Bibliography for MU3412: Music, Power and Politics BETA

1.

DeNora T. Formulating Questions - the ‘Music and Society’ Nexus. In: Music in Everyday Life. Cambridge: Cambridge University Press; 2000.

2.

DeNora T. Formulating Questions - the ‘Music and Society’ Nexus. In: Music in Everyday Life [Internet]. Cambridge: Cambridge University Press; 2000. p. 1–20. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780511324437

3.

Nooshin L. Prelude: Power and the Play of Music. In: Music and the Play of Power in the Middle East, North Africa and Central Asia / Edited by Laudan Nooshin. Farnham, Surrey, England: Ashgate; 2009.

4.

Nooshin L. Prelude: Power and the Play of Music. In: Music and the Play of Power in the Middle East, North Africa and Central Asia [Internet]. Aldershot: Ashgate; 2009. p. 1–32. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780754693840

5.

Morcom A. Chinese Nationalist and Socialist Ideology Towards Tibetan Music. In: Unity and Discord: Music and Politics in Contemporary Tibet. London: Tibet Information Network; 2004.

6.

Morcom A. Chinese Nationalist and Socialist Ideology Towards Tibetan Music. In: Unity and Discord: Music and Politics in Contemporary Tibet [Internet]. 2004. Available from: https://repository.royalholloway.ac.uk/items/35fe17bd-288f-a7ea-c9cb-6616b9bc8813/8/

7.

Nettl B. The Art of Combining Tones: The Music Concept. In: The Study of Ethnomusicology: Thirty-One Issues and Concepts. 2nd ed. Urbana, Ill: University of Illinois Press; 2005.

8.

Nettl B. The Art of Combining Tones: The Music Concept. In: The Study of Ethnomusicology: Thirty-One Issues and Concepts [Internet]. Urbana: University of Illinois Press; 2005. p. 16–25. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=389585

9.

Turino T. Introduction: Why Music Matters. In: Music as Social Life: The Politics of Participation. Chicago: University of Chicago Press; 2008.

10.

Cook N. Introduction: Music and Meaning in the Commercials. In: Analysing Musical Multimedia. Oxford [England]: Clarendon Press; 1997.

11.

Turino T. Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music. Ethnomusicology. 1999;43(2).

12.

Kalinak K. Settling the Score: Music and the Classical Hollywood Film. University of Wisconsin Press; 1992.

13.

Nettl B. The Basic Unit of All Culture and Civilization: Signs and Symbols. In: The Study of Ethnomusicology: Thirty-One Issues and Concepts [Internet]. Urbana: University of Illinois Press; 2005. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=389585

14.

Tagg P. Musicology and the Semiotics of Popular Music. Semiotica [Internet]. 1987;66:279–98. Available from: http://www.tagg.org/articles/xpdfs/semiota.pdf

15.

Zbikowski L. Music and Metaphor. In. Available from: http://zbikowski.uchicago.edu/pdfs/Zbikowski_Metaphor_and_Music_2008.pdf

16.

Seeger A. Singing as a Creative Activity. In: Why Suyá Sing: A Musical Anthropology of an Amazonian People. Urbana: University of Illinois Press; 2004.

17.

Small C. Introduction. In: Musicking: The Meanings of Performing and Listening. Hanover: University Press of New England; 1998.

18.

Small C. A Place for Hearing. In: Musicking: The Meanings of Performing and Listening. Hanover: University Press of New England; 1998.

19.

Baranovitch N. China’s New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978-1997. Berkeley: University of California Press; 2003.

20.

Feld S. Aesthetics as Iconicity of Style, or ‘Lift-Up-Over Sounding’: Getting Into the Kaluli Groove. Yearbook for Traditional Music. 1988;20.

21.

Nooshin L. Subversion and Countersubversion: Power, Control, and Meaning in the New Iranian Pop Music. In: Music, Power, and Politics [Internet]. New York: Routledge; 2005. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=10299

22.

Olwage G. Discipline and Choralism: The Birth of Musical Colonialism. In: Music, Power, and Politics [Internet]. New York: Routledge; 2005. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=10299

23.

Rice T. Reflections on Music and Meaning: Metaphor, Signification and Control in the Bulgarian Case. British Journal of Ethnomusicology. 2001;10(1):19–38.

24.

Seeger A. Why Suya Sing. In: Why Suyá Sing: A Musical Anthropology of an Amazonian People. Urbana: University of Illinois Press; 2004.

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Turino T. The Urban-Mestizo Charango Tradition in Southern Peru: A Statement of Shifting Identity. Ethnomusicology. 1984;28(2).

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Waterman CA. Jùjú: A Social History and Ethnography of African Popular Music. Vol. Chicago studies in ethnomusicology. Chicago: University of Chicago Press; 1990.

27.

Waterman CA. ‘I’m a Leader, Not a Boss’: Social Identity and Popular Music in Ibadan, Nigeria. Ethnomusicology. 1982;26(1).

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Sherinian ZC. Musical Style and the Changing Social Identity of Tamil Christians. Ethnomusicology [Internet]. 2007;51(2):238–80. Available from: http://www.jstor.org.ezproxy01.rhul.ac.uk/stable/20174525?seq=1#page_scan_tab_contents

29.

Friedman JC, editor. The Routledge History of Social Protest in Popular Music. New York: Routledge; 2017.

30.

Dillane A, Power MJ, Devereux E, Haynes A, editors. Songs of Social Protest: International Perspectives [Internet]. London: Rowman & Littlefield International; 2018. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5504161

31.

Nettl B. The Study of Ethnomusicology: Thirty-One Issues and Concepts [Internet]. Urbana: University of Illinois Press; 2005. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=389585

32.

Stokes M. Introduction: Ethnicity, Identity and Music. In: Ethnicity, Identity and Music: The Musical Construction of Place. Oxford: Berg; 1994.

33.

Goffman E, Lemert C, Branaman A. The Goffman Reader. Oxford: Blackwell; 1997.

34.

Goffman E. The Presentation of Self in Everyday Life. Harmondsworth: Penguin; 1990.

35.

Warden N. Ethnomusicology’s "Identity” Problem: The History and Definitions of a Troubled Term in Music Research. El Oído Pensante [Internet]. 2016;4(2). Available from: http://ppct.caicyt.gov.ar/index.php/oidopensante/article/view/9403/8390

36.

Evans J, Du Gay P, Redman P. Identity: A Reader. London: SAGE in association with The Open University; 2000.

37.

Rice T. Chapter 5 - Reflections on music and identity in Ethnomusicology. In: Modeling Ethnomusicology [Internet]. p. 139–60. Available from: https://www-dawsonera-com.ezproxy01.rhul.ac.uk/readonline/9780190616908

38.

Rice T. Modeling Ethnomusicology [Internet]. New York, NY: Oxford University Press; 2017. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4806735

39.

Cusick SG. Music as Torture / Music as Weapon [Internet]. Transcultural Music Review. 2006. Available from: http://www.sibetrans.com/trans/articulo/152/music-as-torture-music-as-weapon

40.

Pieslak JR. Sound Targets: Music and the War in Iraq. Journal of Musicological Research. 2007;26(2–3):123–49.

41.

Gilchrist K. BBC NEWS | World | Americas | Soldier Rapper Tells His Tale of Iraq [Internet]. 2006. Available from: http://news.bbc.co.uk/1/hi/world/americas/4828816.stm

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Baker C. Music as a Weapon of Ethnopolitical Violence and Conflict: Processes of Ethnic Separation During and After the Break-Up of Yugoslavia. Patterns of Prejudice. 2013;47(4–5):409–29.

43.

Brauer J. How Can Music Be Torturous?: Music in Nazi Concentration and Extermination Camps. Music & Politics [Internet]. 2016;X(1). Available from: http://quod.lib.umich.edu/m/mp/9460447.0010.103?view=text;rgn=main

44.

Chornik K. Music and Torture in Chilean Detention Centers: Conversations with an ex-Agent of Pinochet’s Secret Police. The World of Music (new series) [Internet]. 2013;2(1):51–65. Available from: https://www.jstor.org/stable/24318196

45.

Cloonan M, Johnson B. Killing Me Softly With His Song: An Initial Investigation Into the Use of Popular Music as a Tool of Oppression. Popular Music. 2002;21(01).

46.

Corte U, Johnson B. White Power Music and the Mobilization of Racist Social Movements. Music and Arts in Action [Internet]. 2008;1(1):4–20. Available from: http://uu.diva-portal.org/smash/get/diva2:355075/FULLTEXT01.pdf

47.

Cusick SG. "You Are in a Place That Is Out of the World. . .”: Music in the Detention Camps of the "Global War on Terror”. Journal of the Society for American Music. 2008;2(01).

48.

Cusick SG, Joseph BW. Across an Invisible Line: A Conversation about Music and Torture. Grey Room. 2011;42:6–21.

49.

Cusick SG. Toward an Acoustemology of Detention in the ‘Global War on Terror’. In: Music, Sound and Space: Transformations of Public and Private Experience [Internet]. Cambridge: Cambridge University Press; 2013. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781107305397

50.

Finnegan R. Music, Experience and the Anthropology of Emotion. In: The Cultural Study of Music: A Critical Introduction. 2nd ed. New York: Routledge; 2012.

51.

Finnegan R. Music, Experience and the Anthropology of Emotion. In: The Cultural Study of Music: A Critical Introduction [Internet]. New York: Routledge; 2012. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203149454

52.

Gilman L. An American Soldier’s iPod: Layers of Identity and Situated Listening in Iraq. Music & Politics [Internet]. 2010;IV(2). Available from: http://quod.lib.umich.edu/m/mp/9460447.0004.201/--american-soldiers-ipod-layers-of-identity-and-situated?rgn=main;view=fulltext

53.

Grant MJ, Papaeti A, editors. The World of Music: Music and Torture | Music and Punishment. 2013;2(1). Available from: https://www.jstor.org/stable/i24316991

54.

Nuxoll C. "We Listened to it Because of the Message”: Juvenile RUF Combatants and the Role of Music in the Sierra Leone Civil War. Music & Politics [Internet]. 2015;IX(1). Available from: http://quod.lib.umich.edu/m/mp/9460447.0009.104/--we-listened-to-it-because-of-the-message-juvenile-ruf?rgn=main;view=fulltext

55.

Nuzum E. Crash Into Me, Baby: America’s Implicit Music Censorship Since 9/11. In: Shoot the singer!: Music censorship today. New York: Zed Books; 2004. p. 149–59.

56.

Pettan S. Music, Politics, and War: Views From Croatia. Zagreb: Institute of Ethnology and Folklore Research; 1998.

57.

Pieslak JR. Sound Targets: American Soldiers and Music in the Iraq War. Bloomington: Indiana University Press; 2009.

58.

Ritter J, Daughtry JM, editors. Music in the Post-9/11 World [Internet]. New York: Routledge; 2007. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1521142

59.

Chastagner C. Hate Music. Transatlantica Revue d’études américaines American Studies Journal [Internet]. (2). Available from: https://journals.openedition.org/transatlantica/6075

60.

Al Jazeera English. Songs of War [Internet]. 2012. Available from: http://www.aljazeera.com/programmes/aljazeeraworld/2012/05/201253072152430549.html

61.

Whitaker L. No-Go Zones and Comfortable Places: Musical Challenges to the Displacements of HIV and AIDS in South Africa. In: Andrews GJ, Kingsbury P, Kearns RA, editors. Soundscapes of Wellbeing in Popular Music. Farnham, Surrey: Ashgate; 2014.

62.

Whittaker L. No-Go Zones and Comfortable Places: Musical Challenges to the Displacements of HIV and AIDS in South Africa. In: Andrews GJ, Kingsbury P, Kearns RA, editors. Soundscapes of Wellbeing in Popular Music [Internet]. 2014. p. 237–56. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781409443605

63.

Duranti A. Husserl, Intersubjectivity and Anthropology. Anthropological Theory. 2010;10(1–2):16–35.

64.

Goffman E. Stigma: Notes on the Management of Spoiled Identity. Harmondsworth: Penguin; 1990.

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Kleinman A. The Meanings of Symptoms and Disorders. In: The Illness Narratives: Suffering, Healing, and the Human Condition. New York: Basic; 1988. p. 3–30.

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Kirmayer LJ. Healing and the Invention of Metaphor: The Effectiveness of Symbols Revisited. Culture, Medicine and Psychiatry. 1993 Jun;17(2):161–95.

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Ortner SB. Subjectivity and Cultural Critique. Anthropological Theory. 2005;5(1):31–52.

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Crossley N. Intersubjectivity. Key Concepts in Critical Social Theory [Internet]. Available from: https://search-credoreference-com.ezproxy01.rhul.ac.uk/content/entry/sageukcst/intersubjectivity/0

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Frie R. Intersubjectivity. In: Kaldis B, editor. Encyclopedia of philosophy and the social sciences [Internet]. p. 500–2. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1207760

70.

Barz GF. No One Will Listen to Us Unless We Bring Our Drums! AIDS and Women’s Music Performance in Uganda. In: Singing for Life: HIV/AIDS and Music in Uganda [Internet]. New York: Routledge; 2006. p. 77–107. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315024547

71.

Barz GF, Cohen JM. The Culture of AIDS in Africa: Hope and Healing in Music and the Arts [Internet]. New York: Oxford University Press; 2011. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3054321

72.

Farmer P, Kleinman A. AIDS as Human Suffering. Daedalus [Internet]. 1989;118(2):135–60. Available from: http://www.jstor.org/stable/20025240

73.

Friedson SM. Dancing the Disease: Music and Trance in Tumbuka Healing. In: Musical Healing in Cultural Contexts. Aldershot: Ashgate; 2000.

74.

Koen BD. Musical Healing in Eastern Tajikistan: Transforming Stress and Depression Through Falak Performance. Asian Music. 2006;37(2):58–83.

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McNeill FG. "We Sing About What We Cannot Talk About”: Biomedical Knowledge in Stanza. In: AIDS, Politics, and Music in South Africa [Internet]. Cambridge: Cambridge University Press; 2011. Available from: http://dx.doi.org/10.1017/CBO9780511842580

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Van Buren KJ. Applied Ethnomusicology and HIV and AIDS: Ethnomusicology. 2010;54(2).

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Whittaker L. Performing and Transforming ‘The Second Life’: Music and HIV/AIDS Activism in South Africa [Internet]. 2010. Available from: https://vimeo.com/24411644/24e9eefacf

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Attali J. Listening. In: Noise: The Political Economy of Music. Manchester: Manchester University Press; 1985.

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Attali J. Composing. In: Noise: The Political Economy of Music. Minneapolis: University of Minnesota Press; 1985.

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Baily J. Music and Censorship in Afghanistan, 1973-2003. In: Music and the Play of Power in the Middle East, North Africa and Central Asia [Internet]. Aldershot: Ashgate; 2009. Available from: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13407271910002671&institutionId=2671&customerId=2670

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Baker G. The Politics of Dancing: Reggaetón and Rap in Havana, Cuba. In: Reggaeton. Durham: Duke University Press; 2009.

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Chastagner C. The Parents’ Music Resource Center: From Information to Censorship. Popular Music [Internet]. 1999;18(2):179–92. Available from: http://www.jstor.org.ezproxy01.rhul.ac.uk/stable/853600?seq=1#page_scan_tab_contents

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Cloonan M. Popular Music and Censorship in Britain: An Overview. Popular Music and Society. 1995;19(3):75–104.

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Erlmann V. Black Political Song in South Africa: Some Research Perspectives. In: Popular music perspectives 2: papers from the Second International Conference on Popular Music Studies, Reggio Emilia, September 19-24, 1983. Göteborg: IASPM; 1985.

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Gier C. War, Anxiety, and Hope in American Sheet Music, 1914–1917. Music & Politics [Internet]. 2013;VII(1). Available from: http://quod.lib.umich.edu/m/mp/9460447.0007.102/--war-anxiety-and-hope-in-american-sheet-music-19141917?rgn=main;view=fulltext

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Glick-Schiller N, Fouron G. ‘Everywhere We Go, We Are in Danger’: Ti Manno and the Emergence of a Haitian Transnational Identity. American Ethnologist [Internet]. 1990;17(2):329–47. Available from: http://www.jstor.org/stable/645083

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Millar SR. Musically Consonant, Socially Dissonant: Orange Walks and Catholic Interpretation in West-Central Scotland. Music & Politics [Internet]. 2015;IX(1). Available from: http://quod.lib.umich.edu/m/mp/9460447.0009.102/--musically-consonant-socially-dissonant-orange-walks?rgn=main;view=fulltext

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Morcom A. Music in a Socialist Market Economy: The Musical Culture of Tibet Today. In: Unity and Discord: Music and Politics in Contemporary Tibet. London: Tibet Information Network; 2004.

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Morcom A. Music in a Socialist Market Economy: The Musical Culture of Tibet Today. In: Unity and Discord: Music and Politics in Contemporary Tibet [Internet]. 2004. Available from: https://repository.royalholloway.ac.uk/items/35fe17bd-288f-a7ea-c9cb-6616b9bc8813/4/

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Morcom A. The Voice of the State: Musical Propaganda in Tibet. In: Unity and Discord: Music and Politics in Contemporary Tibet. London: Tibet Information Network; 2004.

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Morcom A. The Voice of the State: Musical Propaganda in Tibet. In: Unity and Discord: Music and Politics in Contemporary Tibet [Internet]. 2004. Available from: https://repository.royalholloway.ac.uk/items/35fe17bd-288f-a7ea-c9cb-6616b9bc8813/4/

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Payerhin M. Singing Out of Pain: Protest Songs and Social Mobilization. The Polish Review [Internet]. 2012;57(1). Available from: https://www.jstor.org/stable/41557949?seq=1#metadata_info_tab_contents

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Perris A. Music as Propaganda: Art at the Command of Doctrine in the People’s Republic of China. Ethnomusicology. 1983;27(1).

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Randall AJ. A Censorship of Forgetting: Origin and Origin Myths of "Battle Hymn of the Republic”. In: Music, Power, and Politics [Internet]. New York: Routledge; 2005. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=10299

98.

Roust C. Communal Singing as Political Act: A Chorus of Women Resistants in La Petite Roquette, 1943–1944. Music & Politics [Internet]. 2013;VII(2). Available from: http://quod.lib.umich.edu/m/mp/9460447.0007.202/--communal-singing-as-political-act-a-chorus-of-women?rgn=main;view=fulltext

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Andrews GJ, Kingsbury P, Kearns RA, editors. Soundscapes of Wellbeing in Popular Music [Internet]. Vol. Geographies of health. 2014. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4470546

102.

DeNora T. Music and the Body. In: Music in Everyday Life [Internet]. Cambridge: Cambridge University Press; 2000. p. 75–108. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780511324437

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Dirksen R. Surviving Material Poverty by Employing Cultural Wealth: Putting Music in the Service of Community in Haiti. Yearbook for Traditional Music. 2013;45.

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Roseman M. Concepts of Being. In: Healing Sounds From the Malaysian Rainforest: Temiar Music and Medicine. University of California Press; 1993. p. 24–51.

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Bohlman PV. The Music of European Nationalism: Cultural Identity and Modern History [Internet]. Vol. ABC-CLIO world music series. Santa Barbara, CA: ABC-CLIO; 2004. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=265477

125.

Hanson J. German National Song in the Third Reich: A Tale of Two Anthems. Music & Politics [Internet]. 2013;VII(1). Available from: http://quod.lib.umich.edu/m/mp/9460447.0007.104/--german-national-song-in-the-third-reich-a-tale-of-two?rgn=main;view=fulltext

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Jones CO. "Songs of Malice and Spite”?: Wales, Prince Charles, and an Anti-Investiture Ballad of Dafydd Iwan. Music & Politics [Internet]. 2013;VII(2). Available from: http://quod.lib.umich.edu/m/mp/9460447.0007.203/--songs-of-malice-and-spite-wales-prince-charles-and-an-anti?rgn=main;view=fulltext

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Orzech R. Nabucco in Zion: Place, Metaphor and Nationalism in an Israeli Production of Verdi’s Opera[1]. Music & Politics [Internet]. 2015;IX(1). Available from: http://quod.lib.umich.edu/m/mp/9460447.0009.103/--nabucco-in-zion-place-metaphor-and-nationalism-in-an-israeli?rgn=main;view=fulltext

129.

Ramnarine TK. Ilmatar’s Inspirations: Nationalism, Globalization, and the Changing Soundscapes of Finnish Folk Music. Vol. Chicago studies in ethnomusicology. Chicago: University of Chicago Press; 2003.

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Spinetti F. Music, Politics and Nation Building in Post-Soviet Tajikistan. In: Music and the Play of Power in the Middle East, North Africa and Central Asia [Internet]. Aldershot: Ashgate; 2009. Available from: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13407234570002671&institutionId=2671&customerId=2670

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Subramanian L. The Reinvention of a Tradition: Nationalism, Carnatic Music and the Madras Music Academy, 1900-1947. Indian Economic & Social History Review. 1999;36(2):131–63.

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Sweers B. The Power to Influence Minds: German Folk Music During the Nazi Era and After. In: Music, Power, and Politics [Internet]. New York: Routledge; 2005. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=10299

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Tan SE. Manufacturing and Consuming Culture: Fakesong in Singapore. Ethnomusicology Forum. 2005;14(1):83–106.

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Tuohy S. The Sonic Dimensions of Nationalism in Modern China: Musical Representation and Transformation. Ethnomusicology. 2001;45(1).

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