1.
DeNora, T.: Formulating Questions - the ‘Music and Society’ Nexus. In: Music in Everyday Life. Cambridge University Press, Cambridge (2000).
2.
DeNora, T.: Formulating Questions - the ‘Music and Society’ Nexus. In: Music in Everyday Life. pp. 1–20. Cambridge University Press, Cambridge (2000).
3.
Nooshin, L.: Prelude: Power and the Play of Music. In: Music and the Play of Power in the Middle East, North Africa and Central Asia / Edited by Laudan Nooshin. Ashgate, Farnham, Surrey, England (2009).
4.
Nooshin, L.: Prelude: Power and the Play of Music. In: Music and the Play of Power in the Middle East, North Africa and Central Asia. pp. 1–32. Ashgate, Aldershot (2009).
5.
Morcom, A.: Chinese Nationalist and Socialist Ideology Towards Tibetan Music. In: Unity and Discord: Music and Politics in Contemporary Tibet. Tibet Information Network, London (2004).
6.
Morcom, A.: Chinese Nationalist and Socialist Ideology Towards Tibetan Music. In: Unity and Discord: Music and Politics in Contemporary Tibet (2004).
7.
Nettl, B.: The Art of Combining Tones: The Music Concept. In: The Study of Ethnomusicology: Thirty-One Issues and Concepts. University of Illinois Press, Urbana, Ill (2005).
8.
Nettl, B.: The Art of Combining Tones: The Music Concept. In: The Study of Ethnomusicology: Thirty-One Issues and Concepts. pp. 16–25. University of Illinois Press, Urbana (2005).
9.
Turino, T.: Introduction: Why Music Matters. In: Music as Social Life: The Politics of Participation. University of Chicago Press, Chicago (2008).
10.
Cook, N.: Introduction: Music and Meaning in the Commercials. In: Analysing Musical Multimedia. Clarendon Press, Oxford [England] (1997).
11.
Turino, T.: Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music. Ethnomusicology. 43, (1999). https://doi.org/10.2307/852734.
12.
Kalinak, K.: Settling the Score: Music and the Classical Hollywood Film. University of Wisconsin Press (1992).
13.
Nettl, B.: The Basic Unit of All Culture and Civilization: Signs and Symbols. In: The Study of Ethnomusicology: Thirty-One Issues and Concepts. University of Illinois Press, Urbana (2005).
14.
Tagg, P.: Musicology and the Semiotics of Popular Music. Semiotica. 66, 279–298 (1987).
15.
Zbikowski, L.: Music and Metaphor. Presented at the .
16.
Seeger, A.: Singing as a Creative Activity. In: Why Suyá Sing: A Musical Anthropology of an Amazonian People. University of Illinois Press, Urbana (2004).
17.
Small, C.: Introduction. In: Musicking: The Meanings of Performing and Listening. University Press of New England, Hanover (1998).
18.
Small, C.: A Place for Hearing. In: Musicking: The Meanings of Performing and Listening. University Press of New England, Hanover (1998).
19.
Baranovitch, N.: China’s New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978-1997. University of California Press, Berkeley (2003).
20.
Feld, S.: Aesthetics as Iconicity of Style, or ‘Lift-Up-Over Sounding’: Getting Into the Kaluli Groove. Yearbook for Traditional Music. 20, (1988). https://doi.org/10.2307/768167.
21.
Nooshin, L.: Subversion and Countersubversion: Power, Control, and Meaning in the New Iranian Pop Music. In: Music, Power, and Politics. Routledge, New York (2005).
22.
Olwage, G.: Discipline and Choralism: The Birth of Musical Colonialism. In: Music, Power, and Politics. Routledge, New York (2005).
23.
Rice, T.: Reflections on Music and Meaning: Metaphor, Signification and Control in the Bulgarian Case. British Journal of Ethnomusicology. 10, 19–38 (2001). https://doi.org/10.1080/09681220108567308.
24.
Seeger, A.: Why Suya Sing. In: Why Suyá Sing: A Musical Anthropology of an Amazonian People. University of Illinois Press, Urbana (2004).
25.
Turino, T.: The Urban-Mestizo Charango Tradition in Southern Peru: A Statement of Shifting Identity. Ethnomusicology. 28, (1984). https://doi.org/10.2307/850760.
26.
Waterman, C.A.: Jùjú: A Social History and Ethnography of African Popular Music. University of Chicago Press, Chicago (1990).
27.
Waterman, C.A.: ‘I’m a Leader, Not a Boss’: Social Identity and Popular Music in Ibadan, Nigeria. Ethnomusicology. 26, (1982). https://doi.org/10.2307/851402.
28.
Sherinian, Z.C.: Musical Style and the Changing Social Identity of Tamil Christians. Ethnomusicology. 51, 238–280 (2007).
29.
Friedman, J.C. ed: The Routledge History of Social Protest in Popular Music. Routledge, New York (2017).
30.
Dillane, A., Power, M.J., Devereux, E., Haynes, A. eds: Songs of Social Protest: International Perspectives. Rowman & Littlefield International, London (2018).
31.
Nettl, B.: The Study of Ethnomusicology: Thirty-One Issues and Concepts. University of Illinois Press, Urbana (2005).
32.
Stokes, M.: Introduction: Ethnicity, Identity and Music. In: Ethnicity, Identity and Music: The Musical Construction of Place. Berg, Oxford (1994).
33.
Goffman, E., Lemert, C., Branaman, A.: The Goffman Reader. Blackwell, Oxford (1997).
34.
Goffman, E.: The Presentation of Self in Everyday Life. Penguin, Harmondsworth (1990).
35.
Warden, N.: Ethnomusicology’s "Identity” Problem: The History and Definitions of a Troubled Term in Music Research. El Oído Pensante. 4, (2016).
36.
Evans, J., Du Gay, P., Redman, P.: Identity: A Reader. SAGE in association with The Open University, London (2000).
37.
Rice, T.: Chapter 5 - Reflections on music and identity in Ethnomusicology. In: Modeling Ethnomusicology. pp. 139–160.
38.
Rice, T.: Modeling Ethnomusicology. Oxford University Press, New York, NY (2017).
39.
Cusick, S.G.: Music as Torture / Music as Weapon, http://www.sibetrans.com/trans/articulo/152/music-as-torture-music-as-weapon.
40.
Pieslak, J.R.: Sound Targets: Music and the War in Iraq. Journal of Musicological Research. 26, 123–149 (2007). https://doi.org/10.1080/01411890701360153.
41.
Gilchrist, K.: BBC NEWS | World | Americas | Soldier Rapper Tells His Tale of Iraq, http://news.bbc.co.uk/1/hi/world/americas/4828816.stm.
42.
Baker, C.: Music as a Weapon of Ethnopolitical Violence and Conflict: Processes of Ethnic Separation During and After the Break-Up of Yugoslavia. Patterns of Prejudice. 47, 409–429 (2013). https://doi.org/10.1080/0031322X.2013.835914.
43.
Brauer, J.: How Can Music Be Torturous?: Music in Nazi Concentration and Extermination Camps. Music & Politics. X, (2016).
44.
Chornik, K.: Music and Torture in Chilean Detention Centers: Conversations with an ex-Agent of Pinochet’s Secret Police. The World of Music (new series). 2, 51–65 (2013).
45.
Cloonan, M., Johnson, B.: Killing Me Softly With His Song: An Initial Investigation Into the Use of Popular Music as a Tool of Oppression. Popular Music. 21, (2002). https://doi.org/10.1017/S0261143002002027.
46.
Corte, U., Johnson, B.: White Power Music and the Mobilization of Racist Social Movements. Music and Arts in Action. 1, 4–20 (2008).
47.
Cusick, S.G.: "You Are in a Place That Is Out of the World. . .”: Music in the Detention Camps of the "Global War on Terror”. Journal of the Society for American Music. 2, (2008). https://doi.org/10.1017/S1752196308080012.
48.
Cusick, S.G., Joseph, B.W.: Across an Invisible Line: A Conversation about Music and Torture. Grey Room. 42, 6–21 (2011). https://doi.org/10.1162/GREY_a_00024.
49.
Cusick, S.G.: Toward an Acoustemology of Detention in the ‘Global War on Terror’. In: Music, Sound and Space: Transformations of Public and Private Experience. Cambridge University Press, Cambridge (2013).
50.
Finnegan, R.: Music, Experience and the Anthropology of Emotion. In: The Cultural Study of Music: A Critical Introduction. Routledge, New York (2012).
51.
Finnegan, R.: Music, Experience and the Anthropology of Emotion. In: The Cultural Study of Music: A Critical Introduction. Routledge, New York (2012).
52.
Gilman, L.: An American Soldier’s iPod: Layers of Identity and Situated Listening in Iraq. Music & Politics. IV, (2010).
53.
Grant, M.J., Papaeti, A. eds: The World of Music: Music and Torture | Music and Punishment. 2, (2013).
54.
Nuxoll, C.: "We Listened to it Because of the Message”: Juvenile RUF Combatants and the Role of Music in the Sierra Leone Civil War. Music & Politics. IX, (2015).
55.
Nuzum, E.: Crash Into Me, Baby: America’s Implicit Music Censorship Since 9/11. In: Shoot the singer!: Music censorship today. pp. 149–159. Zed Books, New York (2004).
56.
Pettan, S.: Music, Politics, and War: Views From Croatia. Institute of Ethnology and Folklore Research, Zagreb (1998).
57.
Pieslak, J.R.: Sound Targets: American Soldiers and Music in the Iraq War. Indiana University Press, Bloomington (2009).
58.
Ritter, J., Daughtry, J.M. eds: Music in the Post-9/11 World. Routledge, New York (2007).
59.
Chastagner, C.: Hate Music. Transatlantica. Revue d’études américaines. American Studies Journal.
60.
Al Jazeera English: Songs of War, http://www.aljazeera.com/programmes/aljazeeraworld/2012/05/201253072152430549.html, (2012).
61.
Whitaker, L.: No-Go Zones and Comfortable Places: Musical Challenges to the Displacements of HIV and AIDS in South Africa. In: Andrews, G.J., Kingsbury, P., and Kearns, R.A. (eds.) Soundscapes of Wellbeing in Popular Music. Ashgate, Farnham, Surrey (2014).
62.
Whittaker, L.: No-Go Zones and Comfortable Places: Musical Challenges to the Displacements of HIV and AIDS in South Africa. In: Andrews, G.J., Kingsbury, P., and Kearns, R.A. (eds.) Soundscapes of Wellbeing in Popular Music. pp. 237–256 (2014).
63.
Duranti, A.: Husserl, Intersubjectivity and Anthropology. Anthropological Theory. 10, 16–35 (2010). https://doi.org/10.1177/1463499610370517.
64.
Goffman, E.: Stigma: Notes on the Management of Spoiled Identity. Penguin, Harmondsworth (1990).
65.
Kleinman, A.: The Meanings of Symptoms and Disorders. In: The Illness Narratives: Suffering, Healing, and the Human Condition. pp. 3–30. Basic, New York (1988).
66.
Kirmayer, L.J.: Healing and the Invention of Metaphor: The Effectiveness of Symbols Revisited. Culture, Medicine and Psychiatry. 17, 161–195 (1993). https://doi.org/10.1007/BF01379325.
67.
Ortner, S.B.: Subjectivity and Cultural Critique. Anthropological Theory. 5, 31–52 (2005). https://doi.org/10.1177/1463499605050867.
68.
Crossley, N.: Intersubjectivity. Key Concepts in Critical Social Theory.
69.
Frie, R.: Intersubjectivity. In: Kaldis, B. (ed.) Encyclopedia of philosophy and the social sciences. pp. 500–502.
70.
Barz, G.F.: No One Will Listen to Us Unless We Bring Our Drums! AIDS and Women’s Music Performance in Uganda. In: Singing for Life: HIV/AIDS and Music in Uganda. pp. 77–107. Routledge, New York (2006).
71.
Barz, G.F., Cohen, J.M.: The Culture of AIDS in Africa: Hope and Healing in Music and the Arts. Oxford University Press, New York (2011).
72.
Farmer, P., Kleinman, A.: AIDS as Human Suffering. Daedalus. 118, 135–160 (1989).
73.
Friedson, S.M.: Dancing the Disease: Music and Trance in Tumbuka Healing. In: Musical Healing in Cultural Contexts. Ashgate, Aldershot (2000).
74.
Koen, B.D.: Musical Healing in Eastern Tajikistan: Transforming Stress and Depression Through Falak Performance. Asian Music. 37, 58–83 (2006). https://doi.org/10.1353/amu.2007.0006.
75.
McNeill, F.G.: "We Sing About What We Cannot Talk About”: Biomedical Knowledge in Stanza. In: AIDS, Politics, and Music in South Africa. Cambridge University Press, Cambridge (2011).
76.
Van Buren, K.J.: Applied Ethnomusicology and HIV and AIDS: Ethnomusicology. 54, (2010). https://doi.org/10.5406/ethnomusicology.54.2.0202.
77.
Whittaker, L.: Performing and Transforming ‘The Second Life’: Music and HIV/AIDS Activism in South Africa, https://vimeo.com/24411644/24e9eefacf.
78.
Attali, J.: Listening. In: Noise: The Political Economy of Music. Manchester University Press, Manchester (1985).
79.
Attali, J.: Composing. In: Noise: The Political Economy of Music. University of Minnesota Press, Minneapolis (1985).
80.
Baily, J.: Music and Censorship in Afghanistan, 1973-2003. In: Music and the Play of Power in the Middle East, North Africa and Central Asia. Ashgate, Aldershot (2009).
81.
Baker, G.: The Politics of Dancing: Reggaetón and Rap in Havana, Cuba. In: Reggaeton. Duke University Press, Durham (2009).
82.
Chastagner, C.: The Parents’ Music Resource Center: From Information to Censorship. Popular Music. 18, 179–192 (1999).
83.
Cloonan, M.: Popular Music and Censorship in Britain: An Overview. Popular Music and Society. 19, 75–104 (1995). https://doi.org/10.1080/03007769508591600.
84.
Denisoff, R.S.: Protest Movements: Class Consciousness and the Propaganda Song. The Sociological Quarterly. 9, 228–247 (1968).
85.
Erlmann, V.: Black Political Song in South Africa: Some Research Perspectives. In: Popular music perspectives 2: papers from the Second International Conference on Popular Music Studies, Reggio Emilia, September 19-24, 1983. IASPM, Göteborg (1985).
86.
Gier, C.: War, Anxiety, and Hope in American Sheet Music, 1914–1917. Music & Politics. VII, (2013).
87.
Glick-Schiller, N., Fouron, G.: ‘Everywhere We Go, We Are in Danger’: Ti Manno and the Emergence of a Haitian Transnational Identity. American Ethnologist. 17, 329–347 (1990).
88.
Kaemmer, J.E.: Social Power and Music Change among the Shona. Ethnomusicology. 33, (1989). https://doi.org/10.2307/852168.
89.
Korpe, M.: Shoot the Singer!: Music Censorship Today. Zed Books, New York (2004).
90.
Millar, S.R.: Musically Consonant, Socially Dissonant: Orange Walks and Catholic Interpretation in West-Central Scotland. Music & Politics. IX, (2015).
91.
Morcom, A.: Music in a Socialist Market Economy: The Musical Culture of Tibet Today. In: Unity and Discord: Music and Politics in Contemporary Tibet. Tibet Information Network, London (2004).
92.
Morcom, A.: Music in a Socialist Market Economy: The Musical Culture of Tibet Today. In: Unity and Discord: Music and Politics in Contemporary Tibet (2004).
93.
Morcom, A.: The Voice of the State: Musical Propaganda in Tibet. In: Unity and Discord: Music and Politics in Contemporary Tibet. Tibet Information Network, London (2004).
94.
Morcom, A.: The Voice of the State: Musical Propaganda in Tibet. In: Unity and Discord: Music and Politics in Contemporary Tibet (2004).
95.
Payerhin, M.: Singing Out of Pain: Protest Songs and Social Mobilization. The Polish Review. 57, (2012).
96.
Perris, A.: Music as Propaganda: Art at the Command of Doctrine in the People’s Republic of China. Ethnomusicology. 27, (1983). https://doi.org/10.2307/850880.
97.
Randall, A.J.: A Censorship of Forgetting: Origin and Origin Myths of "Battle Hymn of the Republic”. In: Music, Power, and Politics. Routledge, New York (2005).
98.
Roust, C.: Communal Singing as Political Act: A Chorus of Women Resistants in La Petite Roquette, 1943–1944. Music & Politics. VII, (2013).
99.
Whittaker, L.: Refining the Nation’s ‘New Gold’: Music, Youth Development and Neoliberalism in South Africa. Culture, Theory and Critique. 55, 233–256 (2014). https://doi.org/10.1080/14735784.2014.897244.
100.
World Health Organization: Constitution of the World Heath Organization, http://www.who.int/governance/eb/who_constitution_en.pdf, (2006).
101.
Andrews, G.J., Kingsbury, P., Kearns, R.A. eds: Soundscapes of Wellbeing in Popular Music. (2014).
102.
DeNora, T.: Music and the Body. In: Music in Everyday Life. pp. 75–108. Cambridge University Press, Cambridge (2000).
103.
Dirksen, R.: Surviving Material Poverty by Employing Cultural Wealth: Putting Music in the Service of Community in Haiti. Yearbook for Traditional Music. 45, (2013). https://doi.org/10.5921/yeartradmusi.45.2013.0043.
104.
Harrison, K.: The Relationship of Poverty to Music. Yearbook for Traditional Music. 45, (2013). https://doi.org/10.5921/yeartradmusi.45.2013.0001.
105.
Harrison, K.: Music, Health, and Socio-Economic Status: A Perspective on Urban Poverty in Canada. Yearbook for Traditional Music. 45, (2013). https://doi.org/10.5921/yeartradmusi.45.2013.0058.
106.
MacDonald, R.A.R., Kreutz, G., Mitchell, L.: Music, Health, and Wellbeing. Oxford University Press, Oxford (2012).
107.
Roseman, M.: Concepts of Being. In: Healing Sounds From the Malaysian Rainforest: Temiar Music and Medicine. pp. 24–51. University of California Press (1993).
108.
Frequently Asked Questions | The Equality Trust, https://www.equalitytrust.org.uk/faq.
109.
McLellan, R., Galton, M., Steward, S., Page, C.: The Impact of Creative Initiatives on Wellbeing: A Literature Review, https://www.creativitycultureeducation.org/publication/the-impact-of-creative-initiatives-on-wellbeing-a-literature-review/, (2012).
110.
Nguyen, V.-K., Peschard, K.: Anthropology, Inequality, and Disease: A Review. Annual Review of Anthropology. 32, 447–474 (2003). https://doi.org/10.1146/annurev.anthro.32.061002.093412.
111.
Sen, A.: Development as Freedom. Oxford University Press, Oxford (2001).
112.
Throsby, D.: Why Should Economists Be Interested in Cultural Policy? Economic Record. 88, 106–109 (2012). https://doi.org/10.1111/j.1475-4932.2012.00808.x.
113.
Wilkinson, R.G., Pickett, K.: The End of an Era. In: The Spirit Level: Why Equality Is Better for Everyone. Penguin, London (2010).
114.
Wilkinson, R.G., Pickett, K.: Poverty or Inequality? In: The Spirit Level: Why Equality Is Better for Everyone. Penguin, London (2010).
115.
Anderson, B.: Introduction. In: Imagined Communities: Reflections on the Origin and Spread of Nationalism. Verso, London (2016).
116.
Anderson, B.: Introduction. In: Imagined Communities: Reflections on the Origin and Spread of Nationalism. Verso, London (2006).
117.
Bohlman, P.V.: The Study of Folk Music in the Modern World. Indiana University Press, Bloomington (1988).
118.
Gellner, E., Breuilly, J.: Definitions. In: Nations and Nationalism. Cornell University Press, Ithaca, N.Y. (2008).
119.
Hobsbawm, E.J.: Nations and Nationalism Since 1780: Programme, Myth, Reality. Cambridge University Press, Cambridge (1992).
120.
Hobsbawm, E.J.: Nations and Nationalism since 1780: Programme, Myth, Reality. Cambridge University Press, Cambridge (2012).
121.
Hobsbawm, E.J., Ranger, T.O.: The Invention of Tradition. Cambridge University Press, Cambridge (1992).
122.
Hobsbawm, E.: The Invention of Tradition. Cambridge University Press, Cambridge (2012).
123.
Baranovitch, N.: China’s New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978-1997. University of California Press, Berkeley (2003).
124.
Bohlman, P.V.: The Music of European Nationalism: Cultural Identity and Modern History. ABC-CLIO, Santa Barbara, CA (2004).
125.
Hanson, J.: German National Song in the Third Reich: A Tale of Two Anthems. Music & Politics. VII, (2013).
126.
Howard, K.: Minyo in Korea: Songs of the People and Songs for the People. Asian Music. 30, (1999). https://doi.org/10.2307/834312.
127.
Jones, C.O.: "Songs of Malice and Spite”?: Wales, Prince Charles, and an Anti-Investiture Ballad of Dafydd Iwan. Music & Politics. VII, (2013).
128.
Orzech, R.: Nabucco in Zion: Place, Metaphor and Nationalism in an Israeli Production of Verdi’s Opera[1]. Music & Politics. IX, (2015).
129.
Ramnarine, T.K.: Ilmatar’s Inspirations: Nationalism, Globalization, and the Changing Soundscapes of Finnish Folk Music. University of Chicago Press, Chicago (2003).
130.
Spinetti, F.: Music, Politics and Nation Building in Post-Soviet Tajikistan. In: Music and the Play of Power in the Middle East, North Africa and Central Asia. Ashgate, Aldershot (2009).
131.
Subramanian, L.: The Reinvention of a Tradition: Nationalism, Carnatic Music and the Madras Music Academy, 1900-1947. Indian Economic & Social History Review. 36, 131–163 (1999). https://doi.org/10.1177/001946469903600201.
132.
Sweers, B.: The Power to Influence Minds: German Folk Music During the Nazi Era and After. In: Music, Power, and Politics. Routledge, New York (2005).
133.
Tan, S.E.: Manufacturing and Consuming Culture: Fakesong in Singapore. Ethnomusicology Forum. 14, 83–106 (2005). https://doi.org/10.1080/17411910500096745.
134.
Tuohy, S.: The Sonic Dimensions of Nationalism in Modern China: Musical Representation and Transformation. Ethnomusicology. 45, (2001). https://doi.org/10.2307/852636.
135.
Ignatieff, M.: The Narcissism of Minor Differences. In: The warrior’s honor: Ethnic war and the modern conscience. Henry Holt & Company Inc, New York (1998).
136.
White, H., Murphy, M.: Musical Constructions of Nationalism: Essays on the History and Ideology of European Musical Culture 1800-1945. Cork University Press (2001).
137.
Bourdieu, P.: Distinction and the Aristocracy of Culture. In: Cultural Theory and Popular Culture: A Reader. Pearson Longman, Harlow, England (2009).
138.
Shepherd, J.: Music and Social Categories. In: The Cultural Study of Music: A Critical Introduction. Routledge, New York (2012).
139.
Shepherd, J.: Music and Social Categories. In: The Cultural Study of Music: A Critical Introduction. Routledge, New York (2012).
140.
Adorno, T.W.: On Popular Music. In: Cultural Theory and Popular Culture: A Reader. Pearson Longman, Harlow, England (2009).
141.
Gramsci, A.: Hegemony, Intellectuals, and the State. In: Cultural Theory and Popular Culture: A Reader. Pearson Longman, Harlow, England (2009).
142.
Grodach, C.: Cultural Economy Planning in Creative Cities: Discourse and Practice. International Journal of Urban and Regional Research. 37, 1747–1765 (2013). https://doi.org/10.1111/j.1468-2427.2012.01165.x.
143.
Hoffman, A.R.: Compelling Questions about Music, Education, and Socioeconomic Status. Music Educators Journal. 100, 63–68 (2013). https://doi.org/10.1177/0027432113494414.
144.
Marx, K.: Base and Superstructure. In: Cultural Theory and Popular Culture: A Reader. Pearson Longman, Harlow, England (2009).
145.
Marx, K., Engels, F.: Ruling Class and Ruling Ideas. In: Cultural Theory and Popular Culture: A Reader. Pearson Longman, Harlow, England (2009).
146.
Roberts, D.: From the Cultural Contradictions of Capitalism to the Creative Economy: Reflections on the New Spirit of Art and Capitalism. Thesis Eleven. 110, 83–97 (2012). https://doi.org/10.1177/0725513612444563.
147.
Slobin, M.: The Superculture. In: Subcultural Sounds: Micromusics of the West. Wesleyan University Press, Hanover, NH (1993).
148.
Slobin, M.: Searching for Subculture. In: Subcultural Sounds: Micromusics of the West. Wesleyan University Press, Hanover, NH (1993).
149.
Averill, G.: Haitian Dance Bands, 1915-1970: Class, Race, and Authenticity. Latin American Music Review / Revista de Música Latinoamericana. 10, (1989). https://doi.org/10.2307/779951.
150.
Cross, R.: "There Is No Authority But Yourself ”: The Individual and the Collective in British Anarcho-Punk.
151.
Kraus, R.C.: Pianos and Politics in China: Middle-Class Ambitions and the Struggle Over Western Music. Oxford University Press, New York (1989).
152.
Olmstead, A.A.: The Capitalisation of Musical Production: The Conceptual and Spatial Development of London’s Public Concerts, 1660-1750. In: Regula Burckhardt, Q. (ed.) Music and Marx: Ideas, Practices, Politics. Routledge, New York (2002).
153.
Power, M.J., Dillane, A., Devereux, E.: "I Sing Out to the Youth of the Slums”: Morrissey and Class Disgust. Popular Music and Society. 39, 547–562 (2016). https://doi.org/10.1080/03007766.2015.1072871.
154.
Qureshi, R.B.: Mode of Production and Musical Production: Is Hindustani Music Feudal? In: Music and Marx: Ideas, Practices, Politics. Routledge, New York (2002).
155.
Rice, T.: The Dialectic of Economics and Aesthetics in Bulgarian Music. In: Retuning Culture: Musical Changes in Central and Eastern Europe. Duke University Press, Durham (1996).