‘7 Reasons I Use “Queer” Instead of Lesbian’ <https://www.bustle.com/articles/170551-7-reasons-i-use-queer-instead-of-lesbian>
Albert Innaurato, Gemini
‘Angels in America on iTunes’ <https://itunes.apple.com/gb/tv-season/angels-in-america/id640160306>
Annie Sprinkle, ‘Herstory of Porn’, in Hardcore from the Heart: The Pleasures, Profits and Politics of Creative Sexual Expression - Annie Sprinkle Solo (Continuum International Publishing Group Ltd, 2001)
———, ‘Metamorphosexual Mud Bath’, in Hardcore from the Heart: The Pleasures, Profits and Politics of Creative Sexual Expression - Annie Sprinkle Solo (Continuum International Publishing Group Ltd, 2001), pp. 27–31
Attwood, Feona, ‘Sexed Up: Theorizing the Sexualization of Culture’, Sexualities, 9.1 (2006), 77–94 <https://doi.org/10.1177/1363460706053336>
Baker, Annie, Body Awareness (New York: Samuel French, 2009)
Bartleet, Carina, ‘Sarah Daniels: Feminist Enque(e)Ry within the Mainstream’, New Theatre Quarterly, 26.02 (2010), 145–60 <https://doi.org/10.1017/S0266464X1000028X>
Beautiful Thing <https://doi.org/10.5040/9781408164549.00000005>
Bennett, Alan, The History Boys (London: Faber, 2004)
———, ‘The History Boys’, 2004 <http://dx.doi.org/10.5040/9780571289325.00000008>
Bent <https://doi.org/10.5040/9781408168899.00000014>
Blackman, Lisa, ‘The Re-Making of Sexual Kinds: Queer Subjects and the Limits of Representation’, Journal of Lesbian Studies, 13.2 (2009), 122–35 <https://doi.org/10.1080/10894160802695312>
Brendan Healy, ‘Seven Reasons Why I Believe We (Still) Need a Queer Theatre’, Canadian Theatre Review, 165.165 (2016), 84–86 <https://muse.jhu.edu/article/609626>
Brittain, Jon, Rotterdam (London: Bloomsbury Methuen Drama, an imprint of Bloomsbury Publishing, 2017), Methuen modern plays
———, ‘Rotterdam’, Modern plays (2017) <http://dx.doi.org/10.5040/9781350018358.00000004>
Butler, Judith, Gender Trouble: Feminism and the Subversion of Identity (New York: Routledge, 2006), Routledge classics
———, Gender Trouble: Feminism and the Subversion of Identity, 2nd ed (New York: Routledge, 2006), Routledge classics <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=710077>
———, Gender Trouble: Feminism and the Subversion of Identity, 2nd ed (New York: Routledge, 2006)
———, Gender Trouble: Feminism and the Subversion of Identity, 2nd ed (New York: Routledge, 2006) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=710077>
Campbell, Alexi Kaye, The Pride, New edition (London: Nick Hern Books, 2013)
———, ‘The Pride’, 2015 <http://dx.doi.org/10.5040/9781784600167.40000004>
Carol Schafer, ‘Staging a New Literary History: Suzan-Lori Parks’s Venus, In the Blood, and Fucking A’, Comparative Drama, 42.2 (2008) <https://www.jstor.org/stable/23038019?seq=1#metadata_info_tab_contents>
Chambers, Jane, Last Summer at Bluefish Cove: A Play in Two Acts (New York, N.Y.: JH Press, 1982), JH Press gay play script series
Christina Cauterucci, ‘Lesbian No Longer Works for Many Young Queer Women. But Can a Community Exist Without a Name?’, Slate Magazine, 2016 <http://www.slate.com/blogs/outward/2016/12/20/young_queer_women_don_t_like_lesbian_as_a_name_here_s_why.html?via=gdpr-consent>
Churchill, Caryl, Cloud 9, Reprinted with revisions (London: Nick Hern Books, 2013) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1359691>
———, Cloud Nine (London: Hern, 1989)
Collins, Patricia Hill, Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment, 2nd ed (New York: Routledge, 2000)
Connell, R. W., Gender (Cambridge: Polity, 2002)
———, Gender (Cambridge: Polity, 2002)
Daniels, Sarah, Neaptide (London: Methuen, 1986)
———, Neaptide (London: Methuen, 1986)
Dolan, Jill, ‘The Dynamics of Desire: Sexuality and Gender in Pornography and Performance’, Theatre Journal, 39.2 (1987) <https://doi.org/10.2307/3207686>
———, ‘“The Dynamics of Desire: Sexuality and Gender in Pornography and Performance” in Theatre Journal’, Theatre Journal, 39.2 (1987) <https://doi.org/10.2307/3207686>
———, Theatre & Sexuality (Basingstoke: Palgrave Macmillan, 2010), Theatre&
———, Theatre & Sexuality (Basingstoke: Palgrave Macmillan, 2010)
Dowie, Claire, Why Is John Lennon Wearing a Skirt: And Other Stand-up Theatre Plays (London: Methuen Drama, 1996)
———, Why Is John Lennon Wearing a Skirt: And Other Stand-up Theatre Plays (London: Methuen Drama, 1996) <http://www.dramaonlinelibrary.com/plays/why-is-john-lennon-wearing-a-skirt-iid-18088>
Dymkowski, Christine, ‘Breaking the Rules: The Plays of Sarah Daniels’, Contemporary Theatre Review, 5.1–2 (1996), 63–75 <https://doi.org/10.1080/10486809608568382>
Elyot, Kevin, My Night with Reg <https://doi.org/10.5040/9781784600822.00000007>
———, My Night With Reg (London: Hern, 1994)
———, ‘My Night With Reg’, 2015 <http://dx.doi.org/10.5040/9781784600822.00000007>
Fisher, J., ‘We Will Be Citizens’: New Essays on Gay and Lesbian Theatre (Jefferson, N.C.: McFarland & Company, 2008)
Fisher, James, ‘From Tolerance to Liberation: Gay Drama in the Mainstream from “Torch Song Trilogy” and “The Normal Heart” to “Angels in America”, “Love! Valour! Compassion!” and “Take Me Out”’, in ‘We Will Be Citizens’: New Essays on Gay and Lesbian Theatre (Jefferson, N.C.: McFarland & Company, 2008), pp. 7–31
———, ‘We Will Be Citizens’: New Essays on Gay and Lesbian Theatre (Jefferson, N.C.: McFarland & Company, 2009) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1594725>
Foster, Verna A., ‘Nurturing and Murderous Mothers in Suzan-Lori Parks’s In the Blood and Fucking A’, American Drama, 2007 <https://literature.proquest.com/searchFullrec.do?id=R03887510&area=abell&forward=critref_fr&DurUrl=Yes>
Freeman, Sara, ‘Gay Sweatshop, Alternative Theatre, and Strategies for New Writing’, New Theatre Quarterly, 30.02 (2014), 136–53 <https://doi.org/10.1017/S0266464X14000256>
———, ‘Gay Sweatshop, Alternative Theatre, and Strategies for New Writing’, New Theatre Quarterly, 30.02 (2014), 136–53 <https://doi.org/10.1017/S0266464X14000256>
———, ‘Gay Sweatshop, Alternative Theatre, and Strategies for New Writing’, New Theatre Quarterly, 30.02 (2014), 136–53 <https://doi.org/10.1017/S0266464X14000256>
Fuchs, Elinor, ‘Staging the Obscene Body’, TDR (1988-), 33.1 (1989) <https://doi.org/10.2307/1145943>
———, ‘Staging the Obscene Body’, TDR, 33.1 (1989) <https://doi.org/10.2307/1145943>
‘Fun Home Script’ <https://drive.google.com/file/d/0BznEdG6hnlWpR1RtN0R1QXJKWmc/view>
Gale, Maggie B., and Viv Gardner, Auto/Biography and Identity: Women, Theatre and Performance (Manchester: Manchester University Press, 2004)
Gardiner, J. K., ‘Queering Genre: Alison Bechdel’s Fun Home: A Family Tragicomic and The Essential Dykes to Watch Out For’, Contemporary Women’s Writing, 5.3 (2011), 188–207 <https://doi.org/10.1093/cww/vpr015>
Gay Theatre (Bloomsbury PublishingNick Hern BooksBloomsbury PublishingPlaywrights Canada PressBloomsbury PublishingAurora Metro BooksBloomsbury PublishingAurora Metro BooksFaber and FaberNick Hern Books) <http://www.dramaonlinelibrary.com/genres/gay-theatre-iid-2486>
Goodman, Lizbeth, and Jane De Gay, The Routledge Reader in Gender and Performance (New York: Routledge, 1998)
———, The Routledge Reader in Gender and Performance (London: Routledge, 1998) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=169236>
———, The Routledge Reader in Gender and Performance (New York: Routledge, 1998)
———, The Routledge Reader in Gender and Performance (London: Routledge, 1998) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=169236>
GREER, STEPHEN, ‘Queer Exceptions’, Theatre Research International, 40.01 (2015), 92–95 <https://doi.org/10.1017/S0307883314000625>
Harvey, Jonathan, Beautiful Thing (London: Methuen, 1994)
———, Beautiful Thing (London: Methuen, 1994)
Harvey, Jonathan, and Jonathan Harvey, ‘Beautiful Thing’, 2013 <http://dx.doi.org/10.5040/9781408164549.00000005>
‘Hedwig and the Angry Inch (1999 Script)’ <http://www.rockymusic.org/showdoc/hedwig-play-script.php>
Hellman, Lillian, The Children’s Hour (New York: Dramatists Play Service, 1981)
Henry, Matthew, ‘A One-Inch Mound of Flesh: Troubling Queer Identity In’, The Journal of American Culture, 39.1 (2016), 64–77 <https://doi.org/10.1111/jacc.12524>
Hill Collins, Patricia, and Sirma Bilge, Intersectionality (Cambridge: Polity, 2016)
Hooks, Bell, Feminist Theory: From Margin to Center, 2nd ed (London: Pluto, 2000) <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1811030>
Jess and Joe Forever <https://doi.org/10.5040/9781350025424.00000002>
John Osborne 1929-, Look Back in Anger : A Play in Three Acts (Faber and Faber, 1957) <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2130339410002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,Look%20Back%20in%20Anger%20osborne&sortby=date&facet=frbrgroupid,include,1288097756&offset=0>
Kaufman, Moises, Leigh Fondakowski, and Tectonic Theater Project, The Laramie Project (New York: Vintage Books, 2001)
Kennedy, Dennis, The Oxford Companion to Theatre and Performance (Oxford: Oxford University Press, 2010)
———, The Oxford Companion to Theatre and Performance ([Oxford]: Oxford University Press, 2010) <http://www.oxfordreference.com/view/10.1093/acref/9780199574193.001.0001/acref-9780199574193>
———, The Oxford Companion to Theatre and Performance (Oxford: Oxford University Press, 2010)
———, The Oxford Companion to Theatre and Performance ([Oxford]: Oxford University Press, 2010) <http://www.oxfordreference.com/view/10.1093/acref/9780199574193.001.0001/acref-9780199574193>
Kramer, Larry, The Normal Heart (London: Hern, 1993)
Kron, Lisa, Fun Home: Based on the Acclaimed Graphic Novel by Alison Bechdel (Theatre Communications Group, 2015)
Kushner, Tony, Angels in America: A Gay Fantasia on National Themes, Pt. 1: Millenium Approaches (New York: Theatre Communications Group, 1993)
———, Angels in America: A Gay Fantasia on National Themes, Pt. 2: Perestroika (London: Royal National Theatre, 1994)
———, Angels in America: A Gay Fantasia on National Themes, Pt. 2: Perestroika (London: Royal National Theatre, 1994)
———, Slavs! (Broadway Play Pub, 1996)
Kushner, Tony and Royal National Theatre, Angels in America: A Gay Fantasia on National Themes, Pt. 1: Millenium Approaches (New York: Theatre Communications Group, 1993)
von Ledebur, Ruth Freifrau, ‘Gender Politics and Female Characters in Edward Bond’s Plays’, Contemporary Theatre Review, 5.1–2 (1996), 51–61 <https://doi.org/10.1080/10486809608568381>
Lenkiewicz, Rebecca, Her Naked Skin (London: Faber and Faber, 2008), FF plays
———, Her Naked Skin (London: Faber, 2008), Faber plays <http://dx.doi.org/10.5040/9780571284962.00000008>
Leondar, Gail, Lois Weaver, Peggy Shaw, Bette Bourne, and Precious Pearl, ‘Belle Reprieve’, Theatre Journal, 43.3 (1991) <https://doi.org/10.2307/3207596>
Look Back in Anger <https://doi.org/10.5040/9780571285990.00000006>
Mamet, David, Boston Marriage (London: Methuen, 2001)
McNally, Terrence, Corpus Christi: A Play, First edition (New York: Grove Press, 1998)
———, Lips Together, Teeth Apart (Josef Weinberger Plays, 1992)
McNicholas Smith, Kate, ‘Sexualisation, or the Queer Feminist Provocations of Miley Cyrus’, Feminist Theory, 18.3 (2017), 281–98 <https://doi.org/10.1177/1464700117721880>
Menard, Paul, ‘The (Fe)Male Gays: Split Britches and the Redressing of Dyke Camp’, in ‘We Will Be Citizens’: New Essays on Gay and Lesbian Theatre (Jefferson, N.C.: McFarland & Company, 2008), pp. 185–93
Mihaylova, Stefka, ‘The Radical Formalism of Suzan-Lori Parks and Sarah Kane’, Theatre Survey, 56.02 (2015), 213–31 <https://doi.org/10.1017/S0040557415000083>
Mitchell, Julian, Another Country (Ambergate: Amber Lane Press, 1982)
Munro, Ealasaid, ‘Feminism: A Fourth Wave?’, Political Insight, 2013, 22–25 <https://doi.org/10.1111/2041-9066.12021>
Neaptide <https://doi.org/10.5040/9781408182758.00000061>
——— <https://doi.org/10.5040/9781408182758.00000061>
Niles, Richard, ‘Wigs, Laughter, and Subversion’, Journal of Homosexuality, 46.3–4 (2004), 35–53 <https://doi.org/10.1300/J082v46n03_03>
Orton, Joe, Loot (London: Methuen, 1967)
Orton, Joe, and Andrew Mayne, ‘Loot’, Methuen student editions (2006) <http://dx.doi.org/10.5040/9781408168158.00000032>
Parks, Suzan-Lori, Fucking A in Red Letter Plays (New York: Theatre Communications Group Inc.,U.S., 2002)
Pellegrini, Ann, Performance Anxieties: Staging Psychoanalysis, Staging Race (New York: Routledge, 1997)
———, Performance Anxieties: Staging Psychoanalysis, Staging Race (New York: Routledge, 1997) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203699911>
Pinter, Harold, The Homecoming, 2nd ed (London: Methuen, 1966)
Pramaggiore, Maria T., ‘Resisting/Performing/Femininity: Words, Flesh, and Feminism in Karen Finley’s “The Constant State of Desire”’, Theatre Journal, 44.3 (1992) <https://doi.org/10.2307/3208549>
‘Queer Women on Stage: Representation v. Exploitation - Exeunt Magazine’ <http://exeuntmagazine.com/features/queer-women-stage-representation-v-exploitation/>
Rapi, Nina, ‘Hide and Seek: The Search for a Lesbian Theatre Aesthetic’, New Theatre Quarterly, 9.34 (1993) <https://doi.org/10.1017/S0266464X00007739>
———, ‘Hide and Seek: The Search for a Lesbian Theatre Aesthetic’, New Theatre Quarterly, 9.34 (1993) <https://doi.org/10.1017/S0266464X00007739>
‘Review: Everybody’s Talking About Jamie at the Apollo Theatre - Exeunt Magazine’ <http://exeuntmagazine.com/reviews/review-everybodys-talking-jamie-apollo-theatre/>
Roberts, Brian, ‘Whatever Happened to Gay Theatre?’, New Theatre Quarterly, 16.02 (2000) <https://doi.org/10.1017/S0266464X00013695>
Sandell, Jillian, ‘Hedwig Revisited’, Gender, Place & Culture, 23.7 (2016), 1071–76 <https://doi.org/10.1080/0966369X.2015.1073700>
Savran, David, ‘Ambivalence, Utopia, and a Queer Sort of Materialism: How “Angels in America” Reconstructs the Nation’, Theatre Journal, 47.2 (1995) <https://doi.org/10.2307/3208484>
Schneider, Rebecca, The Explicit Body in Performance (London: Routledge, 1997)
———, The Explicit Body in Performance, 1st ed (London: Taylor and Francis, 1997) <http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=170366>
———, The Explicit Body in Performance (London: Routledge, 1997)
———, The Explicit Body in Performance, 1st ed (London: Taylor and Francis, 1997) <http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=170366>
Senelick, Laurence, ‘The Queer Root of Theater’, in The Queerest Art: Essays on Lesbian and Gay Theater (New York: New York University Press, 2002), Sexual cultures, 21–39
Sherman, Martin, ‘Bent’, 2013 <http://dx.doi.org/10.5040/9781408168899.00000014>
———, Plays 1 (London: Methuen, 2004)
Sisley, Emily L., ‘Notes on Lesbian Theatre’, The Drama Review: TDR, 25.1 (1981) <https://doi.org/10.2307/1145343>
———, ‘Notes on Lesbian Theatre’, The Drama Review: TDR, 25.1 (1981) <https://doi.org/10.2307/1145343>
Solomon, Alisa, ‘Great Sparkles of Lust: Homophobia and the Antithetical Tradition’, in The Queerest Art: Essays on Lesbian and Gay Theater (New York: New York University Press, 2002), Sexual cultures, 9–20
Solomon, Alisa, and Framji Minwalla, The Queerest Art: Essays on Lesbian and Gay Theater (New York: New York University Press, 2002)
———, The Queerest Art: Essays on Lesbian and Gay Theater (New York: New York University Press, 2002)
Son, Diana, Stop Kiss (Dramatists Play Service, 2000)
Sprinkle, Annie, Hardcore From the Heart: The Pleasures, Profits and Politics of Creative Sexual Expression - Annie Sprinkle Solo (Continuum International Publishing Group Ltd, 2001)
‘The Dispute Between Radical Feminism and Transgenderism | The New Yorker’ <https://www.newyorker.com/magazine/2014/08/04/woman-2>
The Homecoming <https://doi.org/10.5040/9780571291786.00000005>
‘Tony Kushner’s Angels in America: Histories, Futures, and Queer Lives’ <http://jadtjournal.org/2014/11/17/tony-kushners-angels-in-america-histories-futures-and-queer-lives/>
Wade, Laura, and Sarah Waters, Tipping the Velvet: Based on the Book by Sarah Waters (London: Oberon Books, 2015), Oberon modern plays
West, Mae, Sex, The Drag, The Pleasure Man (Nick Hern Books, 1997)
Wilson, Lanford, Balm in Gilead: And Other Plays (New York: Noonday, 1988)
———, The Hot L Baltimore: A Play (New York: Noonday, 1973)
Wyllie, Andrew, Sex on Stage: Gender and Sexuality in Post-War British Theatre (Bristol: Intellect, 2009)
———, Sex on Stage: Gender and Sexuality in Post-War British Theatre (Bristol: Intellect, 2009) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=435036>
———, Sex on Stage: Gender and Sexuality in Post-War British Theatre (Bristol: Intellect, 2009)
———, Sex on Stage: Gender and Sexuality in Post-War British Theatre (Bristol: Intellect, 2009) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=435036>
———, Sex on Stage: Gender and Sexuality in Post-War British Theatre (Bristol: Intellect, 2009)
———, Sex on Stage: Gender and Sexuality in Post-War British Theatre (Bristol: Intellect, 2009) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=435036>
