. Music & Politics, IX(1). http://quod.lib.umich.edu/m/mp/9460447.0009.102/--musically-consonant-socially-dissonant-orange-walks?rgn=main;view=fulltext

Morcom, A. (2004a). Chinese Nationalist and Socialist Ideology Towards Tibetan Music. In Unity and Discord: Music and Politics in Contemporary Tibet. Tibet Information Network.

Morcom, A. (2004b). Chinese Nationalist and Socialist Ideology Towards Tibetan Music. In Unity and Discord: Music and Politics in Contemporary Tibet. https://repository.royalholloway.ac.uk/items/35fe17bd-288f-a7ea-c9cb-6616b9bc8813/8/

Morcom, A. (2004c). Music in a Socialist Market Economy: The Musical Culture of Tibet Today. In Unity and Discord: Music and Politics in Contemporary Tibet. Tibet Information Network.

Morcom, A. (2004d). Music in a Socialist Market Economy: The Musical Culture of Tibet Today. In Unity and Discord: Music and Politics in Contemporary Tibet. https://repository.royalholloway.ac.uk/items/35fe17bd-288f-a7ea-c9cb-6616b9bc8813/4/

Morcom, A. (2004e). The Voice of the State: Musical Propaganda in Tibet. In Unity and Discord: Music and Politics in Contemporary Tibet. Tibet Information Network.

Morcom, A. (2004f). The Voice of the State: Musical Propaganda in Tibet. In Unity and Discord: Music and Politics in Contemporary Tibet. https://repository.royalholloway.ac.uk/items/35fe17bd-288f-a7ea-c9cb-6616b9bc8813/4/

Nettl, B. (2005a). The Art of Combining Tones: The Music Concept. In The Study of Ethnomusicology: Thirty-One Issues and Concepts (2nd ed). University of Illinois Press.

Nettl, B. (2005b). The Art of Combining Tones: The Music Concept. In The Study of Ethnomusicology: Thirty-One Issues and Concepts (pp. 16–25). University of Illinois Press. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=389585

Nettl, B. (2005c). The Basic Unit of All Culture and Civilization: Signs and Symbols. In The Study of Ethnomusicology: Thirty-One Issues and Concepts. University of Illinois Press. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=389585

Nettl, B. (2005d). The Study of Ethnomusicology: Thirty-One Issues and Concepts. University of Illinois Press. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=389585

Nguyen, V.-K., & Peschard, K. (2003). Anthropology, Inequality, and Disease: A Review. Annual Review of Anthropology, 32(1), 447–474. https://doi.org/10.1146/annurev.anthro.32.061002.093412

Nooshin, L. (2005). Subversion and Countersubversion: Power, Control, and Meaning in the New Iranian Pop Music. In Music, Power, and Politics. Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=10299

Nooshin, L. (2009a). Prelude: Power and the Play of Music. In Music and the Play of Power in the Middle East, North Africa and Central Asia / Edited by Laudan Nooshin. Ashgate.

Nooshin, L. (2009b). Prelude: Power and the Play of Music. In Music and the Play of Power in the Middle East, North Africa and Central Asia: Vol. SOAS musicology series (pp. 1–32). Ashgate. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780754693840

Nuxoll, C. (2015). "We Listened to it Because of the Message”: Juvenile RUF Combatants and the Role of Music in the Sierra Leone Civil War. Music & Politics, IX(1). http://quod.lib.umich.edu/m/mp/9460447.0009.104/--we-listened-to-it-because-of-the-message-juvenile-ruf?rgn=main;view=fulltext

Nuzum, E. (2004). Crash Into Me, Baby: America’s Implicit Music Censorship Since 9/11. In Shoot the singer!: Music censorship today (pp. 149–159). Zed Books.

Olmstead, A. A. (2002). The Capitalisation of Musical Production: The Conceptual and Spatial Development of London’s Public Concerts, 1660-1750. In Q. Regula Burckhardt (Ed.), Music and Marx: Ideas, Practices, Politics. Routledge.

Olwage, G. (2005). Discipline and Choralism: The Birth of Musical Colonialism. In Music, Power, and Politics. Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=10299

Ortner, S. B. (2005). Subjectivity and Cultural Critique. Anthropological Theory, 5(1), 31–52. https://doi.org/10.1177/1463499605050867

Orzech, R. (2015). Nabucco in Zion: Place, Metaphor and Nationalism in an Israeli Production of Verdi’s Opera[1]. Music & Politics, IX(1). http://quod.lib.umich.edu/m/mp/9460447.0009.103/--nabucco-in-zion-place-metaphor-and-nationalism-in-an-israeli?rgn=main;view=fulltext

Payerhin, M. (2012). Singing Out of Pain: Protest Songs and Social Mobilization. The Polish Review, 57(1). https://www.jstor.org/stable/41557949?seq=1#metadata_info_tab_contents

Perris, A. (1983). Music as Propaganda: Art at the Command of Doctrine in the People’s Republic of China. Ethnomusicology, 27(1). https://doi.org/10.2307/850880

Pettan, S. (1998). Music, Politics, and War: Views From Croatia. Institute of Ethnology and Folklore Research.

Pieslak, J. R. (2007). Sound Targets: Music and the War in Iraq. Journal of Musicological Research, 26(2–3), 123–149. https://doi.org/10.1080/01411890701360153

Pieslak, J. R. (2009). Sound Targets: American Soldiers and Music in the Iraq War. Indiana University Press.

Power, M. J., Dillane, A., & Devereux, E. (2016). "I Sing Out to the Youth of the Slums”: Morrissey and Class Disgust. Popular Music and Society, 39(5), 547–562. https://doi.org/10.1080/03007766.2015.1072871

Qureshi, R. B. (2002). Mode of Production and Musical Production: Is Hindustani Music Feudal? In Music and Marx: Ideas, Practices, Politics. Routledge.

Ramnarine, T. K. (2003). Ilmatar’s Inspirations: Nationalism, Globalization, and the Changing Soundscapes of Finnish Folk Music: Vol. Chicago studies in ethnomusicology. University of Chicago Press.

Randall, A. J. (2005). A Censorship of Forgetting: Origin and Origin Myths of "Battle Hymn of the Republic”. In Music, Power, and Politics. Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=10299

Rice, T. (n.d.). Chapter 5 - Reflections on music and identity in Ethnomusicology. In Modeling Ethnomusicology (pp. 139–160). https://www-dawsonera-com.ezproxy01.rhul.ac.uk/readonline/9780190616908

Rice, T. (1996). The Dialectic of Economics and Aesthetics in Bulgarian Music. In Retuning Culture: Musical Changes in Central and Eastern Europe. Duke University Press.

Rice, T. (2001). Reflections on Music and Meaning: Metaphor, Signification and Control in the Bulgarian Case. British Journal of Ethnomusicology, 10(1), 19–38. https://doi.org/10.1080/09681220108567308

Rice, T. (2017). Modeling Ethnomusicology. Oxford University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4806735

Ritter, J., & Daughtry, J. M. (Eds.). (2007). Music in the Post-9/11 World. Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1521142

Roberts, D. (2012). From the Cultural Contradictions of Capitalism to the Creative Economy: Reflections on the New Spirit of Art and Capitalism. Thesis Eleven, 110(1), 83–97. https://doi.org/10.1177/0725513612444563

Roseman, M. (1993). Concepts of Being. In Healing Sounds From the Malaysian Rainforest: Temiar Music and Medicine: Vol. Comparative studies of health systems and medical care (pp. 24–51). University of California Press.

Roust, C. (2013). Communal Singing as Political Act: A Chorus of Women Resistants in La Petite Roquette, 1943–1944. Music & Politics, VII(2). http://quod.lib.umich.edu/m/mp/9460447.0007.202/--communal-singing-as-political-act-a-chorus-of-women?rgn=main;view=fulltext

Seeger, A. (2004a). Singing as a Creative Activity. In Why Suyá Sing: A Musical Anthropology of an Amazonian People. University of Illinois Press.

Seeger, A. (2004b). Why Suya Sing. In Why Suyá Sing: A Musical Anthropology of an Amazonian People. University of Illinois Press.

Sen, A. (2001). Development as Freedom. Oxford University Press.

Shepherd, J. (2012a). Music and Social Categories. In The Cultural Study of Music: A Critical Introduction (2nd ed). Routledge.

Shepherd, J. (2012b). Music and Social Categories. In The Cultural Study of Music: A Critical Introduction. Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203149454

Sherinian, Z. C. (2007). Musical Style and the Changing Social Identity of Tamil Christians. Ethnomusicology, 51(2), 238–280. http://www.jstor.org.ezproxy01.rhul.ac.uk/stable/20174525?seq=1#page_scan_tab_contents

Slobin, M. (1993a). Searching for Subculture. In Subcultural Sounds: Micromusics of the West. Wesleyan University Press.

Slobin, M. (1993b). The Superculture. In Subcultural Sounds: Micromusics of the West. Wesleyan University Press.

Small, C. (1998a). A Place for Hearing. In Musicking: The Meanings of Performing and Listening. University Press of New England.

Small, C. (1998b). Introduction. In Musicking: The Meanings of Performing and Listening: Vol. Music/culture. University Press of New England.

Spinetti, F. (2009). Music, Politics and Nation Building in Post-Soviet Tajikistan. In Music and the Play of Power in the Middle East, North Africa and Central Asia: Vol. SOAS musicology series. Ashgate. http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13407234570002671&institutionId=2671&customerId=2670

Stokes, M. (1994). Introduction: Ethnicity, Identity and Music. In Ethnicity, Identity and Music: The Musical Construction of Place: Vol. Ethnicity and identity series. Berg.

Subramanian, L. (1999). The Reinvention of a Tradition: Nationalism, Carnatic Music and the Madras Music Academy, 1900-1947. Indian Economic & Social History Review, 36(2), 131–163. https://doi.org/10.1177/001946469903600201

Sweers, B. (2005). The Power to Influence Minds: German Folk Music During the Nazi Era and After. In Music, Power, and Politics. Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=10299

Tagg, P. (1987). Musicology and the Semiotics of Popular Music. Semiotica, 66, 279–298. http://www.tagg.org/articles/xpdfs/semiota.pdf

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