Bibliography for MU3412: Music, Power and Politics BETA

@inbook{Adorno_2009, address={Harlow, England}, edition={4th ed}, title={On Popular Music}, booktitle={Cultural Theory and Popular Culture: A Reader}, publisher={Pearson Longman}, author={Adorno, Theodor W.}, year={2009} }

@misc{Al Jazeera English_2012, title={Songs of War}, url={http://www.aljazeera.com/programmes/aljazeeraworld/2012/05/201253072152430549.html}, author={Al Jazeera English}, year={2012} }

@inbook{Anderson_2006, address={London}, title={Introduction}, url={http://ezproxy01.rhul.ac.uk/login?url=http://hdl.handle.net/2027/heb.01609}, booktitle={Imagined Communities: Reflections on the Origin and Spread of Nationalism}, publisher={Verso}, author={Anderson, Benedict}, year={2006} }

@inbook{Anderson_2016, address={London}, edition={Revised edition}, title={Introduction}, booktitle={Imagined Communities: Reflections on the Origin and Spread of Nationalism}, publisher={Verso}, author={Anderson, Benedict}, year={2016} }

@inbook{Attali_1985a, address={Manchester}, title={Listening}, volume={Theory and history of literature}, booktitle={Noise: The Political Economy of Music}, publisher={Manchester University Press}, author={Attali, Jacques}, year={1985} }

@inbook{Attali_1985b, address={Minneapolis}, title={Composing}, volume={v. 16}, booktitle={Noise: The Political Economy of Music}, publisher={University of Minnesota Press}, author={Attali, Jacques}, year={1985} }

@article{Averill_1989, title={Haitian Dance Bands, 1915-1970: Class, Race, and Authenticity}, volume={10}, DOI={10.2307/779951}, number={2}, journal={Latin American Music Review / Revista de Música Latinoamericana}, author={Averill, Gage}, year={1989} }

@inbook{Baily_2009, address={Aldershot}, title={Music and Censorship in Afghanistan, 1973-2003}, volume={SOAS musicology series}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13407271910002671&institutionId=2671&customerId=2670}, booktitle={Music and the Play of Power in the Middle East, North Africa and Central Asia}, publisher={Ashgate}, author={Baily, John}, year={2009} }

@article{Baker_2013, title={Music as a Weapon of Ethnopolitical Violence and Conflict: Processes of Ethnic Separation During and After the Break-Up of Yugoslavia}, volume={47}, DOI={10.1080/0031322X.2013.835914}, number={4–5}, journal={Patterns of Prejudice}, author={Baker, Catherine}, year={2013}, pages={409–429} }

@inbook{Baker_2009, address={Durham}, title={The Politics of Dancing: Reggaetón and Rap in Havana, Cuba}, volume={Refiguring American music}, booktitle={Reggaeton}, publisher={Duke University Press}, author={Baker, Geoffrey}, year={2009} }

@book{Baranovitch_2003a, address={Berkeley}, title={China’s New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978-1997}, publisher={University of California Press}, author={Baranovitch, Nimrod}, year={2003} }

@book{Baranovitch_2003b, address={Berkeley}, title={China’s New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978-1997}, publisher={University of California Press}, author={Baranovitch, Nimrod}, year={2003} }

@inbook{Barz_2006, address={New York}, title={No One Will Listen to Us Unless We Bring Our Drums! AIDS and Women’s Music Performance in Uganda}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315024547}, booktitle={Singing for Life: HIV/AIDS and Music in Uganda}, publisher={Routledge}, author={Barz, Gregory F.}, year={2006}, pages={77–107} }

@book{Barz_Cohen_2011, address={New York}, title={The Culture of AIDS in Africa: Hope and Healing in Music and the Arts}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3054321}, publisher={Oxford University Press}, author={Barz, Gregory F. and Cohen, Judah M.}, year={2011} }

@book{Bohlman_1988, address={Bloomington}, title={The Study of Folk Music in the Modern World}, volume={Folkloristics}, publisher={Indiana University Press}, author={Bohlman, Philip V.}, year={1988} }

@book{Bohlman_2004, address={Santa Barbara, CA}, title={The Music of European Nationalism: Cultural Identity and Modern History}, volume={ABC-CLIO world music series}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=265477}, publisher={ABC-CLIO}, author={Bohlman, Philip V.}, year={2004} }

@inbook{Bourdieu_2009, address={Harlow, England}, edition={4th ed}, title={Distinction and the Aristocracy of Culture}, booktitle={Cultural Theory and Popular Culture: A Reader}, publisher={Pearson Longman}, author={Bourdieu, Pierre}, year={2009} }

@article{Brauer_2016, title={How Can Music Be Torturous?: Music in Nazi Concentration and Extermination Camps}, volume={X}, url={http://quod.lib.umich.edu/m/mp/9460447.0010.103?view=text;rgn=main}, number={1}, journal={Music & Politics}, author={Brauer, Juliane}, year={2016} }

@article{Chastagner_1999, title={The Parents’ Music Resource Center: From Information to Censorship}, volume={18}, url={http://www.jstor.org.ezproxy01.rhul.ac.uk/stable/853600?seq=1#page_scan_tab_contents}, number={2}, journal={Popular Music}, publisher={Cambridge University PressCambridge University Press}, author={Chastagner, Claude}, year={1999}, pages={179–192} }

@article{Chastagner, title={Hate Music}, url={https://journals.openedition.org/transatlantica/6075}, number={2}, journal={Transatlantica. Revue d’études américaines. American Studies Journal}, author={Chastagner, Claude} }

@article{Chornik_2013, title={Music and Torture in Chilean Detention Centers: Conversations with an ex-Agent of Pinochet’s Secret Police}, volume={2}, url={https://www.jstor.org/stable/24318196}, number={1}, journal={The World of Music (new series)}, author={Chornik, Katia}, year={2013}, pages={51–65} }

@article{Cloonan_1995, title={Popular Music and Censorship in Britain: An Overview}, volume={19}, DOI={10.1080/03007769508591600}, number={3}, journal={Popular Music and Society}, author={Cloonan, Martin}, year={1995}, pages={75–104} }

@article{Cloonan_Johnson_2002, title={Killing Me Softly With His Song: An Initial Investigation Into the Use of Popular Music as a Tool of Oppression}, volume={21}, DOI={10.1017/S0261143002002027}, number={01}, journal={Popular Music}, author={Cloonan, Martin and Johnson, Bruce}, year={2002} }

@inbook{Cook_1997, address={Oxford [England]}, title={Introduction: Music and Meaning in the Commercials}, booktitle={Analysing Musical Multimedia}, publisher={Clarendon Press}, author={Cook, Nicholas}, year={1997} }

@article{Corte_Johnson_2008, title={White Power Music and the Mobilization of Racist Social Movements}, volume={1}, url={http://uu.diva-portal.org/smash/get/diva2:355075/FULLTEXT01.pdf}, number={1}, journal={Music and Arts in Action}, author={Corte, Ugo and Johnson, Bruce}, year={2008}, pages={4–20} }

@article{Cross, title={"There Is No Authority But Yourself ”: The Individual and the Collective in British Anarcho-Punk}, url={http://quod.lib.umich.edu/m/mp/9460447.0004.203/--there-is-no-authority-but-yourself-the-individual?rgn=main;view=fulltext}, author={Cross, Rich} }

@article{Crossley, title={Intersubjectivity}, url={https://search-credoreference-com.ezproxy01.rhul.ac.uk/content/entry/sageukcst/intersubjectivity/0}, journal={Key Concepts in Critical Social Theory}, author={Crossley, Nick} }

@misc{Cusick_2006, title={Music as Torture / Music as Weapon}, url={http://www.sibetrans.com/trans/articulo/152/music-as-torture-music-as-weapon}, journal={Transcultural Music Review}, author={Cusick, Suzanne G.}, year={2006} }

@article{Cusick_2008, title={"You Are in a Place That Is Out of the World. . .”: Music in the Detention Camps of the "Global War on Terror”}, volume={2}, DOI={10.1017/S1752196308080012}, number={01}, journal={Journal of the Society for American Music}, author={Cusick, Suzanne G.}, year={2008} }

@inbook{Cusick_2013, address={Cambridge}, title={Toward an Acoustemology of Detention in the ‘Global War on Terror’}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781107305397}, booktitle={Music, Sound and Space: Transformations of Public and Private Experience}, publisher={Cambridge University Press}, author={Cusick, Suzanne G.}, year={2013} }

@article{Cusick_Joseph_2011, title={Across an Invisible Line: A Conversation about Music and Torture}, volume={42}, DOI={10.1162/GREY_a_00024}, journal={Grey Room}, author={Cusick, Suzanne G. and Joseph, Branden W.}, year={2011}, pages={6–21} }

@article{Denisoff_1968, title={Protest Movements: Class Consciousness and the Propaganda Song}, volume={9}, url={http://www.jstor.org/stable/4105044}, number={2}, journal={The Sociological Quarterly}, publisher={WileyMidwest Sociological SocietyMidwest Sociological Society}, author={Denisoff, R. Serge}, year={1968}, pages={228–247} }

@inbook{DeNora_2000a, address={Cambridge}, title={Formulating Questions - the ‘Music and Society’ Nexus}, booktitle={Music in Everyday Life}, publisher={Cambridge University Press}, author={DeNora, Tia}, year={2000} }

@inbook{DeNora_2000b, address={Cambridge}, title={Formulating Questions - the ‘Music and Society’ Nexus}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780511324437}, booktitle={Music in Everyday Life}, publisher={Cambridge University Press}, author={DeNora, Tia}, year={2000}, pages={1–20} }

@inbook{DeNora_2000c, address={Cambridge}, title={Music and the Body}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780511324437}, booktitle={Music in Everyday Life}, publisher={Cambridge University Press}, author={DeNora, Tia}, year={2000}, pages={75–108} }

@article{Dirksen_2013, title={Surviving Material Poverty by Employing Cultural Wealth: Putting Music in the Service of Community in Haiti}, volume={45}, DOI={10.5921/yeartradmusi.45.2013.0043}, journal={Yearbook for Traditional Music}, author={Dirksen, Rebecca}, year={2013} }

@article{Duranti_2010, title={Husserl, Intersubjectivity and Anthropology}, volume={10}, DOI={10.1177/1463499610370517}, number={1–2}, journal={Anthropological Theory}, author={Duranti, Alessandro}, year={2010}, pages={16–35} }

@inbook{Erlmann_1985, address={Göteborg}, title={Black Political Song in South Africa: Some Research Perspectives}, booktitle={Popular music perspectives 2: papers from the Second International Conference on Popular Music Studies, Reggio Emilia, September 19-24, 1983}, publisher={IASPM}, author={Erlmann, Veit}, year={1985} }

@book{Evans_Du Gay_Redman_2000, address={London}, title={Identity: A Reader}, publisher={SAGE in association with The Open University}, author={Evans, Jessica and Du Gay, Paul and Redman, Peter}, year={2000} }

@article{Farmer_Kleinman_1989, title={AIDS as Human Suffering}, volume={118}, url={http://www.jstor.org/stable/20025240}, number={2}, journal={Daedalus}, publisher={The MIT PressAmerican Academy of Arts & SciencesAmerican Academy of Arts & Sciences}, author={Farmer, Paul and Kleinman, Arthur}, year={1989}, pages={135–160} }

@article{Feld_1988, title={Aesthetics as Iconicity of Style, or ‘Lift-Up-Over Sounding’: Getting Into the Kaluli Groove}, volume={20}, DOI={10.2307/768167}, journal={Yearbook for Traditional Music}, author={Feld, Steven}, year={1988} }

@inbook{Finnegan_2012a, address={New York}, edition={2nd ed}, title={Music, Experience and the Anthropology of Emotion}, booktitle={The Cultural Study of Music: A Critical Introduction}, publisher={Routledge}, author={Finnegan, Ruth}, year={2012} }

@inbook{Finnegan_2012b, address={New York}, title={Music, Experience and the Anthropology of Emotion}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203149454}, booktitle={The Cultural Study of Music: A Critical Introduction}, publisher={Routledge}, author={Finnegan, Ruth}, year={2012} }

@inbook{Frie, title={Intersubjectivity}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1207760}, booktitle={Encyclopedia of philosophy and the social sciences}, author={Frie, Roger}, editor={Kaldis, Byron}, pages={500–502} }

@inbook{Friedson_2000, address={Aldershot}, title={Dancing the Disease: Music and Trance in Tumbuka Healing}, booktitle={Musical Healing in Cultural Contexts}, publisher={Ashgate}, author={Friedson, Steven M.}, year={2000} }

@inbook{Gellner_Breuilly_2008, address={Ithaca, N.Y.}, edition={2nd ed}, title={Definitions}, volume={New perspectives on the past}, booktitle={Nations and Nationalism}, publisher={Cornell University Press}, author={Gellner, Ernest and Breuilly, John}, year={2008} }

@article{Gier_2013, title={War, Anxiety, and Hope in American Sheet Music, 1914–1917}, volume={VII}, url={http://quod.lib.umich.edu/m/mp/9460447.0007.102/--war-anxiety-and-hope-in-american-sheet-music-19141917?rgn=main;view=fulltext}, number={1}, journal={Music & Politics}, author={Gier, Christina}, year={2013} }

@misc{Gilchrist_2006, title={BBC NEWS | World | Americas | Soldier Rapper Tells His Tale of Iraq}, url={http://news.bbc.co.uk/1/hi/world/americas/4828816.stm}, author={Gilchrist, Karen}, year={2006} }

@article{Gilman_2010, title={An American Soldier’s iPod: Layers of Identity and Situated Listening in Iraq}, volume={IV}, url={http://quod.lib.umich.edu/m/mp/9460447.0004.201/--american-soldiers-ipod-layers-of-identity-and-situated?rgn=main;view=fulltext}, number={2}, journal={Music & Politics}, author={Gilman, Lisa}, year={2010} }

@article{Glick-Schiller_Fouron_1990, title={‘Everywhere We Go, We Are in Danger’: Ti Manno and the Emergence of a Haitian Transnational Identity}, volume={17}, url={http://www.jstor.org/stable/645083}, number={2}, journal={American Ethnologist}, publisher={WileyAmerican Anthropological AssociationAmerican Anthropological Association}, author={Glick-Schiller, Nina and Fouron, Georges}, year={1990}, pages={329–347} }

@book{Goffman_1990a, address={Harmondsworth}, title={The Presentation of Self in Everyday Life}, publisher={Penguin}, author={Goffman, Erving}, year={1990} }

@book{Goffman_1990b, address={Harmondsworth}, title={Stigma: Notes on the Management of Spoiled Identity}, publisher={Penguin}, author={Goffman, Erving}, year={1990} }

@book{Goffman_Lemert_Branaman_1997, address={Oxford}, title={The Goffman Reader}, publisher={Blackwell}, author={Goffman, Erving and Lemert, Charles and Branaman, Ann}, year={1997} }

@inbook{Gramsci_2009, address={Harlow, England}, edition={4th ed}, title={Hegemony, Intellectuals, and the State}, booktitle={Cultural Theory and Popular Culture: A Reader}, publisher={Pearson Longman}, author={Gramsci, Antonio}, year={2009} }

@article{Grodach_2013, title={Cultural Economy Planning in Creative Cities: Discourse and Practice}, volume={37}, DOI={10.1111/j.1468-2427.2012.01165.x}, number={5}, journal={International Journal of Urban and Regional Research}, author={Grodach, Carl}, year={2013}, pages={1747–1765} }

@article{Hanson_2013, title={German National Song in the Third Reich: A Tale of Two Anthems}, volume={VII}, url={http://quod.lib.umich.edu/m/mp/9460447.0007.104/--german-national-song-in-the-third-reich-a-tale-of-two?rgn=main;view=fulltext}, number={1}, journal={Music & Politics}, author={Hanson, Josef}, year={2013} }

@article{Harrison_2013a, title={The Relationship of Poverty to Music}, volume={45}, DOI={10.5921/yeartradmusi.45.2013.0001}, journal={Yearbook for Traditional Music}, author={Harrison, Klisala}, year={2013} }

@article{Harrison_2013b, title={Music, Health, and Socio-Economic Status: A Perspective on Urban Poverty in Canada}, volume={45}, DOI={10.5921/yeartradmusi.45.2013.0058}, journal={Yearbook for Traditional Music}, author={Harrison, Klisala}, year={2013} }

@book{Hobsbawm_1992, address={Cambridge}, edition={2nd ed}, title={Nations and Nationalism Since 1780: Programme, Myth, Reality}, publisher={Cambridge University Press}, author={Hobsbawm, E. J.}, year={1992} }

@book{Hobsbawm_2012a, address={Cambridge}, edition={Second edition}, title={Nations and Nationalism since 1780: Programme, Myth, Reality}, volume={Canto classics}, url={http://dx.doi.org/10.1017/CBO9781107295582}, publisher={Cambridge University Press}, author={Hobsbawm, E. J.}, year={2012} }

@book{Hobsbawm_Ranger_1992, address={Cambridge}, edition={New ed}, title={The Invention of Tradition}, volume={Canto}, publisher={Cambridge University Press}, author={Hobsbawm, E. J. and Ranger, T. O.}, year={1992} }

@book{Hobsbawm_2012b, address={Cambridge}, title={The Invention of Tradition}, url={http://dx.doi.org/10.1017/CBO9781107295636}, publisher={Cambridge University Press}, author={Hobsbawm, Eric}, editor={Ranger, T. O.}, year={2012} }

@article{Hoffman_2013, title={Compelling Questions about Music, Education, and Socioeconomic Status}, volume={100}, DOI={10.1177/0027432113494414}, number={1}, journal={Music Educators Journal}, author={Hoffman, A. R.}, year={2013}, pages={63–68} }

@article{Howard_1999, title={Minyo in Korea: Songs of the People and Songs for the People}, volume={30}, DOI={10.2307/834312}, number={2}, journal={Asian Music}, author={Howard, Keith}, year={1999} }

@inbook{Ignatieff_1998, address={New York}, title={The Narcissism of Minor Differences}, booktitle={The warrior’s honor: Ethnic war and the modern conscience}, publisher={Henry Holt & Company Inc}, author={Ignatieff, Michael}, year={1998} }

@article{Jones_2013, title={"Songs of Malice and Spite”?: Wales, Prince Charles, and an Anti-Investiture Ballad of Dafydd Iwan}, volume={VII}, url={http://quod.lib.umich.edu/m/mp/9460447.0007.203/--songs-of-malice-and-spite-wales-prince-charles-and-an-anti?rgn=main;view=fulltext}, number={2}, journal={Music & Politics}, author={Jones, Craig Owen}, year={2013} }

@article{Kaemmer_1989, title={Social Power and Music Change among the Shona}, volume={33}, DOI={10.2307/852168}, number={1}, journal={Ethnomusicology}, author={Kaemmer, John E.}, year={1989} }

@book{Kalinak_1992, title={Settling the Score: Music and the Classical Hollywood Film}, publisher={University of Wisconsin Press}, author={Kalinak, Kathryn}, year={1992} }

@article{Kirmayer_1993, title={Healing and the Invention of Metaphor: The Effectiveness of Symbols Revisited}, volume={17}, DOI={10.1007/BF01379325}, number={2}, journal={Culture, Medicine and Psychiatry}, author={Kirmayer, Laurence J.}, year={1993}, month={Jun}, pages={161–195} }

@inbook{Kleinman_1988, address={New York}, title={The Meanings of Symptoms and Disorders}, booktitle={The Illness Narratives: Suffering, Healing, and the Human Condition}, publisher={Basic}, author={Kleinman, Arthur}, year={1988}, pages={3–30} }

@article{Koen_2006, title={Musical Healing in Eastern Tajikistan: Transforming Stress and Depression Through Falak Performance}, volume={37}, DOI={10.1353/amu.2007.0006}, number={2}, journal={Asian Music}, author={Koen, Benjamin D.}, year={2006}, pages={58–83} }

@book{Korpe_2004, address={New York}, title={Shoot the Singer!: Music Censorship Today}, publisher={Zed Books}, author={Korpe, Marie}, year={2004} }

@book{Kraus_1989, address={New York}, title={Pianos and Politics in China: Middle-Class Ambitions and the Struggle Over Western Music}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4702074}, publisher={Oxford University Press}, author={Kraus, Richard Curt}, year={1989} }

@book{MacDonald_Kreutz_Mitchell_2012, address={Oxford}, title={Music, Health, and Wellbeing}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3054710}, publisher={Oxford University Press}, author={MacDonald, Raymond A. R. and Kreutz, Gunter and Mitchell, Laura}, year={2012} }

@inbook{Marx_2009, address={Harlow, England}, edition={4th ed}, title={Base and Superstructure}, booktitle={Cultural Theory and Popular Culture: A Reader}, publisher={Pearson Longman}, author={Marx, Karl}, year={2009} }

@inbook{Marx_Engels_2009, address={Harlow, England}, edition={4th ed}, title={Ruling Class and Ruling Ideas}, booktitle={Cultural Theory and Popular Culture: A Reader}, publisher={Pearson Longman}, author={Marx, Karl and Engels, Frederick}, year={2009} }

@misc{McLellan_Galton_Steward_Page_2012, title={The Impact of Creative Initiatives on Wellbeing: A Literature Review}, url={https://www.creativitycultureeducation.org/publication/the-impact-of-creative-initiatives-on-wellbeing-a-literature-review/}, author={McLellan, Ros and Galton, Maurice and Steward, Susan and Page, Charlotte}, year={2012} }

@inbook{McNeill_2011, address={Cambridge}, title={"We Sing About What We Cannot Talk About”: Biomedical Knowledge in Stanza}, volume={The International African Library}, url={http://dx.doi.org/10.1017/CBO9780511842580}, booktitle={AIDS, Politics, and Music in South Africa}, publisher={Cambridge University Press}, author={McNeill, Fraser G.}, year={2011} }

@article{Millar_2015, title={Musically Consonant, Socially Dissonant: Orange Walks and Catholic Interpretation in West-Central Scotland}, volume={IX}, url={http://quod.lib.umich.edu/m/mp/9460447.0009.102/--musically-consonant-socially-dissonant-orange-walks?rgn=main;view=fulltext}, number={1}, journal={Music & Politics}, author={Millar, Stephen R.}, year={2015} }

@inbook{Morcom_2004a, address={London}, title={Chinese Nationalist and Socialist Ideology Towards Tibetan Music}, booktitle={Unity and Discord: Music and Politics in Contemporary Tibet}, publisher={Tibet Information Network}, author={Morcom, Anna}, year={2004} }

@inbook{Morcom_2004b, title={Chinese Nationalist and Socialist Ideology Towards Tibetan Music}, url={https://repository.royalholloway.ac.uk/items/35fe17bd-288f-a7ea-c9cb-6616b9bc8813/8/}, booktitle={Unity and Discord: Music and Politics in Contemporary Tibet}, author={Morcom, Anna}, year={2004} }

@inbook{Morcom_2004c, address={London}, title={Music in a Socialist Market Economy: The Musical Culture of Tibet Today}, booktitle={Unity and Discord: Music and Politics in Contemporary Tibet}, publisher={Tibet Information Network}, author={Morcom, Anna}, year={2004} }

@inbook{Morcom_2004d, title={Music in a Socialist Market Economy: The Musical Culture of Tibet Today}, url={https://repository.royalholloway.ac.uk/items/35fe17bd-288f-a7ea-c9cb-6616b9bc8813/4/}, booktitle={Unity and Discord: Music and Politics in Contemporary Tibet}, author={Morcom, Anna}, year={2004} }

@inbook{Morcom_2004e, address={London}, title={The Voice of the State: Musical Propaganda in Tibet}, booktitle={Unity and Discord: Music and Politics in Contemporary Tibet}, publisher={Tibet Information Network}, author={Morcom, Anna}, year={2004} }

@inbook{Morcom_2004f, title={The Voice of the State: Musical Propaganda in Tibet}, url={https://repository.royalholloway.ac.uk/items/35fe17bd-288f-a7ea-c9cb-6616b9bc8813/4/}, booktitle={Unity and Discord: Music and Politics in Contemporary Tibet}, author={Morcom, Anna}, year={2004} }

@inbook{Nettl_2005a, address={Urbana, Ill}, edition={2nd ed}, title={The Art of Combining Tones: The Music Concept}, booktitle={The Study of Ethnomusicology: Thirty-One Issues and Concepts}, publisher={University of Illinois Press}, author={Nettl, Bruno}, year={2005} }

@inbook{Nettl_2005b, address={Urbana}, title={The Art of Combining Tones: The Music Concept}, url={http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=389585}, booktitle={The Study of Ethnomusicology: Thirty-One Issues and Concepts}, publisher={University of Illinois Press}, author={Nettl, Bruno}, year={2005}, pages={16–25} }

@inbook{Nettl_2005c, address={Urbana}, title={The Basic Unit of All Culture and Civilization: Signs and Symbols}, url={http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=389585}, booktitle={The Study of Ethnomusicology: Thirty-One Issues and Concepts}, publisher={University of Illinois Press}, author={Nettl, Bruno}, year={2005} }

@book{Nettl_2005d, address={Urbana}, title={The Study of Ethnomusicology: Thirty-One Issues and Concepts}, url={http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=389585}, publisher={University of Illinois Press}, author={Nettl, Bruno}, year={2005} }

@article{Nguyen_Peschard_2003, title={Anthropology, Inequality, and Disease: A Review}, volume={32}, DOI={10.1146/annurev.anthro.32.061002.093412}, number={1}, journal={Annual Review of Anthropology}, author={Nguyen, Vinh-Kim and Peschard, Karine}, year={2003}, pages={447–474} }

@inbook{Nooshin_2005, address={New York}, title={Subversion and Countersubversion: Power, Control, and Meaning in the New Iranian Pop Music}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=10299}, booktitle={Music, Power, and Politics}, publisher={Routledge}, author={Nooshin, L.}, year={2005} }

@inbook{Nooshin_2009a, address={Farnham, Surrey, England}, title={Prelude: Power and the Play of Music}, booktitle={Music and the Play of Power in the Middle East, North Africa and Central Asia / Edited by Laudan Nooshin}, publisher={Ashgate}, author={Nooshin, Laudan}, year={2009} }

@inbook{Nooshin_2009b, address={Aldershot}, title={Prelude: Power and the Play of Music}, volume={SOAS musicology series}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780754693840}, booktitle={Music and the Play of Power in the Middle East, North Africa and Central Asia}, publisher={Ashgate}, author={Nooshin, Laudan}, year={2009}, pages={1–32} }

@article{Nuxoll_2015, title={"We Listened to it Because of the Message”: Juvenile RUF Combatants and the Role of Music in the Sierra Leone Civil War}, volume={IX}, url={http://quod.lib.umich.edu/m/mp/9460447.0009.104/--we-listened-to-it-because-of-the-message-juvenile-ruf?rgn=main;view=fulltext}, number={1}, journal={Music & Politics}, author={Nuxoll, Cornelia}, year={2015} }

@inbook{Nuzum_2004, address={New York}, title={Crash Into Me, Baby: America’s Implicit Music Censorship Since 9/11}, booktitle={Shoot the singer!: Music censorship today}, publisher={Zed Books}, author={Nuzum, Eric}, year={2004}, pages={149–159} }

@inbook{Olmstead_2002, address={New York}, title={The Capitalisation of Musical Production: The Conceptual and Spatial Development of London’s Public Concerts, 1660-1750}, booktitle={Music and Marx: Ideas, Practices, Politics}, publisher={Routledge}, author={Olmstead, Anthony A.}, editor={Regula Burckhardt, Qureshi}, year={2002} }

@inbook{Olwage_2005, address={New York}, title={Discipline and Choralism: The Birth of Musical Colonialism}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=10299}, booktitle={Music, Power, and Politics}, publisher={Routledge}, author={Olwage, Grant}, year={2005} }

@article{Ortner_2005, title={Subjectivity and Cultural Critique}, volume={5}, DOI={10.1177/1463499605050867}, number={1}, journal={Anthropological Theory}, author={Ortner, Sherry B.}, year={2005}, pages={31–52} }

@article{Orzech_2015, title={Nabucco in Zion: Place, Metaphor and Nationalism in an Israeli Production of Verdi’s Opera[1]}, volume={IX}, url={http://quod.lib.umich.edu/m/mp/9460447.0009.103/--nabucco-in-zion-place-metaphor-and-nationalism-in-an-israeli?rgn=main;view=fulltext}, number={1}, journal={Music & Politics}, author={Orzech, Rachel}, year={2015} }

@article{Payerhin_2012, title={Singing Out of Pain: Protest Songs and Social Mobilization}, volume={57}, url={https://www.jstor.org/stable/41557949?seq=1#metadata_info_tab_contents}, number={1}, journal={The Polish Review}, publisher={University of Illinois Press}, author={Payerhin, Marek}, year={2012} }

@article{Perris_1983, title={Music as Propaganda: Art at the Command of Doctrine in the People’s Republic of China}, volume={27}, DOI={10.2307/850880}, number={1}, journal={Ethnomusicology}, author={Perris, Arnold}, year={1983} }

@book{Pettan_1998, address={Zagreb}, title={Music, Politics, and War: Views From Croatia}, publisher={Institute of Ethnology and Folklore Research}, author={Pettan, Svanibor}, year={1998} }

@article{Pieslak_2007, title={Sound Targets: Music and the War in Iraq}, volume={26}, DOI={10.1080/01411890701360153}, number={2–3}, journal={Journal of Musicological Research}, author={Pieslak, Jonathan R.}, year={2007}, pages={123–149} }

@book{Pieslak_2009, address={Bloomington}, title={Sound Targets: American Soldiers and Music in the Iraq War}, publisher={Indiana University Press}, author={Pieslak, Jonathan R.}, year={2009} }

@article{Power_Dillane_Devereux_2016, title={"I Sing Out to the Youth of the Slums”: Morrissey and Class Disgust}, volume={39}, DOI={10.1080/03007766.2015.1072871}, number={5}, journal={Popular Music and Society}, author={Power, Martin J. and Dillane, Aileen and Devereux, Eoin}, year={2016}, pages={547–562} }

@inbook{Qureshi_2002, address={New York}, title={Mode of Production and Musical Production: Is Hindustani Music Feudal?}, booktitle={Music and Marx: Ideas, Practices, Politics}, publisher={Routledge}, author={Qureshi, Regula Burckhardt}, year={2002} }

@book{Ramnarine_2003, address={Chicago}, title={Ilmatar’s Inspirations: Nationalism, Globalization, and the Changing Soundscapes of Finnish Folk Music}, volume={Chicago studies in ethnomusicology}, publisher={University of Chicago Press}, author={Ramnarine, Tina K.}, year={2003} }

@inbook{Randall_2005, address={New York}, title={A Censorship of Forgetting: Origin and Origin Myths of "Battle Hymn of the Republic”}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=10299}, booktitle={Music, Power, and Politics}, publisher={Routledge}, author={Randall, Annie J.}, year={2005} }

@inbook{Rice_1996, address={Durham}, title={The Dialectic of Economics and Aesthetics in Bulgarian Music}, booktitle={Retuning Culture: Musical Changes in Central and Eastern Europe}, publisher={Duke University Press}, author={Rice, Timothy}, year={1996} }

@article{Rice_2001, title={Reflections on Music and Meaning: Metaphor, Signification and Control in the Bulgarian Case}, volume={10}, DOI={10.1080/09681220108567308}, number={1}, journal={British Journal of Ethnomusicology}, author={Rice, Timothy}, year={2001}, pages={19–38} }

@book{Rice_2017, address={New York, NY}, title={Modeling Ethnomusicology}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4806735}, publisher={Oxford University Press}, author={Rice, Timothy}, year={2017} }

@inbook{Rice, title={Chapter 5 - Reflections on music and identity in Ethnomusicology}, url={https://www-dawsonera-com.ezproxy01.rhul.ac.uk/readonline/9780190616908}, booktitle={Modeling Ethnomusicology}, author={Rice, Timothy}, pages={139–160} }

@article{Roberts_2012, title={From the Cultural Contradictions of Capitalism to the Creative Economy: Reflections on the New Spirit of Art and Capitalism}, volume={110}, DOI={10.1177/0725513612444563}, number={1}, journal={Thesis Eleven}, author={Roberts, D.}, year={2012}, pages={83–97} }

@inbook{Roseman_1993, title={Concepts of Being}, volume={Comparative studies of health systems and medical care}, booktitle={Healing Sounds From the Malaysian Rainforest: Temiar Music and Medicine}, publisher={University of California Press}, author={Roseman, Marina}, year={1993}, pages={24–51} }

@article{Roust_2013, title={Communal Singing as Political Act: A Chorus of Women Resistants in La Petite Roquette, 1943–1944}, volume={VII}, url={http://quod.lib.umich.edu/m/mp/9460447.0007.202/--communal-singing-as-political-act-a-chorus-of-women?rgn=main;view=fulltext}, number={2}, journal={Music & Politics}, author={Roust, Colin}, year={2013} }

@inbook{Seeger_2004a, address={Urbana}, title={Singing as a Creative Activity}, booktitle={Why Suyá Sing: A Musical Anthropology of an Amazonian People}, publisher={University of Illinois Press}, author={Seeger, Anthony}, year={2004} }

@inbook{Seeger_2004b, address={Urbana}, title={Why Suya Sing}, booktitle={Why Suyá Sing: A Musical Anthropology of an Amazonian People}, publisher={University of Illinois Press}, author={Seeger, Anthony}, year={2004} }

@book{Sen_2001, address={Oxford}, title={Development as Freedom}, publisher={Oxford University Press}, author={Sen, Amartya}, year={2001} }

@inbook{Shepherd_2012a, address={New York}, edition={2nd ed}, title={Music and Social Categories}, booktitle={The Cultural Study of Music: A Critical Introduction}, publisher={Routledge}, author={Shepherd, John}, year={2012} }

@inbook{Shepherd_2012b, address={New York}, title={Music and Social Categories}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203149454}, booktitle={The Cultural Study of Music: A Critical Introduction}, publisher={Routledge}, author={Shepherd, John}, year={2012} }

@article{Sherinian_2007, title={Musical Style and the Changing Social Identity of Tamil Christians}, volume={51}, url={http://www.jstor.org.ezproxy01.rhul.ac.uk/stable/20174525?seq=1#page_scan_tab_contents}, number={2}, journal={Ethnomusicology}, publisher={University of Illinois PressSociety for EthnomusicologySociety for Ethnomusicology}, author={Sherinian, Zoe C.}, year={2007}, pages={238–280} }

@inbook{Slobin_1993a, address={Hanover, NH}, title={The Superculture}, booktitle={Subcultural Sounds: Micromusics of the West}, publisher={Wesleyan University Press}, author={Slobin, Mark}, year={1993} }

@inbook{Slobin_1993b, address={Hanover, NH}, title={Searching for Subculture}, booktitle={Subcultural Sounds: Micromusics of the West}, publisher={Wesleyan University Press}, author={Slobin, Mark}, year={1993} }

@inbook{Small_1998a, address={Hanover}, title={Introduction}, volume={Music/culture}, booktitle={Musicking: The Meanings of Performing and Listening}, publisher={University Press of New England}, author={Small, Christopher}, year={1998} }

@inbook{Small_1998b, address={Hanover}, title={A Place for Hearing}, booktitle={Musicking: The Meanings of Performing and Listening}, publisher={University Press of New England}, author={Small, Christopher}, year={1998} }

@inbook{Spinetti_2009, address={Aldershot}, title={Music, Politics and Nation Building in Post-Soviet Tajikistan}, volume={SOAS musicology series}, url={http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=13407234570002671&institutionId=2671&customerId=2670}, booktitle={Music and the Play of Power in the Middle East, North Africa and Central Asia}, publisher={Ashgate}, author={Spinetti, Federico}, year={2009} }

@inbook{Stokes_1994, address={Oxford}, title={Introduction: Ethnicity, Identity and Music}, volume={Ethnicity and identity series}, booktitle={Ethnicity, Identity and Music: The Musical Construction of Place}, publisher={Berg}, author={Stokes, Martin}, year={1994} }

@article{Subramanian_1999, title={The Reinvention of a Tradition: Nationalism, Carnatic Music and the Madras Music Academy, 1900-1947}, volume={36}, DOI={10.1177/001946469903600201}, number={2}, journal={Indian Economic & Social History Review}, author={Subramanian, L.}, year={1999}, pages={131–163} }

@inbook{Sweers_2005, address={New York}, title={The Power to Influence Minds: German Folk Music During the Nazi Era and After}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=10299}, booktitle={Music, Power, and Politics}, publisher={Routledge}, author={Sweers, Britta}, year={2005} }

@article{Tagg_1987, title={Musicology and the Semiotics of Popular Music}, volume={66}, url={http://www.tagg.org/articles/xpdfs/semiota.pdf}, journal={Semiotica}, author={Tagg, Phillip}, year={1987}, pages={279–298} }

@article{Tan_2005, title={Manufacturing and Consuming Culture: Fakesong in Singapore}, volume={14}, DOI={10.1080/17411910500096745}, number={1}, journal={Ethnomusicology Forum}, author={Tan, Shzr Ee}, year={2005}, pages={83–106} }

@article{Throsby_2012, title={Why Should Economists Be Interested in Cultural Policy?}, volume={88}, DOI={10.1111/j.1475-4932.2012.00808.x}, journal={Economic Record}, author={Throsby, David}, year={2012}, pages={106–109} }

@article{Tuohy_2001, title={The Sonic Dimensions of Nationalism in Modern China: Musical Representation and Transformation}, volume={45}, DOI={10.2307/852636}, number={1}, journal={Ethnomusicology}, author={Tuohy, Sue}, year={2001} }

@article{Turino_1984, title={The Urban-Mestizo Charango Tradition in Southern Peru: A Statement of Shifting Identity}, volume={28}, DOI={10.2307/850760}, number={2}, journal={Ethnomusicology}, author={Turino, Thomas}, year={1984} }

@article{Turino_1999, title={Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music}, volume={43}, DOI={10.2307/852734}, number={2}, journal={Ethnomusicology}, author={Turino, Thomas}, year={1999} }

@inbook{Turino_2008, address={Chicago}, title={Introduction: Why Music Matters}, volume={Chicago studies in ethnomusicology}, booktitle={Music as Social Life: The Politics of Participation}, publisher={University of Chicago Press}, author={Turino, Thomas}, year={2008} }

@article{Van Buren_2010, title={Applied Ethnomusicology and HIV and AIDS:}, volume={54}, DOI={10.5406/ethnomusicology.54.2.0202}, number={2}, journal={Ethnomusicology}, author={Van Buren, Kathleen J.}, year={2010} }

@article{Warden_2016, title={Ethnomusicology’s "Identity” Problem: The History and Definitions of a Troubled Term in Music Research}, volume={4}, url={http://ppct.caicyt.gov.ar/index.php/oidopensante/article/view/9403/8390}, number={2}, journal={El Oído Pensante}, author={Warden, Nolan}, year={2016} }

@article{Waterman_1982, title={‘I’m a Leader, Not a Boss’: Social Identity and Popular Music in Ibadan, Nigeria}, volume={26}, DOI={10.2307/851402}, number={1}, journal={Ethnomusicology}, author={Waterman, Christopher A.}, year={1982} }

@book{Waterman_1990, address={Chicago}, title={Jùjú: A Social History and Ethnography of African Popular Music}, volume={Chicago studies in ethnomusicology}, publisher={University of Chicago Press}, author={Waterman, Christopher Alan}, year={1990} }

@inbook{Whitaker_2014, address={Farnham, Surrey}, title={No-Go Zones and Comfortable Places: Musical Challenges to the Displacements of HIV and AIDS in South Africa}, booktitle={Soundscapes of Wellbeing in Popular Music}, publisher={Ashgate}, author={Whitaker, Laryssa}, editor={Andrews, Gavin J. and Kingsbury, Paul and Kearns, Robin A.}, year={2014} }

@book{White_Murphy_2001, title={Musical Constructions of Nationalism: Essays on the History and Ideology of European Musical Culture 1800-1945}, publisher={Cork University Press}, author={White, Harry and Murphy, Michael}, year={2001} }

@misc{Whittaker_2010, title={Performing and Transforming ‘The Second Life’: Music and HIV/AIDS Activism in South Africa}, url={https://vimeo.com/24411644/24e9eefacf}, author={Whittaker, Laryssa}, year={2010} }

@inbook{Whittaker_2014a, title={No-Go Zones and Comfortable Places: Musical Challenges to the Displacements of HIV and AIDS in South Africa}, volume={Geographies of health}, url={http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781409443605}, booktitle={Soundscapes of Wellbeing in Popular Music}, author={Whittaker, Laryssa}, editor={Andrews, Gavin J. and Kingsbury, Paul and Kearns, Robin A.}, year={2014}, pages={237–256} }

@article{Whittaker_2014b, title={Refining the Nation’s ‘New Gold’: Music, Youth Development and Neoliberalism in South Africa}, volume={55}, DOI={10.1080/14735784.2014.897244}, number={2}, journal={Culture, Theory and Critique}, author={Whittaker, Laryssa}, year={2014}, pages={233–256} }

@inbook{Wilkinson_Pickett_2010a, address={London}, edition={New [ed.]}, title={The End of an Era}, booktitle={The Spirit Level: Why Equality Is Better for Everyone}, publisher={Penguin}, author={Wilkinson, Richard G. and Pickett, Kate}, year={2010} }

@inbook{Wilkinson_Pickett_2010b, address={London}, edition={New [ed.]}, title={Poverty or Inequality?}, booktitle={The Spirit Level: Why Equality Is Better for Everyone}, publisher={Penguin}, author={Wilkinson, Richard G. and Pickett, Kate}, year={2010} }

@misc{World Health Organization_2006, title={Constitution of the World Heath Organization}, url={http://www.who.int/governance/eb/who_constitution_en.pdf}, author={World Health Organization}, year={2006} }

@inbook{Zbikowski, title={Music and Metaphor}, url={http://zbikowski.uchicago.edu/pdfs/Zbikowski_Metaphor_and_Music_2008.pdf}, author={Zbikowski, Lawrence} }

@book{Ritter_Daughtry_2007, address={New York}, title={Music in the Post-9/11 World}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1521142}, publisher={Routledge}, year={2007} }

@article{Grant_Papaeti_2013, address={Basel, Switzerland}, title={The World of Music: Music and Torture | Music and Punishment}, volume={2}, url={https://www.jstor.org/stable/i24316991}, number={1}, publisher={Bärenreiter Kassel}, year={2013} }

@book{Andrews_Kingsbury_Kearns_2014, title={Soundscapes of Wellbeing in Popular Music}, volume={Geographies of health}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4470546}, year={2014} }

@book{Friedman_2017, address={New York}, title={The Routledge History of Social Protest in Popular Music}, publisher={Routledge}, year={2017} }

@book{Dillane_Power_Devereux_Haynes_2018, address={London}, title={Songs of Social Protest: International Perspectives}, url={https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5504161}, publisher={Rowman & Littlefield International}, year={2018} }

@misc{Frequently Asked Questions | The Equality Trust, url={https://www.equalitytrust.org.uk/faq} }