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Connell RW. Gender. Polity; 2002.
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Dolan J. Theatre & Sexuality. Vol Theatre&. Palgrave Macmillan; 2010.
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Pellegrini A. Performance Anxieties: Staging Psychoanalysis, Staging Race. Routledge; 1997.
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Pellegrini A. Performance Anxieties: Staging Psychoanalysis, Staging Race. Routledge; 1997. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203699911
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Schneider R. The Explicit Body in Performance. Routledge; 1997.
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Schneider R. The Explicit Body in Performance. 1st ed. Taylor and Francis; 1997. http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=170366
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Sprinkle A. Hardcore From the Heart: The Pleasures, Profits and Politics of Creative Sexual Expression - Annie Sprinkle Solo. Continuum International Publishing Group Ltd; 2001.
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Wyllie A. Sex on Stage: Gender and Sexuality in Post-War British Theatre. Intellect; 2009.
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Wyllie A. Sex on Stage: Gender and Sexuality in Post-War British Theatre. Intellect; 2009. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=435036
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Butler J. Gender Trouble: Feminism and the Subversion of Identity. 2nd ed. Routledge; 2006.
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Butler J. Gender Trouble: Feminism and the Subversion of Identity. 2nd ed. Routledge; 2006. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=710077
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Wyllie A. Sex on Stage: Gender and Sexuality in Post-War British Theatre. Intellect; 2009.
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Wyllie A. Sex on Stage: Gender and Sexuality in Post-War British Theatre. Intellect; 2009. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=435036
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Jess and Joe Forever. doi:10.5040/9781350025424.00000002
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Wyllie A. Sex on Stage: Gender and Sexuality in Post-War British Theatre. Intellect; 2009.
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Wyllie A. Sex on Stage: Gender and Sexuality in Post-War British Theatre. Intellect; 2009. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=435036
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Parks SL. Fucking A in Red Letter Plays. Theatre Communications Group Inc.,U.S.; 2002.
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Daniels S. Neaptide. Methuen; 1986.
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Neaptide. doi:10.5040/9781408182758.00000061
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Rapi N. Hide and Seek: the Search for a Lesbian Theatre Aesthetic. New Theatre Quarterly. 1993;9(34). doi:10.1017/S0266464X00007739
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Annie Sprinkle. Metamorphosexual Mud Bath. In: Hardcore from the Heart: The Pleasures, Profits and Politics of Creative Sexual Expression - Annie Sprinkle Solo. Continuum International Publishing Group Ltd; 2001:27-31.
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Brendan Healy. Seven Reasons Why I Believe We (Still) Need a Queer Theatre. Canadian Theatre Review. 2016;165(165):84-86. https://muse.jhu.edu/article/609626
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McNicholas Smith K. Sexualisation, or the queer feminist provocations of Miley Cyrus. Feminist Theory. 2017;18(3):281-298. doi:10.1177/1464700117721880
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Fisher J. From Tolerance to Liberation: Gay Drama in the Mainstream from ‘Torch Song Trilogy’ and ‘The Normal Heart’ to ‘Angels in America’, ‘Love! Valour! Compassion!’ and ‘Take Me Out’. In: ‘We Will Be Citizens’: New Essays on Gay and Lesbian Theatre. McFarland & Company; 2008:7-31.
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Solomon A. Great Sparkles of Lust: Homophobia and the Antithetical Tradition. In: The Queerest Art: Essays on Lesbian and Gay Theater. Vol Sexual cultures. New York University Press; 2002:9-20.
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Fuchs E. Staging the Obscene Body. TDR. 1989;33(1). doi:10.2307/1145943
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101.
Rapi N. Hide and Seek: the Search for a Lesbian Theatre Aesthetic. New Theatre Quarterly. 1993;9(34). doi:10.1017/S0266464X00007739
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Sisley EL. Notes on Lesbian Theatre. The Drama Review: TDR. 1981;25(1). doi:10.2307/1145343
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Kushner T. Angels in America: A Gay Fantasia on National Themes, Pt. 1: Millenium Approaches. Theatre Communications Group; 1993.
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Kron L. Fun Home: Based on the Acclaimed Graphic Novel by Alison Bechdel. Theatre Communications Group; 2015.
